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        "time_start":"00:00:00",
        "time_end":"23:59:00",
        "time_zone":"America\/Detroit",
        "event_title":"Teach-Out Series: The Future of Gerrymandering",
        "occurrence_title":"",
        "combined_title":"Teach-Out Series: The Future of Gerrymandering: Teach-Out.org",
        "event_subtitle":"Teach-Out.org",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"One of the biggest challenges facing our democracy today occurs when congressional district lines that are drawn by elected officials to give one political party an unfair advantage over another. This is called \"gerrymandering.\u201d This Teach-Out explores the topic of gerrymandering, considering everything from its history of the original gerrymander, to the current United States Supreme Court cases. You will hear from leading experts on gerrymandering as well as citizen groups who are on the front lines of the redistricting debate. \r\n\r\nThe Teach-Out will address the following questions:\r\nWhat is gerrymandering? \r\nWhat is happening now? Why is this such an important issue today and what does it mean for you?\r\nWhy did the United States Supreme Court take up the gerrymandering case (Gill v. Whitford)? And what is happening now with this case? \r\nHow has technology impacted the gerrymandering debate? \r\nWhat are states doing to address the issue?\r\nHow can you implement change? \r\n\r\n\r\nA Teach-Out is:\r\n\r\n-an event \u2013 it takes place over a fixed, short period of time\r\n\r\n-an opportunity \u2013 it is open for free participation to everyone around the world\r\n\r\n-a community \u2013 it will be joined by a large number of diverse individuals\r\n\r\n-a conversation \u2013 an opportunity to give and take ideas and information from people\r\n\r\nThe University of Michigan Teach-Out Series provides just-in-time community learning events for participants around the world to come together in conversation with the U-M campus community, including faculty experts. The U-M Teach-Out Series is part of our deep commitment to engage the public in exploring and understanding the problems, events, and phenomena most important to society.\r\n\r\nTeach-Outs are short learning experiences, each focused on a specific current issue. Attendees will come together over a few days not only to learn about a subject or event but also to gain skills. Teach-Outs are open to the world and are designed to bring together individuals with wide-ranging perspectives in respectful and deep conversation. These events are an opportunity for diverse learners and a multitude of experts to come together to ask questions of one another and explore new solutions to the pressing concerns of our global community. Come, join the conversation!\r\n\r\nFind new opportunities at Teach-Out.org.",
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                "guid":"52742-12986907@events.umich.edu",
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        "building_name":"Off Campus Location",
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        "tags":["Discussion","Education","Lecture","Politics"],
        "website":"http:\/\/teachout.org",
        "sponsors":[
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        "event_title":"Nichols Arboretum  Peony Garden in Bloom",
        "occurrence_title":"",
        "combined_title":"Nichols Arboretum  Peony Garden in Bloom",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"The largest collection of heirloom peonies in North America, located on the University of Michigan campus. Nearly 10,000 blooms appear in shades of white, pink, and red at peak. The garden began in 1922 with a donation of peonies from alumnus W.E. Upjohn. Some of the plants are still growing in the same place they were planted nearly 100 years ago. Garden blooms approximately Memorial Day through mid-June; bloom time approximate; check our dedicated website for regular updates: peony.mbgna.umich.edu.",
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                "guid":"52078-12415782@events.umich.edu",
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        "room":"",
        "location_name":"Nichols Arboretum",
        "has_livestream":0,
        "cost":"",
        "tags":["Environment","Gardening","Outdoors"],
        "website":"",
        "sponsors":[
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    {
        "datetime_modified":"20180606T110026",
        "datetime_start":"20180615T080000",
        "datetime_end":"20180615T230000",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Nothing Makes Sense, Except Love: The Cinematic Musings of Director Alan Rudolph",
        "occurrence_title":"",
