We invite you to browse panels about the scripts of ancient Egypt, indigenous languages of Central and South America, languages of Southeast Asia, and more – including the English language and language used in graffiti and comics.

This exhibit highlights the possibilities for exploration and discovery within the library’s collections, which are impressive on many levels. The sheer number of materials, including more than 8.5 million volumes in locations all over campus, and access to millions of digital books, journals and images, makes it one of the largest university library systems in the United States. The collection encompasses ancient documents written on papyrus, electronic journals reporting on the latest advances in science and medicine, and materials from nearly every period, culture, and way of thought in between.

Photo Competition Rules and Criteria

Criteria for entries: -must be a two dimensional image -submitted as a jpeg, gif, or pdf file -resoultion must be at least 300 dpi -image must depict or represent any or all parts of North Campus -Short description of the content and how it represents North Campus

examples of entry:

photograph, photograph/mixed media (2D), photoshop etc..

How to submit entries: -deadline for submission: March 5, 2012 by 11:59pm EST -One entry per person. Up to 3 images per entry, they shall be judged together.

-Submit entries to: NorthCampusPhoto@gmail.com

-add as a jpeg, gif, or pdf file attachment -include Submission Form with entry

Judging Process: The winners shall be selected by a diverse panel of judges. The judges shall select “Honorable Mention” pieces first. Then, from the “Honorable Mention” pool, the judges will select first, second, and third place winners.

Winners/ Prizes: Winners will be notified via email. All Honorable Mention Pieces will be up for display in the Duderstadt connector from March 12 - 16.

Prizes will be as follows:

First Place: $300

Second Place $150

Third Place $75

Honorable Mention will receive a small gift

North Campus

Following decades of multicultural scholarship, History of Art seems poised to move beyond nation-centered narratives. For this purpose the rich record of artistic practice in China offers fertile ground for speculation. If we know, for instance, that landscape painting, art collecting, and critical writing emerged independently at two ends of the Eurasian Continent, will it now be possible to develop meta-theories of “landscape” or “pictorial realism”? Or is the language of art inextricably linked to culturally distinct cognitive and visual practices? This conference seeks to explore meta-disciplinary perspectives around such topics as academies, print, landscape, gardens, fashion, canons, and the language of art itself.

This conference is organized by the U-M Department of History of Art and co-sponsored by the Confucius Institute at the University of Michigan and the U-M Center for Chinese Studies, with additional support from the International Institute, Institute for the Humanities, Rackham Graduate School, Office of the Vice President for Research, College of Literature, Science, and the Arts; School of Art & Design, U-M Museum of Art, Eisenberg Institute for Historical Studies, and the Departments of Comparative Literature, Anthropology, Philosophy, and History.

This symposium will bring graduate and undergraduate students together with professionals in food careers related to sustainability and the environment. Our goal is to expose students to the wide range of career opportunities in this field. The event will feature four panel discussions focused on the following topics:

-Food Law, Policy, and Government -International Development in Food -Sourcing and Change in the Private Sector -Start-ups in Food

FREE lunch from Zingerman's Roadhouse is included!

More details (and website address) to come...

Preeminent American sculptor Mark di Suvero (b. 1933) is best known for his dynamic and monumental works made of industrial steel and salvaged materials that populate museum grounds, landscapes, and urban environments around the world. In addition to countless exhibitions and awards, in March 2011 di Suvero was honored with the National Medal of the Arts by President Obama in a White House ceremony. This exhibition, organized by UMMA and on view exclusively in Ann Arbor, features approximately 15 of di Suvero's rarely exhibited smaller scale pieces, or tabletops, from the 1950s to the present. The tabletops are not maquettes of larger-scale works but an expressionistic and engaging genre all their own, an outlet for exploring ideas relating to the calligraphic nature of form, balance, proportion, and movement. Drawing from numerous private collections as well as the artist's studio, the exhibition offers the opportunity to experience this intimate work in the Museum's ground level, glass-walled Irving Stenn, Jr, Family Project Gallery, adjacent to the two di Suvero outdoor steel sculptures on the Museum's grounds–Orion (2006) and Shang (1984–85).

This exhibition is made possible in part by the Office of the President of the University of Michigan, the University of Michigan Health System, and Laura Lynch and Hugh McPherson.

This is the first part of a two-part exhibition introducing exciting, recently acquired works from UMMA's collections gifted to the museum during the past five years. Recent Acquisitions: Curator's Choice, Part I presents a first look at artworks, mostly prints, drawings, and photographs by artists as diverse as Annie Leibovitz, Edward Steichen, and Rembrandt van Rijn. Carole McNamara, Senior Curator of Western Art, chose works that focus on some of the enduring and compelling themes that have occupied artists in Europe and America. One is the preoccupation with the human form as an expression of ideas, feelings, and sensations. This selection begins with the tradition of the academic nude study and progresses to embrace different genres, from both secular and religious contexts. Another selection-landscapes and cityscapes-are each opportunities for artists to speak to our relationship to the natural world-both in how we experience landscape as well as how we construct our own urban environments.

This exhibition is made possible in part by the University of Michigan Office of the Provost.

The tiny dramas that comprise Robert Wilson's Video 50 contain aspects of his hallmark aesthetic: surreal or dream-like imagery, the absence of a linear narrative, the conflation of seemingly unrelated characters and micro-stories, and a mesmerizingly slow pace. Video 50 consists of a randomly arranged set of 30-second "episodes," a few of which feature notable French personalities of the 1970s-perfumier Hélène Rochas stares down a mugger, culture minister Michel Guy struggles to open a dresser drawer-and Wilson thought of these as miniature portraits or character studies. The creator and director of aggressively experimental theater, Wilson first came to prominence with works from the mid-1970s such as The Life and Times of Joseph Stalin (1973) and Einstein on the Beach (1976). These lavish, unusually long productions broke and then redefined every convention of theater. In Video 50 his shorter time-based portraits explore the intersection of narrative and still-life, seductively dissolving the distance between viewer and subject.

