BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20120514T162958
DTSTART;TZID=America/Detroit:20120610T083000
DTEND;TZID=America/Detroit:20120610T180000
SUMMARY:Exhibition:Orality and Literacy in Greek and Roman Egypt
DESCRIPTION:\nThis exhibit shows the different levels of literacy that existed in the ancient world\, from people barely able to write to professional scribes able to produce the most beautiful books. It also demonstrates the role of writing in a society where not many people were literate. Orality and Literacy in Greek and Roman Egypt brings together original documents from the University of Michigan Papyrus Collection that illustrate how written documents can help us reconstruct a spoken world.\n\nOne of the ways we can learn about the ancient world is to read the texts left behind. These texts give first-hand insight into what these ancient peoples did\, planned\, and thought\, and we are lucky that the dry sands of Egypt have preserved for us thousands of them\, written on papyri and other perishable writing materials\, allowing us an unparalleled look into day-to-day life. Papyri preserve the written world of ancient Egypt but also provide glimpses of what the spoken world was like.\n\nThis exhibit coincides with the conference “Orality and Literacy in the Ancient World X: Tradition\, Transmission\, and Adaptation” hosted by the Department of Classical Studies\, June 27-30\, 2012.\n
UID:9176-1139173@events.umich.edu
URL:https://events.umich.edu/event/9176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:greek and roman egypt,literacy
LOCATION:Hatcher Graduate Library - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140009
DTSTART;TZID=America/Detroit:20120610T100000
DTEND;TZID=America/Detroit:20120610T170000
SUMMARY:Exhibition:Flip Your Field: Abstract Art From the Collection
DESCRIPTION:This is the inaugural exhibition of a new series of exhibitions to be curated by UM faculty. Entitled Flip Your Field\, this series asks these guest curators to consider artwork outside their field of specialization from UMMA's renowned collections to challenge their own thinking as well as that of UMMA's audiences. Celeste Brusati\, Professor of History of Art\, Women's Studies\, and Art and Design\, an expert in the visual art and culture of the Netherlands from the fifteenth through the seventeenth centuries\, has gathered a compelling group of images by such titans of twentieth-century abstraction as Lee Bontecou\, Helen Frankenthaler\, Wassily Kandinsky\, Joan MirÃ³\, Robert Motherwell\, and Antonio TÃ pies\, as well as works by many other unexpected artists.\n\nThis exhibition is made possible in part by the Andrew W. Mellon Foundation.
UID:9159-1138983@events.umich.edu
URL:https://events.umich.edu/event/9159
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:abstract art,visual arts,umma
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T140618
DTSTART;TZID=America/Detroit:20120610T100000
DTEND;TZID=America/Detroit:20120610T170000
SUMMARY:Exhibition:Judith Turner: The Flatness of Ambiguity
DESCRIPTION:Judith Turner is a noted American photographer whose subject matter is mostly architecture. Turner's training as a designer allows her to visually understand an architect's intention and to reveal it in compositions that she constructs and edits through her camera work. Her photography can be seen as a metalanguage of architectural intention and as an artistic expression that is inseparable from the representation of the built work. Turner's signature style consists of highly abstract black-and-white compositions that play with the ambiguity of light\, shadow\, and tonality to heighten the aesthetic character of her subject matter and reveal visual relationships not readily apparent. This exhibition will present approximately forty photographs spanning Turner's three-decade career.\n\nThis exhibition is made possible in part by Macy's and the University of Michigan Office of the Provost. 
UID:9160-1139069@events.umich.edu
URL:https://events.umich.edu/event/9160
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:visual arts,umma,judith turner,architecture
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120411T173058
DTSTART;TZID=America/Detroit:20120610T100000
DTEND;TZID=America/Detroit:20120610T170000
SUMMARY:Exhibition:Peter Campus: Kiva
DESCRIPTION:Peter Campus is a pioneer of video art who experimented with the medium in the 1970s alongside other notable artists Bill Viola\, Bruce Nauman\, and Joan Jonas. Video represented a new frontier\, one that allowed artists to expand upon common artistic concerns of the era\, including minimalism\, performance\, and conceptual art Campus pursued many directions\, and created both large-scale projections and a series of little-seen installation works that employ live video feeds\, of which Kiva (1971) is one. Campus experimented with closed circuit cameras not with an interest in surveillance and control\, but rather because they were the ideal tools for producing situations of interactive engagement between viewer and image.\n\nKiva–the title refers to a kind of ceremonial room used by Native Americans of the Southwest for ritual and spiritual ceremonies–comprises a monitor with a closed circuit camera mounted on top\; the lens is pointed directly at the viewer of the monitor\, but the camera's view is restricted and manipulated by the placement of suspended mirrors. The camera shoots through a hole in one mirror to the surface of the other\, both constantly shifting in relation to each other as they turn like a mobile. The mirrors fragment and multiply the image\, allowing the camera to take in aspects of the room\, the viewer\, and the eye of the camera itself.\n\nThis project is made possible by the UMMA Director's Discretionary Fund.