        "combined_title":"Nothing Makes Sense, Except Love: The Cinematic Musings of Director Alan Rudolph",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit features materials reproduced from the Alan Rudolph Collection now part of the University of Michigan Library Special Collections Research Center. Told in Rudolph\u2019s first-person voice, it chronicles his career.\r\n\r\nQuirky, off kilter, stylishly romantic and filled with moments of wry humor, Alan Rudolph makes movies with dreamy eyed protagonists searching for love in all the wrong places. He often mashes up genres into something new and unique and peppers his films with elements not always beholden to realism. He began his four decade career under the watchful eye of mentor Robert Altman, but he soon created a body of work that is clearly his own vision.",
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                "guid":"52575-12857359@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/52575",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Gallery (Room 100)",
        "location_name":"Hatcher Graduate Library",
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        "cost":"",
        "tags":["Exhibition","Film","Free","Library"],
        "website":"",
        "sponsors":[
             {
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                },             {
                "group_name":"Department of Film, Television, and Media",
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    {
        "datetime_modified":"20180328T154138",
        "datetime_start":"20180615T080000",
        "datetime_end":"20180615T170000",
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        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
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        "time_zone":"America\/Detroit",
        "event_title":"Seven Fantasy Classics for Children",
        "occurrence_title":"",
        "combined_title":"Seven Fantasy Classics for Children",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Students in Lisa Makman\u2019s English 313 course, Children\u2019s Literature and the Invention of Modern Childhood, curated this exhibit of classic stories for children. The exhibit focuses on seven classic stories: Aladdin, Alice in Wonderland, Cinderella, Hansel and Gretel, the Little Mermaid, Little Red Riding Hood, and Peter Pan. Drawing on the rich collection of children\u2019s literature in the Special Collections Research Center, the books range from late nineteenth century editions to contemporary pop-up books. By showcasing different takes on each story, the exhibit explores the variation in how these tales are told and illustrated.",
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        "campus_maps_id":"65",
        "room":"Audubon Room",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Exhibition","Free","Library","Literature"],
        "website":"https:\/\/www.lib.umich.edu\/events\/seven-fantasy-classics-children",
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    {
        "datetime_modified":"20180524T123731",
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        "datetime_end":"20180615T170000",
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        "date_end":"2018-06-15",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"East Coast Indo-European Conference",
        "occurrence_title":"",
        "combined_title":"East Coast Indo-European Conference",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"The University of Michigan will be hosting the 37th East Coast Indo-European Conference beginning on the morning of Friday, June 15 and concluding at midday on Sunday, June 17. The conference will feature thirty papers in the various subfields of Indo-European linguistics and comparative philology. Specialists not only from other U.S. and Canadian institutions, but also from Europe and Asia will be presenting. \r\n\r\nThis event is open and free to the public.\r\n\r\nThursday, June 14\r\n5:00\u20136:30 Reception, Department of Classical Studies Library, 2175 Angell Hall, 435 S. State St.\r\n\r\nFriday, June 15\r\n8:30\u20139:00 Continental Breakfast\r\n9:00\u20139:05 Opening remarks\r\n\r\nSession I\r\n9:05\u20139:35 Simon Poulsen (University of Copenhagen), \u201cProto-Norse apocope: The Trollh\u00e4ttan II and Reistad inscriptions revisited\u201d\r\n\r\n9:35\u201310:05 Ronald Kim (Adam Mickiewicz University, Pozna\u0144, and Charles University,\r\nPrague), \u201cOld English cyme and the PIE aorist optative in Germanic\u201d\r\n\r\n10:05\u201310:35 Birgit Anette Olsen (University of Copenhagen), \u201cComing of age in Indo-European\u201d\r\n10:35\u201311:00 Coffee break\r\n\r\nSession II\r\n11:00\u201311:30 Angelo Mercado (Grinnell College), \u201cRhythm in Italic carmina\u201d\r\n11:30\u201312:00 Olav Hackstein (University of Munich), \u201cOn Arbor\u201d\r\n12:00\u201312:30 Michael