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        "event_title":"U-M \"Heart Heroes\" T-shirt Sale",
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        "description":"Spring is still a few weeks away \u2026 but the U-M Heart Heroes t-shirts are here right now! They\u2019re great for caregivers, patients, their family and friends, and all U-M supporters!  Order your limited edition t-shirt today through March 23. Your purchase will help support the U-M Washtenaw County American Heart Walk\/5K Run, which takes place Saturday morning, May 9, 2015. One hundred percent of the proceeds go directly to the Heart Walk sponsored by the American Heart Association (AHA). \r\n\r\nThe t-shirts were introduced in February in celebration of Heart Month, raising more than $2,000 for the AHA. Our goal is to raise a total of $10,000 through this special offer to you.  These premium, limited edition t-shirts are a distressed \u201cheathered\u201d blue, with a distinct vintage look. They\u2019re a 60\/40 blend and tend not to shrink after repeated washings.\r\n\r\nOrdering is easy - visit http:\/\/umhealth.me\/UMHeartHeroes link to order by credit card and the shirt will be shipped directly to you.  Thanks for your support!",
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        "location_name":"University Hospitals",
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        "datetime_modified":"20141209T121803",
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        "time_zone":"America\/Detroit",
        "event_title":"Charting the Wolverine",
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        "combined_title":"Charting the Wolverine",
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        "time_zone":"America\/Detroit",
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        "event_title":"Gifts of Art presents Civil War Soldiers",
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        "combined_title":"Gifts of Art presents Civil War Soldiers: Shayne Davidson",
        "event_subtitle":"Shayne Davidson",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Shayne Davidson is an experienced genealogist who received an MFA from the University of Michigan. Her exhibition consists of 17 life-sized colored pencil portraits based on rare, identified photos of a group of African-American men who served together for the Union in the 25th United States Colored Troops, Company G. The portraits incorporate portions of the men\u2019s military records in the artwork, and a mini-biography of the soldier, written by the artist, accompanies each portrait. Davidson also studied painting and drawing at Cooper Union in New York City and received a BFA from California Institute of the Arts.",
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        "event_title":"Gifts of Art presents Life Line: Scratchboard Etchings",
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        "combined_title":"Gifts of Art presents Life Line: Scratchboard Etchings: Lisa S. Goesling",
        "event_subtitle":"Lisa S. Goesling",
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        "description":"While Chicagoan Lisa S. Goesling has spent her life creating art, she discovered scratchboards (boards made of clay and India ink) while undergoing a cancer diagnosis in 2006. The idea that adversity teaches us to turn the negative into a positive is a great analogy for transforming these black boards into thriving works of art. Her past careers in graphic design and art direction continue to influence her art by incorporating the fundamentals of design, such as composition, pattern, texture, contrast, line, etc. Using nature as her muse, Goesling scratches fine lines into a layer of ink until meticulous images appear in the clay.",
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        "combined_title":"Gifts of Art presents Michigan Life: Watercolor: LeAnne Mawby Sowa",
        "event_subtitle":"LeAnne Mawby Sowa",
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        "description":"LeAnne Mawby  Sowa is a west Michigan artist who paints with an appreciation of history and love of the Great Lakes. Her lighthouses and lake scenes are reminiscent of summer vacation times exploring the state\u2019s wonders. Sowa\u2019s colors are vibrant, and she also brings to life the historic beauty of barns and other places far from the shoreline. Her artistic education is through self exploration, workshops and a few college classes, including Hertfordshire College in Ware, England.",
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        "building_id":"1000301",
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        "room":"Gifts of Art Gallery \u2014 Comprehensive Cancer Center, Level 1.",
        "location_name":"Cancer Center",
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        "combined_title":"Gifts of Art presents Michigan Splendor: Wildlife & Floral Photography: Dick & Sue Rigterink",
        "event_subtitle":"Dick & Sue Rigterink",
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        "description":"Ann Arbor artists Dick and Sue Rigterink use digital photography to share the joy and splendor of nature. By stopping fast motion, their photographs capture the moment and the personalities, whether a bird in flight or song, or a chipmunk jumping for a flower. They focus attention on the diversity, habitats, behavior, and beauty of local, recognizable wildlife to evoke memories in viewers. Dick has a Bachelor\u2019s degree in Landscape Architecture from Michigan State and a Master\u2019s from Harvard Graduate School of Design. Sue has a Bachelor\u2019s from Michigan State in Mathematics. Their wildlife photographs have been published in Audubon Magazine and National Wildlife Federation.",
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        "event_title":"Gifts of Art presents Playground Valentine: Art Jewelry & Objects",
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        "combined_title":"Gifts of Art presents Playground Valentine: Art Jewelry & Objects: Amber D. Harrison",
        "event_subtitle":"Amber D. Harrison",
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        "description":"Amber D. Harrison is a Michigan based studio artist practicing contemporary art jewelry and object making. She works as a fabricator hand cutting and forming each piece while exploring the implementation of play. Her goal is to transfer her own memories into a whimsical and wearable world, evoking the recollections or imaginations of others. She recently exhibited in the 2014 Philadelphia Museum of Art Contemporary Craft Show, one of the top craft shows in the United States. Harrison earned her BFA from the University of Michigan Penny W. Stamps School of Art and Design.",
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        "event_title":"Gifts of Art presents Storytelling Whimsical Sculpture",
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        "combined_title":"Gifts of Art presents Storytelling Whimsical Sculpture: Leanne Schnepp",
        "event_subtitle":"Leanne Schnepp",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Story greatly influences the clay sculptures of Leanne Schnepp. By combining animal and human forms and characteristics, she tells stories of connection and transformation. Humans, coyotes, frogs, and birds interact and \u201cconverse,\u201d and mischievous children become monsters and tumble about. There is a sense of play and whimsy in the work and the opportunity for viewers to use their imagination. Schnepp earned her BFA at Michigan State University and has worked as an artist and teacher for the past 20 years. She currently lives and works in East Lansing.",
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                "guid":"21144-1335412@events.umich.edu",
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        "building_name":"University Hospitals",
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        "room":"Gifts of Art Gallery \u2014 Taubman Health Center North Lobby, Floor 1.",
        "location_name":"University Hospitals",
        "has_livestream":0,
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        "tags":["Art","Health & Wellness"],
        "website":"http:\/\/www.med.umich.edu\/goa\/exhibits.htm",
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        "date_end":"2015-03-17",
