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    "15270-1194188":
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        "datetime_modified":"20131016T162546",
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        "datetime_end":"20131101T190000",
        "has_end_time":1,
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        "date_end":"2013-11-01",
        "time_start":"08:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Exhibit: AfroKilt",
        "occurrence_title":"",
        "combined_title":"Exhibit: AfroKilt",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"AfroKilt explores the connections between Africa and Scotland through textiles \u2013 specifically, the role of Anchor thread, an embroidery thread with a unique versatility of color and texture. Anchor thread originates from Scotland\u2019s oldest thread manufacturer J&P Coats and is found in contemporary Nigerian embroidered robes.\r\n\r\nBased on former Penny Stamps School of Art and Design student Sally Volkmann's senior project, \"AfroKilt, The Thread That Binds,\u201d\u009d the exhibit contains text and images from Volkmann\u2019s trip to Scotland, maps from the Clark Library collection, fabric samples, and more.",
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                "guid":"15270-1194188@events.umich.edu",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["africa","library","scotland"],
        "website":"http:\/\/www.lib.umich.edu\/clark-library\/events\/exhibit-afrokilt",
        "sponsors":[
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    {
        "datetime_modified":"20131001T153854",
        "datetime_start":"20131101T080000",
        "datetime_end":"20131101T190000",
        "has_end_time":1,
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        "date_end":"2013-11-01",
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        "event_title":"Exhibit: Soundscapes of Childhood",
        "occurrence_title":"",
        "combined_title":"Exhibit: Soundscapes of Childhood",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Compositions of voice, words, song, and environmental sounds combine with personal stories and images of Nichols Arboretum to inspire reflection on how outdoor experience and a sense of \u201cplace\u201d\u009d influence personal meanings of home. This exhibit of student work contributes to the common good by collecting, preserving, communicating, and sharing individual audio-walk journeys.\r\n\r\nPresented by the University of Michigan Library in collaboration with the University of Michigan Residential College.\r\n",
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                "guid":"14982-1193516@events.umich.edu",
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        "room":"Gallery in Room 100 (enter from Diag)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["exhibit","student show","the sound outside"],
        "website":"http:\/\/www.lib.umich.edu\/gallery\/events\/soundscapes_of_childhood",
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        "datetime_modified":"20131010T150221",
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        "datetime_end":"20131101T200000",
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        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"08:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents \u201cCeramic Animals\u201d\u009d",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents \u201cCeramic Animals\u201d\u009d",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Marie Lane is an Ann Arbor ceramist who is legally blind due to glaucoma. Lane creates useful and whimsical ceramics incorporating various techniques, and finished with either ceramic glaze or acid wash. She has received instruction from Sadashi Inuzuka, Arthur F. Thurnau Professor, Penny W. Stamps School of Art and Design. The exhibit is presented from 8 a.m.-8 p.m. through Dec. 9 in the Gifts of Art Gallery, Taubman Health Center South Lobby, Floor 1.\r\n\r\n",
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        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"Gifts of Art Gallery, Taubman Health Center South Lobby, Floor 1",
        "location_name":"Off Campus Location",
        "has_livestream":0,
        "cost":"",
        "tags":["visual arts"],
        "website":"http:\/\/campusinfo.umich.edu",
        "sponsors":[
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                "group_name":"Campus Information Centers CIC",
                "group_id":"2",
                "website":"http:\/\/campusinfo.umich.edu"                },             {
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    {
        "datetime_modified":"20131008T142616",
        "datetime_start":"20131101T080000",
        "datetime_end":"20131101T200000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"08:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents A New Perspective: Digital Photography",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents A New Perspective: Digital Photography: Robert P. Kelch, M.D.",
        "event_subtitle":"Robert P. Kelch, M.D.",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Dr. Robert P. Kelch retired from his position as Executive Vice President for Medical Affairs at the University of Michigan in the fall of 2009. He enjoyed a wonderful career in academic medicine  \u00cc\u00b6  as a pediatric endocrinologist, physician investigator and administrator. Retirement has given Kelch much more time and energy to devote to his lifelong interest in photography. He especially enjoys photographing beautiful scenes, animals and objects during his many travels and around his home in South Haven, Michigan.  \r\n\r\n100% of artist proceeds will go to the Gifts of Art endowment.  For more information, please visit: http:\/\/www.med.umich.edu\/goa\/donations.htm",
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                "guid":"15152-1193904@events.umich.edu",
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        "building_id":"1000317",
        "building_name":"Taubman Center",
        "campus_maps_id":"5",
        "room":"Gifts of Art Gallery \u2013 North Lobby, Floor 1. ",
        "location_name":"Taubman Center",
        "has_livestream":0,
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        "tags":["visual arts","health and wellness"],
        "website":"http:\/\/www.med.umich.edu\/goa\/exhibits.htm",
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    {
        "datetime_modified":"20130708T150346",
        "datetime_start":"20131101T080000",
        "datetime_end":"20131101T170000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents Botanical Watercolors",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Botanical Watercolors: Joanne Porter",
        "event_subtitle":"Joanne Porter",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Local artist, teacher and floral painter Joanne Porter has always been inspired by the seasonal variations in the garden. In her watercolors, she captures the freshness of spring, the warm palette of summer and the crispness of fall. Using many layers of watercolor paint, Porter conveys the delicate movement of the flowers as well as their richness of color. Her educational background includes a BFA and MFA from the U-M School of Art & Design, and her work has been in one person gallery shows and on permanent display in hospitals, businesses and schools throughout southeastern Michigan.",
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                "guid":"13845-1186690@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/13845",
        "building_id":"1000301",
        "building_name":"Cancer Center",
        "campus_maps_id":"31",
        "room":"Gifts of Art Gallery \u2013 Level 1.  ",
        "location_name":"Cancer Center",
        "has_livestream":0,
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        "tags":["visual arts","health and wellness"],
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    {
        "datetime_modified":"20131018T102404",
