{
    "12943-1182510":
    {
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        "date_start":"2013-04-11",
        "date_end":"",
        "time_start":"00:00:00",
        "time_end":"",
        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art Call for Entries 2013-2014 ",
        "occurrence_title":"",
        "combined_title":"Gifts of Art Call for Entries 2013-2014 ",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Gifts of Art is currently accepting proposals for our Aug 2013-Aug 2014 exhibit year! As one of the first and most comprehensive arts in healthcare programs nationwide, Gifts of Art brings the world of art & music to the University of Michigan Health System. Our nine galleries display over 50 exhibits a year. They include 2-D and 3-D spaces that are viewed by approximately 10,000 people a day. This makes our galleries some of the most widely visited indoor, non-museum exhibit spaces in the state. Submission deadline is May 15, 2013. http:\/\/www.med.umich.edu\/goa\/submissions.htm ",
        "occurrence_notes":"",
                "guid":"12943-1182510@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/12943",
        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"",
        "location_name":"Off Campus Location",
        "has_livestream":0,
        "cost":"",
        "tags":["artists","exhibit","gallery","health and wellness","visual arts"],
        "website":"http:\/\/www.med.umich.edu\/goa\/",
        "sponsors":[
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                "group_id":"3108",
                "website":"http:\/\/www.med.umich.edu\/goa\/"                }                    ],
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    {
        "datetime_modified":"20130211T133409",
        "datetime_start":"20130411T073000",
        "datetime_end":"20130411T093000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"07:30:00",
        "time_end":"09:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Red Silk Thread",
        "occurrence_title":"",
        "combined_title":"The Red Silk Thread: An Opera Studio presentation",
        "event_subtitle":"An Opera Studio presentation",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"The premiere of an opera by Stella Sung, with libretto by Ernest Hilbert. The opera is based on stories of Marco Polo at the court of Kublai Khan. Directed by Robert Swedberg; Kathryn Goodson, Music Director; Yaniv Segal, Conductor. Presented as a Green Opera production in collaboration with the Confucius Institute at the University of Michigan. There will be a pre-concert lecture entitled Mongolian Folk Musical Traditions in an Era of Globalization by Professor Peter Marsh at 4:30-6 pm on April 11 at Stamps Auditorium.",
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        "building_id":"1005059",
        "building_name":"Walgreen Drama Center",
        "campus_maps_id":"526",
        "room":"Stamps Auditorium",
        "location_name":"Walgreen Drama Center",
        "has_livestream":0,
        "cost":"",
        "tags":["chinese","mongolian","opera"],
        "website":"http:\/\/www.confucius.umich.edu\/events\/performances\/27\/The%20Red%20Silk%20Thread",
        "sponsors":[
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                "group_name":"Confucius Institute at the University of Michigan",
                "group_id":"1155",
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    }    ,    "12010-1181305":
    {
        "datetime_modified":"20130112T113408",
        "datetime_start":"20130411T080000",
        "datetime_end":"20130411T170000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Interrupted Life",
        "occurrence_title":"",
        "combined_title":"Interrupted Life: Incarcerated Mothers in the United States",
        "event_subtitle":"Incarcerated Mothers in the United States",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Interrupted Life: Incarcerated Mothers in the United States is an exhibition of five linked installation pieces examining women's experiences of incarceration alongside contemporary issues of human rights and social justice. The exhibit conveys the stark realities of incarceration, especially its impact on mothers and their children.\r\n\r\nInterrupted Life features artwork created by inmates as well as actual correspondence between an incarcerated mother and her daughter.\r\n\r\nRickie Solinger is a historian and curator who writes about reproductive and welfare politics, and the relationships of race and class to these issues. She authored the award-winning Wake Up Little Susie: Single Pregnancy and Race before Roe v. Wade. Her new book is Reproductive Politics: What Everyone Needs to Know.\r\n\r\nFor more than two decades, Solinger has been curating traveling exhibitions about these matters, aiming to \"interrupt the curriculum.\"\r\n\r\nThis event is hosted by the Institute for Research on Women and Gender and Women's Studies, with support from Afroamerican and African Studies, American Culture, Center for the Education of Women, English Language and Literature, Ford School of Public Policy, History, History of Art, Institute for the Humanities,  Rackham Graduate School, School of Social Work, and the Understanding Race Theme Semester.\r\n\r\n",
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                "guid":"12010-1181305@events.umich.edu",
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        "building_id":"1000183",
        "building_name":"Lane Hall",
        "campus_maps_id":"84",
        "room":"Lane Hall Gallery, 204 S. State Street (corner of Washington)",
        "location_name":"Lane Hall",
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        "tags":["african and african american studies","english department","history","history of art","institute for the humanities","irwg","program in american culture","social justice","understanding race theme semester","visual arts","women","women's studies"],
        "website":"http:\/\/irwg.research.umich.edu\/events\/exhibitions.html",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1034",
                "website":"http:\/\/www.lsa.umich.edu\/histart\/events"                },             {
                "group_name":"Institute for the Humanities",
                "group_id":"1130",
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                "website":"http:\/\/www.lsa.umich.edu\/daas\/"                },             {
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                "group_id":"1158",
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                "group_id":"1187",
                "website":"https:\/\/www.facebook.com\/umichgradschool"                },             {
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                "group_id":"2809",
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                "group_id":"2927",
                "website":"http:\/\/cew.umich.edu"                },             {
                "group_name":"Gerald R. Ford School of Public Policy",
                "group_id":"3102",
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    {
        "datetime_modified":"20130404T112325",
        "datetime_start":"20130411T080000",
        "datetime_end":"20130411T233000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Northern Michigan Landscapes Exhibit",
        "occurrence_title":"",
        "combined_title":"Northern Michigan Landscapes Exhibit: Artist: Rachael Van Dyke",