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        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents Stunningly Ordinary: Oil Painting",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Stunningly Ordinary: Oil Painting: Amy Fell",
        "event_subtitle":"Amy Fell",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Michigan based artist Amy Fell finds great beauty, charm, and even mystery in the everyday articles that surround us. Fell uses a variety of techniques \u2014 including dramatic lighting, large scale presentation, detailed rendering and bold color \u2014 to celebrate the objects that provide comfort and support in our day-to-day lives. Fell studies oil painting at the Birmingham Bloomfield Art Center as well as regularly attending workshops of nationally acclaimed artists. She exhibits her work in juried shows and is very active in the arts community in the Detroit metropolitan area.",
        "occurrence_notes":null,
                "guid":"21148-1335580@events.umich.edu",
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        "building_id":"1000316",
        "building_name":"University Hospitals",
        "campus_maps_id":"158",
        "room":"Gifts of Art Gallery \u2014 University Hospital Main Lobby, Floor 1.",
        "location_name":"University Hospitals",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Health & Wellness"],
        "website":"https:\/\/twitter.com\/carriemcclin",
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    {
        "datetime_modified":"20150310T132434",
        "datetime_start":"20150317T080000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents The Dinnerware Museum: A Place at the Table",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents The Dinnerware Museum: A Place at the Table: Dinnerware Museum Collection",
        "event_subtitle":"Dinnerware Museum Collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Dinnerware Museum, a new museum in Ann Arbor established in 2012, features a collection of thousands of pieces of functional dinnerware from all over the world along with fine art referencing dinnerware created from ceramic, metal, glass, paper, plastic and more. This exhibition highlights portions of eight memorable place settings of American tableware dating from the 1930s to the present, including sets designed by the leading 20th century designers Eva Zeisel, Russel Wright, Glidden Parker, and Don Schreckengost as well as new dinnerware by contemporary artist Julia Galloway in 2014.",
        "occurrence_notes":null,
                "guid":"21151-1335781@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/21151",
        "building_id":"1000316",
        "building_name":"University Hospitals",
        "campus_maps_id":"158",
        "room":"Gifts of Art Gallery \u2014 Cancer Center Elevator Alcove, Level 2",
        "location_name":"University Hospitals",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Health & Wellness"],
        "website":"https:\/\/twitter.com\/carriemcclin",
        "sponsors":[
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                "group_id":"3108",
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    }    ,    "20407-1287635":
    {
        "datetime_modified":"20141218T105602",
        "datetime_start":"20150317T080000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Re-Imaging Gender - A Juried Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Re-Imaging Gender - A Juried Art Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Our understandings of gender have shifted dramatically in recent decades. No longer is gender a matter of an immutable binary, or a set of predetermined preferences and predilections. This exhibition--the first of its kind--both celebrates and interrogates the visual aspects of the re- imaging of gender.\r\n\r\nRe-imaging Gender features the work of 15 promising artists who take on one of the most important challenges facing contemporary art: how to render the modern spectrum of gender, going beyond the simple male\/female binary to include a wide variety of identities and sexualities.\r\n\r\nThe Re-imaging artists, MFA students enrolled at Michigan and CIC universities (Big 10, plus Chicago), responded to an IRWG-issued Call for Art. The result is an exhibition of 17 works in a variety of media, including photography, paint, lithograph, mixed media, and video, which reflect new understandings of gender.\r\n\r\nThe exhibit will be displayed at the Lane Hall Gallery, a space shared by IRWG and the U-M Department of Women\u2019s Studies, from January 15 - June 26, 2015.",
        "occurrence_notes":null,
                "guid":"20407-1287635@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/20407",
        "building_id":"1000183",
        "building_name":"Lane Hall",
        "campus_maps_id":"84",
        "room":"Gallery space on first floor",
        "location_name":"Lane Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition","Free","LGBT","Literary Arts","Visual Arts","Women's Studies"],
        "website":"",
        "sponsors":[
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                }                    ],
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    {
        "datetime_modified":"20141020T154734",
        "datetime_start":"20150317T083000",
        "datetime_end":"20150317T190000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"08:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"\"Now or Never\": Collecting, Documenting, and Photographing the Aftermath of World War I in the Middle East",
        "occurrence_title":"",
        "combined_title":"\"Now or Never\": Collecting, Documenting, and Photographing the Aftermath of World War I in the Middle East: Francis W. Kelsey Exhibit",
        "event_subtitle":"Francis W. Kelsey Exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"World War I was far from over in the Middle East when the Germany officially surrendered to the Entente forces on 11 November 1918. As the European colonial powers sought to divide up the territory of the multiethnic Ottoman Empire, the forces of Turkish nationalist leader Mustafa Kemal fought a war of independence claiming victory and announcing the establishment of a Turkish Republic on 29 October 1923. It was in the context of continued conflict that University of Michigan Professor of Archaeology Francis Willey Kelsey (1858-1927) traveled to the Near East. Accompanied by his wife Isabelle (Mary) Badger Kelsey (1867-1944), his fifteen-year old son Easton Trowbridge Kelsey (b. 1904) and University of Michigan staff photographer George Robert Swain (1866-1947), Kelsey visited a region of the world that not only had experienced four-years of destructive war and devastating famine, but also was the site of genocide.\r\n\r\nThe initial mission was to collect ancient manuscripts that were destined to disappear in the post war chaos. To initiate the mission, Prof. Kelsey wrote an urgent letter to Miss Belle da Costa Greene of the Pierpont Library on October 3, 1918. He solicited her support for an immediate expedition into the aftermath of war for \u201cunless peace comes soon enough to save the remnants\u201d of Greek and Armenian society, who have \u201cbeen practically exterminated in certain large regions of Asia Minor\u201d no record of these Christian communities would remain.  It was \u201cnow or never\u201d he writes that ancient and medieval manuscripts may be purchased from \u201cunappreciative hands\u201d for a token price. It was now or never that Greek, Syriac, Persian and Armenian manuscripts could be easily picked up and the \u201cpossession of these, and their proper preservation, will be a gain to science of inestimable value.\u201d Little did Kelsey know that his travels to the Near East would also become a moment of witnessing.  Kelsey\u2019s diaries and Swain\u2019s photographs on exhibit leave an important historical record that links them personally and the University of Michigan to one of the largest humanitarian efforts in history.\r\n\r\nOrganizers: Kathryn Babayan, associate professor of history and Near Eastern studies, U-M; and Melanie Tanielian, assistant professor of history, U-M.",
        "occurrence_notes":null,
                "guid":"19668-1235353@events.umich.edu",
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        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Audubon Room",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["History","International","Museum"],