        "datetime_start":"20131101T080000",
        "datetime_end":"20131101T200000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"08:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents Ceramic Animals",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Ceramic Animals: Marie Lane",
        "event_subtitle":"Marie Lane",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"An Ann Arbor ceramist who is legally blind due to glaucoma, Marie Lane discovered the world of clay in the fall of 2002. She enjoys creating an assortment of useful and whimsical ceramics incorporating various techniques. Her tactile reliefs and handcrafted creations are finished with either ceramic glaze or acid wash. Examples of each of these techniques are included in this exhibit. She has received instruction from Professor Sadashi Inuzuka of the U-M School of Art and Design from 2002-2012, the Ox-Bow School for the Arts and locally at Yourist Studio.",
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        "tags":["health and wellness","visual arts"],
        "website":"http:\/\/www.med.umich.edu\/goa\/exhibits.htm",
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        "datetime_modified":"20131018T102404",
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        "event_title":"Gifts of Art presents Ceramic Animals",
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        "combined_title":"Gifts of Art presents Ceramic Animals: Marie Lane",
        "event_subtitle":"Marie Lane",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"An Ann Arbor ceramist who is legally blind due to glaucoma, Marie Lane discovered the world of clay in the fall of 2002. She enjoys creating an assortment of useful and whimsical ceramics incorporating various techniques. Her tactile reliefs and handcrafted creations are finished with either ceramic glaze or acid wash. Examples of each of these techniques are included in this exhibit. She has received instruction from Professor Sadashi Inuzuka of the U-M School of Art and Design from 2002-2012, the Ox-Bow School for the Arts and locally at Yourist Studio.",
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        "event_title":"Gifts of Art presents Paperweights & Studio Glass",
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        "combined_title":"Gifts of Art presents Paperweights & Studio Glass: UM-Dearborn Permanent Art Collection",
        "event_subtitle":"UM-Dearborn Permanent Art Collection",
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        "description":"The American studio glass movement started in 1962 with glass workshops held at the Toledo Museum of Art. The workshops, taught by Harvey Littleton along with scientist Dominick Labino, introduced a small furnace built for working glass that made it possible for artists to work in independent studios. The studio glass movement quickly spread north to Michigan, and in 1982, a decision was made that studio glass would be the focus of the University of Michigan-Dearborn permanent art collection, which is housed at the Alfred Berkowitz Gallery. This exhibition is a portion of that collection, spotlighting studio glass art by major artists working in the medium, including Dominick Labino, Marvin Lipofsky and Richard Ritter. ",
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        "datetime_modified":"20131008T143303",
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        "event_title":"Gifts of Art presents Pierced Porcelain",
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        "combined_title":"Gifts of Art presents Pierced Porcelain: Kate Tremel",
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        "description":"In this current body of work, Kate Tremel is interested in taking a fresh look at traditional pottery forms within a functional context. She has returned to a technique that she learned years ago as an exchange student in Peru - thinning and shaping porcelain using a wooden paddle and river stone. Tremel finds the challenge of piercing the thin walls of the clay at their most fragile state to be an exercise in understanding the fleeting tenuousness of beauty itself. Among other things, Tremel is a lecturer at the U-M Penny W. Stamps School of Art and Design.",
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        "datetime_modified":"20131018T103728",
        "datetime_start":"20131101T080000",
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        "event_title":"Gifts of Art presents Poodle Stories: Whiteware Clay",
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        "combined_title":"Gifts of Art presents Poodle Stories: Whiteware Clay: Lilli Blackburn",
        "event_subtitle":"Lilli Blackburn",
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        "description":"Ann Arbor artist Lilli Blackburn creates functional and sculptural works in clay. In this body of work, poodles are represented in various dilemmas of life. The functional white ware is lighthearted, so simple tasks such as eating and drinking can become playful. Each piece is individually handcrafted with feedback from her standard parti (two-colored) poodle, who loves to crack a joke. Blackburn earned a BFA from Ohio State University, and her studio is Grins Clay.",
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        "event_title":"Gifts of Art presents Retaining Identity: Mixed Media Painting ",
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        "combined_title":"Gifts of Art presents Retaining Identity: Mixed Media Painting : U-M Silver Club ",
        "event_subtitle":"U-M Silver Club ",
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        "description":"U-M Geriatrics Center Silver Club Memory Loss programs embrace creative enrichment for its members. To further their creative programming, two of the groups, the Day Program and Elderberry Club, have partnered with U-M Penny W. Stamps School of Art & Design. Professor Anne Mondro\u2019s students and club members share experiences and expertise to create one of a kind works of art. Retaining Identity captures the spirit of creativity and embraces a shared experience.",
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        "combined_title":"Gifts of Art presents Stitched Impressions: Art Quilts: Carole Harris",
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        "description":"Textile artist Carole Harris is a Detroit native. Her mother introduced her to needle arts at an early age. After receiving a BFA in art and interior design from Wayne State, she began to explore fibers as an art form. Many of her art quilts have architectural themes but she is most fascinated by the interplay of hue and pattern, often drawing inspiration from the color, energy, movement, and rhythms of ethnographic rituals as well as jazz, blues and gospel music. Harris\u2019 goal is to make her quilts dance with the same excitement, exuberance and joy that music gives her. Her work has been exhibited in museums and galleries nationally and internationally, and she is much in demand as a lecturer and juror.",
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        "event_title":"Gifts of Art presents The Art of Storytelling: Fabric Appliqu\u00e9",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents The Art of Storytelling: Fabric Appliqu\u00e9: Chris Roberts-Antieau",
        "event_subtitle":"Chris Roberts-Antieau",
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        "description":"Chris Roberts-Antieau\u2019s work is about the mysterious origin of joy and the wonder of childhood. To create her witty fabric paintings, she first hunts for her palette of fabrics: linens, flannels, cottons, calicos, even velvet. Then she cuts her designs freehand, using the sewing machine as a drawing tool to define the borders of her figures with a beautiful, almost invisible satin-stitch. Roberts-Antieau then finishes her pieces with hand embroidery work, and frames the finished art behind glass in hand-painted frames. On exhibit in permanent collections across the country, the joy in Roberts-Antieau\u2019s award winning work is contagious.",
