U-SHAPE, the first ever large-scale study of its kind, aims to understand the habits, attitudes, and perceptions of undergraduate and graduate students related to eating and body image. U-SHAPE is designed to gather important information about the ways in which individual characteristics as well as the campus environment influence students’ relationships with eating, dieting, exercise, and body image, and how these relationships, in turn, fit into a larger picture of student mental health.

The survey opens at 5:00pm on Tuesday, October 2 and closes at 11:59pm on Wednesday, October 24. Students will be RANDOMLY SAMPLED to participate in this important survey!

For all students - Participate in U-SHAPE!

All invited to hear Robert Grese, director of Matthaei Botanical Gardens & Nichols Arboretum and professor of landscape architecture at the U-M School of Natural Resources and Environment, discuss the renowned Danish landscape architect Jens Jensen. Presented by Michigan Botanical Club.

A driving force in Monte Nagler’s artist quest is to have others see the world in a finer light and to appreciate life a little more. He has the ability to make visible what others can only sense, sharing with viewers the emotional beauty he experiences. Nagler’s photographs, which have won numerous awards, are found in many private and public collections, including the Detroit Institute of Art, the U-M Museum of Art and the Grand Rapids Art Museum. He is also a noted writer, lecturer and teacher of photography and the author of six highly successful photography books.

Students are encouraged to create 3-minute videos using topics from the CashCourse website (www.cashcourse.org/umofa). Grand Prize: $250 gift certificate to the U-M Computer Showcase. Entry deadline: Oct. 31. Visit www.cashcourse.org/umofa/school-page for entry details.

Travel, an essential activity of human societies, has evolved into an industry with social, economic and environmental impacts. From pilgrimage and exploration to trade and tourism, advances in transportation have enabled new types of travel and created new places, some existing solely for the vacationer. This exhibition highlights changes in travel including information on early pilgrimages, exploration narratives, the grand tour of Europe, women travellers, World’s Fairs, the birth of the family vacation and specialized tourism using maps and narratives from the Library collections.

Bright colors, strong edges, and intersecting geometric forms are the hallmarks of Patrick Dengate's current studio work. Drawing from the tradition of 20th century Cubism, Dengate presents paintings and woodcuts with subjects ranging from Utah canyons, Costa Rican towns, busy rail yards, and ships on the Great Lakes. His work is featured in the recently published book Eyes On: Landscapes, a compilation of 50 contemporary painters from around the world. Dengate's work is on display in several corporate collections in Michigan and can be found in private collections across the US, Canada and Europe.

1500 E. Medical Center Drive, Ann Arbor, MI 48109

David C. Turnley is a world renowned photographer, filmmaker, and University of Michigan Alumnus. He received the Pulitzer Prize in photography and filmmaking for his coverage of the Revolutions in 1989, including the fall of the Berlin Wall and Tiananmen Square in China.

In addition, he was twice awarded the World Press Picture of the Year, the prestigious Robert Capa Award for Courage, and four Overseas Press Club Awards.

Don’t miss the unique opportunity to view these twenty-five iconic photographs by David Turnley from October 4th – November 9th in the Gallery of the International Institute in the School of Social Work Building.

Mr. Turnley is also presenting at the International Institute's Symposium "Translating Human Rights: Bodies of Evidence".

After receiving a BFA from Rutgers University, Denise Rohde went on to study photography with renowned photographer Art Sinsabaugh at the University of Illinois. Working for years in a darkroom, the switch to digital allowed her to draw from her painting and printmaking experience. Being able to combine mediums digitally has unleashed her imagination. Denise moved to Ann Arbor eight years ago from Champaign, Illinois, and she has found Michigan to be an "eyeful." Some of her exhibits include the University of Illinois, Roulette NYC, Peachtree Plaza Atlanta and the Kodak Pavilion, Epcot Center.