        "event_subtitle":"Artist: Rachael Van Dyke",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Visit the Pierpont Commons Wall Gallery located just outside of the Commons Cafe to see this beautiful exhibit!\r\n\r\nArtist: Rachael Van Dyke\r\n\r\nArtist Statement - Northern Michigan Landscapes\r\n\r\nGrowing up in a large Italian family where emotions and energy were high, everything had to be done fast. I showered fast, ate fast, talked fast, walked fast and made things fast. Early on I learned to create quickly, having to finish my projects in a matter of hours. I learned to work collaboratively and to not become too attached to my work. This childhood dynamic created a need in me to be aggressive in my work, often cutting through the paint surfaces and restating my lines. Whether I am exploring portraits or landscapes I want my materials to be bold and work fast with me. Exposing that energetic style through a variety of mark making and under-drawing is important to me as it reflects my own zeal for life.\r\n\r\nI find myself most comfortable when away from the tradition of easel and canvas. I am often on my hands and knees actively engaged with the drawing, my feet thick in charcoal and oil bar. Outdoors, I tape charcoal onto the tip of a 3-foot stick to use as my drawing tool. Using these techniques allow for a more natural, spontaneous, and spirited drawing. I am eager to search for shapes of color and light that fall on the planes of the face and the ridge and valleys of land. These organic movements are revealed in my landscape paintings, through juxtaposing patterns and colors of the farmlands and vineyards of Upstate New York and Northern Michigan.\r\n\r\nThe exhibit will be displayed through Thursday, May 16th.\r\n\r\nAll pieces in the exhibit are for sale. Please contact the Center for Campus Involvement if you are interested in purchasing art from this exhibit.\r\n\r\nPlease note: The Center for Campus Involvement (CCI) provides opportunities for student and professional artists to display work suitable for a general audience. CCI hosting an artist\u2019s work does not mean we endorse the artist\u2019s point of view; we recognize the free speech rights of our exhibitors.",
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        "building_id":"1000442",
        "building_name":"Pierpont Commons",
        "campus_maps_id":"131",
        "room":"Wall Gallery",
        "location_name":"Pierpont Commons",
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        "tags":["art","center for campus involvement","exhibit","free","north campus","pierpont commons","visual arts"],
        "website":"http:\/\/campusinvolvement.umich.edu",
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                "group_id":"1023",
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    {
        "datetime_modified":"20130404T145714",
        "datetime_start":"20130411T083000",
        "datetime_end":"20130411T190000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"08:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"El Otro Lado\/The Other Side",
        "occurrence_title":"",
        "combined_title":"El Otro Lado\/The Other Side",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"El Otro Lado\/The Other Side: Struggles for Racial Justice and its Opposition, presented In collaboration with the LSA Winter 2013 Theme Semester, \"Understanding Race,\" presents posters, photographs, archives, books, pamphlets, periodicals, buttons, and other items that illustrate a long history of race-related social protest movements, and that are intended to stimulate conversation and raise awareness about struggles against racism, past and present.\r\n\r\nItems on exhibit are from the Joseph A. Labadie Collection, which documents radical and social protest movements from the 19th century to the present. The collection, which is part of the University of Michigan Special Collections Library, is the oldest and largest of its kind, having originated in 1911 when Detroit anarchist and labor activist Joseph Antoine Labadie donated his personal papers to the University of Michigan Library. Today the collection continues to grow, with the addition of both retrospective and contemporary materials.\r\n\r\nThe exhibit, curated by Julie Herrada with assistance from Daniel Dobras and Cathy Baker, is available during Audubon Room hours: Mon-Fri 8:30am-7pm, Sat 10am-6pm, Sun 1-7pm.",
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        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Audubon Room",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["labadie collection","understanding race theme semester"],
        "website":"http:\/\/www.lib.umich.edu\/the-other-side",
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    {
        "datetime_modified":"20130222T151011",
        "datetime_start":"20130411T083000",
        "datetime_end":"20130411T233000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"08:30:00",
        "time_end":"23:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Exhibit: The Geography of Colorants",
        "occurrence_title":"",
        "combined_title":"Exhibit: The Geography of Colorants",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Geography of Colorants exhibit, inspired by the thesis \"The Geography of Significant Colorants: Antiquity to the Twentieth Century\" by Melissa Zagorski, explores the use of color in antique maps as well as the geographical origins of colorants used to make them.",
        "occurrence_notes":"",
                "guid":"12671-1181909@events.umich.edu",
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        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd floor Hatcher South",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["library","maps","university library"],
        "website":"http:\/\/www.lib.umich.edu\/clark-library\/events\/geography-of-colorants",
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        "datetime_modified":"20130321T133942",
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        "has_end_time":1,
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        "date_end":"2013-04-11",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"\u201cKelsey Contemporaries: Kayla Romberger and Alisha Wessler\u201d\u009d",
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        "combined_title":"\u201cKelsey Contemporaries: Kayla Romberger and Alisha Wessler\u201d\u009d",
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        "description":"Alisha Wessler\u2019s \u201cCompass\u201d\u009d is from the exhibit \u201cKelsey Contemporaries: Kayla Romberger and Alisha Wessler,\u201d\u009d open 9 a.m.-4 p.m. Tuesday-Friday and 1-4 p.m. Saturday and Sunday through June 16 at the Kelsey Museum of Archaeology. The exhibit features the work of Master of Fine Arts students Romberger and Wessler from the School of Art & Design and Museum Studies Program. ",
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        "event_title":"Applied Structural Equation Modeling",
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        "combined_title":"Applied Structural Equation Modeling",
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                "guid":"12179-1180513@events.umich.edu",
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        "building_name":"Modern Languages Building",
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        "location_name":"Modern Languages Building",
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        "cost":"Affiliates $441 non-Affiliates $945",
        "tags":["career"],
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        "event_title":"Language Comes After Artist: The Work of Lynne Avadenka",
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    {
        "datetime_modified":"20130221T074403",
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        "event_title":"Race: Are we so different?",