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                "guid":"15285-1194562@events.umich.edu",
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        "room":"Gifts of Art Gallery \u2013 Main Corridor, Floor 2. ",
        "location_name":"University Hospitals",
        "has_livestream":0,
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        "tags":["visual arts","health and wellness"],
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        "event_title":"Sibande On Campus: Exhibit: The wait seems to go on forever (mural, 2008) ",
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        "combined_title":"Sibande On Campus: Exhibit: The wait seems to go on forever (mural, 2008) ",
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        "description":"Rising young South African artist Mary Sibande constructs elaborate visual narratives to consider race, gender, and class in post-colonial South Africa. Rooted in her own family\u2019s history of three generations of women as domestic servants, Sibande\u2019s larger-than-life figures clothed in yards of fabric confront the viewer with the stark limits of cultural heritage as well as the possibility of transformation. Sibande\u2019s Ann Arbor fellowship includes an original installation at the U-M Institute for the Humanities gallery, a Penny Stamps lecture, an open studio at the Stamps School on North Campus, and exhibition of Sibande\u2019s existing work at Gallery DAAS, the U-M Museum of Art, and the Stamps School Slusser Gallery.",
        "occurrence_notes":"This mural is viewable from outside the musem\/glass walls of the Commons.",
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        "campus_maps_id":"11",
        "room":"Commons",
        "location_name":"Museum of Art",
        "has_livestream":0,
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        "event_title":"Sibande On Campus: Exhibition of New Work",
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        "combined_title":"Sibande On Campus: Exhibition of New Work",
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        "description":"Rising young South African artist Mary Sibande constructs elaborate visual narratives to consider race, gender, and class in post-colonial South Africa. Rooted in her own family\u2019s history of three generations of women as domestic servants, Sibande\u2019s larger-than-life figures clothed in yards of fabric confront the viewer with the stark limits of cultural heritage as well as the possibility of transformation. Sibande\u2019s Ann Arbor fellowship includes an original installation at the U-M Institute for the Humanities gallery, a Penny Stamps lecture, an open studio at the Stamps School on North Campus, and exhibition of Sibande\u2019s existing work at Gallery DAAS, the U-M Museum of Art, and the Stamps School Slusser Gallery. http:\/\/www.lsa.umich.edu\/humanities\/gallery\/sibandeoncampus",
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    {
        "datetime_modified":"20131026T212429",
        "datetime_start":"20131101T080000",
        "datetime_end":"20131101T200000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
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        "event_title":"Ten Thousand Urban and Rural Things: BASEbeijing",
        "occurrence_title":"",
        "combined_title":"Ten Thousand Urban and Rural Things: BASEbeijing",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":" The number ten thousand is not an exact number in Chinese. Traditionally, ten thousand was thought of as such an unimaginably large number that it became the equivalent of infinity. The concept includes everything you can point to or even name -- all of reality.\r\n\r\nIt is sometimes translated as \"myriad creatures\" or \"ten thousand beings,\" but that makes one falsely assume that the concept includes only living creatures. The ten thousand things also includes inanimate objects (such as rocks, buildings, stars), emptiness (like outer space or vacuums), and abstractions (such as dreams, thoughts, principles, beliefs, language, the Internet).\r\n\r\nThe work done at BASEbeijing since 2006 has been a quest for finding, experiencing, collecting and acting upon ten thousand urban and rural things. The things collected and exhibited are a combination of \"real\" things, forgeries, duplications and representations. The work in the exhibit involved \"acting upon\" the ten thousand things, often taking the form of books, designed objects and structures done while in residence at BASE. While BASE was founded on a commitment to an interest in urban space, our attention was quickly pulled toward the rural, and we have come to find a surprising new space that is not one or the other, but rather a continuity that involves both simultaneously.\r\n\r\nBASEbeijing is a collaboration involving students from Taubman College, the University of Michigan, and various schools in both the U.S. and China. ",
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        "building_id":"1000432",
        "building_name":"Art and Architecture Building",
        "campus_maps_id":"16",
        "room":"Taubman College Gallery",
        "location_name":"Art and Architecture Building",
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        "tags":["architecture","beijing","china","design","urbanism"],
        "website":"http:\/\/taubmancollege.umich.edu\/news_and_events\/exhibits\/",
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    {
        "datetime_modified":"20130822T132305",
        "datetime_start":"20131101T083000",
        "datetime_end":"20131101T190000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"08:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"American Foodways: The Jewish Contribution",
        "occurrence_title":"",
        "combined_title":"American Foodways: The Jewish Contribution",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Highlighting Jewish contributions to American culinary history from 1660 to 2013, this exhibit includes Jewish-American charity cookbooks representing all fifty states from the Janice Bluestein Longone Culinary Archive at the University of Michigan Library. Many other treasures will also be on display, including the first Jewish cookbook published in America (1871). Original early works will be on display in the Audubon Room, with examples of 20th and 21st century items in the North Lobby cases of the Hatcher Library.\r\n\r\nCurated by Jan Longone, Adjunct Curator in the U-M Special Collections Library, and Avery Robinson, Graduate Student in Judaic Studies, the exhibit is available during Audubon Room hours: Mon-Fri 8:30am-7pm, Sat 10am-6pm, Sun 1-7pm.\r\n\r\nPlease join us for an exhibit lecture and reception on September 24 at 4:00 p.m.",
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        "campus_maps_id":"65",
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        "tags":["university library","culinary","jewish studies","jewish community","food"],
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        "datetime_modified":"20130822T142408",
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        "datetime_end":"20131101T123000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"09:00:00",
        "time_end":"12:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Application of Hierarchical Linear Modesl",
        "occurrence_title":"",
        "combined_title":"Application of Hierarchical Linear Modesl",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"This workshop introduces the analysis of multilevel and longitudinal data, emphasizing the use of hierarchical linear models (HLM). Participants will be introduced to the use of HLM 6.0 software. The workshop will consist of lectures including several hands-on examples using HLM software.",
        "occurrence_notes":"",
                "guid":"14346-1192158@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/14346",
        "building_id":"1000207",
        "building_name":"Modern Languages Building",