Weiss (Cornell University), \u201cPig, cake, and sun: Observations on the I\u00favila inscriptions\u201d\r\n\r\n12:30\u20132:30 Lunch break\r\n\r\nSession III\r\n2:30\u20133:00 Thomas Motter (UCLA), \u201cThe First Compensatory Lengthening in Ancient Greek\u201d\r\n3:00\u20133:30 Andrew Merritt (Cornell University), \u201cOrigin of the Greek aorist passive in -\u03b8\u03b7-\u201d\r\n3:30\u20134:00 Jeremy Rau (Harvard University), \u201cStudia Graeca\u201d\r\n\r\n4:00\u20134:30 Coffee break\r\n\r\nSession IV\r\n4:30\u20135:00 Sasha Nikolaev (Boston University), \u201cDeep waters: The etymology of Vedic gabh\u012br\u00e1-\u201d\r\n5:00\u20135:30 Dieter Gunkel (University of Richmond), \u201cSurprising localizations of metrical word types in the Rigveda\u201d\r\n5:30\u20136:00 Stephanie Jamison (UCLA), \u201cA golden amulet in Vedic and Avestan\u201d\r\n\r\nSaturday, June 16\r\n8:30\u20139:00 Continental Breakfast\r\n\r\nSession V\r\n9:00\u20139:30 Joe Eska (Virginia Tech University), \u201cPandryv nessa ny won fest \u2018What thing is next I don\u2019t quite know\u2019: Prolegomena to the diachrony of Cornish syntax\u201d\r\n9:30\u201310:00 Mark Hale (Concordia University), \u201cI interrupts this letter to trigger some anxieties about clitics in Latin [sic]\u201d\r\n10:00\u201310:30 David Goldstein (UCLA), \u201cEnnius fr. 550 and the history of Latin atque\u201d\r\n\r\n10:30\u201311:00 Coffee break\r\n\r\nSession VI\r\n11:00\u201311:30 Georges Pinault (\u00c9cole pratique des hautes \u00e9tudes), \u201cTocharian taxonomy of wealth in Indo-European perspective\u201d\r\n11:30\u201312:00 Tao Pan (University of Munich), \u201cMiscellanea Tocharica\u201d\r\n12:00\u201312:30 Hannes Fellner (University of Vienna), \u201cPolar life in the Tarim Basin\u201d\r\n\r\n12:30\u20132:30 Lunch break\r\n\r\nSession VII\r\n2:30\u20133:00 Joshua Katz (Princeton University), \u201cHesiodica\u201d\r\n3:00\u20133:30 Timothy Barnes (University of Hawaii), \u201cPindarica\u201d\r\n3:30\u20134:00 Stefan H\u00f6fler (Harvard University), \u201cThe Caprice of O...: On a Proto-Indo-European substantivization type and its excesses in Ancient Greek\u201d\r\n4:00\u20134:30 Coffee break\r\n\r\nSession VIII\r\n4:30\u20135:00 Andrew Byrd and Phil Barnett (University of Kentucky), \u201cAn experimental look at the rarity of PIE *\/b\/\u201d\r\n5:00\u20135:30 Tony Yates (UCLA), \u201cSome basics of Indo-European phonology\u201d\r\n5:30\u20136:00 Slava Gorbachov (University of Chicago), \u201cThoughts on the origin of the \u2018animacy\u2019\/\u2018virility\u2019 category in Slavic\u201d\r\n\r\nSunday, June 17\r\n\r\n8:30\u20139:00 Continental Breakfast\r\n\r\nSession IX\r\n9:00\u20139:30 Elisabeth Rieken (University of Marburg), \u201cA new Anatolian etymology\u201d\r\n9:30\u201310:00 Kazuhiko Yoshida (Kyoto University), \u201cSome old morphological features of Hittite imperatives\u201d\r\n10:00\u201310:30 Alan Nussbaum (Cornell University), \u201cMore -t-, anyone?\u201d\r\n10:30\u201311:00 -t- break\r\n\r\nSession X\r\n11:00\u201311:30 Jos\u00e9 Luis Garc\u00eda Ram\u00f3n (University of Cologne), \u201cFrom the files of\/for a new Mycenaean grammar\u201d\r\n11:30\u201312:00 Jared Klein (University of Georgia), \u201cHomeric Greek \u03bd\u1fe6\u03bd and \u03bd\u03c5\u201d\r\n12:00\u201312:30 Brent Vine (UCLA), \u201cGreek \u03c3\u03c4\u03c9\u03bc\u03cd\u03bb\u03bf\u03c2 \u2018chatty\u2019\u201d",
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        "tags":["Classical Studies","conference","European","Interdisciplinary","Language","Literature","symposium"],
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                "group_name":"Department of Middle East Studies",
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        "date_end":"2018-06-15",
        "time_start":"10:00:00",
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        "event_title":"Quaker Oats Makes a Movie: A Scrumdiddlyumptious Wonka Adventure",
        "occurrence_title":"",
        "combined_title":"Quaker Oats Makes a Movie: A Scrumdiddlyumptious Wonka Adventure",
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        "description":"\u200bQuaker Oats forged a new path in the entertainment industry by jointly marketing consumer packaged goods and a major motion picture in 1971, Willy Wonka and the Chocolate Factory. Having never made a motion picture before, their foray into the filmmaking industry was unexpected and unprecedented. The company saw this film as an opportunity to essentially make a feature-length commercial for their new line of Wonka candy products.\r\n\r\nStudents in Matthew Solomon's class, SAC 355: Authorship and the Archive, culled though hundreds of production documents related to the film to curate an exhibit that tells a little known behind-the-scenes story about one of the most beloved films.",