        "website":"",
        "sponsors":[
             {
                "group_name":"Center for Armenian Studies",
                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                }                    ],
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    {
        "datetime_modified":"20141223T161818",
        "datetime_start":"20150317T083000",
        "datetime_end":"20150317T190000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"08:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Now or Never: Collecting, Documenting and Photographing the Aftermath of World War I in the Middle East",
        "occurrence_title":"",
        "combined_title":"Now or Never: Collecting, Documenting and Photographing the Aftermath of World War I in the Middle East",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Diaries written by U-M professor of archaeology Francis Willey Kelsey (1858\u20131927) and photographs taken by U-M staff photographer George Robert Swain (1866\u20131947) are a historical record that links them\u2014and the University of Michigan\u2014to one of the largest preservation efforts in history. Kelsey wrote, \u201cunless peace comes soon enough to save the remnants\u201d of Greek and Armenian society, who have \u201cbeen practically exterminated in certain large regions of Asia Minor,\u201d no record of these Christian communities would remain.\r\n\r\nKelsey and Swain initially traveled to the Near East to collect ancient manuscripts that were destined to disappear in the post World War I chaos, as the war was far from over in the Middle East when Germany officially surrendered to the Entente forces on November 11, 1918. Two Armenian manuscripts that were purchased as a consequence of the expedition are on display.\r\n\r\nLecture and opening reception will take place at 4 p.m. on January 14 in the Hatcher Library Gallery, adjacent to the exhibit.\r\n\r\nExhibit materials are courtesy of the Bentley Historical Library and U-M Library Special Collections.",
        "occurrence_notes":null,
                "guid":"20513-1296088@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/20513",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Audubon Room",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["History","Library","Middle East Studies"],
        "website":"http:\/\/www.lib.umich.edu\/events\/now-or-never",
        "sponsors":[
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                "group_name":"University Library",
                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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    {
        "datetime_modified":"20150218T112540",
        "datetime_start":"20150317T083000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"08:30:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Artistry of M. Saffell Gardner",
        "occurrence_title":"",
        "combined_title":"The Artistry of M. Saffell Gardner",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Experience the acclaimed works of artist M. Saffell Gardner at the University of Michigan Detroit Center, February 19 \u2013 March 20, 2015 with the exhibition \u201cThe Artistry of M. Saffell Gardner.\u201d Located in Lester P. Monts Hall, \u201cArtistry\u201d features an extensive collection of Gardner\u2019s paintings and creative works. \r\n\r\nAbout the Artist: M. Saffell Gardner is a master painter, mixed media artist, art historian and educator. A graduate of Wayne State University holding a BFA and MFA in painting, Gardner's artistic talents have transcended a career spanning more than five decades. As recently as 2014, Gardner's work appeared at the 9338 Campau Gallery and 2014 ArtPrize competition in Grand Rapids. In 2013, he was invited to participate in \u201cThe Venice Biennale 2013.\" In 2000, he was selected as the Chivas Regal Artist in Residence at the Charles H. Wright Museum. A commissioned painting entitled \u201cDoor of No Return\u201d is currently in the museum\u2019s permanent collection. Gardner has also co-curated \u201cVision in a Cornfield\u201d for the Museum of Contemporary Art Detroit. Gardner\u2019s work can also be found in the permanent collections of multiple healthcare systems including: Blue Cross Blue Shield, Henry Ford Hospital, Total Healthcare and the Detroit Medical Center. His work is also on display at several Detroit Public Schools including Cass Technical High School, Renaissance High School, Southeastern High School and the Detroit School of Arts. In addition, to his work the metro Detroit area, Gardner has also exhibited throughout the United States, Jamaica, Brazil, Ghana and Africa.",
        "occurrence_notes":null,
                "guid":"21679-1358680@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/21679",
        "building_id":"0",
        "building_name":"Detroit Center",
        "campus_maps_id":"576",
        "room":"Monts Hall",
        "location_name":"Detroit Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Detroit","Exhibition","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_name":"University of Michigan Detroit Center",
                "group_id":"3138",
                "website":"http:\/\/www.detroitcenter.umich.edu"                }                    ],
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    {
        "datetime_modified":"20150303T095741",
        "datetime_start":"20150317T090000",
        "datetime_end":"20150317T163000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"CBSSM Research Colloquium featuring Lawrence Gostin, J.D. \"Law, Ethics, and Public Health in the Vaccination Debates: Politics of the Measles Outbreak\"",
        "occurrence_title":"",
        "combined_title":"CBSSM Research Colloquium featuring Lawrence Gostin, J.D. \"Law, Ethics, and Public Health in the Vaccination Debates: Politics of the Measles Outbreak\"",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Registration is now open for the March 17, 2015 CBSSM Research Colloquium & Bishop Lecture in Bioethics. This event is free and open to the public. Registration is encouraged, as it will help us to estimate numbers for catering and lunch. Please RSVP by March 6th. Thank you!\r\n\r\nThe Center for Bioethics and Social Sciences in Medicine (CBSSM) Research Colloquium features presentations focusing on bioethics and social sciences in medicine across multiple disciplines. \r\n \r\nThe keynote address is the Bishop Lecture in Bioethics, an endowed lectureship made possible by a gift from the estate of Ronald C. and Nancy V. Bishop.  Lawrence O. Gostin, J.D., LL.D (Hon.) will present the Bishop Lecture with a talk entitled: \"Law, Ethics, and Public Health in the Vaccination Debates: Politics of the Measles Outbreak.\" \r\n\r\nLawrence Gostin is University Professor, Georgetown University\u2019s highest academic rank conferred by the University President. Prof. Gostin directs the O\u2019Neill Institute for National and Global Health Law and is the Founding O\u2019Neill Chair in Global Health Law. He is Professor of Medicine at Georgetown University, Professor of Public Health at the Johns Hopkins University, and Director of the Center for Law & the Public\u2019s Health at Johns Hopkins and Georgetown Universities. Prof. Gostin is also the Director of the World Health Organization Collaborating Center on Public Health Law & Human Rights. \r\n\r\nLocation: Founders Room, Alumni Center, 200 Fletcher Street, Ann Arbor, MI 48109\r\n  \r\nClick links below to register for the Colloquium or to get more information about the Colloquium Schedule and Presentation Abstracts.\r\n\r\nFor more information about CBSSM: http:\/\/cbssm.med.umich.edu\/",
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        "building_id":"1000192",
        "building_name":"Alumni Center",
        "campus_maps_id":"10",
        "room":"Founders Room",
        "location_name":"Alumni Center",
        "has_livestream":0,
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        "sponsors":[
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                "group_id":"2667",
                "website":"http:\/\/cbssm.med.umich.edu\/"                }                    ],
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        "datetime_modified":"20150205T125058",
        "datetime_start":"20150317T090000",