        "campus_maps_id":"111",
        "room":"2001A",
        "location_name":"Modern Languages Building",
        "has_livestream":0,
        "cost":"Fees: $441 - U-M Affiliated \/ $945 - Not U-M Affiliated",
        "tags":["career","multilevel and longitudinal data"],
        "website":"http:\/\/www.cscar.research.umich.edu",
        "sponsors":[
             {
                "group_name":"CSCAR Workshops",
                "group_id":"2743",
                "website":"http:\/\/cscar.research.umich.edu\/"                }                    ],
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        "has_end_time":1,
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        "date_end":"2013-11-01",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Harmon of Michigan",
        "occurrence_title":"",
        "combined_title":"Harmon of Michigan: Exhibit at the Bentley Historical Library",
        "event_subtitle":"Exhibit at the Bentley Historical Library",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Bentley Historical Library is pleased to announce the opening of an exhibit, \u201cHarmon of Michigan\u201d\u009d focusing on the life and career of University of Michigan football legend Tom Harmon.  The exhibition, in conjunction with the \"unretiring\" of Harmon's famed number 98 jersey this season, highlights Harmon\u2019s college career at Michigan, both as a student and an athlete.  Using archival documents, photographs, and artifacts, including material recently acquired through Harmon\u2019s son, Mark Harmon, the exhibit traces Harmon\u2019s career as the University of Michigan\u2019s first Heisman Trophy winner, World War II pilot and war hero, and a pioneering radio and television broadcaster.  The exhibit is curate by Greg Kinney.\r\n",
        "occurrence_notes":"Open M-F 9:00 - 5:00; Saturdays 9:00 - 12:30 pm",
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        "building_id":"1000439",
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        "campus_maps_id":"19",
        "room":"Lobby",
        "location_name":"Bentley Historical Library",
        "has_livestream":0,
        "cost":"",
        "tags":["tom harmon","bentley historical library","michigan football","north campus"],
        "website":"http:\/\/bentley.umich.edu",
        "sponsors":[
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    {
        "datetime_modified":"20131003T095518",
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        "datetime_end":"20131101T190000",
        "has_end_time":1,
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        "date_end":"2013-11-01",
        "time_start":"09:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Kunlun Wild Life: Photography Exhibition",
        "occurrence_title":"",
        "combined_title":"Kunlun Wild Life: Photography Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Qinghai Province is China\u2019s most ethnically diverse and the least-populated of all Chinese provinces. The area is similar to Montana, Wyoming, Colorado, and Utah, except that 19,000 - foot mountain peaks, high plains, sheep herders, wild yaks, camels, temples, monks, and small farms sparsely spread in the region. Currently the Kunlun National Park is being developed in partnership with Yellowstone National Park in an effort to preserve the natural wonders and the wildlife of the Kunlun Mountains. There will be 100 plus captivating photographs showcasing the mystery and beauty of mountain life and environments of the Kunlun National Park. Kunlun Wild Life photography exhibition will be held at two different locations: 10\/12-10\/31 at the Art Lounge at the Michigan Union and 10\/21 \u2013 11\/9 at Atrium 4 at Palmer Commons. Mr. MA Weidong, a philanthropist and the founder of the Kunlun National Park, will give a presentation entitled \u201cBeautiful Landscape: Kunlun National Park\u201d\u009d on Wednesday, 12 pm, October 16 at the Art Lounge, Michigan Union. For further information, contact confucius@umich.edu.  \r\n\r\nExhibition locations and times:\r\n\r\n10\/12 -10\/31 - Art Lounge at the Michigan Union: 530 S. State St.\r\n\r\n10\/21- 11\/9 - Atrium 4 at Palmer Commons, 100 Washtenaw Ave.\r\n\r\nExhibition grand opening presentation: \r\n\r\nWednesday 10\/16, 12 pm - Art Lounge at the Michigan Union: 530 S. State St.\r\n\r\n* This exhibition is co-sponsored by the Center for Campus Involvement.",
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        "room":"Atrium 4",
        "location_name":"Palmer Commons",
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        "tags":["china","exhibition","photography"],
        "website":"http:\/\/confucius.umich.edu",
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    {
        "datetime_modified":"20131003T215316",
        "datetime_start":"20131101T090000",
        "datetime_end":"20131101T170000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Planning in a \"Post-Racial\" Society (?): New Directions and Challenges",
        "occurrence_title":"",
        "combined_title":"Planning in a \"Post-Racial\" Society (?): New Directions and Challenges: Symposium at the University of Michigan Museum of Art",
        "event_subtitle":"Symposium at the University of Michigan Museum of Art",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"As the 50th anniversary of the passage of the Civil Rights Act of 1964 approaches, many have questioned whether the U.S. has entered a post-racial era. While some racial progress has been made, conditions suggests the post-racial tag is premature: violence, high unemployment, and low graduation rates particularly afflict people living in communities of color in cities across the country.\r\n\r\nTaubman College of Urban and Regional Planning is proud to host a symposium and special programming that will explore the role of the urban planner in a supposedly \u201cpost-racial\u201d\u009d society. Join nationally recognized scholars and practitioners to discuss the contributions that urban planners of color have made to cities and to the field of planning; examine how planning is engaging critical debates about race, ethnicity, and poverty; and suggest what will be needed to meet the challenges of the 21st century and to serve the needs of the nation\u2019s evolving demographics.\r\n\r\nUniversity of Michigan faculty and guest speakers will include:\r\n\r\nLisa Bates, Portland State University;\r\nTeresa Cordova, University of Illinois-Chicago;\r\nHarley Etienne, University of Michigan;\r\nMalik Goodwin, Detroit Economic Growth Corporation;\r\nJoseph Grengs, University of Michigan;\r\nClara Irazabal, Columbia University;\r\nJune Manning Thomas, University of Michigan;\r\nCatherine L. Ross, Georgia Institute of Technology;\r\nLeonie Sandercock, University of British Columbia;\r\nSigmund Shipp, Hunter College\/CUNY;\r\nConan Smith, Suburbs Alliance, Inc.;\r\nBetsy Sweet, Temple University;\r\nHenry Louis Taylor, Jr., SUNY at Buffalo;\r\nKaren Umemoto, University of Hawaii;\r\nMonica Villalobos, AECOM\/University of California-Berkeley\r\n\r\nRSVP is required to attend. Please direct any questions to Aja Bonner (Ajalill@umich.edu).\r\n",
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    {
        "datetime_modified":"20131018T153155",
        "datetime_start":"20131101T090000",
        "datetime_end":"20131101T170000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Planning in a \"Post-Racial\" Society (?): New Directions and Challenges",
        "occurrence_title":"",