Fridays, January 27–March 16, 2012 Instructor: Heather Accurso $10 one-time drop-in fee (cash only), materials included Pre-register for all 8 classes: $72 UMMA and AAAC members and UM students / $80 non-members, materials included. Register online at annarborartcenter.org. Pick up materials at the information desk.

Fridays through March 16, 2012. This drop-in gallery class offers an opportunity to be more than an observer at the Museum. With the guidance of the instructor, learn to observe the works in the UMMA collections; experiment with proportion, perspective, line quality, value, composition, and personal style. No experience necessary; all are welcome!

Learn stress reduction techniques including deep muscle relaxation, mental imagery and mindfulness, deep breathing and supportive “self-talk.” Come once or many times. Wear comfortable clothes.

With fewer tenure track positions and more competition for available positions, how do you distinguish yourself as a candidate among hundreds of other applicants? We will discuss how to get beyond job postings in your search; identify alternatives to tenure track positions; use effective methods for initiating contacts; and foster professional relationships that will lead to more success in your academic job search and beyond.

To register go to: https://secure.rackham.umich.edu/Events/wssel.php

Only Grad Students/ Register Required

Fridays, January 27–March 16 Instructor: Heather Accurso $170 UMMA and AAAC members and UM students / $188 non-members Advance registration required by Friday, January 20. Register online at annarborartcenter.org.

Fridays through March 16, 2012. Learn how to mix colored pencil through layering and blending. Create abstract compositions, draw sumptuous fruit and vegetable still life arrangements, and use photographs or works from the UMMA collections as sources for inspiration and content. Develop a visual and verbal grasp of color theory while simultaneously pursuing an expressive personal style. Students bring their own materials. Supply list provided upon registration.

The talk outlines three architectural ways of thinking about film music: music supports the narrative architecture of a movie in the way that columns, archways, and doorways buttress the structure of buildings; music provides its own sonic architecture, constructing pathways for the ear through the unfolding of the film, and music also works with or against the physical architecture of sets and settings. The core examples come from the classic era of Hollywood, with excursions to other cinema systems for comparative purposes.

One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends—a Webster reading makes for an enjoyable and enlightening Friday evening.

The Tribute to MLK: Bringing the Dream to Life is scheduled for Friday, February 10th, 2012 in the Apse of the University of Michigan Museum of Art. This event will be hosted by Alpha Phi Alpha Fraternity Inc. – Epsilon Chapter and the U-Club Poetry Slam.

Dept. of Musical Theatre Studio Production. A musical by Steven Sater and Duncan Sheik. Directed by Malcolm Tulip, Lynn Shankel, Music Director. Adapted from Frank Wedekind\&##39;s 1891 expressionist play about the trials, tears, and exhilaration of the teen years, Spring Awakening traces the journey from youth to adulthood with power, poignancy, and passion. Recommended for mature audiences due to mature content, including brief partial nudity, sexual situations and strong language. Tickets available at the League Ticket Office, 734-764-2538.

The 20 members of the Chamber Ensemble of the Shanghai Chinese Orchestra are drawn from the first large-scale modern orchestra of traditional instruments in China. The Chamber Ensemble performs music that represents the gallant warriors of the past, the happy days of childhood, a foggy spring morning after a night of rain, and other poetic images brought to life by these iconic musicians. They perform on the zheng, dizi, erhu, pipa, and other Chinese instruments seldom featured in the West. While Chinese stars such as Lang Lang have brought new attention to Western classical music in China, this ensemble provides a window into the traditional Chinese classical music that dates back many centuries.

The Ark at UMMA invites student songwriters from the University of Michigan, Eastern Michigan University, Washtenaw Community College, and Concordia University to submit their original music demos in order to compete for a live performance at UMMA and a chance to perform at The Ark. This student songwriter series is designed to create opportunities for students in the community to have their music heard, learn about promoting their music, and experience important aspects of the music business firsthand.

This event is the second of three performance showcases, which feature the best of the student songwriters selected by The Ark staff from the contest submissions. The final performance on Friday, April 13 will feature all performers from the January, February, and March showcases and will culminate in the announcement of the winner of the series. The winning singer-songwriter will booked for an opening performance at The Ark.

Email Emily@theark.org or visit www.theark.org for more detailed information.

PROGRAM: Janáček - Otčenáš; Bernstein - Chichester Psalms

MTango is a student organization dedicated to spreading the joy of Argentine tango in the University of Michigan community and beyond. We pride ourselves in providing outstanding teachers at affordable prices, and we look for instructors who are not only excellent dancers and experienced teachers but are also articulate and personable people. We also host social dance parties and share our talents through performances. MTango offers a popular intensive beginner's series in Argentine tango (no partner or experience required), as well as classes for more advanced dancers. It's a great way to meet people, listen to awesome music, relax, share a few dances, and have lots of fun!

On Friday, February 10, the Center presents a night of Valentine fun for everyone at UMix: Share the Love!

Here's the rundown of what we have planned:

The Roommate Game: How well do you know your friends? Play our version of the Newlywed Game for great prizes and to test your knowledge of your friends.

Make your own gingerbread love shack.

Create valentine cards for kids staying at the U-M Mott Children's Hospital.

Karaoke

The continuation of the Late Night Knowledge UMix trivia tournament!

A pre-release screening of "The Muppets"

Route 66 BBQ buffet

Billiards & video games

As always, everything at UMix is 100% free for students. Join us at the Michigan Union on Friday, February 10 from 10pm-2am for UMix: Share the Love!