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        "combined_title":"Race: Are we so different?",
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        "description":"People are different.  Throughout history, these differences have been a source of community strength and personal identity.  They have also been the basis for discrimination and oppression.\r\n\r\nThe idea of \u201crace\u201d\u009d has been used historically to describe these differences and to justify mistreatment of people and even genocide.  Today, contemporary scientific understanding of human variation is beginning to challenge \u201cracial\u201d\u009d differences, and even challenge the very concept of race.\r\n\r\nRace:  Are we so different?, developed by the American Anthropological Association in collaboration with the Science Museum of Minnesota, is the first national exhibition to tell the stories of race from the biological, cultural, and historical points of view.  Combining these perspectives offers an unprecedented look at race and racism in the United States.  For more information about the exhibit, visit www.UnderstandingRace.org. The traveling Race exhibit has inspired the University of Michigan\u2019s Understanding Race Project, an audience engagement initiative including the campus-wide, winter term Understanding Race Theme Semester, centered in the College of Literature, Science, and the Arts; participation by all ten public school districts in Washtenaw County; and extensive involvement by community members, nonprofits, government agencies, and other groups.  ",
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        "event_title":"Ross Art Collection",
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        "event_type_id":"7",
        "description":"The Ross Art Collection at the Stephen M. Ross School of Business is displayed at locations around the school and online at www.bus.umich.edu\/RossArt\/collection\/.",
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        "building_name":"Ross School of Business",
        "campus_maps_id":"547",
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        "location_name":"Ross School of Business",
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                "group_id":"2",
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    {
        "datetime_modified":"20130325T103700",
        "datetime_start":"20130411T100000",
        "datetime_end":"20130411T113000",
        "has_end_time":1,
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        "date_end":"2013-04-11",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"The History of Food--OLLI (50+)",
        "occurrence_title":"",
        "combined_title":"The History of Food--OLLI (50+): Osher Lifelong Learning Institute at U-M",
        "event_subtitle":"Osher Lifelong Learning Institute at U-M",
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        "event_type_id":"13",
        "description":"Speaker: Richard W. Redding, Associate Curator, Museum of Anthropology, U-M \r\n\r\nDr. Redding will explain what science can tell us about food gathering and development from earliest times through to the villages and then farms of the ancient near Eastern peoples. Dr. Redding spent the winter of 2012-2013 doing further research in Egypt. His investigations, excavations, and surveys have taken him all over the world seeking an understanding of the origin of food production and the evolution of complex societies.\r\n\r\nThis is the first of six lectures in the series: \u201cOur Food Supply: A Complicated Story\u201d\u009d\t",
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        "building_name":"Off Campus Location",
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        "room":"Clarion Hotel & Conference Center, 2900 Jackson Ave (Please car pool when possible.)",
        "location_name":"Off Campus Location",
        "has_livestream":0,
        "cost":"$30 for 6-lecture series, $20 annual membership fee, (or $10 per lecture, payable at the door). ",
        "tags":["anthropology","food","lifelong learning","middle east","olli","retirement"],
        "website":"http:\/\/www.olli-umich.org",
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        "datetime_modified":"20130124T115358",
        "datetime_start":"20130411T110000",
        "datetime_end":"20130411T170000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"El Anatsui: When I Last Wrote to You About Africa",
        "occurrence_title":"",
        "combined_title":"El Anatsui: When I Last Wrote to You About Africa",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit is a major retrospective of African artist El Anatsui, who is widely knowns for monumental wall sculptures made from discarded bottle tops.  ",
        "occurrence_notes":"11 am-5pm Tuesday through Saturday, and noon-5pm on Sunday",
                "guid":"12204-1180634@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/12204",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"Alfred Taubman Gallery",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["umma"],
        "website":"http:\/\/ur.umich.edu\/",
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                "group_name":"The University Record",
                "group_id":"2654",
                "website":"http:\/\/ur.umich.edu\/"                },             {
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                "group_id":"1177",
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        "datetime_modified":"20121206T143400",
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        "time_zone":"America\/Detroit",
        "event_title":"Florencia Pita\/FP mod",
        "occurrence_title":"",
        "combined_title":"Florencia Pita\/FP mod",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized by the University of Michigan Museum of Art, Florencia Pita\/FP mod explores the provocations and intersections of digital technology, material experimentation, femininity, and ornament in the work of Argentina-born, Los Angeles-based architect and designer Florencia Pita. The exhibition and its related publication, part of the UMMA Books series, trace the evolution of Pita's design ideology through installation pieces, urban design, tableware, furniture, and architecture, as well as small adornments. Pita's boldly colored works draw from literary, art, and biological sources; employ cutting-edge architectural fabrication techniques; and cross borders of visual art, architecture, and design.\r\n\r\nLead support for this exhibition is provided by the Herbert W. and Susan L. Johe Endowment, Laura Lynch and Hugh McPherson, and the Graham Foundation for Advanced Studies in the Fine Arts. Additional generous support is provided by Taubman College of Architecture and Urban Planning.\r\n",
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                "guid":"11659-1178478@events.umich.edu",
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        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["architecture","visual arts"],
        "website":"http:\/\/www.umma.umich.edu\/",
        "sponsors":[
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                "group_name":"University of Michigan Museum of Art (UMMA)",
                "group_id":"1177",
                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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    {
        "datetime_modified":"20120925T114850",
        "datetime_start":"20130411T113000",
        "datetime_end":"20130411T130000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"11:30:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Nourish YourSELF",