1500 E. Medical Center Drive, Ann Arbor, MI 48109

Farmington Hills, Michigan artist Gail Rosenbloom Kaplan has a portfolio of work that includes trompe l'oeil clay, glass mosaics, printmaking, mixed media, and most recently, sand art. In addition to local gallery exhibitions and community installations, her work has been displayed through the U.S. Arts and Embassy Program and showcased in Norway, Barbados and Brazil. Kaplan presently works at Children's Hospital in Detroit where she creates art with children and adolescent patients to provide an atmosphere for healing. The Brillo Blox sand art sculpture is comprised of 12 cubes and is designed as a puzzle than can be assembled as an abstract sculpture. These puzzle cubes highlight the different pictures used in the advertising of Brillo over the past 100 years.

1500 E. Medical Center Drive, Ann Arbor, MI 48109

Born and raised in China, Mingshi Huang studied at Eastern Michigan University and the University of Michigan, where he earned his graduate degrees. Huang travels extensively between the US and China and currently teaches at Nanjing University in Jiangsu Province. Recently, he completed several monumental, museum commissioned sculptures in China. This exhibition is a reminiscence of Huang’s work done while in Ann Arbor. Although his interests spread from representational to expressionist, Huang is rooted in a traditional ground. His figure paintings and landscapes reflect his masterful approach to traditional realism.

1500 E. Medical Center Drive, Ann Arbor, MI 48109

This exhibit features portraits of and stories by Advance Practice Registered Nurses (APRNs) who work at the University of Michigan Health System. Stories by these nurses with advanced training overlay their portraits with words. Led by Assistant Professor Laurie Hartman, this collaboration with Gifts of Art shines a spotlight on APRNs, explaining how in their work they conduct evaluations, order and interpret diagnostic tests, deliver various treatments and prescribe medications. Nurses, who tend to treat patients in a holistic manner, viewing humans across the lifespan as biological, psychological, social and spiritual beings, are consistently among the most highly trusted professionals in the nation.

1500 E. Medical Center Drive, Ann Arbor, MI 48109

Thomas and Sarah Gelsanliter are full-time ceramic artists creating unique handmade tiles and pottery at their studio, One Acre Ceramics, located in southeastern Michigan. Thomas received his MFA from Cranbrook Academy of Art in 2002, and his intricate designs are influenced by historical furniture, industrial plate ware, and classic Arts & Crafts and folk art iconography. Sarah is largely self-taught as a potter and spent a year living in Japan, visiting studio potters throughout the country. She throws all of the pottery on the wheel, finishing and assembling each piece when partially dry. A palette of luminous glazes highlight the hand-carved designs and crisp lines, giving each piece a polished, radiant finish.

1500 E. Medical Center Drive, Ann Arbor, MI 48109

This exhibit features origami artists who enjoy folding fractals, tessellations and corrugations out of paper - an area of origami that explores pattern and texture in art and design. Each artist approaches this in their own unique way, and their work highlights the variety and beauty of this little known branch of origami. The artists hail from around the US, and were selected for their expertise and artistry in folding these beautiful patterns. The show was curated by Beth Johnson and includes work by Malachi Brown, Tom Crain, Rebecca Harris, Beth Johnson, Chad Killeen and Ben Parker.

1500 E. Medical Center Drive, Ann Arbor, MI 48109

Call 734-764-0352 for exhibit availability.

Canan Tolon’s paintings and installations serve as visual records of the passing of time. Each swipe captures the gesture as well as the memory of the gesture, now already in the past. Each panel appears to duplicate itself beyond any final tally, proliferating in the room.

Upon first glance, Tolon’s constructs evoke a sense of freedom in their repetition. They appear infinite, suggestive of vast open spaces, like the modern landscapes viewed out of a train window, or the documentary film reels from the mid- twentieth century. They draw us in, inviting our dreams and interpretations. In this momentary introspection, we contemplate our own histories.

