Each week, we plan to highlight a few positions that we come across that we find particularly interesting. Learn more, including application information, by checking out each pick on Career Center Connector. While you’re there, see what other interesting opportunities you find!

Visit http://blog.careercenter.dsa.umich.edu/ for more information!

Face of Our Time examines more than 100 works by five photographers—Jacob Aue Sobol, Jim Goldberg, Zanele Muholi, Daniel Schwartz, and Richard Misrach—who operate within what Walker Evans referred to as the "documentary style." Sharing an interest in making pictures that capture what the world looks like, they observe the sometimes volatile civil and political transformations facing society and look reflectively at contemporary culture, recording history as it unfolds slowly over time. Aue Sobol's gentle and sculptural pictures reveal the hardships of life in the Arctic; Goldberg's multilayered series includes fragmented narratives from the migration of illegal immigrants from Africa to Europe; Muholi commemorates and celebrates the histories and struggles that black lesbians face in her native South Africa; Schwartz reveals the overlapping narratives between the Silk Route's ancient history and the military and economic power struggles that it faces today; and the Richard Misrach photographs, from his recently published book, Destroy This Memory, are an informal, yet personal collection of pictures taken in the aftermath of the Hurricane Katrina tragedy in New Orleans.

Face of Our Time: Jacob Aue Sobol, Jim Goldberg, Zanele Muholi, Daniel Schwartz, Richard Misrach is organized by the San Francisco Museum of Modern Art. Generous support is provided by Pro Helvetia, Swiss Arts Council.

Face of Our Time at UMMA is made possible in part by the Lois Zenkel Photographic Exhibitions Fund, the University of Michigan Health System, and the University of Michigan Office of the Provost and CEW Frances and Sydney Lewis Visiting Leaders Fund.

Image caption: Jim Goldberg, Making Fire, Democratic Republic of Congo, 2008; chromogenic print; 30 in. x 40 in. (76.2 cm x 101.6 cm); Collection SFMOMA, purchase through a gift of Nicola Miner and Robert Mailer Anderson; © Jim Goldberg

This is the first part of a two-part exhibition introducing exciting, recently acquired works from UMMA's collections gifted to the museum during the past five years. Recent Acquisitions: Curator's Choice, Part I presents a first look at artworks, mostly prints, drawings, and photographs by artists as diverse as Annie Leibovitz, Edward Steichen, and Rembrandt van Rijn. Carole McNamara, Senior Curator of Western Art, chose works that focus on some of the enduring and compelling themes that have occupied artists in Europe and America. One is the preoccupation with the human form as an expression of ideas, feelings, and sensations. This selection begins with the tradition of the academic nude study and progresses to embrace different genres, from both secular and religious contexts. Another selection-landscapes and cityscapes-are each opportunities for artists to speak to our relationship to the natural world-both in how we experience landscape as well as how we construct our own urban environments.

This exhibition is made possible in part by the University of Michigan Office of the Provost.

The tiny dramas that comprise Robert Wilson's Video 50 contain aspects of his hallmark aesthetic: surreal or dream-like imagery, the absence of a linear narrative, the conflation of seemingly unrelated characters and micro-stories, and a mesmerizingly slow pace. Video 50 consists of a randomly arranged set of 30-second "episodes," a few of which feature notable French personalities of the 1970s-perfumier Hélène Rochas stares down a mugger, culture minister Michel Guy struggles to open a dresser drawer-and Wilson thought of these as miniature portraits or character studies. The creator and director of aggressively experimental theater, Wilson first came to prominence with works from the mid-1970s such as The Life and Times of Joseph Stalin (1973) and Einstein on the Beach (1976). These lavish, unusually long productions broke and then redefined every convention of theater. In Video 50 his shorter time-based portraits explore the intersection of narrative and still-life, seductively dissolving the distance between viewer and subject.

This session will give students information on what depression is and is not. It will also explore ways to help students feel more energized and well equipped to navigate through their difficult situation or depressed mood.

In honor of MLK day, please join us for a community guided loving kindness meditation to increase mindfulness, compassion, and peace to oneself and others. No meditation experience necessary.

Testing conducted on a first-come, first-serve basis.

Screening for sexually transmitted infections will also be available, with a request for donation.

Supported by: Multi-Ethnic Student Affairs, Washtenaw County Public Health Department, University Health Service, Alpha Phi Alpha Fraternity, CoitusLove, and the Student Planning Committee

No testing on February 28th (spring break)

PROGRAM: Krufft - Sonata for Horn in E Major; Britten - Canticle III, Op. 55: “Still Falls the Rain”; Reinecke - Trio for Oboe, Horn, and Piano in A Minor Op. 188