Happening @ Michigan https://events.umich.edu/group/2347/rss RSS Feed for Happening @ Michigan Events at the University of Michigan. I.AM.FTVM (March 28, 2024 11:30am) https://events.umich.edu/event/120347 120347-21844597@events.umich.edu Event Begins: Thursday, March 28, 2024 11:30am
Location: North Quad
Organized By: Department of Film, Television, and Media

JOIN us for the next I.AM.FTVM
Thursday, March 28, 2024
11:30 a.m. - 1:00 p.m.
North Quad, Studio A

Declare your FTVM major or GMS minor; learn more about our department offerings (honors, internships, and classes); and get involved in student organizations.

]]>
Rally / Mass Meeting Tue, 19 Mar 2024 15:53:52 -0400 2024-03-28T11:30:00-04:00 2024-03-28T13:00:00-04:00 North Quad Department of Film, Television, and Media Rally / Mass Meeting Flier about I.AM.FTVM event depicting students in the North Quad Studio
2024 Hopwood Awards Ceremony (April 17, 2024 5:30pm) https://events.umich.edu/event/112061 112061-21828388@events.umich.edu Event Begins: Wednesday, April 17, 2024 5:30pm
Location: Rackham Graduate School (Horace H.)
Organized By: Department of Film, Television, and Media

All are welcome to celebrate the winners and finalists of the 2024 Hopwood Awards. Golden Globe Award-winning and Academy Award-nominated screenwriter, playwright, producer and director Kemp Powers will deliver the 2024 Hopwood Lecture.

]]>
Ceremony / Service Wed, 11 Oct 2023 09:52:19 -0400 2024-04-17T17:30:00-04:00 2024-04-17T19:00:00-04:00 Rackham Graduate School (Horace H.) Department of Film, Television, and Media Ceremony / Service African American screenwriter and director Kemp Powers in a brown shirt
An Evening with Kemp Powers (April 18, 2024 5:30pm) https://events.umich.edu/event/111971 111971-21828077@events.umich.edu Event Begins: Thursday, April 18, 2024 5:30pm
Location: Rackham Graduate School (Horace H.)
Organized By: Department of Film, Television, and Media

Golden Globe Award-winning and Academy Award-nominated screenwriter, playwright, producer and director Kemp Powers will discuss and show clips from his work including One Night in Miami, Soul, and Spider-Man: Across the Spider-Verse. Jim Burnstein, Director of the University of Michigan's Screenwriting Program, will moderate.

]]>
Lecture / Discussion Wed, 11 Oct 2023 09:48:50 -0400 2024-04-18T17:30:00-04:00 2024-04-18T19:00:00-04:00 Rackham Graduate School (Horace H.) Department of Film, Television, and Media Lecture / Discussion African American screenwriter and playwright Kemp Powers in a brown shirt
DISCO Network DISCO Summit 2024 (June 14, 2024 9:00am) https://events.umich.edu/event/117761 117761-21839983@events.umich.edu Event Begins: Friday, June 14, 2024 9:00am
Location: Weiser Hall
Organized By: Department of Film, Television, and Media

DISCO Network | DISCO Summit

Dates: Friday, June 14 – Saturday, June 15, 2024
Location: Weiser Hall, 10th Floor, University of Michigan-Ann Arbor
Modality: Hybrid (all events will be held in-person with an option for individuals to attend virtually via Zoom webinar)

Registration is required to attend the DISCO Summit.

The deadline for in-person registration is Tuesday, May 14, 2024. Due to limited space in the venue, in-person registration will close once we reach our maximum capacity. Register to attend in-person: https://myumi.ch/MrQwg

The deadline for Zoom webinar registration is Wednesday, June 13, 2024. Register to attend via Zoom: https://myumi.ch/N61QZ

Event Description:

The DISCO Summit is a two-day interdisciplinary summer symposium about digital social inequalities in celebration of the third year of the DISCO Network. The DISCO Summit will include nine panel conversations about the past, present, and future of the intersection between digital technology, culture, race, disability, gender, sexuality, and liberation.

The DISCO Network is a collaborative, intergenerational group of scholars dedicated to envisioning a new anti-racist and anti-ableist digital future. The DISCO Network comprises six labs across five universities: the Michigan Hub at the University of Michigan Digital Studies Institute (PI: Lisa Nakamura, University of Michigan), HAT Lab (PI: Rayvon Fouché; Northwestern University), DAF Lab (PI: M. Remi Yergeau, University of Michigan), Future Histories Studio (PI: Stephanie Dinkins, Stony Brook University), PREACH Lab (André Brock, Georgia Institute of Technology), and BCaT Lab (Catherine Knight Steele, University of Maryland-College Park). The DISCO Network is supported by the Mellon Foundation.