        "occurrence_notes":null,
                "guid":"51870-12274486@events.umich.edu",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Special Collections, 6th Floor",
        "location_name":"Hatcher Graduate Library",
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        "tags":["Exhibition","Free","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events\/quaker-oats-makes-movie-scrumdiddlyumptious-wonka-adventure",
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        "datetime_modified":"20180130T152923",
        "datetime_start":"20180615T110000",
        "datetime_end":"20180615T170000",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Exercising the Eye: The Gertrude Kasle Collection",
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        "combined_title":"Exercising the Eye: The Gertrude Kasle Collection",
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        "description":"Gallery hours are 11 a.m.\u20135 p.m. Tuesday\u2013Saturday and 12\u20135 p.m. Sunday; galleries are closed on Mondays.\r\n\r\nThis exhibition celebrates Gertrude Kasle (1917\u20132016), a key figure in the formation of Detroit\u2019s contemporary art community in the 1960s and 70s. A pioneering female gallerist, Kasle provided midwest audiences with a venue in which to experience avant-garde art from centers like New York City, while also supporting and exhibiting regional artists. Featuring a collection of paintings, works on paper, and sculptures from the height of the Abstract Expressionist movement through the early twenty-first century, 'Exercising the Eye' speaks to the relationships Kasle fostered with local, national, and international artists and her appreciation for artistic expression and experimentation. Critical voices from the last fifty years include Philip Guston, Jane Hammond, Grace Hartigan, Jasper Johns, Michele Oka Doner, and Robert Rauschenberg. The exhibition offers visitors a unique opportunity to explore a dynamic moment in Detroit\u2019s cultural history and insight into Kasle\u2019s love of looking and learning.\r\n\r\nLead support for 'Exercising the Eye: The Gertrude Kasle Collection' is provided by the University of Michigan Office of the Provost, Michigan Medicine, and the University of Michigan CEW Frances and Sydney Lewis Visiting Leaders Fund.",
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        "room":"A. Alfred Taubman Gallery",
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        "tags":["Art","Culture","Exhibition","Expressionism","Multicultural","Museum","UMMA","Visual Arts"],
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                "group_id":"1177",
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    {
        "datetime_modified":"20180430T103232",
        "datetime_start":"20180615T110000",
        "datetime_end":"20180615T210000",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Humanize the Numbers Exhibit at Detroit Street Filling Station",
        "occurrence_title":"",
        "combined_title":"Humanize the Numbers Exhibit at Detroit Street Filling Station",
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        "event_type":"Exhibition",
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        "description":"April 19-July 1, 2018\r\n-Free and Open to public-\r\nThis exhibit showcases photographic works created by people incarcerated at Thumb Correctional Facility in collaboration with University of Michigan students. The opening reception on April 19 at 5pm features students and PCAP faculty Isaac Wingfield who worked with prisoners at Thumb on the exhibits and will be there to share their experiences.",
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        "location_name":"Detroit Street Filling Station",
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        "tags":["Art","Free","Visual Arts"],
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                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                },             {
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    {
        "datetime_modified":"20180419T152624",
        "datetime_start":"20180615T110000",
        "datetime_end":"20180615T170000",
        "has_end_time":1,
        "date_start":"2018-06-15",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Marcel Dzama: A Jester's Dance",
        "occurrence_title":"",
        "combined_title":"Marcel Dzama: A Jester's Dance",
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        "event_type":"Exhibition",
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        "description":"Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork \u00c9tant donn\u00e9s. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama\u2019s ink and watercolor drawings, renderings of small hybrid figures resembling children\u2019s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.\r\n\r\nLead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.",