        "datetime_end":"20150317T160000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Death Dogs",
        "occurrence_title":"",
        "combined_title":"Death Dogs: The Jackal Gods of Ancient Egypt",
        "event_subtitle":"The Jackal Gods of Ancient Egypt",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Kelsey Museum of Archaeology presents Death Dogs exhibition from February 6 - May 3, 2015.",
        "occurrence_notes":"Tuesday-Friday 9 am - 4 pm.  Saturdays and Sundays 1-4 pm",
                "guid":"21334-1345566@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/21334",
        "building_id":"1000178",
        "building_name":"Kelsey Museum of Archaeology",
        "campus_maps_id":"186",
        "room":"Upjohn Gallery",
        "location_name":"Kelsey Museum of Archaeology",
        "has_livestream":0,
        "cost":"",
        "tags":["Anthropology","Exhibition","History","Museum","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_name":"Kelsey Museum of Archaeology",
                "group_id":"3154",
                "website":"http:\/\/www.lsa.umich.edu\/kelsey\/"                }                    ],
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    }    ,    "21276-1343082":
    {
        "datetime_modified":"20150305T121744",
        "datetime_start":"20150317T090000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Crown: Contemporary Construction of Self in America",
        "occurrence_title":"",
        "combined_title":"The Crown: Contemporary Construction of Self in America",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Note: The Gallery is open M-F 9am-5pm.\r\n\r\nThe Crown: Contemporary Construction of Self in America is an exhibit and series of programs imagined by visiting artist Shani Peters and sponsored by the Department of Afroamerican and African Studies (DAAS) and the Institute for the Humanities (IH).  The project will feature a video installation in the IH gallery, an interactive portrait exhibition in GalleryDAAS, and a video screening of  the award winning film, Chameleon Street. The screenings will be held at the Institute of the Humanities and at the Charles Wright Museum in Detroit, MI.\r\n\r\nAbout the project:\r\n\r\nThe Crown: Contemporary Construction of Self in America is a series of projects by artist Shani Peters that will examine the socially acceptable yet complicated concept of Black pride and success. Crowns, symbolic of kings and queens, and conferred on any number of Black popular culture figures from James Brown to Biggie, are also symbols for systems of inequitably distributed resources and injustice. This multi-part project\u2014which includes two exhibitions, a film screening, and a panel discussion\u2014asks the question: what does it mean to acknowledge the need for these forms of pride and success while recognizing their problems? It further complicates the question with a consideration of the similar celebration and pride that comes from attaining degrees of higher education which offer obvious opportunities, yet can alienate students of African descent from their origins. The artist asks, how do Black people register these complicated elements in ways that allow them to move progressively through western power structures towards futures that reflect their right to dignity and self-determination? Sponsored by the Department of Afroamerican and African Studies and the Institute for the Humanities.",
        "occurrence_notes":null,
                "guid":"21276-1343082@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/21276",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "campus_maps_id":"524",
        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Africa","African American","Film"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
        "sponsors":[
             {
                "group_name":"Institute for the Humanities",
                "group_id":"1130",
                "website":"http:\/\/www.lsa.umich.edu\/humanities"                }                    ],
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    {
        "datetime_modified":"20141126T120448",
        "datetime_start":"20150317T100000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Nicholas Delbanco: A Literary Life",
        "occurrence_title":"",
        "combined_title":"Nicholas Delbanco: A Literary Life",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit, drawn from the papers of teacher and author Nicholas Delbanco, Robert Frost Distinguished University Professor of English Language and Literature and Director of the Avery and Jule Hopwood Awards Program at U-M, spans decades and continents and illustrates the extensive range of Delbanco's life and work.\r\n\r\nOpen Monday through Friday, 10 a.m. to 5 p.m.",
        "occurrence_notes":null,
                "guid":"20095-1265759@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/20095",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"7th Floor Hatcher South, Special Collections",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Library","Literary Arts","Literature","Poetry","Writing"],
        "website":"http:\/\/www.lib.umich.edu\/events\/nicholas-delbanco",
        "sponsors":[
             {
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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    }    ,    "20670-1311571":
    {
        "datetime_modified":"20150107T133453",
        "datetime_start":"20150317T100000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Uncanny Valley",
        "occurrence_title":"",
        "combined_title":"Uncanny Valley: Future Retrieval",
        "event_subtitle":"Future Retrieval",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Guy Michael Davis and Katie Parker\r\n(collaboratively working under the name Future Retrieval)\r\n\r\nThe objects presented merge the strengths of our studio practice \u2013 a dark vein backed by a historical current. Ornament and detail collide with a fascination of taxidermy and natural order. Each object contains a history, reaching back and highlighting ideals of time and labor.\r\nThree-dimensional scans and photographs have been rapid prototyped, processed in the studio, and molded into porcelain mimicking the world of European decorative arts. Inspired also by German animal sculptures and cut silhouettes, we are using digital translation to both highlight and transform these details that fascinate us. The interest in new technologies and industrial methods is that each piece is handmade, but maintains the record of a computer driven interpretation. Our intention is to make art objects that reference design and are held together by craft.\r\n\r\nBio \r\nFuture Retrieval\r\n\r\nGuy Michael Davis was born in 1978 and raised in Bartlesville, OK. Katie Parker was born in 1980 in Jonesboro Arkansas, and grew up in Plano, Texas. They both attended the Kansas City Art Institute from 1999-2003 and received BFA degrees in ceramics.\r\nKatie went straight to graduate school at The Ohio State University from 2003-2005, Guy followed suit three years later from 2006-2008. Both Katie and Guy received MFA degrees in ceramics. \r\nCurrently, Katie is an Assistant Professor at the University of Cincinnati, running the ceramics department. Guy works for multiple designers across the country, and is an adjunct Assistant Professor at the University of Cincinnati. For several years, they have also been collaborating together, making objects that combine new technology, porcelain, and good craft. The objects merge the strengths of their individual studio practice \u2013 a dark vein backed by a historical current. They have exhibited both nationally and internationally, with recent shows in New York City, Jingdezhen China, Cardiff Wales, Philadelphia, Kansas City, and Tempe Arizona. This summer they were both artists in residence at the Bemis Center for Contemporary Art in Omaha, NE.",
        "occurrence_notes":null,
                "guid":"20670-1311571@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/20670",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Free","Visual Arts"],
        "website":"",
        "sponsors":[
             {
                "group_name":"Residential College",
                "group_id":"1029",
                "website":""                }                    ],
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    }    ,    "20123-1348260":
    {
        "datetime_modified":"20141201T143728",