This event is free and open to the public. The DISCO Summit provides a platform for scholars, students, artists, practitioners, activists, and community members to convene and engage in dialogue about racial inequality, histories of exclusion, disability justice, techno-ableism, and digital racial politics within the academy, the technology industry, and beyond. We especially welcome individuals whose interests lie in the intersection of the digital and identity and have found difficulties pursuing their endeavors at their home institutions.

Event Schedule:

Day 1: Friday, June 14, 2024

9:00 am - 10:15 am
Digital Optimism with Lisa Nakamura, Rayvon Fouché, Stephanie Dinkins, André Brock, Remi Yergeau, and Catherine Knight Steele
Optimism is the belief that the interval between the now and liberation is where we can act. Digital optimism is the recognition that there are elements of life that vivify and energize in the here and the now, despite and amidst the digital purgatories that we endure. Sometimes that energy is found in stillness; sometimes in refusal; and sometimes in moments of catharsis or joy. This panel will explore the concept of digital optimism as it appears in DISCO’s collaborative writing and work together.

10:30 am - 11:45 am
Digital Frictions with Remi Yergeau, David Adelman, Jeff Nagy, Aimi Hamraie, Jaipreet Virdi, and Mara Mills
In their manifesto on crip technoscience, Kelly Fritsch and Aimi Hamraie (2019) impress upon us that access production is a “frictional process,” one that requires “acknowledging that science and technology can be used to both produce and dismantle injustice.” This roundtable explores the frictional intimacies, practices, and material conditions of what it means to do the digital. In particular, panelists will consider myriad ways in which accessibility holds the potential to burn, grate, spark, and tug at new imaginings of crip futures.

1:00 pm - 2:15 pm
Digital Black Feminist Pleasure and Pain Online with Catherine Knight Steele, Rianna Walcott, Francesca Sobande, and Kishonna Gray
The experiences of Black women online serve as a harbinger of what digital culture affords and what is to come. This panel thinks through the relationship between pleasure and pain in the online lives of Black women and how Black feminist methods, epistemologies, and strategies may point us toward a better digital future for us all.

2:30 pm - 3:45 pm
Little Memes: Storying Race, Gender, and Disability in the Digital Studies Classroom with Remi Yergeau, Huan He, and Toni Bushner
How do students’ stories about themselves or others—their anecdotal relations—inform their burgeoning understandings of digital inequality and related concepts? In this session, we reflect on student interviews and instructor experiences drawn from a study of five U-M Digital Studies classes focused on race and disability.

4:00 pm - 5:15 pm
Black Digital Optimism in an Age of Despair with André Brock, Kevin Winstead, Brandy Pettijohn, Apryl Williams, and Ngozi Harrison
This panel will discuss what social media activity looks like for Black folk at a time when economic disparity, geopolitical extremism, and the ongoing pandemic loom behind every post, tweet, video, and podcast.

Day 2: Saturday, June 15, 2024

9:00 am - 10:15 am
Black Innovation with Rayvon Fouché, Aaron Dial, Ron Eglash, Michael Bennett, Aria Halliday, and Tonia Sutherland
Black folks have a tradition of being innovative in ways not understood and expected by traditional markets, dominant cultural formations, or information platforms. As the world is enamored, fascinated, enraptured, troubled, or simply confused by the potentiality of generative AI, is there a place and a role for Blackness to participate, contribute, or intervene in this next technoscientific atmospheric river? What will Black innovation and creativity look like in a world propelled by a network of AI trained on past utterances that did not see Blackness as meaningful? How can Blackness and Black innovation and creativity disrupt expected technoscientific futures?

10:30 am - 11:45 am
Digital Possibilities with Stephanie Dinkins, Hagar Masoud, Ria Rajan, Cezanne Charles, and Audrey Bennet
"Digital Possibilities" presents an intergenerational panel of arts practitioners who explore the critical role deliberate exploration and practical research play in understanding and shaping digital technologies and culture. The panel showcases the transformative power deeply engaging digital technologies can have on molding practical, aspirational, and equitable understandings of self and society. Panelists discuss how practice can leverage discovery, curiosity, out-of-the-box thinking, and leadership to mine and challenge opportunities, or the lack thereof, for beauty, potentiality, subjugation, and liberation that digital technologies often carry. The panel also engages thought about how future, present, and past technologies combined with narratives centering on underutilized, underrecognized communities can be coaxed or developed to produce technological ecosystems that produce nuanced, open, and equitably informed digital tools, platforms, and collaborators.