        "occurrence_title":"",
        "combined_title":"Nourish YourSELF: A Lunch Series for Self-Identified Women of Color",
        "event_subtitle":"A Lunch Series for Self-Identified Women of Color",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Nourish YourSELF seeks to empower self-identified women of color around issues of identity, intercultural competency, and health and wellness that affect them in an open, spirited atmosphere. The program welcomes all University of Michigan women of color \u2013 undergraduate and graduate, faculty and staff.  Free lunch will be provided.",
        "occurrence_notes":"",
                "guid":"10504-1174228@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/10504",
        "building_id":"1000120",
        "building_name":"Michigan Union",
        "campus_maps_id":"191",
        "room":"CSG Chambers - 3rd Floor",
        "location_name":"Michigan Union",
        "has_livestream":0,
        "cost":"",
        "tags":["health and wellness","multicultural","social justice"],
        "website":"http:\/\/www.mesa.umich.edu",
        "sponsors":[
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                "group_id":"1064",
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                "group_id":"2515",
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    {
        "datetime_modified":"20121116T151332",
        "datetime_start":"20130411T120000",
        "datetime_end":"20130411T130000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Noon Lecture Series",
        "occurrence_title":"",
        "combined_title":"CJS Noon Lecture Series: Displaced Courtier Konoe Nobutada\u00e2\u20ac\u2122s Large Size Kana Calligraphy",
        "event_subtitle":"Displaced Courtier Konoe Nobutada\u00e2\u20ac\u2122s Large Size Kana Calligraphy",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"(FREE AND OPEN TO THE PUBLIC) Konoe Nobutada (1565-1614), a high-ranking courtier, lived through the vacillating political power of three successive war lords - Nobunaga, Hideyoshi, and Ieyasu. Ohki's talk will examine Nobutada's \"Waka Byobu,\" a recent acquisition of the Yale University Art Gallery, and explore how and what led to the birth of his innovative, large-size kana calligraphy. The calligraphy, with animated brushwork, and ingenious spatial distribution manifests Nobutada's determination to imprint the courtly kana writing, which he and his family represented, upon the new order of military might. And yet, his bold calligraphic style reveals the influence of the ethos of the warrior class during his banishment from the capital.\r\n\r\nAbout the Speaker: Sadako Ohki has had a lifelong interest in calligraphy. Her essays include \"Rebecca Salter and Japan: Moments Layered in Time, Space, Color, and Line\" (Yale Center for British Art, 2011) and \"Collage of Painting, Calligraphy, and Poetry: A Study of Taiga's Ink Bamboo with Kanshi Verse\" (Philadelphia Taiga exhibition, 2007).  Ohki's 2009 exhibition \"Tea Culture of Japan,\" held at the Yale University Art Gallery, and the accompanying catalog, were very well received, and ignited much interest in wabi tea art and scholarship.  Her other interests include contemporary ink art and ceramic sculptures.",
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        "room":"1636",
        "location_name":"School of Social Work Building",
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        "tags":["discussion","japanese studies","lecture"],
        "website":"http:\/\/www.ii.umich.edu\/cjs\/eventsprograms\/noonlectureseries",
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    {
        "datetime_modified":"20130326T124422",
        "datetime_start":"20130411T120000",
        "datetime_end":"20130411T140000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"12:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Stress Relief Programs",
        "occurrence_title":"",
        "combined_title":"Stress Relief Programs",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Take a break and relieve some stress with these events brought to you by the Center for Campus Involvement!\r\n\r\nMonday, April 1st from 6-8pm in the Michigan League Underground - \r\nCelebrate April Fools Day with a comedy show. Featured comics include ComCo and Dave Landau from the Ann Arbor Comedy Showcase.\r\n\r\nThursday, April 11th from 12-2pm on the North Campus Diag - \r\nEnjoy an ice cream sundae bar and try out the human spheres! We will be on the North Campus Diag if the weather cooperates, but if it doesn't find us in Pierpont Commons, East Room.\r\n\r\nMonday, April 15th from 5:30-6:30pm in the Michigan Union, Pendleton - \r\nDance your stress away with a Zumba class. The class is FREE, just be ready for a great workout!\r\n\r\nFriday, April 19th from 2-5pm at the Michigan Union - \r\nDe-stress with activities brought to you by CAPS (2-3pm) then relax with massages and snacks (3-5pm) in Pendleton. Be sure to arrive promptly to sign-up for a massage time slot.",
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        "campus_maps_id":"131",
        "room":"North Campus Diag",
        "location_name":"Pierpont Commons",
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        "tags":["center for campus involvement","comedy","free","free food","health and wellness","massage","michigan union","north campus","stress relief"],
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    {
        "datetime_modified":"20130314T144228",
        "datetime_start":"20130411T121000",
        "datetime_end":"20130411T130000",
        "has_end_time":1,
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        "date_end":"2013-04-11",
        "time_start":"12:10:00",
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        "event_title":"Gifts of Art presents Contemporary Dance",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Contemporary Dance: U-M Freshman Touring Company",
        "event_subtitle":"U-M Freshman Touring Company",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Over 25 years ago, U-M Professor of Dance Bill DeYoung founded the Freshmen Touring Company with the intent to provide first year dance majors with the opportunity to learn and perform repertory around southeastern Michigan. The 2013 season, under the direction of Robin Wilson, features works by U-M Dance alumni Alexandra Beller and Jillian Hopper; guest choreographer Wanjiru Kamuyu; historical choreographer Donald McKayle; current U-M Dance students Maddy Rager, Nola Smith and Sammi Rosenfeld; and U-M Dance faculty Sandra Torijano. Led by these choreographers, the students explore and develop themselves within the practice of modern dance. The students participating include Meri Bobber, CJ Burroughs, Kiri Chapman, Ciara Hurst, Penelope Koulos, Jeffrey Noble, KT Maviglia, Maeve McEwen, Ayana McPherson, Riley O\u2019Donnell, Lena Oren, Sarah Ponczek, Irene Vanderberghe and Nadia Weeks.",
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                "guid":"12948-1182547@events.umich.edu",
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        "building_id":"1000316",
        "building_name":"University Hospitals",
        "campus_maps_id":"158",
        "room":"Main Lobby, Floor 1",
        "location_name":"University Hospitals",
        "has_livestream":0,
        "cost":"",
        "tags":["health and wellness","music"],
        "website":"http:\/\/www.med.umich.edu\/goa\/performances.htm",
        "sponsors":[
             {
                "group_name":"Gifts of Art",
                "group_id":"3108",
                "website":"http:\/\/www.med.umich.edu\/goa\/"                }                    ],
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    {