        "combined_title":"Planning in a \"Post-Racial\" Society (?): New Directions and Challenges",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"As the 50th anniversary of the passage of the Civil Rights Act of 1964 approaches, many have questioned whether the U.S. has entered a post-racial era. While some racial progress has been made, conditions suggests the post-racial tag is premature: violence, high unemployment, and low graduation rates particularly afflict people living in communities of color in cities across the country.\r\n\r\nEvent and Purpose\r\nThe Urban and Regional Planning program at Taubman College is proud to host a symposium and special programming that will explore the role of the urban planner in a supposedly \u201cpost-racial\u201d\u009d society. Join nationally recognized scholars and practitioners to discuss the contributions that urban planners of color have made to cities and to the field of planning; examine how planning is engaging critical debates about race, ethnicity, and poverty; and suggest what will be needed to meet the challenges of the 21st century and to serve the needs of the nation\u2019s evolving demographics.\r\n\r\nUniversity of Michigan faculty and guest speakers will include:\r\n\r\n    Lisa Bates, Portland State University\r\n    Teresa Cordova, University of Illinois-Chicago\r\n    Harley Etienne, University of Michigan\r\n    Malik Goodwin, Detroit Economic Growth Corporation\r\n    Joseph Grengs, University of Michigan\r\n    Clara Irazabal, Columbia University\r\n    June Manning Thomas, University of Michigan\r\n    Catherine L. Ross, Georgia Institute of Technology\r\n    Leonie Sandercock, University of British Columbia\r\n    Sigmund Shipp, Hunter College\/CUNY\r\n    Conan Smith, Suburbs Alliance, Inc.\r\n    Betsy Sweet, Temple University\r\n    Henry Louis Taylor, Jr., University at Buffalo-SUNY\r\n    Karen Umemoto, University of Hawaii at Manoa\r\n\r\nSchedule of Activities:\r\n\r\n    Thursday, October 31, optional Student Meet and Greet\r\n    Friday, November 1, Symposium\r\n    Friday, November 1, Film Screening\r\n    Friday, November 1, Post- Symposium Reception\r\n    Saturday, November 2, Experiencing the Michigan Difference \r\n\r\nInterested in Attending?\r\nSome funds are available to support high-quality candidates, not living near the Ann Arbor area, who wish to attend. To be considered for travel support, please complete the Application for Prospective Students below . The deadline to be considered for travel support is October 2, 2013. The deadline to RSVP for general attendance is October 15, 2013. Please direct any questions to Aja Bonner (Ajalill@umich.edu)\r\n\r\nRSVP: https:\/\/docs.google.com\/a\/umich.edu\/forms\/d\/14dACMOxMBldNYfBFWxiq9wIqUroUo3Y1LlIOinHC9lo\/viewform",
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        "room":"Stern Auditorium",
        "location_name":"Museum of Art",
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        "tags":["urban planning","architecture"],
        "website":"http:\/\/taubmancollege.umich.edu\/news_and_events\/events\/?event=0000c0a8de11000007d4e20100000140e840722a2965b037",
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    {
        "datetime_modified":"20130905T105259",
        "datetime_start":"20131101T100000",
        "datetime_end":"20131101T163000",
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        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Brazil: History, Human Rights, and Contemporary Slavery",
        "occurrence_title":"",
        "combined_title":"Brazil: History, Human Rights, and Contemporary Slavery",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Session 1: 10am-12pm \r\nTitle: Enslavement in Nineteenth-Century Brazil\r\n\r\nChair: Rebecca Scott (UM History\/Law)\r\n\r\nSpeakers: Keila Grinberg (UNIRIO History), \u201cIllegal enslavement and the making of international law\u201d\u009d; Beatriz Mamigonian (UFSC History), \u201cThe illegal slave trade in the courts: proving slave ownership vs. claiming freedom\u201d\u009d\r\n\r\nCommenter: Julius S. Scott (UM History\/DAAS)\r\n\r\nSession 2: 2-4:30pm\r\nTitle: State Guarantees of Human Dignity: Constitutional Frameworks and Courtroom Struggles\r\n\r\nChair: Victoria Langland (UM History\/Romance Languages)\r\n\r\nSpeakers: Rebecca Scott (UM) & Leonardo Barbosa (Staff Attorney, C\u00c3\u00a2mara dos Deputados, Brazil), \u201cSame Telos, Different Paths? Codifying Modern Slavery as Possession, or as a Violation of Human Dignity\u201d\u009d; Cristiano Paix\u00c3\u00a3o (UnBA Law), \u201cDignity Guarantees in the 1988 Constitution: Giving Juridical Meaning to a Concept\u201d\u009d; Sueann Caulfield, (UM History\/Residential College), \u201d\u009dDignity, the 1988 Constitution, and Same-Sex Marriage\u201d\u009d\r\n\r\nComment and discussion: Paulina Alberto (UM History\/Romance\r\nLanguages)\r\n\r\nThis event is co-sponsored by the University of Michigan Law School and Department of History.",
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        "tags":["center for latin american and caribbean studies brazil initiative","brazil"],
        "website":"http:\/\/www.ii.umich.edu\/lacs",
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        "datetime_modified":"20131003T104445",
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        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"II Fall Symposium: \"What is the Future for Islands?\"",
        "occurrence_title":"",
        "combined_title":"II Fall Symposium: \"What is the Future for Islands?\"",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Islands often figure as sites of isolation, exception, the archaic, and even backwardness. Paradoxically, they may serve as key harbingers or bellwethers, as places on the front line of environmental change, the location of utopic visions and radical social experiments, and flashpoints for conflicts over resource management. \r\n\r\nThis one-day interdisciplinary symposium examines islands' roles in the political, cultural, and ecological realms, tackling urgent questions about the possible futures for islands in a world of increasing global interconnection and environmental change. \r\n\r\n\r\n10:00 AM\r\nGodfrey Baldacchino, professor of sociology, University of Malta\r\n\r\n\"Small Island States: Vulnerable, Resilient, Doggedly Perseverant, or Cleverly Opportunistic?\"\r\n \r\n\r\n11:00 AM\r\nJohn Gillis, professor emeritus of history, Rutgers University\r\n\r\n\"Not Continents in Miniature: Islands as Ecotones\"\r\n \r\n\r\n1:30 PM\r\nSusan Najita, associate professor of Asian\/Pacific American Studies, American Culture Program and Associate Professor of English Language and Literature, University of Michigan\r\n\r\n\"Genea-logics of Hawai'i Island: Relationships between Living Organisms\" \r\n\r\n\r\n2:30 PM\r\nElizabeth DeLoughrey, associate professor of English, University of California. Los Angeles\r\n\r\n\"The Sea is Rising: Narrating Climate Change in the Pacific\"\r\n\r\n\r\nWatch the live-stream starting at 10:00 AM on Friday: http:\/\/ummedia11.adsroot.itcs.umich.edu\/itsComm\/ii.html\r\n\r\nTweet your questions during the symposium to @iimichigan, using #UMIslands.",
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        "tags":["international institute","islands"],
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        "datetime_modified":"20131015T152249",
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        "event_title":"Robert Hayden Centennial Conference",
        "occurrence_title":"",
        "combined_title":"Robert Hayden Centennial Conference",
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        "description":"A Tribute to a Consultant in Poetry to the Library of Congress and University of Michigan Professor, 1969-1980\r\n\r\n10:00AM - Keynote Address\r\nHarryette Mullen, introduced by A. Van Jordan\r\n\r\n1:30-3:30PM - Panel Discussion\r\nFrederick Glaysher, Laurence Goldstein, Linda Gregerson, Lawrence Joseph, Harryette Mullen\r\n\r\n3:30-5:00PM - Tributes and Readings\r\n\r\nUNIVERSITY OF MICHIGAN SPONSORS:\r\nCollege of Literature, Science and the Arts, Department of Afroamerican and African  Studies, Department of American Culture, Department of English Language and Literature, Institute for the Humanities, MFA Program in Creative Writing, Office of Vice President for Research, Rackham School of Graduate Studies, and the Department of Comparative Literature\r\n",
        "occurrence_notes":"",
                "guid":"15244-1194148@events.umich.edu",
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        "building_id":"1000172",