1:00 pm - 2:15 pm
Majority World Digital Infrastructures with Lisa Nakamura, Marisa Duarte, Ivan Chaar Lopez, Meryem Kamil, Huan He, and Jasmine Banks
Digital infrastructure shapes access, representation, and cultural politics. Indigenous, Asian and Southeast Asian, Palestinian, U.S. Mexico border, and women of color uses of digital networks are often represented as niche or marginal, sequestered in area studies, ethnic studies, and women studies, yet the U.S. and Western Europe are the numerical minority.

2:30 pm - 3:45 pm
Legibility and Community in Digital Studies with Huan He, Kevin Winstead, David Adelman, Aaron Dial, Jeff Nagy, Rianna Walcott, and Brandy Pettijohn
As junior scholars, the Digital Inquiry Speculation Collaboration Optimism (DISCO) Network postdoctoral fellows faced unique challenges negotiating the tensions of being legible for academic employment and serving digital studies projects that foster collaboration and community. This panel discusses best practices for being young career scholars in critical identity and digital studies.

We would like to thank the following co-sponsors:
- Department of Afroamerican and African Studies
- Department of American Culture
- Department of Communication and Media
- Department of English Literature and Language
- Department of Film, Television, and Media
- Department of History
- Department of History of Art
- Eisenberg Institute for Historical Studies
- Science, Technology, and Society Program
- University of Michigan Initiative on Disability Studies
- Center for Racial Justice
- Science, Technology, and Public Policy
- Office of Multi-Ethnic Student Affairs
- Spectrum Center
- Marsal Family School of Education Office of Diversity, Inclusion, Justice, and Equity
- Computer Science and Engineering
- School of Information Center for Ethics, Society, and Computing
- Institute for Research on Women & Gender

Accessibility statement: We strive to make our events accessible to all participants.
- All attendees are requested to wear well-fitting masks. Masks will be provided at the event space.
- Communication Access Real-time Translation (CART) services will be provided.
- The event space is ADA-compliant.
- Gender-neutral and accessible restrooms are available in the event space.
- A quiet space will be available.
- The event planning team has worked to mitigate potential sensory triggers, such as loud buzzing sounds or flickering lights, in the event space. Individuals with sensory sensitivities should be aware that there is a possibility of unpredictable sound or lighting changes during the event.
- All attendees are requested to refrain from using scented products, such as perfume or cologne. Unscented products (e.g., soap, hand sanitizer) will be provided at the event space.
- A digital copy of the event program will be made available at least a week prior to the event.
- For those who are unable to attend the event in-person, a livestream viewing option is available.
- More detailed information about the event space (including how to access it and how the space will be arranged) will be made available on our website.
- If there are additional ways that we can meet your access needs, please indicate this in the registration form. Please register as soon as possible as some accommodations may require advance coordination.

For all inquiries related to the DISCO Summit, please contact Cherice Chan, DISCO Network Program Coordinator, at chericec@umich.edu.

]]>
Conference / Symposium Wed, 27 Mar 2024 13:12:54 -0400 2024-06-14T09:00:00-04:00 2024-06-14T17:00:00-04:00 Weiser Hall Department of Film, Television, and Media Conference / Symposium Pink and blue DISCO Summit event flier with faces of the six DISCO Network principal investigators and the DISCO Summit logo.
DISCO Network DISCO Summit 2024 (June 15, 2024 9:00am) https://events.umich.edu/event/117761 117761-21839984@events.umich.edu Event Begins: Saturday, June 15, 2024 9:00am
Location: Weiser Hall
Organized By: Department of Film, Television, and Media

DISCO Network | DISCO Summit

Dates: Friday, June 14 – Saturday, June 15, 2024
Location: Weiser Hall, 10th Floor, University of Michigan-Ann Arbor
Modality: Hybrid (all events will be held in-person with an option for individuals to attend virtually via Zoom webinar)

Registration is required to attend the DISCO Summit.