        "datetime_modified":"20130301T110435",
        "datetime_start":"20130411T123000",
        "datetime_end":"20130411T143000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"12:30:00",
        "time_end":"14:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Advanced French\u2013OLLI Study Group (50+)",
        "occurrence_title":"",
        "combined_title":"Advanced French\u2013OLLI Study Group (50+): Osher Lifelong Learning Institute at U-M",
        "event_subtitle":"Osher Lifelong Learning Institute at U-M",
        "event_type":"Class \/ Instruction",
        "event_type_id":"8",
        "description":"This is a continuation of the fall class in French competency. The class time will be organized as follows: free or structured conversation for one-half hour, grammar for one-half hour and reading \u201cLe Rouge et le Noir\u201d\u009d by Stendahl for one hour. We may switch from grammar to an interactive video program midway through the course. Adele McCarus is a retired French teacher in the Ann Arbor school system.\r\n",
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        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"Turner Senior Resource Center, 2401 Plymouth Road, Suite C, Ann Arbor.",
        "location_name":"Off Campus Location",
        "has_livestream":0,
        "cost":"$40",
        "tags":["french","lifelong learning","olli","retirement"],
        "website":"http:\/\/www.olli-umich.org",
        "sponsors":[
             {
                "group_name":"Osher Lifelong Learning Institute (50+)",
                "group_id":"3107",
                "website":"http:\/\/www.olli-umich.org"                }                    ],
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    {
        "datetime_modified":"20130404T095813",
        "datetime_start":"20130411T123000",
        "datetime_end":"20130411T133000",
        "has_end_time":1,
        "date_start":"2013-04-11",
        "date_end":"2013-04-11",
        "time_start":"12:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"The Power of a Palliative Care Model to Fuel the Science.",
        "occurrence_title":"",
        "combined_title":"The Power of a Palliative Care Model to Fuel the Science.",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Dr. Harleah G. Buck, Ph.D, RN, CHPN, is an Assistant Professor at Pennsylvania State University. Her research foci is in quality of life in end of life, upstreaming palliative care, and self-care in end-state heart failure. Her clinical expertise is in intensive care, coronary care, post-anesthesia recovery care, community health, and hospice and palliative care.",
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                "guid":"13290-1183095@events.umich.edu",
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        "building_id":"1000333",
        "building_name":"School of Nursing",
        "campus_maps_id":"137",
        "room":"Room 1330",
        "location_name":"School of Nursing",
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        "tags":["nursing","palliative care","science"],
        "website":"http:\/\/nursing.umich.edu",
        "sponsors":[
             {
                "group_name":"School of Nursing",
                "group_id":"3180",
                "website":"http:\/\/nursing.umich.edu"                }                    ],
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        "event_title":"Recent Acquisitions: Building on the Clements Collections",
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        "description":"The Clements Library never stops adding to its collections of primary source material. Already one of the finest American history research libraries in the world, its curators are always seeking new items to improve traditional strengths of the collection or to support new perspectives on the study of America before 1900. This exhibit features recent acquisitions of the Book, Manuscripts, Map, and Graphics divisions and shows how they fit in to the Clements overall collections.",
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        "event_title":"CANCELED: Lisa Jackson sustainability address at U-M",
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        "tags":["environmental justice","sustainability"],
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        "time_zone":"America\/Detroit",
        "event_title":"Conversations on Europe\/Germanic Languages & Literatures Lecture. \u201cThe (Ambiguous) Politics of Empathy.\u201d\u009d",
        "occurrence_title":"",
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        "event_title":"EEB Thursday Seminar Series",
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        "combined_title":"EEB Thursday Seminar Series: Insights into adaption and speciation from a butterfly genome, presented by Dr. Chris Jiggins, University of Cambridge",
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        "event_title":"Moving from Career Success to Retirement Success",
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        "event_title":"Status of the Research Environment at the University of Michigan",
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        "description":"Sigma Xi, the Research Society, University of Michigan Chapter presents:\r\nStatus of the Research Environment at the University of Michigan\r\n\r\nPresenter:  Vice President Stephen Forrest\r\n\r\nFrom Central Campus:\r\nAccess walkway on Geddes between School of Dentistry and the Exhibit Museum of Natural History.\r\n \u00b7         Proceed east, past North Hall, the Undergraduate Science Building construction site and the Life Sciences Institute.\r\n \u00b7         Continue east on plaza walkway to main entrance of Palmer Commons at the beginning of the Washtenaw pedestrian bridge to Medical Campus.\r\n \u00b7         Enter main level lobby, proceed to Information Desk.\r\nFrom Medical Campus:\r\n \u00b7         Exiting Mott Children's Hospital, proceed until you reach E. Medical Center Drive.\r\n \u00b7         Follow E. Medical Center Drive east until it intersects with Observatory.\r\n \u00b7         Make a right onto Observatory and follow it until it intersects with Zina Pitcher\r\n \u00b7         Make a left onto Zina Pitcher and follow it until you see a sloped ramp which turns into a bridge of Washtenaw Ave.\r\n \u00b7         Take the ramp, enter the third floor of Palmer Commons through the first set of doors and proceed to the information desk\r\n ",
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        "event_title":"Tanner Lecture on Human Values",
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        "website":"http:\/\/www.lsa.umich.edu\/philosophy",
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        "time_zone":"America\/Detroit",
        "event_title":"The (Ambiguous) Politics of Empathy",
        "occurrence_title":"",
        "combined_title":"The (Ambiguous) Politics of Empathy: Steven Aschheim, Hebrew University",
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        "description":"",
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        "room":"1636 International Institute, 1080 South University",
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        "has_livestream":0,
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        "tags":["jewish studies"],
        "website":"http:\/\/www.lsa.umich.edu\/judaic",
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        "event_title":"Lecture:  Mongolian Music, Peter Marsh",
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        "combined_title":"Lecture:  Mongolian Music, Peter Marsh",
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        "building_name":"Walgreen Drama Center",