        "datetime_start":"20150317T110000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Flip Your Field: Objects from the Collection",
        "occurrence_title":"",
        "combined_title":"Flip Your Field: Objects from the Collection",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"For the third installation of the Flip Your Field series, UMMA invites Georgios Skiniotis, Professor of Biological Chemistry at U-M\u2019s Life Sciences Institute and Medical School, to curate an exhibition from the Museum\u2019s collection of three-dimensional objects.\r\n \tAs a scientist, Skiniotis creates three-dimensional models of cellular components by combining their magnified shadows or projections viewed from different perspectives. This type of study inevitably raises questions regarding the cognition of the objects around us\u2014how, in the absence of perspective, are we to read elements like color, contrast variation, and depth of field in the dark outlines of objects? How do we make the cognitive connection between a two-dimensional shadow and the three-dimensional object that casts it? How many two-dimensional projections are needed for us to understand what we are looking at, and at what level of detail?\r\nThis exhibition poses such questions by juxtaposing three-dimensional objects from the Museum\u2019s collection with two-dimensional projections created by Skiniotis using a similar process with which he creates models of cellular components. The presentation aims to provide a glimpse of the impressions of the selected works from varied directions through interplay with their own projections and our minds.\r\nThe UMMA Flip Your Field series asks noted University of Michigan faculty members to consider artwork outside their field of specialization in order to guest curate an exhibition using works from UMMA's renowned collection. The UMMA Flip Your Field series is generously supported by the Andrew W. Mellon Foundation.",
        "occurrence_notes":null,
                "guid":"20123-1348260@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/20123",
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        "room":"",
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        "has_livestream":0,
        "cost":"",
        "tags":["Art","Biology","Discussion","Exhibition","Free","History","Information and Technology","Media","Medicine","Museum","Research","Science","UMMA","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_id":"1177",
                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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    }    ,    "21356-1348462":
    {
        "datetime_modified":"20150207T173509",
        "datetime_start":"20150317T110000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Guido van der Werve: Nummer veertien, home",
        "occurrence_title":"",
        "combined_title":"Guido van der Werve: Nummer veertien, home",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Nummer veertien, home, Dutch artist Guido van der Werve\u2019s 54-minute film, weaves together three stories of journeys away from home: the death of Fr\u00e9d\u00e9ric Chopin in Paris and his sister\u2019s quest to bring the composer\u2019s heart back to his native Poland for burial; Van der Werve\u2019s own quest to retrace, in reverse, the route of Chopin\u2019s heart in a three-week, thousand-mile trek of biking, running, and swimming; and the story of Alexander the Great, a traveling warrior who is one of Van der Werve\u2019s personal heroes.\r\n\r\nThe film explores themes that are common in Van der Werve\u2019s work: extreme physical and mental endurance, man\u2019s struggle with the intensity of nature, the interplay of history and geography, the power of melancholy, and the solitary traveler. The artist\u2019s signature sensibility\u2014simultaneously surreal and deadpan\u2014is accentuated in the film by the full orchestra that accompanies him on every stage of his journey. Van der Werve spent a year composing the film\u2019s score, a classical requiem for forty voices and twenty strings, and the film\u2019s structure mirrors that of the requiem: three movements of four acts apiece, with each act introduced by title shots to reinforce this organizational system. The tripartite framework underscores the three legs of Van der Werve\u2019s personal triathlon and the three odysseys that intersect and inform one another throughout the film.        \r\n\r\nLead support for this exhibition is provided by the Herbert W. and Susan L. Johe Endowment.",
        "occurrence_notes":"Museum open Tuesday\u2013Saturday 11am to 5pm and Sunday 12pm to 5pm. Closed Monday.",
                "guid":"21356-1348462@events.umich.edu",
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        "has_livestream":0,
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        "tags":["Art","Culture","Exhibition","Film","Free","Multicultural","Museum","Storytelling","UMMA","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_id":"1177",
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    }    ,    "21358-1348981":
    {
        "datetime_modified":"20150207T184109",
        "datetime_start":"20150317T110000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Hana Hamplov\u00e1: Meditations on Paper",
        "occurrence_title":"",
        "combined_title":"Hana Hamplov\u00e1: Meditations on Paper",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Inspired by a story by Czech writer Bohumil Hrabal, Czech photographer Hana Hamplov\u00e1 created a memorable body of work during the 1970s based on how important paper and the written word are to civilization\u2014including how easily writings and, consequently knowledge, can be lost.  This exhibition, consisting of 19 photographs from UMMA\u2019s collection, was inspired by the presence of the Frank Gehry chair made of cardboard in UMMA\u2019s Design Gallery, and of and the need to address how artists from different cultures (present-day America and communist Czechoslovakia) view a commodity as common as paper.\r\n\r\nLead support for this exhibition is provided by the Herbert W. and Susan L. Johe Endowment.  Additional generous support is provided by the University of Michigan Center for European Studies, Center for Russian, East European and Eurasian Studies, and the Weiser Center for Emerging Democracies.",
        "occurrence_notes":null,
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        "campus_maps_id":"11",
        "room":"",
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        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Exhibition","Free","Museum","UMMA","Visual Arts"],
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        "sponsors":[
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                "group_id":"1177",
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    }    ,    "21357-1348864":
    {
        "datetime_modified":"20150207T183355",
        "datetime_start":"20150317T110000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"HE: The Hergott Shepard Photography Collection",
        "occurrence_title":"",
        "combined_title":"HE: The Hergott Shepard Photography Collection",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"For more than 25 years, Los Angeles-based collectors Alan Hergott and Curt Shepard have built a world-class collection of contemporary art that is focused on men and male identity as its subject matter. This exhibition features works from their vast holdings in photography. Guest curator Mario Codognato examines the lives of men in contemporary Western societies\u2014with all their contradictions\u2014through themes of competition and solidarity, confrontation with identity, and diverse explorations of the body and sexuality (as both sign and experience). Together, these thematic groups form a fictional, somewhat idealized, tale in 13 chapters, inviting viewers to reflect upon their own stories as well.\r\n\r\nDrawing upon the Hergott Shepard collection as well as select works gifted by the collectors to the Hammer Museum at UCLA, the Los Angeles County Museum of Art (LACMA), and the Museum of Contemporary Art, Los Angeles (MOCA), the exhibition will include more than 60 works by some of the most important names in late 20th and early 21st century art, including Doug Aitken, John Baldessari, Matthew Barney, Rineke Dijkstra, Gilbert and George, Nan Goldin, Robert Mapplethorpe, Catherine Opie, Herb Ritts, Thomas Ruff, Andres Serrano, and Wolfgang Tillmans.\r\n\r\nLead support for this exhibition is provided by the University of Michigan Office of the Provost and the University of Michigan Health System. Additional generous support is provided by the University of Michigan Office of the Vice Provost for Equity, Inclusion, and Academic Affairs, Department of the History of Art, Institute for Research on Women and Gender, Institute for the Humanities, and Residential College, and the Katherine Tuck Enrichment Fund.",