        "building_name":"Rackham Graduate School (Horace H.)",
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        "location_name":"Rackham Graduate School (Horace H.)",
        "has_livestream":0,
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        "tags":["poetry"],
        "website":"http:\/\/lsa.umich.edu\/english",
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        "datetime_modified":"20130912T105020",
        "datetime_start":"20131101T110000",
        "datetime_end":"20131101T170000",
        "has_end_time":1,
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        "date_end":"2013-11-01",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"\"Performing Still Images: David Claerbout and Matthew Buckingham\"",
        "occurrence_title":"",
        "combined_title":"\"Performing Still Images: David Claerbout and Matthew Buckingham\"",
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        "event_type_id":"7",
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        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"Hours are noon-5 p.m. Sundays; closed Mondays.",
        "location_name":"Museum of Art",
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        "tags":["visual arts"],
        "website":"http:\/\/campusinfo.umich.edu",
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                "group_id":"2",
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        "datetime_modified":"20130912T080418",
        "datetime_start":"20131101T120000",
        "datetime_end":"20131101T133000",
        "has_end_time":1,
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        "date_end":"2013-11-01",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Freshman Fridays at The Career Center",
        "occurrence_title":"",
        "combined_title":"Freshman Fridays at The Career Center",
        "event_subtitle":"",
        "event_type":"Social \/ Informal Gathering",
        "event_type_id":"19",
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        "building_id":"1000215",
        "building_name":"Student Activities Building",
        "campus_maps_id":"146",
        "room":"3200 The Career Center",
        "location_name":"Student Activities Building",
        "has_livestream":0,
        "cost":"",
        "tags":["freshman","first year students","the career center","freshman friday"],
        "website":"http:\/\/careercenter.umich.edu",
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        "datetime_modified":"20130925T140353",
        "datetime_start":"20131101T120000",
        "datetime_end":"20131101T160000",
        "has_end_time":1,
        "date_start":"2013-11-01",
        "date_end":"2013-11-01",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Sibande On Campus: Exhibit: prints ",
        "occurrence_title":"",
        "combined_title":"Sibande On Campus: Exhibit: prints ",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Rising young South African artist Mary Sibande constructs elaborate visual narratives to consider race, gender, and class in post-colonial South Africa. Rooted in her own family\u2019s history of three generations of women as domestic servants, Sibande\u2019s larger-than-life figures clothed in yards of fabric confront the viewer with the stark limits of cultural heritage as well as the possibility of transformation. Sibande\u2019s Ann Arbor fellowship includes an original installation at the U-M Institute for the Humanities gallery, a Penny Stamps lecture, an open studio at the Stamps School on North Campus, and exhibition of Sibande\u2019s existing work at Gallery DAAS, the U-M Museum of Art, and the Stamps School Slusser Gallery.",
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                "guid":"14843-1193345@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/14843",
        "building_id":"1000175",
        "building_name":"Haven Hall",
        "campus_maps_id":"542",
        "room":"GalleryDAAS, #G648",
        "location_name":"Haven Hall",
        "has_livestream":0,
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        "tags":["multicultural","social justice","visual arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities\/gallery\/sibandeoncampus",
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        "datetime_modified":"20131022T063441",
        "datetime_start":"20131101T143000",
        "datetime_end":"20131101T190000",
        "has_end_time":1,
        "date_start":"2013-11-01",
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        "event_title":"Open House: New Survival Flight base in Howell",
        "occurrence_title":"",
        "combined_title":"Open House: New Survival Flight base in Howell: Family-friendly event features medical helicopter & jet, plus Livingston Co. ambulances",
        "event_subtitle":"Family-friendly event features medical helicopter & jet, plus Livingston Co. ambulances",
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        "website":"http:\/\/www.survivalflight.com",
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    {
        "datetime_modified":"20131028T113206",
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        "event_title":"Clearing the Air: A Physicist Takes a Long, Hard Look at Climate Change",
        "occurrence_title":"",
        "combined_title":"Clearing the Air: A Physicist Takes a Long, Hard Look at Climate Change: Nelson W. Spencer Lecture",
        "event_subtitle":"Nelson W. Spencer Lecture",
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        "description":"The president of the University Corporation for Atmospheric Research (UCAR), Dr. Thomas J. Bogdan, will present.\r\n\r\nTo watch online, please register at http:\/\/tinyurl.com\/TBogdan\r\n\r\n\r\nAbstract\r\n\r\nOur planet is entering an unprecedented era, sometimes called the Anthropocene, in which the increasing concentrations of various chemical species and aerosols, produced by human activity, are influencing the atmosphere today and will do so for centuries to come.  \u00a0Politics, competing agendas, and confusion among policy makers and the public too often shroud this simple fact.  \u00a0The role of natural variability has recently emerged as one of the most important, and at the same time one of the most poorly understood, aspects of our changing climate.  \u00a0It is especially prone to misinterpretation.  \u00a0For example, the slowdown in the observed global temperature increase over the last 15 years does not mean the factors that contribute to long-term greenhouse warming have abated.  \u00a0Likewise, although the rapid warming across most of the planet during the 1980s and 1990s is believed to be mainly related to greenhouse gas increases, parts of the eastern Pacific simultaneously showed measurable cooling.\r\n\r\nThis makes it all the more important that we redouble our efforts to understand the complex workings of our coupled global ocean-atmosphere-biosphere system.  \u00a0As part of that task, we must observe our atmosphere, and the Sun that drives its behavior, as completely and carefully as possible.  \u00a0The latest assessment of the relevant physical science from the Intergovernmental Panel on Climate Change, released in September, outlines the areas where scientists are fairly confident in their findings and where there still remain unacceptably large uncertainties.  \u00a0We cannot yet say if parts of the world may enter climate regimes unseen in human history, especially given that no previous climate serves as a perfect analogy to the situation we now face.  \u00a0Global and regional computer models are becoming ever more sophisticated, but they remain limited in their accuracy due to insufficient spatial resolution and inadequate knowledge of critical processes such as atmosphere-ocean coupling and cloud formation and dispersal.\r\n\r\nYet, like the second law of thermodynamics, the equivalence of gravitational and inertial mass, or renormalization in quantum electrodynamics, the concept of human-produced climate change is not something that one may choose to unquestionably believe in, or simply refuse to accept.  \u00a0Rather, it is something that must be carefully examined, painstakingly compared with observations, and when found wanting in some aspects, subsequently reconciled with our growing knowledge of the planet upon which we live.\r\n\r\nBiography\r\n\r\nA world authority on solar-terrestrial physics, Bogdan began his scientific training at the University at Buffalo, State University of New York, from which he graduated summa cum laude in 1979 with a degree in physics and mathematics. He earned a doctorate in physics from the University of Chicago in 1984, specializing in plasma astrophysics, and came to UCAR as a postdoctoral researcher in NCAR's High Altitude Observatory, where he investigated solar magnetic activity and magnetohydrodynamics. He has completed advanced training programs in leadership and business management from the Federal Executive Institute and E.I. DuPont de Nemours and Company.\r\nAs an administrator, Bogdan has extensive experience in the formulation and execution of complex plans, budgets, and priorities. An inspiring public speaker, he is a passionate advocate for the role of science in driving our global economic prosperity, safeguarding our national security, and bettering our society\u2019s ability to cope with the changing world of the 21st century.\r\n\r\nReception to Follow.\r\n",
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    {
        "datetime_modified":"20130917T154237",
        "datetime_start":"20131101T160000",
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        "time_start":"16:00:00",
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        "event_title":"CSAS Scholarly Lecture Series",
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        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"John Stratton Hawley, Professor, Department of Religion, Barnard College",
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    {
        "datetime_modified":"20131024T113354",
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        "event_title":"John Stratton Hawley Lecture, \"When Blindness Makes for Sight\"",
        "occurrence_title":"",
        "combined_title":"John Stratton Hawley Lecture, \"When Blindness Makes for Sight\"",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"It is quite rare for a Hindi poet to be depicted in manuscript illustrations of the works he is believed to have composed.  Yet this happens with Surdas (16th century), the great blind poet of the Hindi language family.  Is it Surdas\u2019s blindness that makes it possible for us to see him?  Furthermore, what does it mean that this poet is so constantly asking us to look\u2013to look at the scene from the life of Krishna that he is describing?  The great word here is darshan, that special quality of sight that matters so much to Hindus.  Aesthetically speaking, how does Surdas offer us darshan\u2013and then, how do his illustrators do the same in a visual medium, not a verbal one?\r\n\r\nJohn Stratton Hawley\u2013more informally, Jack\u2013is professor of religion at Barnard College, Columbia University.  He has written or edited sixteen books; three more are forthcoming.  These largely concern Hinduism and the bhakti traditions of north India, as in Three Bhakti Voices: Mirabai, Surdas, and Kabir in Their Time and Ours (Oxford, 2005 and 2012) and The Memory of Love: Surdas Sings to Krishna (Oxford, 2009).  The edited volumes range more widely, e.g., Saints and Virtues, Fundamentalism and Gender, and (with Kimberley Patton) Holy Tears:  Weeping in the Religious Imagination. Jack Hawley has served as director of Columbia University\u2019s South Asia Institute and has received multiple awards from the National Endowment for the Humanities, the Smithsonian, and the American Institute of Indian Studies.  He has been a Guggenheim Fellow and was recently elected to the American Academy of Arts and Sciences.",
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    {
        "datetime_modified":"20131009T154113",
        "datetime_start":"20131101T180000",
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        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Julie Snow: Architecture Made Politically",
        "occurrence_title":"",
        "combined_title":"Julie Snow: Architecture Made Politically: Guido A. Binda Lecture",
        "event_subtitle":"Guido A. Binda Lecture",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Julie Snow leads a studio-based practice in Minneapolis, Minnesota. The diverse scale and type of work is joined by a common exploration of material and detail. The studio's interest in pragmatic and critical programmatic reflection results in innovative designs that expand our understanding of architectural performance. Design strategies engage issues of how architecture performs within each project's, social, cultural and economic context. The practice has been recognized with numerous awards including the AIA Honor Award, Holcim North American Bronze Award, Progressive Architecture Design Award, the Chicago Athenaeum\u2019s American and International Architecture Awards, Architect Magazine Annual Design Review, the Design Distinction Award from I.D. magazine, several Business Week\/Architectural Record Awards and several US General Services Administration's Design Excellence Awards. The studio\u2019s work has appeared in many professional journals, nationally and internationally, as well as in several surveys of architecture. The work of the studio was exhibited at the Chicago Architectural Foundation; and in 2005, Princeton Architectural Press published the first monograph on the studio\u2019s work in its series on emerging designers from around the world.\r\n\r\nJulie recently received the American Academy of Arts and Letters Architecture Award. The award read \"The architecture of Julie VandenBerg Snow might be characterized as invention within convention. That is not to say that her work is conventional but to recognize that, within a rigorous underpinning, she and her studio make the marvelous happen. Elegance is balanced by pragmatism - she is a ballerina who can dance in work boots. Albert Einstein is quoted as saying, \"Everything should be made as simple as possible, but no simpler.\" The work of Julie VandenBerg Snow does this. Julie Snow has held several visiting professor positions including the Graduate School of Design at Harvard, University of Arkansas, University of Maryland, and Washington University, St. Louis. After teaching at the University of Minnesota College of Architecture and Landscape Architecture, she received the Ralph Rapson Award for Distinguished Teaching.",
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        "room":"A+A Auditorium (Room 2104)",
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    {
        "datetime_modified":"20130913T141035",
        "datetime_start":"20131101T193000",
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        "time_start":"19:30:00",
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        "event_title":"The Musical Beauty of Baroque Poland",
        "occurrence_title":"",
        "combined_title":"The Musical Beauty of Baroque Poland",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Phillip W. Serna (lecturer & bass viol), Emily J. Katayama (harpsichord)\r\n\r\nThe 17th and 18th centuries were filled with dramatic political and artistic turmoil in Poland \u2013 the once stable Polish-Lithuanian Commonwealth was plagued by conflict from without and within. New Comma Baroque\u2019s Phillip Serna and Emily Katayama will present a lecture recital tracing the Polish instrumental music through the 17th and 18th centuries, sampling 18th-century literature for viola da gamba and keyboard spanning the High Baroque, the Enlightenment and the earliest hints of Polish nationalism at the dawn of the 19th century. This lecture performance is presented in conjunction with New Comma Baroque\u2019s November 2nd Academy of Early Music program Niech \u00c5\u00bbyje Polska! Long Live Poland!\r\n\r\nFor more information on this and other concerts, please visit www.newcommabaroque.org.\r\n\r\nSponsors: U-M's Copernicus Endowment, CES, CREES; Academy of Early Music, Arts Midwest",