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        "location_name":"Walgreen Drama Center",
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        "tags":["music"],
        "website":"http:\/\/www.music.umich.edu\/",
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        "event_title":"This Is Our Tradition: The Transformative Roles of Traditional Music in Post-Socialist Mongolia",
        "occurrence_title":"",
        "combined_title":"This Is Our Tradition: The Transformative Roles of Traditional Music in Post-Socialist Mongolia: Peter Marsh, Department of Music, California State University, East Bay",
        "event_subtitle":"Peter Marsh, Department of Music, California State University, East Bay",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Since the early 20th century, Mongolians have engaged in nearly constant debate about the present place of the indigenous traditions and culture in contemporary Mongolia. Socialist concepts of modernity and development, implemented and overseen by a Soviet-backed ruling party, allowed little room for the traditional art in its conception of a shine Mongol or \u201cnew Mongolia.\u201d\u009d But as single-party rule waned in late-1980s increasingly diverse proposals began to emerge positing the need to expand the role of the traditional in the conception of the modern in Mongolia. The subject of traditional music, in particular, has had a surprisingly important place in these nationwide \u201cdiscussions,\u201d\u009d which have often played out on the public stages and in the national media. This paper will explore several examples of the arguments musicians and cultural officials have made for the transformative role of traditional music in helping Mongolians understand and confront crucial problems they as a nation face in contemporary, post-socialist Mongolia. This examination will highlight the multiple senses of \u201ctradition,\u201d\u009d \u201cculture\u201d\u009d and \u201cthe past\u201d\u009d that Mongolians employ as they negotiate life in contemporary society. ",
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        "tags":["chinese opera","folk music","mongolian"],
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        "event_title":"This Is Our Tradition: The Transformative Roles of Traditional Music in Post-Socialist Mongolia",
        "occurrence_title":"",
        "combined_title":"This Is Our Tradition: The Transformative Roles of Traditional Music in Post-Socialist Mongolia: Peter Marsh, Department of Music, California State University, East Bay",
        "event_subtitle":"Peter Marsh, Department of Music, California State University, East Bay",
        "event_type":"Lecture \/ Discussion",
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        "description":"Since the early 20th century, Mongolians have engaged in nearly constant debate about the present place of the indigenous traditions and culture in contemporary Mongolia. Socialist concepts of modernity and development, implemented and overseen by a Soviet-backed ruling party, allowed little room for the traditional art in its conception of a shine Mongol or \u201cnew Mongolia.\u201d\u009d But as single-party rule waned in late-1980s increasingly diverse proposals began to emerge positing the need to expand the role of the traditional in the conception of the modern in Mongolia. The subject of traditional music, in particular, has had a surprisingly important place in these nationwide \u201cdiscussions,\u201d\u009d which have often played out on the public stages and in the national media. This paper will explore several examples of the arguments musicians and cultural officials have made for the transformative role of traditional music in helping Mongolians understand and confront crucial problems they as a nation face in contemporary, post-socialist Mongolia. This examination will highlight the multiple senses of \u201ctradition,\u201d\u009d \u201cculture\u201d\u009d and \u201cthe past\u201d\u009d that Mongolians employ as they negotiate life in contemporary society. ",
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        "event_title":"Penny Stamps Distinguished Speaker Series ",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Distinguished Speaker Series : Brings respected emerging and established artists\/designers from a broad spectrum to conduct a public lecture and engage with students, faculty, and the larger University and Ann Arbor communities.",
        "event_subtitle":"Brings respected emerging and established artists\/designers from a broad spectrum to conduct a public lecture and engage with students, faculty, and the larger University and Ann Arbor communities.",
        "event_type":"Lecture \/ Discussion",
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        "description":"Unless otherwise noted, all programs take place on Thursdays at 5:10 pm at the historic Michigan Theater, located at 603 E. Liberty Street in downtown Ann Arbor, and are free of charge and open to the public.\r\n\r\nJanuary 17: RENOIR and SURREALIST PARIS in Black & White \r\nA short film directed by Renoir in the late twenties, right after he had discovered jazz, Sur un air de Charleston is a little masterpiece, albeit unknown, of the silent movie period. In 2028 Paris, a mysterious African explorer lands with his aeronef on Terra Incognita. There, he meets a beautiful young Parisian dancer, who eventually initiates him to the pleasures of Charleston.\r\nAn essay in reverse anthropology, a burlesque and surrealist vaudeville, Sur un air de Charleston is a singular piece of art. A product of the roaring twenties, it can be construed as a critique of France\u2019s racial context, then at the height of its colonial Empire. But it also has to be considered on the much broader scale of transatlantic cultural exchanges. Thus, we start to envision some of the unsuspected links that irrigate and reconfigure the seamingly neat cartography of Western modernism. \r\nTwo musicians, Olivier Th\u00e9mines and Guillaume Hazebrouck, invite you with anthropologist Emmanuel Parent to discover this astonishing movie with a cin\u00e9-concert\/conference. The movie, accompanied by a live original music, will be followed by a lecture and discussion on the question of race within the artistic context of 1920s France. \r\n\r\nJanuary 24: WILSON SMITH \r\nWilson W. Smith III is a Design Director at Nike, Inc., Beaverton, Oregon. Smith is currently involved in Nike's Better World projects, and is a lead designer as a part of Nike's \"Innovation Kitchen\". After becoming a Senior Designer in 1990, Smith was involved primarily with the concepts of Nike's cross-training and basketball products.\r\nSmith established much of the design direction for Tennis footwear throughout the 1990s, and created many athlete-endorsed products including Andre Agassi's signature line. In 1997, Wilson Smith became the first dedicated designer for Jordan brand, and is best known for designing the Jordan 16(XVI) and 17(XVII). In 2003, Wilson became the Design Director of Nike Court, encompassing all tennis & racquet driven footwear, while also designing signature products for Nike endorsees Serena Williams, and Roger Federer. Black Enterprise Magazine recently named Wilson one of America\u2019s Top Black Designers. \r\n\r\nJanuary 31: LISA STRAUSFELD\r\nLisa Strausfeld\u2019s work lies at the intersection of physical and virtual space: where information structures and physical structures meet, and where the navigation of information and the navigation of buildings join in a single experience. She and her team specialize in digital information projects including the design of large-scale media installations, software prototypes and user interfaces, signage and websites for a broad range of civic, cultural and corporate clients including One Laptop per Child, GE, Litl, Bloomberg, Gallup, The New York Times, M.I.T., Brown University, the Museum of Arts and Design and the Detroit Institute of Arts.