        "occurrence_notes":null,
                "guid":"21357-1348864@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/21357",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Anthropology","Art","Culture","Exhibition","Free","LGBT","Multicultural","Museum","Social","UMMA","Visual Arts"],
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                "group_id":"1177",
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    }    ,    "20122-1348390":
    {
        "datetime_modified":"20150207T170643",
        "datetime_start":"20150317T110000",
        "datetime_end":"20150317T170000",
        "has_end_time":1,
        "date_start":"2015-03-17",
        "date_end":"2015-03-17",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Medicinal Plants and Gardens: Matthaei Botanical Gardens & Nichols Arboretum",
        "occurrence_title":"",
        "combined_title":"Medicinal Plants and Gardens: Matthaei Botanical Gardens & Nichols Arboretum",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition celebrates the upcoming 2015 opening of the new Medicinal Garden at the University of Michigan\u2019s Matthaei Botanical Gardens. The earliest botanical garden at the University was a pharmaceutical garden established in 1897 just off the Diag, at the heart of Central Campus. The new garden, developed in partnership with the College of Pharmacy and Medical School faculty, will continue that legacy, aiming to explore the botanical origins of historical and current medicines, and to promote a better understanding of the profound relationship between plants and human health.\r\nPreceding the garden\u2019s opening, this exhibition at UMMA will feature rarely seen archival plant specimens, deposited by pharmaceutical companies at the University Herbarium, along with newer herbarium specimens that reveal the captivating forms of these medicinal plants. These dried and pressed plant specimens will be accompanied by the presentation of the few remaining historic images of the original pharmaceutical garden, as well as a drawing of the layout of new garden at Matthaei, which is uniquely organized according to the systems of the human body that these medicinal plants are used to treat.\r\nThis exhibition is part of the U-M Collections Collaborations series, co-organized by and presented at UMMA and designed to showcase the renowned and diverse collections at the University of Michigan. The U-M Collections Collaborations series is generously supported by the Andrew W. Mellon Foundation.",
        "occurrence_notes":null,
                "guid":"20122-1348390@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/20122",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Biology","Culture","Discussion","Ecology","Environment","Exhibition","History","Medicine","Museum","Outdoors","Research","Science","UMMA","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_id":"1177",
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        "description":"A lecture by Christian de Pee, Associate Professor and Director, Program in Medieval and Early Modern Studies, University of Michigan\r\n\r\nAlthough it is difficult to identify a distinct moment in the Chinese past when printing technology caused a radical change in the production or the transfer of knowledge, it is evident that during the eleventh century the availability of printed texts transformed practices of reading and writing, and allowed the creation of virtual communities of learning. Notebooks (biji) of this period not only record new practices of reading and writing, but they contribute to those practices by offering a convenient form for the recording of new kinds of knowledge, and by assisting in the creation of categories of knowledge (e.g., connoisseurship of commodities), some of which subsequently become the subject of separate literary genres.\r\n\r\nChristian de Pee [duh PAY] is an Associate Professor of History at the University of Michigan. He received his Ph.D. from Columbia University in 1997. His first book, The Writing of Weddings in Middle-Period China, was published by the State University of New York Press in 2007. His current research examines when, where, and why the city and the cityscape became acceptable topics of literary composition in eleventh-century China. Today\u2019s talk about notebooks (biji) is part of this broad reflection on semiotic relationships between text and space.",
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        "event_title":"Workshop: Staying Organized with AdviseStream While Applying to Medical School",
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        "event_title":"Building Pathways to Your Academic Success",
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        "time_zone":"America\/Detroit",
        "event_title":"Workshop: Strengthening Your Med School Application:  Postbaccs And Other Gap Year Options",
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        "datetime_start":"20150317T150000",
        "datetime_end":"20150317T163000",
        "has_end_time":1,
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        "date_end":"2015-03-17",
        "time_start":"15:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Human Rights Initiative Lecture. Jody Williams and Jared Genser",
        "occurrence_title":"",
        "combined_title":"Human Rights Initiative Lecture. Jody Williams and Jared Genser: \"Women\u2019s Rights in the 21st Century: Fifteen Years After UN Security Council Resolution 1325 on Women, Peace, and Security.\"",
        "event_subtitle":"\"Women\u2019s Rights in the 21st Century: Fifteen Years After UN Security Council Resolution 1325 on Women, Peace, and Security.\"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In 2000, the United Nations Security Council adopted Resolution 1325, a landmark framework that would shape the global understanding of the roles of women in conflict situations and peace-building processes. Acknowledging the changing nature of warfare, in which civilian casualties have grown exponentially and gender-based violence has become a weapon of war, and recognizing the critical role of women in creating sustainable peace, the Resolution called on member states to take measures to increase participation of women in peace-building processes and to protect women from gender-based violence. Dozens of countries have developed National Action Plans to implement the Resolution and several further Security Council Resolutions have been adopted to reinforce the norms codified in the Resolution. In 2015, the women, peace, and security agenda is being reevaluate by the UN Security Council.  To close the gap between the promise of Resolution 1325 and its implementation, 10 Nobel Peace Prize Laureates, including Jody Williams, commissioned Jared Genser and other partners to prepare and submit a report to the UN Security Council evaluating the impact of the Resolution 1325 and recommending how its implementation can be addressed.  In anticipation of the the report that is to be submitted in late March, Jody Williams and Jared Genser will join the Human Rights Initiative to preview its findings and its implications, and to discuss women's rights in the 21st century.",
        "occurrence_notes":null,
                "guid":"21454-1351675@events.umich.edu",
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        "tags":["International","Public Policy","Women's Studies"],
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        "datetime_end":"20150317T180000",
        "has_end_time":1,
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        "event_title":"Chameleon Street Film Screening",
        "occurrence_title":"",
        "combined_title":"Chameleon Street Film Screening: The Crown: Contemporary Construction of Self in America",
        "event_subtitle":"The Crown: Contemporary Construction of Self in America",