Then, like the first day of any highly anticipated tomorrow, after the proverbial summer full of expectation…expecting things to change, to be different, to be new again, we are struck with a profound disillusionment, stranded in a place full of promise that never delivers. In a turn, the world of photographic familiarity Tolon has created collapses in on itself. — Amanda Krugliak, arts curator

This Institute for the Humanities original installation was made possible by the generosity of the 2012 Kidder Residency in the Arts. The installation is based on Canan Tolon’s observations and experiences during her time in Ann Arbor, and many of the materials used are salvage materials from her visits to Detroit architectural yards.

We will explore “autobiographical” memory, our link to past generations and our own past. Is it accurate? How does it work? What does it mean? Above all, what is its power? There will be lectures and discussions, and the class will be based John Kotre’s book “White Gloves: How We Create Ourselves Through Memory” (purchase would be helpful, but not necessary). John is a retired “narrative” psychologist from UM Dearborn and creator of the award-winning PBS series “Seasons of Life”. More on the book at http://www.johnkotre.com/b_whitegloves.htm.

U-Move Fitness is offering special drop-in classes during Fall Study Break. You must have Rec Sports building access in order to participate. Try something new and bring a friend!

See website for schedule.

African Art and the Shape of Time explores how African art gives material form to diverse concepts of temporality, history and memory. African art is often interpreted in Western analytical frameworks as expressions of timeless myths and rituals, interrupted only by the colonial encounter. African Art and the Shape of Time complicates such conventional views by considering diverse modes for reckoning time and its philosophical, social, and religious significance. The exhibition includes 30 works from the University of Michigan Museum of Art, National Museum of African Art, Fowler Museum at UCLA, as well as several Detroit area private collections, and is organized around five themes that explore the multiplicity of time in Africa: The Beginning of Things, Embodied Time, Moving Through Time, Global Time, and "NOW."

This exhibition is generously supported by the University of Michigan Health System. Additional support provided by the CEW Frances and Sydney Lewis Visiting Leaders Fund.

This significant exhibition provides glimpses of British America in the 1700s and is designed to complement the Museum's concurrent exhibition "Benjamin West: General Wolfe and the Art of Empire," which features the Clements collection's major painting "The Death of General Wolfe." William L. Clements assembled an outstanding array of primary sources on North America dating between 1492 and 1800, with a heavy emphasis on early European exploration and discovery and the eighteenth-century wars for control of the continent. The exhibition features a mix of rare items from Mr. Clements’s original donation and pieces the Library has acquired since 1923 to complement and enhance its strength in eighteenth-century American history.

Generous support for this exhibition is provided by the Andrew W. Mellon Foundation.

Benjamin West's iconic painting The Death of General Wolfe (1776) depicts the death of James Wolfe, the British commander at the 1759 Battle of Quebec during what in this country is known as the French and Indian War. In conflating a momentous contemporary event with the genre of large-scale history painting, West flouted the conventions of academic painting and the work became one of the most celebrated paintings in Britain. The artist went on to produce six versions of the painting, one of which belongs to the William L. Clements Library at the University of Michigan. Through approximately 40 works from Michigan, Canadian, and British collections, this ambitious and thematically focused exhibition will include the Clements canvas as well as other depictions of James Wolfe and his death on the battlefield.

Generous support for this exhibition is provided by the Joseph F. McCrindle Foundation, the University of Michigan Health System, the University of Michigan Office of the Provost and Office of the Vice President for Research, the Richard and Rosann Noel Endowment Fund, and THE MOSAIC FOUNDATION (of R. & P. Heydon).

The Seoul-based art collaborative, Young-Hae Chang Heavy Industries (YHCHI) is known for innovative video works that exist at the nexus of visual art and digital literature. Blurring the boundaries between media, technologies, and cultural histories, YHCHI has gained international acclaim for their "net art" productions-mostly black- and-white videos of quickly flashing capitalized text in a generic font with synchronized music. This exhibition will present a newly commissioned piece by UMMA, which will be added to the artists' website, yhchang.com.

This exhibition is generously supported by the Herbert W. and Susan L. Johe Endowment, the University of Michigan Office of the Provost, and the Nam Center for Korean Studies. Additional support provided by the Dr. Robert and Janet Miller Fund.