\r\nStrausfeld holds four patents relating to user interfaces and intelligent search and retrieval, and in 2006 she was named to the Senior Scientist program at the Gallup Organization. In addition to many awards and honors, Strausfeld was selected as one of Fast Company's \"Masters of Design\" in 2009 and received the National Design Award in the category of Interaction Design in 2010.\r\n\r\nFebruary 7: El ANATSUI\r\nEl Anatsui was born in Anyanko, Ghana in 1944. Many of Anatsui\u2019s sculptures are mutable in form, conceived to be so free and flexible that they can be shaped in any way and altered in appearance for each installation. Working with wood, clay, metal, and\u2013most recently\u2013the discarded metal caps of liquor bottles, Anatsui breaks with sculpture\u2019s traditional adherence to forms of fixed shape while visually referencing the history of abstraction in African and European art. The colorful and densely patterned fields of the works assembled from discarded liquor-bottle caps also trace a broader story of colonial and postcolonial economic and cultural exchange in Africa, told in the history of cast-off materials. The sculptures in wood and ceramics introduce ideas about the function of objects (their destruction, transformation, and regeneration) in everyday life, and the role of language in deciphering visual symbols. El Anatsui received a BA from the College of Art, University of Science and Technology, Kumasi, Ghana (1969) and since 1975 has taught at the University of Nigeria, Nsukka. His works are in the public collections of the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Los Angeles County Museum of Art; Indianapolis Museum of Art; British Museum, London; and Centre Pompidou, Paris, among many others. Major exhibitions of his work have appeared at the Sterling and Francine Clark Art Institute, Williamstown (2011); Royal Ontario Museum, Toronto (2010); National Museum of Ethnology, Osaka (2010); Rice University Art Gallery, Houston (2010); Venice Biennale (2007); and the Biennale of African Art, Senegal (2006). El Anatsui lives and works in Nsukka, Nigeria.\r\n\r\nFebruary 21: TANIA BRUGUERA\r\nTania Bruguera is one of the leading political and performance artists of her generation. Her work researches ways in which art can be applied to everyday political life, creating a public forum to debate ideas in a state of contradiction, focusing on the transformation of the \"viewer\" into one of \"citizenry.\" Bruguera's terms \u201carte de conducta\u201d\u009d (conduct\/behavior art) and \u201carte \u00c3\u00batil\u201d\u009d (useful art) define her practice. In 2010, Bruguera launched Immigrant Movement International, a five-year project that helps define the immigrant as a unique, new global citizen in a postnational world and tests the concept of \u201cuseful art,\u201d\u009d by artists actively implementing the merging of art into society\u2019s urgent social, political, and scientific issues.\r\nBruguera\u2019s work has been presented internationally at Documenta 11, Kassel, Germany and several biennials including Performa, Venice, Gwangju, and Havana. She has exhibited at the Tate Modern, London; K\u00c3\u00bcnsthalle Wien, Vienna; Centre Pompidou, Paris; and the New Museum of Contemporary Art, New York. \r\n\r\nMarch 14: LYNDA BARRY\r\nLynda Barry has worked as a painter, cartoonist, writer, illustrator, playwright, editor, commentator and teacher and found they are very much alike. She is the inimitable creator behind the seminal comic strip that was syndicated across North America in alternative weeklies for two decades, Ernie Pook's Comeek, as well as the books One! Hundred! Demons!, The! Greatest! of! Marlys!, Cruddy: An Illustrated Novel, Naked Ladies! Naked Ladies! Naked Ladies! and The Good Times are Killing Me, which was adapted as an off-Broadway play and won the Washington State Governor's Award. In 2011, Drawn & Quarterly published Blabber Blabber Blabber, the first in a 10-volume retrospective series of her comics work. Her bestselling and acclaimed creative writing-how to-graphic novel for Drawn & Quarterly, What It Is (2008), won the Eisner Award for Best Reality Based Graphic Novel and R.R. Donnelly Award for highest literary achievement by a Wisconsin author.\r\nWhat It Is (2008) is based on \u201cWriting the Unthinkable\u201d\u009d, a tried-and-true method creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or remember. With What It Is and Picture This (2010), Barry explores the depths of the inner and outer realms of creation and imagination, where play can be serious, monsters have purpose, and not knowing is an answer unto itself.\r\n\r\nMarch 21: KEN BURNS\r\nDocumentary filmmaker Ken Burns has been producing films for PBS for more than 25 years. Since the Academy Award nominated Brooklyn Bridge in 1981, Ken has gone on to direct and produce some of the most acclaimed historical documentaries ever made. A December 2002 poll conducted by Real Screen Magazine listed The Civil War as second only to Robert Flaherty\u2019s Nanook of the North as the \u201cmost influential documentary of all time,\u201d\u009d and named Ken Burns and Robert Flaherty as the \u201cmost influential documentary makers\u201d\u009d of all time. In March, 2009, David Zurawik of The Baltimore Sun said, \u201c\u201d\u00a6 Burns is not only the greatest documentarian of the day, but also the most influential filmmaker period. That includes feature filmmakers like George Lucas and Steven Spielberg. I say that because Burns not only turned millions of persons onto history with his films, he showed us a new way of looking at our collective past and ourselves.\u201d\u009d The late historian Stephen Ambrose said of his films, \u201cMore Americans get their history from Ken Burns than any other source.\u201d\u009d Ken\u2019s films have won twelve Emmy Awards and two Oscar nominations, and in September of 2008, at the News & Documentary Emmy Awards, Ken was honored by the Academy of Television Arts & Sciences with a Lifetime Achievement Award.\r\nBurns' documentaries include The Civil War, Baseball, Jazz, Thomas Jefferson, Lewis and Clark: The Journey of the Corps of Discovery, Frank Lloyd Wright, Mark Twain, Unforgivable Blackness: The Rise and Fall of Jack Johnson, The War, The National Parks: America\u2019s Best Idea, Prohibition and The Dust Bowl.\r\n\r\nMarch 28: CARMELITA TROPICANA\r\nCarmelita Tropicana (a.k.a. Alina Troyano) is a performance artist, playwright, and actor. Troyano burst on New York\u2019s downtown performing arts scene in the eighties with her alter ego, the spitfire Carmelita Tropicana and her counterpart, the irresistible archetypal Latin macho Pingalito Betancourt, followed by performances as Hernando Cortez\u2019s horse and la Cucaracha Martina from her childhood fairy tales in Cuba. In Tropicana\u2019s work humor and fantasy become subversive tools to rewrite history.\r\nTropicana\u2019s performances plays and videos have been presented at venues such as the Institute of Contemporary Art in London, Hebbel Am Ufer in Berlin, Centre de Cultura Contemporanea in Barcelona, the Berlin International Film Festival, the New Museum of Contemporary Art in New York, the Mark Taper Forum\u2019s Kirk Douglas Theater in Los Angeles, and El Museo del Barrio in New York. Her work has received funding support from the Independent Television Service, the Jerome Foundation, and the Rockefeller Suitcase Fund. She has received numerous awards including the prestigious Anonymous Was a Woman and fellowships from the New York Foundation for the Arts as well as an Obie for Sustained Excellence in Performance. She is the author of a collection of performance pieces and short essays called I, Carmelita Tropicana: Performing between Cultures (2000).