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        "description":"The Crown: Shani Peters and Contemporary Construction of Self in America Chameleon Street (1990) 94 MIN. Directed by and starring Wendell B. Harris.\r\n\r\nWinner of the 1990 Sundance Film Festivals coveted Grand Jury Prize, but virtually unheard of since, Chameleon Street is a present day new Black classic. Magazine reporter, surgeon, lawyer, William Douglas can do it all\u2014at least that\u2019s what he lets people think. Based on a true story and set in Detroit, this compelling film follows the increasingly bizarre trail of lies told by this unassuming con man. Struggling with money and marriage, Street begins working scam \u2013 and assuming a variety of incredible new identities\u2014that lead him down a dangerous road of deception. This screening, in conjunction with The Crown: Shani Peters and Contemporary Construction of Self in America. Co-sponsored by the Institute of Humanities.\r\n\r\nThe Crown: Contemporary Construction of Self in America is an exhibit and series of programs imagined by visiting artist Shani Peters and sponsored by the Department of Afroamerican and African Studies (DAAS) and the Institute for the Humanities (IH).  The project will feature a video installation in the IH gallery, an interactive portrait exhibition in GalleryDAAS, and a video screening of  the award winning film, Chameleon Street. The screenings will be held at the Institute of the Humanities and at the Charles Wright Museum in Detroit, MI.\r\n\r\nAbout the project:\r\n\r\nThe Crown: Shani Peters and Contemporary Construction of Self in America is a series of projects by artist Shani Peters that will examine the socially acceptable yet complicated concept of Black pride and success. Crowns, symbolic of kings and queens, and conferred on any number of Black popular culture figures from James Brown to Biggie, are also symbols for systems of inequitably distributed resources and injustice. This multi-part project\u2014which includes two exhibitions, a film screening, and a panel discussion\u2014asks the question: what does it mean to acknowledge the need for these forms of pride and success while recognizing their problems? It further complicates the question with a consideration of the similar celebration and pride that comes from attaining degrees of higher education which offer obvious opportunities, yet can alienate students of African descent from their origins. The artist asks, how do Black people register these complicated elements in ways that allow them to move progressively through western power structures towards futures that reflect their right to dignity and self-determination? Sponsored by the Department of Afroamerican and African Studies and the Institute for the Humanities.",
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        "event_title":"Empires in World History: A Conversation",
        "occurrence_title":"",
        "combined_title":"Empires in World History: A Conversation",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Jane Burbank and Frederick Cooper, coauthors of Empires in World History: Power and the Politics of Difference (Princeton University Press, 2011), return to the University of Michigan to discuss their landmark volume with panelists from the Department of History. Remarkable in both scope and scale, Empires in World History won the World History Association\u2019s 2011 Book Prize.\u00a0\r\n\r\nPanelists include:\r\n\r\n*Jane Burbank, Professor of History and Russian and Slavic Studies, Collegiate Professor, New York University\r\n*Frederick Cooper, Professor of History, New York University\r\n*Robyn d'Avignon, Doctoral Candidate in History and Anthropology, University of Michigan\r\n*Hussein Fancy, Assistant Professor of History, University of Michigan\r\n*Pedro Monaville, Postdoctoral Fellow, Eisenberg Institute for Historical Studies, University of Michigan\r\n*Ronald G. Suny, Charles Tilly Collegiate Professor of Social and Political History, University of Michigan\r\n\r\nThis event is sponsored by the Department of History and the Eisenberg Institute for Historical Studies.",
        "occurrence_notes":null,
                "guid":"21864-1365880@events.umich.edu",
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    {
        "datetime_modified":"20150202T215914",
        "datetime_start":"20150317T180000",
        "datetime_end":"20150317T190000",
        "has_end_time":1,
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        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"LECTURE: PEDRO IGNACIO ALONSO",
        "occurrence_title":"",
        "combined_title":"LECTURE: PEDRO IGNACIO ALONSO",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Pedro Ignacio Alonso is Program Director of the AA Visiting School to Santiago and is a Visiting Professor at the \u2018Histories and Critical Thinking\u2019 MA Program. He currently teaches theory of architecture and design at the Catholic University in Santiago, investigating the design of industrial ecologies constrained by extreme weather conditions and scarce energy resources in the Atacama Desert.\r\nBetween 2006 and 2009 he worked at Arup Urban Design in London on a number of projects in Russia, Azerbaijan, China and Saudi Arabia. Alonso has been awarded with a Research Grant from The Getty Research Institute, Los Angeles, California (2010), and with a Fellowship as Visiting Scholar at the Canadian Centre for Architecture (CCA) in Montreal (2011). He has also been awarded by the Prince Claus Fund in Amsterdam for the publication of Deserta, an ongoing study on the Atacama Desert in northern Chile.\r\nAlonso holds a MSc in Architecture from the Catholic University in Chile and completed his Ph.D at the Architectural Association on the modernist conceptualization of architecture as a work of assemblage. Recent publications include Deserta: Ecology and Industry in the Atacama Desert (Santiago: ARQ, 2012); Cancha Deserta, in: Pilar Pinchart & Bernardo Vald\u00e9s (eds.), \u201cCatalogue of the Chilean Pavilion at the Venice Architecture Biennale 2012.\u201d (Santiago: CNCA, 2012); and with Hugo Palmarola, A Panel\u2019s Tale: The Soviet I-464 System and the Politics of Assemblage, in: Helen Gyger and Patricio Del Real (eds.), \u201cLatin American Modern Architectures: Ambiguous Territories.\u201d (New York: Routledge, 2012); and The Soviet KPD Building System in Cuba and Chile, 1963-1973, in: Franz Graf & Yvan Delemontey (eds.) \u201cUnderstanding and Conserving Industrialised and Prefabricated Architecture\u201d (Laussane: Presses polytechniques et universitaires romandes, 2012).\r\nEmerging Voices Lecture: Panel trajectories",
        "occurrence_notes":null,
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        "permalink":"http:\/\/events.umich.edu\/event\/21226",
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        "campus_maps_id":"16",
        "room":"2104",
        "location_name":"Art and Architecture Building",
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        "website":"http:\/\/taubmancollege.umich.edu\/events\/2015\/03\/17\/lecture-pedro-ignacio-alonso",
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    {
        "datetime_modified":"20150209T152720",
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        "date_end":"2015-03-17",
        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Mart\u00edn Espada Zell Distinguished Poet-in-Residence Poetry Reading",
        "occurrence_title":"",
        "combined_title":"Mart\u00edn Espada Zell Distinguished Poet-in-Residence Poetry Reading: Zell Visiting Writers Series",