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    {
        "datetime_modified":"20180419T152624",
        "datetime_start":"20180615T110000",
        "datetime_end":"20180615T170000",
        "has_end_time":1,
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        "date_end":"2018-06-15",
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        "event_title":"Marcel Dzama: A Jester's Dance",
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        "combined_title":"Marcel Dzama: A Jester's Dance",
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        "description":"Canadian artist Marcel Dzama is known for imaginative drawings, sculptures, dioramas, and films rooted in the traditions of Surrealism, Dada and outsider art. His 2013 film Une danse des bouffons (or A jester's dance) tells the tale of a romance between two principal figures of these traditions: Dada icon Marcel Duchamp and Brazilian sculptor Maria Martins, who was the model for Duchamp's final, enigmatic artwork \u00c9tant donn\u00e9s. Rife with art-historical references not only to the work of Duchamp but also to Francisco Goya, Francis Picabia and Joseph Beuys, among others, Une danse des bouffons navigates a sexually charged and mesmerizing world in which fantasy and torture run amok. The gallery presentation also includes a storyboard for the film featuring Dzama\u2019s ink and watercolor drawings, renderings of small hybrid figures resembling children\u2019s book illustrations. The drawings underscore the fantastical elements in a film that combines the carnivalesque with a nightmarish exploration of the surreal.\r\n\r\nLead support for Marcel Dzama: A Jester's Dance is provided by Candy and Michael Barasch. Additional generous support is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and the Penny W. Stamps School of Art & Design.",
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        "room":"Media Gallery",
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    {
        "datetime_modified":"20180502T121513",
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        "event_title":"Materials On Hand: The Art of Ellen Wilt",
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        "description":"Curated by Srimoyee Mitra with the assistance of James Barker and Jennifer Junkermeier, Materials On Hand: The Art of Ellen Wilt is a retrospective exhibition that pays homage to and celebrates fifty years of Ellen Wilt\u2019s expansive art practice. Born and raised in Pittsburgh, Wilt has lived and worked in Ann Arbor since 1949 and completed two degrees (BFA, \u201869 and MA, \u201870) at the University of Michigan. She is an important figure in Ann Arbor\u2019s art community, who has consistently worked at fostering a vibrant arts community as an artist and educator in the Academy and beyond. She was an art professor for 17 years (1969-85) at the Eastern Michigan University. During this time she also organized and facilitated numerous community-engaged projects that empowered first-time and emerging artists to show their work. It was not until she retired and was well into her 70s that she turned her focus to her own art practice. Her work was duly recognized with numerous awards from the Michigan Water Color Society, Washtenaw Council for the Arts, and the Holland Friends of Art between 1984 and 1993.\r\n\r\nFor the first time in the last three decades, Materials On Hand: The Art of Ellen Wilt brings together over 40 carefully selected works from personal and private collections that highlight Wilt\u2019s artistic contributions in Southeastern Michigan. Her intuitive and playful bricolage way of working reveals the scope of her achievement and her specific interest in the Michigan region and its landscape. She has developed multiple bodies of work that feature domestic objects from teapots to chairs while also reckoning with iconic architectural tropes of bridges and tunnels which are ongoing motifs in her work. Wilt continually experiments and explores new ways of working in a variety of two dimensional mediums including, oil, acrylic and watercolor. Since the 1970s she has incorporated collage into her practice using whatever materials she has available to her. These range from butcher paper, aluminum foil, and tissue to balsa wood, toothpicks and other found objects. She creates mixed media paintings, cut outs, rubbings and installations that reimagine the agency of mundane objects and invite viewers to look again.\r\n\r\nExhibition Dates: Thursday, May 31 - Sunday, September 9, 2018\r\nExhibition Reception: Thursday, May 31, 2018 from 6-8 pm \r\nA conversation with Ellen Wilt: June 9, 2018 from 2-3 pm",