\r\n\r\nApril 4: PAOLA ANTONELLI\r\nPerspectives\r\nPaola Antonelli is Senior Curator in the Department of Architecture and Design and Director of Research and Development at the Museum of Modern Art. Her first MOMA exhibition was, Mutant Materials in Contemporary Design (1995). Her latest exhibition was 2011\u2019s Talk to Me: Design and the Communication between People and Objects. Antonelli earned the \u201cDesign Mind\u201d\u009d Smithsonian Institution\u2019s National Design Award and was named one of the 25 most incisive design visionaries by Time Magazine.  She has been a contributing Editor for Domus magazine, an editor of Abitare, and the author of the publication Humble Masterpieces: Everyday Marvels of Design. Antonelli\u2019s goal is to insistently promote design\u2019s understanding until its positive influence on the world is fully acknowledged and exploited. She is currently at work on contemporary design exhibitions, and on Design Bites, a book about foods as examples of outstanding design.  \r\nPaola Antonelli's lecture, originally scheduled for November 1, 2012, will take place on April 4, 2013.\r\nWith support from Taubman College of Architecture and Urban Planning and the U-M Museum of Art.\r\n\r\nApril 11: MASSIMO BANZI\r\nMassimo Banzi is the co-founder of the Arduino project. He is an Interaction Designer, Educator and Open Source Hardware advocate. He has worked as a consultant for clients such as: Prada, Artemide, Persol, Whirlpool, V&A Museum and Adidas.\r\nMassimo started the first FabLab in Italy which led to the creation of Officine Arduino, a FabLab\/Makerspace based in Torino.\r\nHe spent 4 years at the Interaction Design Institue Ivrea as Associate Professor. Massimo has taught workshops and has been a guest speaker at institutions all over the world.\r\nBefore joining IDII he was CTO for the Seat Ventures incubator. He spent many years working as a software architect,both in Milan and London, on projects for clients like Italia Online, Sapient, Labour Party, BT, MCI WorldCom, SmithKlineBeecham, Storagetek, BSkyB and boo.com.\r\nMassimo is also the author of Getting Started with Arduino, published by O\u2019Reilly Press. He is a regular contributor to the italian edition of Wired Magazine and Che Futuro, an online magazine about innovation.\r\nHe currently teaches Interaction Design at SUPSI Lugano in the south of Switzerland and is a visiting professor at CIID in Copenhagen.\r\n",
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        "tags":["architecture","art","artists","career","dance","film","penny stamps speaker series","unique","visual arts"],
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        "time_zone":"America\/Detroit",
        "event_title":"Exchange and Urbanization in Early Rome: Perspectives from S. Omobono",
        "occurrence_title":"",
        "combined_title":"Exchange and Urbanization in Early Rome: Perspectives from S. Omobono: FAST Lecture",
        "event_subtitle":"FAST Lecture",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Since the 1930s, excavations at the site of S. Omobono have revealed an uninterrupted archaeological sequence stretching back at least to the Early Iron Age (EIA). Recent work by the University of Michigan and the Universit\u00c3\u00a0 della Calabria has prompted the launch of a large-scale research project designed to investigate the role of exchange in the sociopolitical development of EIA Rome. ",
        "occurrence_notes":"A reception will preceed the lecture.",
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        "building_name":"Kelsey Museum of Archaeology",
        "campus_maps_id":"186",
        "room":"Room 125",
        "location_name":"Kelsey Museum of Archaeology",
        "has_livestream":0,
        "cost":"",
        "tags":["archaeology","history","rome"],
        "website":"http:\/\/www.lsa.umich.edu\/kelsey\/",
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                "group_id":"3154",
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    {
        "datetime_modified":"20130503T141245",
        "datetime_start":"20130411T180000",
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        "time_start":"18:00:00",
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        "event_title":"Pesha's Journey: From Rabbi's Daughter to Radical Feminist",
        "occurrence_title":"",
        "combined_title":"Pesha's Journey: From Rabbi's Daughter to Radical Feminist: A Story in Letters and Photos",
        "event_subtitle":"A Story in Letters and Photos",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\u201cPesha's Journey\u201d\u009d tells the story, in pictures and words, of Pesha\u2013a Jewish woman born into an orthodox Palestine family who struggled to live a life unfettered by the oppressive bonds of her cultural moment. The photos, taken between 1911 and 1940, trace her early life to her education in Germany and, eventually, her marriage and move to New York with husband Benno, the photographer who took many of these pictures. These images and Pesha\u2019s story were discovered after Benno\u2019s death by his son, Eric Bermann, who co-curated this exhibit.",
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                "guid":"13535-1184816@events.umich.edu",
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        "campus_maps_id":"524",
        "room":"Room 1022",
        "location_name":"202 S. Thayer",
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        "tags":["feminism","judaic studies"],
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        "event_title":"August: Osage County",
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        "description":"Dept. of Theatre & Drama   a comic tragedy by Tracy Letts   Directed by John Neville-Andrews   A vivid portrait of familial dysfunction, this fiercely funny Pulitzer Prize-winning play has  been called \u201cthe most exciting new American  play seen in years.\u201d\u009d (New York Times)    This play contains strong profanity and adult themes.  Recommended for 18 and over.    League Ticket Office 734.764.2538",
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        "building_name":"Walgreen Drama Center",
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        "cost":"General admission $26\/ $10 with student ID",
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        "event_title":"The Red Silk Thread",
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        "description":"Opera Studio production.  Premiere of an opera by Stella Sung, with libretto by Ernest Hilbert.   The opera is based on stories of Marco Polo at the court of Kublai Khan.   Directed by Robert Swedberg;  Kathryn Goodson, Music Director;   Yaniv Segal, Conductor.       Presented as a Green Opera production in collaboration with the Confucius Institute at the University of Michigan",
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        "event_title":"BEN FOLDS in Ann Arbor",
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        "event_title":"Dance BFA Senior Concert: On Display",
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        "event_title":"Michigan Zombie Club presents Planet Terror",
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        "event_title":"Stolen Silver",
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