Visitors encountering Danish artist Just’s exhibit will find themselves captivated in stages, as the experience of viewing it unfolds over time. In this breathtaking installation, as in much of his work, Just situates the viewer in his signature landscape of beauty, provocation, and a general uneasiness that is as seductive as it is ominous. The storyline is at once deceptively simple and perplexing: a wheelchair-bound protagonist travels through a neighborhood in the outskirts of Paris to her apartment, while a young male character appears to follow her. Once home, she is able to leave her wheelchair but is overcome by a powerful seizure. One of Just’s unique strengths is his ability to engage the viewer in an open-ended, unresolved narrative in a manner that is more intriguing than frustrating. It is impossible to parse but equally impossible to abandon, and this is the essence of Just’s gift for hypnotic storytelling. Generous support for this exhibition is provided by the University of Michigan Office of the Provost.

Thurnau Prof. of Dance Peter Sparling’s screendance installation, Clonal Renderings will be shown as part of: I know you’re there, but who am I?: Explorations of Identity and Place. This juried exhibition explores the intersection of identity and place. How does place shape identity? How does identity shape the places we choose to inhabit? Gallery hours 12PM-7PM

A series of dance improvisations for camera by Peter Sparling. Gallery hours 12:00 PM - 6:00 PM

Come skate where the University of Michigan Hockey team skates!!

Open to the Public

Cost: $3 ($2 additional cost for skate rental)

Harvard Law Admission representative will conduct an admission and information session. Students at all levels are encouraged to attend.

Sponsored by The Career Center

You will learn about investing methods and how to minimize risks. We will cover new asset allocation methods, stocks, bonds, mutual funds, ETF's, annuities, real estate and other assets. You will learn how to deal with today's low interest rates and potential high inflation later. Retirement tax considerations will also be discussed. George Levy, Ph.D. invests as a hobby and studies investing strategies. He is not a registered investment advisor nor will he try to sell any investments or services.

Exhibit is open M-F from 1pm to 4:45 pm

Presenter: Kirsten Elling, PhD, Associate Director for Counseling, Programs & Services

Learn to write resumes and cover letters that showcase your skills and accomplishments, with a focus on how they are transferable to a new field. This session emphasizes how to restructure your resume for a career change, and how to present yourself in a cover letter. Please bring a draft of your resume and cover letter to this session.

Deadline to register: Wednesday, October 10

Fee: $25 per session OR register for the whole Career Change Series for $75

This course prepares participants for HDTV satellite broadcast of live opera performances from the Metropolitan Opera House during its 2012 season. The format includes observation and discussion of related opera performances (DVDs), feature and documentary films, and occasional guest lectures by University of Michigan faculty. A syllabus is available online at www.univliving.com. Facilitated by Richard Adelman. This class meets Mondays and Tuesdays. Contact office for specific dates.

John J. Miller, U of M graduate and author of The Big Scrum: How Teddy Roosevelt Saved Football, will share the intriguing, never-before-fully-told story of how Theodore Roosevelt helped to save the game that would become America's most popular sport. The Big Scrum describes the history of college football and the social changes in America the made college football one of this country’s most important cultural institutions. Open Seating; Free Admission; Reception follows program.

Canadian stars find powerful chemistry

Six Shooter Records’ Melissa McClelland and Luke Doucet tie the musical knot with the debut of their new band, Whitehorse, marrying their talent and chemistry on stage as a smoldering duo. They're married in real life, too, having announced their intentions on the CBC television program "Sounds Like Canada." Gutsy and resolute in their pursuits of sound and substance, Luke and Melissa’s fusion of the personal and professional brings to mind the road-tested romance of Johnny and June. Individually, Luke and Melissa have been recognized with awards and nominations from the Juno Awards, the Canadian Folk Music Awards, the Hamilton Music Awards, the Independent Music Awards and the Polaris Prize. Both have been individually compared with Tom Waits, and both have that unique Canadian take on American roots that shows audiences south of the border something of ourselves