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        "building_name":"Off Campus Location",
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        "location_name":"Stamps Gallery, 201 S. Division Street, Ann Arbor MI 48104",
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        "tags":["Art","Exhibition"],
        "website":"http:\/\/stamps.umich.edu\/calendar\/event-detail\/materials_on_hand_the_art_of_ellen_wilt",
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    {
        "datetime_modified":"20180308T135541",
        "datetime_start":"20180615T110000",
        "datetime_end":"20180615T170000",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"New at UMMA: Illuminated Manuscript",
        "occurrence_title":"",
        "combined_title":"New at UMMA: Illuminated Manuscript",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Books of hours\u2014custom-made for private devotion in the Christian faith\u2014were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio\u2019s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence. \r\n\r\nThis work was recently gifted to UMMA by Mrs. Carrol Robertsen.",
        "occurrence_notes":null,
                "guid":"50849-11884935@events.umich.edu",
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        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"The Connector",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Books","Culture","Exhibition","Literature","Museum","Storytelling","UMMA","Visual Arts"],
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    {
        "datetime_modified":"20180509T114004",
        "datetime_start":"20180615T110000",
        "datetime_end":"20180615T170000",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"11:00:00",
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        "event_title":"See Through: Windows and Mirrors in Twentieth-Century Photography",
        "occurrence_title":"",
        "combined_title":"See Through: Windows and Mirrors in Twentieth-Century Photography",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed\u2014once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer\u2019s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eug\u00e8ne Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, Andr\u00e9 Kert\u00e9sz, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.\r\n\r\nLead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.",
        "occurrence_notes":null,
                "guid":"52257-12577078@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/52257",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"Photography Gallery",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Exhibition","Museum","Photography","Storytelling","UMMA","Visual Arts"],
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    {
        "datetime_modified":"20180412T145124",
        "datetime_start":"20180615T110000",
        "datetime_end":"20180615T170000",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Unrecorded: Reimagining Artist Identities in Africa",
        "occurrence_title":"",
        "combined_title":"Unrecorded: Reimagining Artist Identities in Africa",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as \u2018unknown\u2019 or \u2018anonymous,\u2019 African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an \u2018African\u2019 artist\u2019s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.\r\n\r\nLead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.",
        "occurrence_notes":null,
                "guid":"51906-12285972@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/51906",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"The Jan and David Brandon Family Bridge",
        "location_name":"Museum of Art",
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        "tags":["Africa","Art","Culture","Exhibition","Multicultural","Museum","UMMA","Visual Arts"],
        "website":"http:\/\/www.umma.umich.edu\/",
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        "datetime_modified":"20180615T123603",
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        "datetime_end":"20180615T210000",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"18:30:00",
        "time_end":"21:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Shakespeare in the Arb - Romeo and Juliet",
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        "combined_title":"Shakespeare in the Arb - Romeo and Juliet",
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        "event_type":"Performance",
        "event_type_id":"15",
        "description":"A first-ever performance in the 18-year history of Shakespeare in the Arb of Romeo and Juliet. Directed by Kate Mendeloff of the U-M Residential College and performed by U-M students and community players. Box office, located at the visitor center at the 1610 Washington Hts. entrance to Nichols Arboretum, open at 5:30 pm each day of performance.",