        "event_subtitle":"Zell Visiting Writers Series",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Called \u201cthe Latino poet of his generation,\u201d Mart\u00edn Espada was born in Brooklyn, New York in 1957. He has published more than 15 books as a poet, editor, essayist, and translator. His latest collection of poems, The Trouble Ball (Norton, 2011), is the recipient of the Milt Kessler Award, a Massachusetts Book Award, and an International Latino Book Award. The Republic of Poetry (Norton, 2006) received the Paterson Award for Sustained Literary Achievement and was a finalist for the Pulitzer Prize. A previous book of poems, Imagine the Angels of Bread (Norton, 1996), won an American Book Award and was a finalist for the National Book Critics Circle Award. Other poetry collections include A Mayan Astronomer in Hell\u2019s Kitchen (Norton, 2000), City of Coughing and Dead Radiators (Norton, 1993), and Rebellion is the Circle of a Lover\u2019s Hands (Curbstone, 1990). He has received other recognition such as the Shelley Memorial Award from the Poetry Society of America, the Robert Creeley Award, the PEN\/Revson Fellowship, and a Guggenheim Foundation Fellowship. His work has been widely translated; collections of his poems have been published in Spain, Puerto Rico, and Chile. His book of essays, Zapata\u2019s Disciple (South End Press, 1998), has been banned in Tucson as part of the Mexican-American Studies Program outlawed by the state of Arizona. A graduate of Northeastern University Law School and a former tenant lawyer, Espada is currently a professor in the Department of English at the University of Massachusetts-Amherst.\r\n\r\nUMMA is pleased to be the site for the Zell Visiting Writers Series, which brings outstanding writers each semester. The Series is made possible through a generous gift from UM alumna Helen Zell(\u201964). For more information, please see www.lsa.umich.edu\/english\/grad\/mfa\/mfaeve.asp.",
        "occurrence_notes":"Museum Apse",
                "guid":"21415-1350823@events.umich.edu",
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        "campus_maps_id":"11",
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        "tags":["Art","Books","Culture","Discussion","Free","Language","Literature","Multicultural","Museum","Poetry","Storytelling","UMMA","Writing"],
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    {
        "datetime_modified":"20141118T185917",
        "datetime_start":"20150317T180000",
        "datetime_end":"20150317T190000",
        "has_end_time":1,
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        "date_end":"2015-03-17",
        "time_start":"18:00:00",
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        "event_title":"Zell Distinguished Poet in Residence Poetry Reading: Mart\u00edn Espada",
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        "combined_title":"Zell Distinguished Poet in Residence Poetry Reading: Mart\u00edn Espada: Presented by the Helen Zell Visiting Writers Series",
        "event_subtitle":"Presented by the Helen Zell Visiting Writers Series",
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        "event_type_id":"22",
        "description":"Called \u201cthe Latino poet of his generation,\u201d Mart\u00edn Espada was born in Brooklyn, New York in 1957. He has published more than fifteen books as a poet, editor, essayist and translator. His latest collection of poems, The Trouble Ball (NORTON, 2011), is the recipient of the Milt Kessler Award, a Massachusetts Book Award and an International Latino Book Award. The Republic of Poetry (NORTON, 2006) received the Paterson Award for Sustained Literary Achievement and was a finalist for the Pulitzer Prize. A previous book of poems, Imagine the Angels of Bread (NORTON, 1996), won an American Book Award and was a finalist for the National Book Critics Circle Award. Other poetry collections include A Mayan Astronomer in Hell\u2019s Kitchen (NORTON, 2000), City of Coughing and Dead Radiators (NORTON, 1993), and Rebellion is the Circle of a Lover\u2019s Hands (Curbstone, 1990).  He has received other recognition such as the Shelley Memorial Award from the Poetry Society of America, the Robert Creeley Award, the PEN\/Revson Fellowship and a Guggenheim Foundation Fellowship.  His work has been widely translated; collections of poems have been published in Spain, Puerto Rico and Chile. His book of ESSAYS, Zapata\u2019s Disciple (South End Press, 1998), has been banned in Tucson as part of the Mexican-American Studies PROGRAM outlawed by the state of Arizona. A graduate of Northeastern University Law School and a former TENANT LAWYER, Espada is currently a professor in the Department of English at the University of Massachusetts-Amherst.",
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        "has_end_time":1,
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        "event_title":"Beverly Gooden on #Why I Stayed",
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        "description":"Join us for an evening lecture on Tuesday, March 17th from 7-8pm in the Michigan Union Rogel Ballroom for a discussion on domestic violence with Beverly Gooden, victims\u2019 rights advocate and creator of the powerful hashtag movement, #WhyIStayed.\r\n\r\nBeverly speaks about domestic violence sensitivity, social justice, and the power of storytelling. Her story has been profiled on Good Morning America, CNN, TIME, The Washington Post, Mic, HLN, Inside Edition, and more. Her writing has appeared on NBC's TODAY.",
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        "time_zone":"America\/Detroit",
        "event_title":"Know Your Ships",
        "occurrence_title":"",
        "combined_title":"Know Your Ships: Speaker: Roger LeLievre",
        "event_subtitle":"Speaker: Roger LeLievre",
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        "description":"Roger spent his summers near the Soo Locks at Sault Ste. Marie, MI. He worked at the Soo Museum Ship Valley Camp and on a Great Lakes freighter. An avid ship photographer and historian, he now edits the annual Great Lakes shipping field guide, \"Know your Ships,\" and also writes for the Great Lakes\/Seaway Review magazine.",
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        "event_title":"Coming out As Gay, Coming Out As Palestinian ",
        "occurrence_title":"",
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        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In the words of Professor Atshan, \"Being Palestinian is one part of my identity. Being gay is another. The two cannot be divorced.\" This lecture will discuss the intersections and interactions of queerness in the context of Palestinian\/Arab identity.\u00a0Professor Sa'ed Atshan is a queer Palestinian academic, a postdoctoral fellow at Brown University, and a member of alQaws, an organization promoting LGBTQ rights for Palestinians in Israel and the Occupied Territories.",
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        "location_name":"Rackham Amphitheatre",
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        "event_title":"Religion and Watergate: The Religious Faith and Practice of Richard M. Nixon and Gerald R. Ford",
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        "combined_title":"Religion and Watergate: The Religious Faith and Practice of Richard M. Nixon and Gerald R. Ford",
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        "description":"Author and historian David L. Holmes shares his thoughts on the contrasting beliefs and \r\npractices of two men in a pivotal political period. \r\n\r\nGerald Ford was sworn into the Presidency amidst a flurry of religious statements. He brought to office a strong religious background and no enemies list or concern for vengeance. \r\n \r\nRichard Nixon secretly denied the divinity of Christ and Biblical miracles. His extraordinary career showed that he was more than willing to jettison Quaker principles when they conflicted with ambition.\r\n \r\nDavid Holmes, winner of numerous teaching awards, is Mason Professor of Religion Emeritus at the College of William & Mary. He is the author of The Faiths of Postwar Presidents: From Truman to Obama (2012), and The Faith of Founding Fathers (2006). \r\n \r\nFree Admission. Free Parking. Reception follows program.",
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        "date_end":"",
        "time_start":"20:00:00",
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        "event_title":"Masters Recital: Noelle Reid, trumpet",
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        "description":"PROGRAM: Bach - Grosser Herr und starker Konig; Pilss - Sonata for Trumpet and Piano; Ewazen - An Elizabethan Songbook; Stephenson - Sonata for Violin, Trumpet, and Piano.",
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        "event_title":"Wind Chamber Music Recital",
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        "description":"Celebrate St. Patrick's Day with a recital of great wind chamber music repertoire.  PROGRAM: Nielsen - Quintet, op. 43; Naigus - Three for Five; Bolcom - The Serpent\u2019s Kiss; Barber - Summer Music, op. 31.",
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