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        "building_name":"Michigan League",
        "campus_maps_id":"108",
        "room":"Koessler Room",
        "location_name":"Michigan League",
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        "tags":["poland","music"],
        "website":"http:\/\/www.ii.umich.edu\/crees\/aboutus\/regionalprograms\/polishstudies",
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    {
        "datetime_modified":"20131101T000020",
        "datetime_start":"20131101T200000",
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        "time_start":"20:00:00",
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        "event_title":"Guest Recital: Vincent DuBois, organ",
        "occurrence_title":"",
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        "event_type":"Performance",
        "event_type_id":"15",
        "description":"PROGRAM: Widor - Allegro vivace from Symphonie V; Vierne - Aubade from Pi\u00e8ces de fantaisie; Reubke - Sonata on the 94th Psalm; Durufl\u00e9 - Suite, op. 5; Escaich  - Selections From Trois Po\u00e8mes; Improvisation on submitted themes.",
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    {
        "datetime_modified":"20130529T111300",
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        "event_title":"Matt Wertz",
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        "combined_title":"Matt Wertz",
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        "description":"What began with a homemade drum groove on Matt\u2019s front porch in Nashville sprang into a varied ten-song album that is equal parts a dip in the electric blue waters of the 80s and a testament to the artistic breadth Wertz has developed at this point in his career.\r\n\r\nThe year was 1987. Reagan was in the White House, Bill Cosby was the king of Thursday nights, Dirty Dancing was selling out theaters. And on stereos across America, singer-songwriters like Bryan Adams, Richard Marx, and Kenny Loggins were rocking the airwaves with hits that would go on to do the near impossible: cater to popular demand and stand the test of time.\r\n\r\nIt was 1987, and Matt Wertz was an eight-year-old kid in Liberty, Missouri. He went to Louis and Clark Elementary, he took piano once a week from his Nana, he rode shotgun in his mom\u2019s Oldsmobile station wagon. And on those lucky afternoons when he could tune in to Casey\u2019s Top 40, Wertz listened to songs that would become the soundtrack of an era \u2013 Don Henley\u2019s \u201cBoys of Summer,\u201d\u009d Steve Winwood\u2019s \u201cThe Finer Things,\u201d\u009d Lionel Richie, Peter Cetera \u2013 classics set to drum machine and Stratocaster.\r\n\r\nHe didn't know it then, but those radio waves were settling into Wertz\u2019s memory and slow-curing his own songwriter sensibility. And after a decade of commercial success, seven studio albums and thousands of miles touring, they were the songs Matt found himself going back to over and over again \u2013 \u201cFootloose,\u201d\u009d \u201cMandolin Rain,\u201d\u009d \u201cHold on to the Nights\u201d\u009d \u2013 music that was flat-out fun to listen to. \r\n\r\nThose hours of rediscovery inspired Matt Wertz to create his newest and most ambitious project to date, Heatwave. What began with a homemade drum groove on his Nashville front porch has sprung into a distinct, varied ten-song record that both pays homage to the lush, accessible sounds characteristic of that era and evidence the breadth of artistic reach Wertz has come to embody at this point in his career.\r\n\r\n\u201cGet to You,\u201d\u009d the opening track on Heatwave, was written during the initial porch session with producer Brandon Hood, confidently dipping its toes in the electric blue waters of the 80s. The drum groove brings to mind the classic loop beats of that era and immediately establishes the album\u2019s fluid, dynamic tone. With \u201cWhenever You Love Somebody,\u201d\u009d Wertz delivers the aching, honest lyrics his fans have come to expect, this time setting them against a backdrop of resonant beats and velvety guitars.\r\n\r\nIn addition to Wertz\u2019s interpretation of his favorite 80s influences, Heatwave also boasts tracks that feature his wide-ranging scope as a songwriter. Between working independently and on major labels like Universal Republic and Nettwerk Records, Wertz has become a veteran musician who deftly employed his years of songwriting mastery to this latest offering. After 12 years based in Nashville, co-writing with the best in the business, Wertz\u2019s own insights manifest themselves best on the introspective tracks \u201cWhat I Know Right Now\u201d\u009d and \u201cThing About Freedom.\u201d\u009d\r\n\r\n\u201cWhat I Know Right Now\u201d\u009d explores a contemporary folk blend of warm harmonies and brushed snare, and \u201cThing About Freedom\u201d\u009d gently draws the album to a close with pensive lines and a melancholy steel guitar.\r\n\r\nHeatwave bridges a lifetime of musical history. Wertz uses the melodies of his Missouri childhood as a springboard into an exciting new realm of modern musical possibilities, interpreting his influences in a striking, singular way. As Wertz himself would say, these are the songs he\u2019d want stuck in his head. And that\u2019s a good thing for everyone.",
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        "room":"The Ark, 316 S. Main, Ann Arbor, MI ",
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        "event_title":"Octubafest: U-M Euphonium and Tuba Ensemble",
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        "event_title":"The Violet Hour (Friday Performance)",
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        "description":"It's April 1st, 1919, and the young independent publisher John Pace Seavering is setting up his office: a couple of dilapidated rooms in a romantic Manhattan tower. With only enough capital to put out one book, John finds himself besieged by two authors: Denny McCleary, John's brash and gifted college friend, and Jessie Brewster a popular black jazz singer and John's very secret mistress. Meanwhile, another drama is playing out in the anteroom: A machine of mysterious provenance and purpose has arrived and is spewing out stacks of pages. What's written on these pages will throw John's every hope and plan into disarray.\r\n\r\n\"A wonderful new work\u201d\u00a6of serious whimsy, of glittering style and dark substance\u201d\u00a6THE VIOLET HOUR balances heights of wit with depths of feeling.\" \u2013NY Times",
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        "combined_title":"The Violet Hour presented by The Rude Mechanicals: The Violet Hour",
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        "description":"It's April 1st, 1919 and the young independent publisher John Pace Seavering is setting up his office: a couple of dilapidated rooms in a romantic Manhattan tower. With only enough capital to put out one book, John finds himself besieged by two authors. Denny McCleary, John's brash and gifted college friend, has produced a manuscript so unruly it lives in a trio of crates. Denny has a surprise imperative: He's fallen in love with the enchanting heiress Rosamund Plinth, and if John doesn't agree to publish his book today, he'll lose her forever. But John is also being strenously lobbied by Jessie Brewster, the popular black jazz singer who is also John's secret mistress. She's written her memoirs and is determined  to have her story known. As John temporizes with these two, another drama is playing out in the anteroom: A machine of mysterious provenance and purpose has arrived and is spewing out stacks of pags while John's hapless assistant, Gidger, strives vainly to stem the flood. What's written on these pages will throw John's every hope and plan into disarray. (from Dramatists Play Service)",
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