UID:9035-1138747@events.umich.edu
URL:https://events.umich.edu/event/9035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:visual arts,art,umma,video
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120418T131340
DTSTART;TZID=America/Detroit:20120610T130000
DTEND;TZID=America/Detroit:20120610T160000
SUMMARY:Lecture / Discussion:Eastern Massasauga Rattlesnake Conservation Presentation 
DESCRIPTION:Enjoy a free mini-course on the eastern massasauga rattlesnake–Michigan’s only venomous snake and a resident of Matthaei. Staff from Michigan State and Matthaei-Nichols will discuss the snake\, its biology and ecology\, detection and survey methods\, and some of the challenges of managing its habitat. Presentation followed by a field trip of the Matthaei Botanical Gardens property (condition dependent). 
UID:9068-1138867@events.umich.edu
URL:https://events.umich.edu/event/9068
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:matthaei,massasauga,environmental,conservation
LOCATION:Matthaei Botanical Gardens
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120510T142222
DTSTART;TZID=America/Detroit:20120610T140000
SUMMARY:Presentation:Art as Experience
DESCRIPTION:UMMA's award-winning docents will guide visitors to experience art through active looking at selected highlights of the collections. Expect a lively and engaging conversation on a different theme each week. 
UID:9165-1139158@events.umich.edu
URL:https://events.umich.edu/event/9165
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:tour,umma,visual arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T121034
DTSTART;TZID=America/Detroit:20120610T170000
DTEND;TZID=America/Detroit:20120610T183000
SUMMARY:Film Screening:Brave Records of the Sanada Clan (Japanese Film Screening)
DESCRIPTION:FREE AND OPEN TO THE PUBLIC. Directed by Tai Kato\, 1963\, 90 min.\nIn a comedic and fantastical style\, the legendary folklore characters of Sasuke Sarutobi and the Sanada Ten Braves are portrayed in the historical siege of Osaka Castle in 1615\, Edo Period Japan. These famed ninjas who were rumored to have served Sanada Yukimura in defending the Toyotomi clan against the Tokugawa shogunate\, instead serve to impart a satirical tone and social commentary on the student movements in Japan of the early 1960s.\n\nCo-sponsored by the Center for Japanese Studies and the Japan Foundation.
UID:9212-1139270@events.umich.edu
URL:https://events.umich.edu/event/9212
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film
LOCATION:Angell Hall - Auditorium A
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120213T122248
DTSTART;TZID=America/Detroit:20120610T193000
SUMMARY:Performance:Heartland Klezmorem Band
DESCRIPTION:
UID:8470-1137966@events.umich.edu
URL:https://events.umich.edu/event/8470
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:music,the ark,heartland klezmorem band
LOCATION:Off Campus Location - The Ark, 316 S Main, Ann Arbor, MI
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120604T121429
DTSTART;TZID=America/Detroit:20120610T200000
DTEND;TZID=America/Detroit:20120610T213000
SUMMARY:Film Screening:Blood of Revenge (Japanese Film Screening)
DESCRIPTION:FREE AND OPEN TO THE PUBLIC. Directed by Tai Kato\, 1965\, 91 min.\nThe year is 1907\, Osaka is ready to invest in its future as an international trade port. Asajiro (KÅji Tsurata) and his yakuza clan attempt to make the leap to legitimacy as a civil construction business\, but past connections and old enemies lead him back to violence off the straightened path. A pairing of Kato’s forte in directing yakuza films with the iconic performance of Tsuruta (the genre’s first star) as the chivalric underworld hero makes this film a cut well above the standard.\n\nCo-sponsored by the Center for Japanese Studies and the Japan Foundation.
UID:9213-1139271@events.umich.edu
URL:https://events.umich.edu/event/9213
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film
LOCATION:Angell Hall - Auditorium A
CONTACT:
END:VEVENT
END:VCALENDAR