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        "building_id":"1000005",
        "building_name":"Nichols Arboretum",
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        "location_name":"Nichols Arboretum",
        "has_livestream":0,
        "cost":"$10-20",
        "tags":["Outdoors","Shakespeare","Theater"],
        "website":"https:\/\/mbgna.umich.edu\/event\/shakespeare-in-the-arb-2018-romeo-juliet\/2018-06-07\/",
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                "group_name":"Matthaei Botanical Gardens & Nichols Arboretum",
                "group_id":"1072",
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        "date_start":"2018-06-15",
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        "time_start":"20:00:00",
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        "event_title":"Slambovian Circus of Dreams",
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        "combined_title":"Slambovian Circus of Dreams",
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        "description":"The music of The Slambovian Circus of Dreams has been variously described as \"hillbilly-Floyd,\" \"folk-pop,\" \"alt-country, roots-rock,\" and \"surreal Americana;\" a clear indicator of its singularly indescribable uniqueness. Dancing freely between all existing religious and philosophical mythologies, the music is uplifting, empowering, and a lot of fun. The Slambovians have drawn comparisons to Petty, The Decemberists, Dylan, and Bowie as they feature an otherworldly slide mandolin, accordion, cello and styles ranging from dusty Americana ballads to Pink Floyd-esque cinematic anthems. Frontman Joziah Longo (vocals, guitar and harmonica) has drawn praise for a voice that is \"soothing and bewitching as a snake oil tonic,\" and \"the entire root system of the Rock Family Tree is embedded in his voice,\" says The Big Issue UK). This band has been together since the late 1990s; they settled in Sleepy Hollow, New York, and began developing unique shows that have surprised and delighted Ark audiences every time.",
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        "location_name":"The Ark 316 S Main St, Ann Arbor, MI 48104",
        "has_livestream":0,
        "cost":"General Admission: $20. Reserved: $27. Service fees apply.",
        "tags":["The Ark"],
        "website":"https:\/\/red.vendini.com\/ticket-software.html?t=tix&e=63c5de83a3f62f7dbdafc70e8591a1d0",
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        "datetime_modified":"20180507T112900",
        "datetime_start":"20180615T235900",
        "datetime_end":"20180615T235900",
        "has_end_time":1,
        "date_start":"2018-06-15",
        "date_end":"2018-06-15",
        "time_start":"23:59:00",
        "time_end":"23:59:00",
        "time_zone":"America\/Detroit",
        "event_title":"Heidelberg University HAUS Scholarship for Bachelor's or Master's Students",
        "occurrence_title":"",
        "combined_title":"Heidelberg University HAUS Scholarship for Bachelor's or Master's Students: Application Deadline",
        "event_subtitle":"Application Deadline",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Heidelberg Alumni U.S. (HAUS) is pleased to invite applications for the 2018\/2019 HAUS Scholarships. The stipends are available to qualified students from a United States university planning to study at Universit\u00e4t Heidelberg.\r\n\r\nThe scholarship award is $5,000 for Master\u2019s program students or $3,000 for Bachelor\u2019s program students for one semester with the option to be extended for a second semester. The program is seeking candidates with a strong academic background who can also fulfill the role of ambassador for HAUS upon their return from their study abroad experience. \r\n\r\nUniversit\u00e4t Heidelberg is consistently ranked as one of the best universities in Germany (rated #1 in 2017 by the Academic Ranking of World Universities) and one of the top-rated institutions of higher education and research in the world. Universit\u00e4t Heidelberg offers a wide range of study programs, and a strong international orientation: about one-fifth of the university\u2019s over 30,000 students and one-third of its doctoral candidates are foreign nationals.\r\n\r\nMinimum Qualifications:\r\n* Undergraduate or Master\u2019s program student with strong academic credentials enrolled at - or graduated from - an institution of higher education in the U.S.\r\n* United States residency\r\n* Acceptance as student at Universit\u00e4t Heidelberg (proof can be submitted at a later time) \r\n\r\nApplication Process:\r\n* Send an email to info@heidelberguniversity.org by June 15, 2018 including the following:\r\n--Completed HAUS Scholarship application form\r\n--Essay (500\u2013600 words) answering the following questions: \r\n   a) Why did you apply to Heidelberg University?