Sabine Meyer was solo clarinetist with the Berlin Philharmonic, a position she left as she became increasingly in demand as a solo artist. Today, in addition to her recital and concerto appearances, she performs in two chamber ensembles, including the Trio di Clarone, whose other members are her husband and her brother. Trio di Clarone began in part because of their shared interest in the basset horn, a rare instrument in the clarinet family that was used in Mozart’s Requiem and in his five divertimenti written for a trio of basset horns. “The evening was one of those absolute godsends in musical experience that cannot be fathomed – simply a gift.” (Rems Zeitung)
Program
· Poulenc : Sonata for Two Clarinets (1918)
· Mozart : Three Arias from The Marriage of Figaro (1786)
· Stravinsky : Three Pieces for Clarinet Solo (1918)
· J.S. Bach : French Suite No. 5 for Two Clarinets and Basset Horn (1723)
· Mozart : Divertimento No. 1 for Three Basset Horns, K. 439b (1783)
· C.P.E. Bach : Duo for Two Clarinets in C Major, Wq. 142 (b.1714)
· Mozart : Four Arias from Cosi fan tutte for Three Basset Horns (1789)
Program
· Poulenc : Sonata for Two Clarinets (1918)
· Mozart : Three Arias from The Marriage of Figaro (1786)
· Stravinsky : Three Pieces for Clarinet Solo (1918)
· J.S. Bach : French Suite No. 5 for Two Clarinets and Basset Horn (1723)
· Mozart : Divertimento No. 1 for Three Basset Horns, K. 439b (1783)
· C.P.E. Bach : Duo for Two Clarinets in C Major, Wq. 142 (b.1714)
· Mozart : Four Arias from Cosi fan tutte for Three Basset Horns (1789)
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