We invite you to browse panels about the scripts of ancient Egypt, indigenous languages of Central and South America, languages of Southeast Asia, and more – including the English language and language used in graffiti and comics.

This exhibit highlights the possibilities for exploration and discovery within the library’s collections, which are impressive on many levels. The sheer number of materials, including more than 8.5 million volumes in locations all over campus, and access to millions of digital books, journals and images, makes it one of the largest university library systems in the United States. The collection encompasses ancient documents written on papyrus, electronic journals reporting on the latest advances in science and medicine, and materials from nearly every period, culture, and way of thought in between.

View selected items from the world’s foremost archive of international radical social protest movements. "Social protest movements often involve intense passion, so expect to see some edgy and offensive items on display," says Labadie Collection curator Julie Herrada.

The Labadie Collection is the world’s largest publicly accessible research collection covering just about every 19th, 20th, and 21st century protest movement that can be documented on paper, from the French Revolution to Occupy Wall Street. It has served as a resource for thousands of people the world over, from high school students to seasoned researchers, from young activists in search of their roots to documentary filmmakers unearthing eye-catching images. Books, serials, manuscripts, pamphlets, photographs, audio recordings, posters, and political buttons are all part of this eclectic group of materials.

View the exhibit during Audubon Room hours: Mon-Thurs 8:30am-7pm, Fri 8:30am-6pm, Sat 10am-6pm, Sun 1pm-7pm

The tiny dramas that comprise Robert Wilson's Video 50 contain aspects of his hallmark aesthetic: surreal or dream-like imagery, the absence of a linear narrative, the conflation of seemingly unrelated characters and micro-stories, and a mesmerizingly slow pace. Video 50 consists of a randomly arranged set of 30-second "episodes," a few of which feature notable French personalities of the 1970s-perfumier Hélène Rochas stares down a mugger, culture minister Michel Guy struggles to open a dresser drawer-and Wilson thought of these as miniature portraits or character studies. The creator and director of aggressively experimental theater, Wilson first came to prominence with works from the mid-1970s such as The Life and Times of Joseph Stalin (1973) and Einstein on the Beach (1976). These lavish, unusually long productions broke and then redefined every convention of theater. In Video 50 his shorter time-based portraits explore the intersection of narrative and still-life, seductively dissolving the distance between viewer and subject.

Fluxus emerged in the early 1960s as a loose, international network of artists, composers, and designers-"led" by Lithuanian-born American artist George Maciunas (1931-1978)- that was noted for blurring the boundaries between art and life. Fluxus artists like Maciunas, Nam June Paik, George Brecht, and Yoko Ono, among many others, challenged the notion of high art by creating unassuming, often humorous objects and performances that redefined the terms of artistic production by demonstrating the idea that "anything can be art and anyone can do it." Because of their disregard for traditional artistic media, many of the objects in the exhibition are-often by design-acutely resistant to conventional forms of museum display. Variously conceived as carriers of ideas, absurdist send-ups of consumer products, and invitations to direct, playful participation by the viewer, these works attempt to undermine the idea that art is separate from the activity of living one's life. Through 116 works, Fluxus and the Essential Questions of Life will introduce visitors to the study and appreciation of art as an exciting and intellectually rewarding experience, and to the notion that art is something that can play an active role in their own approaches to life's essential questions.

This exhibition was organized by the Hood Museum of Art and was generously supported by Constance and Walter Burke, Dartmouth College Class of 1944, the Marie-Louise and Samuel R. Rosenthal Fund, and the Ray Winfield Smith 1918 Fund. UMMA's installation is made possible in part by the University of Michigan Health System, the University of Michigan Office of the Provost, Arts at Michigan, and the CEW Frances and Sydney Lewis Visiting Leaders Fund.

Each workshop will provide knowledge and experiential practice of basic mindfulness skills. Mindfulness can help to reduce daily stresses, cultivate greater awareness of the present, and accept life's difficulties. Workshops may include: introductory principles of mindfulness, sitting and walking meditations, emotion awareness, and relaxation breath work. Students are welcome to attend any week.

Interdisciplinary projects by first year students participating in the Living Arts living/learning community. Students were asked to create interdisciplinary group projects in response to the prompt of "flight." We've explored aerodynamics, space travel, traveling home, traveling to points unknown, cross-cultural travel, Parkour, flights of fancy, dreams, flying time, migration patterns, flying machines, flying creatures, and much more. Check it out!

It’s been more than a decade since Ballet Preljocaj (pronounced prezh-oh-kahzh) made its UMS debut, but this production of Snow White, created in 2008, will be well worth the wait. Angelin Preljocaj has created a work for all 26 dancers of his contemporary ballet company, setting the Grimm brothers’ version of the fairytale to the most beautiful scores of Gustav Mahler’s symphonies. With costumes designed by Jean Paul Gaultier, this production of Snow White is sure to shake up those who have grown up with only the Disney version at their disposal. “I was very keen to tell a story, offer something magical and enchanted,” says Preljocaj. At the same time, he approaches Snow White’s stepmother, the Queen, as the centerpiece of the story, representing the conflict of her own longing to be desirable and seductive while watching her daughter grow up.

PROGRAM: Telemann - Trio Sonata in E Minor; Brahms - Sonata no. 3 for Violin and Piano in D Minor, Op. 108; Bach - Cello Suite no. 6 in D Major, BWV 1012; Schubert - Sonata in A Minor, D. 821 “Arpeggione”