The deadline for in-person registration is Tuesday, May 14, 2024. Due to limited space in the venue, in-person registration will close once we reach our maximum capacity. Register to attend in-person: https://myumi.ch/MrQwg

The deadline for Zoom webinar registration is Wednesday, June 13, 2024. Register to attend via Zoom: https://myumi.ch/N61QZ

Event Description:

The DISCO Summit is a two-day interdisciplinary summer symposium about digital social inequalities in celebration of the third year of the DISCO Network. The DISCO Summit will include nine panel conversations about the past, present, and future of the intersection between digital technology, culture, race, disability, gender, sexuality, and liberation.

The DISCO Network is a collaborative, intergenerational group of scholars dedicated to envisioning a new anti-racist and anti-ableist digital future. The DISCO Network comprises six labs across five universities: the Michigan Hub at the University of Michigan Digital Studies Institute (PI: Lisa Nakamura, University of Michigan), HAT Lab (PI: Rayvon Fouché; Northwestern University), DAF Lab (PI: M. Remi Yergeau, University of Michigan), Future Histories Studio (PI: Stephanie Dinkins, Stony Brook University), PREACH Lab (André Brock, Georgia Institute of Technology), and BCaT Lab (Catherine Knight Steele, University of Maryland-College Park). The DISCO Network is supported by the Mellon Foundation.

This event is free and open to the public. The DISCO Summit provides a platform for scholars, students, artists, practitioners, activists, and community members to convene and engage in dialogue about racial inequality, histories of exclusion, disability justice, techno-ableism, and digital racial politics within the academy, the technology industry, and beyond. We especially welcome individuals whose interests lie in the intersection of the digital and identity and have found difficulties pursuing their endeavors at their home institutions.

Event Schedule:

Day 1: Friday, June 14, 2024

9:00 am - 10:15 am
Digital Optimism with Lisa Nakamura, Rayvon Fouché, Stephanie Dinkins, André Brock, Remi Yergeau, and Catherine Knight Steele
Optimism is the belief that the interval between the now and liberation is where we can act. Digital optimism is the recognition that there are elements of life that vivify and energize in the here and the now, despite and amidst the digital purgatories that we endure. Sometimes that energy is found in stillness; sometimes in refusal; and sometimes in moments of catharsis or joy. This panel will explore the concept of digital optimism as it appears in DISCO’s collaborative writing and work together.

10:30 am - 11:45 am
Digital Frictions with Remi Yergeau, David Adelman, Jeff Nagy, Aimi Hamraie, Jaipreet Virdi, and Mara Mills
In their manifesto on crip technoscience, Kelly Fritsch and Aimi Hamraie (2019) impress upon us that access production is a “frictional process,” one that requires “acknowledging that science and technology can be used to both produce and dismantle injustice.” This roundtable explores the frictional intimacies, practices, and material conditions of what it means to do the digital. In particular, panelists will consider myriad ways in which accessibility holds the potential to burn, grate, spark, and tug at new imaginings of crip futures.

1:00 pm - 2:15 pm
Digital Black Feminist Pleasure and Pain Online with Catherine Knight Steele, Rianna Walcott, Francesca Sobande, and Kishonna Gray
The experiences of Black women online serve as a harbinger of what digital culture affords and what is to come. This panel thinks through the relationship between pleasure and pain in the online lives of Black women and how Black feminist methods, epistemologies, and strategies may point us toward a better digital future for us all.

2:30 pm - 3:45 pm
Little Memes: Storying Race, Gender, and Disability in the Digital Studies Classroom with Remi Yergeau, Huan He, and Toni Bushner
How do students’ stories about themselves or others—their anecdotal relations—inform their burgeoning understandings of digital inequality and related concepts? In this session, we reflect on student interviews and instructor experiences drawn from a study of five U-M Digital Studies classes focused on race and disability.

4:00 pm - 5:15 pm
Black Digital Optimism in an Age of Despair with André Brock, Kevin Winstead, Brandy Pettijohn, Apryl Williams, and Ngozi Harrison
This panel will discuss what social media activity looks like for Black folk at a time when economic disparity, geopolitical extremism, and the ongoing pandemic loom behind every post, tweet, video, and podcast.

Day 2: Saturday, June 15, 2024

9:00 am - 10:15 am
Black Innovation with Rayvon Fouché, Aaron Dial, Ron Eglash, Michael Bennett, Aria Halliday, and Tonia Sutherland
Black folks have a tradition of being innovative in ways not understood and expected by traditional markets, dominant cultural formations, or information platforms. As the world is enamored, fascinated, enraptured, troubled, or simply confused by the potentiality of generative AI, is there a place and a role for Blackness to participate, contribute, or intervene in this next technoscientific atmospheric river? What will Black innovation and creativity look like in a world propelled by a network of AI trained on past utterances that did not see Blackness as meaningful? How can Blackness and Black innovation and creativity disrupt expected technoscientific futures?

10:30 am - 11:45 am
Digital Possibilities with Stephanie Dinkins, Hagar Masoud, Ria Rajan, Cezanne Charles, and Audrey Bennet
"Digital Possibilities" presents an intergenerational panel of arts practitioners who explore the critical role deliberate exploration and practical research play in understanding and shaping digital technologies and culture. The panel showcases the transformative power deeply engaging digital technologies can have on molding practical, aspirational, and equitable understandings of self and society. Panelists discuss how practice can leverage discovery, curiosity, out-of-the-box thinking, and leadership to mine and challenge opportunities, or the lack thereof, for beauty, potentiality, subjugation, and liberation that digital technologies often carry. The panel also engages thought about how future, present, and past technologies combined with narratives centering on underutilized, underrecognized communities can be coaxed or developed to produce technological ecosystems that produce nuanced, open, and equitably informed digital tools, platforms, and collaborators.

1:00 pm - 2:15 pm
Majority World Digital Infrastructures with Lisa Nakamura, Marisa Duarte, Ivan Chaar Lopez, Meryem Kamil, Huan He, and Jasmine Banks
Digital infrastructure shapes access, representation, and cultural politics. Indigenous, Asian and Southeast Asian, Palestinian, U.S. Mexico border, and women of color uses of digital networks are often represented as niche or marginal, sequestered in area studies, ethnic studies, and women studies, yet the U.S. and Western Europe are the numerical minority.

2:30 pm - 3:45 pm
Legibility and Community in Digital Studies with Huan He, Kevin Winstead, David Adelman, Aaron Dial, Jeff Nagy, Rianna Walcott, and Brandy Pettijohn
As junior scholars, the Digital Inquiry Speculation Collaboration Optimism (DISCO) Network postdoctoral fellows faced unique challenges negotiating the tensions of being legible for academic employment and serving digital studies projects that foster collaboration and community. This panel discusses best practices for being young career scholars in critical identity and digital studies.

We would like to thank the following co-sponsors:
- Department of Afroamerican and African Studies
- Department of American Culture
- Department of Communication and Media
- Department of English Literature and Language
- Department of Film, Television, and Media
- Department of History
- Department of History of Art
- Eisenberg Institute for Historical Studies
- Science, Technology, and Society Program
- University of Michigan Initiative on Disability Studies
- Center for Racial Justice
- Science, Technology, and Public Policy
- Office of Multi-Ethnic Student Affairs
- Spectrum Center
- Marsal Family School of Education Office of Diversity, Inclusion, Justice, and Equity
- Computer Science and Engineering
- School of Information Center for Ethics, Society, and Computing
- Institute for Research on Women & Gender

Accessibility statement: We strive to make our events accessible to all participants.
- All attendees are requested to wear well-fitting masks. Masks will be provided at the event space.
- Communication Access Real-time Translation (CART) services will be provided.
- The event space is ADA-compliant.
- Gender-neutral and accessible restrooms are available in the event space.
- A quiet space will be available.
- The event planning team has worked to mitigate potential sensory triggers, such as loud buzzing sounds or flickering lights, in the event space. Individuals with sensory sensitivities should be aware that there is a possibility of unpredictable sound or lighting changes during the event.
- All attendees are requested to refrain from using scented products, such as perfume or cologne. Unscented products (e.g., soap, hand sanitizer) will be provided at the event space.
- A digital copy of the event program will be made available at least a week prior to the event.
- For those who are unable to attend the event in-person, a livestream viewing option is available.
- More detailed information about the event space (including how to access it and how the space will be arranged) will be made available on our website.
- If there are additional ways that we can meet your access needs, please indicate this in the registration form. Please register as soon as possible as some accommodations may require advance coordination.

For all inquiries related to the DISCO Summit, please contact Cherice Chan, DISCO Network Program Coordinator, at chericec@umich.edu.

]]>
Conference / Symposium Wed, 27 Mar 2024 13:12:54 -0400 2024-06-15T09:00:00-04:00 2024-06-15T17:00:00-04:00 Weiser Hall Department of Film, Television, and Media Conference / Symposium Pink and blue DISCO Summit event flier with faces of the six DISCO Network principal investigators and the DISCO Summit logo.