\r\n   b) Why are you applying for the HAUS Scholarship?\r\n   c) What is your study proposal and how do you expect it to shape your plans in the future?\r\n   d) How would you propose to fulfill your role as HAUS Ambassador once you return to the U.S.?\r\n--Electronic copy of your latest transcript\r\n--Recommendation letter from one of your professors (must be submitted in writing)\r\n--Your CV\r\n--Proof of U.S. residency (copy of driver\u2019s license, passport, utility bill, etc.) \r\n\r\nShort-listed candidates may be invited to participate in an oral interview. \r\n\r\nHAUS expectations for Scholarship Recipient:\r\n* Successfully complete your academic program at Universit\u00e4t Heidelberg.\r\n* Cooperate with Heidelberg Alumni International (HAI) while in Heidelberg.\r\n* Provide updates every three months on your time at Universit\u00e4t Heidelberg, including good-quality photos of yourself on campus or in town.\r\n* Participate in monthly \u201cStammtisch\u201d of the Heidelberg HAUS chapter.\r\n* Serve as an ambassador for HAUS and Universit\u00e4t Heidelberg after completing studies in Heidelberg. Please find more information and the application at www.HeidelbergUniversity.org.",
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        "has_livestream":0,
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        "tags":["Scholarship","Study Abroad"],
        "website":"http:\/\/www.facebook.com\/umichGerman\/",
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        "datetime_modified":"20180507T112638",
        "datetime_start":"20180615T235900",
        "datetime_end":"20180615T235900",
        "has_end_time":1,
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        "date_end":"2018-06-15",
        "time_start":"23:59:00",
        "time_end":"23:59:00",
        "time_zone":"America\/Detroit",
        "event_title":"Heinz Prechter Scholarship for Internships in Germany",
        "occurrence_title":"",
        "combined_title":"Heinz Prechter Scholarship for Internships in Germany: Application Deadline",
        "event_subtitle":"Application Deadline",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"The German American Chamber of Commerce of the Midwest has opened the application for the Heinz Prechter Scholarship, which amounts to $2,000.\r\n\r\nEach scholarship applicant must submit in writing the following documents:\r\n* Letter of Application: The letter should provide in narrative form a description of the applicant's qualifications including, for example, academic background; employment history; special interests, accomplishments and awards; international travel; and a statement indicating why the applicant wants to work as an intern in Germany.\r\n* R\u00e9sum\u00e9: The r\u00e9sum\u00e9 should provide, in outline form, a description of the applicant's qualifications including, for example, academic background; employment history; special interests, accomplishments and awards; and international travel.\r\n* Offer-of-Internship Letter: The letter (written in German or English) must be addressed to the applicant by the company in Germany that is sponsoring the internship, and must adequately describe the work assignment (specifying, for example, work tasks, the beginning and ending calendar dates of the assignment, salary etc.). The letter must be written on the company's letterhead and signed by an appropriate company official.\r\n* Letters of Recommendation: The applicant must provide letters of recommendation from at least two faculty members (at the institution in which the applicant is currently enrolled) who teach in the applicant's major or minor fields of study.\r\n* Course Transcripts: The applicant must provide comprehensive course transcripts of all academic semesters completed at institutions of higher education.\r\n\r\nPlease note:\r\n* Applicants must complete an interview with the scholarship committee. Part of the interview will be conducted in German to assess the applicant's basic conversational skills in the language.  The interview can be conducted on the phone.\r\n* Scholarship recipients must agree to submit to the Chamber (at or near the completion of their assignments) written reports on their internships and (if schedule permits) to give oral presentations on their internships at Chamber meetings. These reports and presentations will give the students the opportunity to describe in detail the activities and outcomes of their internship assignments and will provide the Chamber a basis on which it can evaluate the results of its financial support.\r\n\r\nCompleted applications (including attachments) must be sent to Janina Luomala, Administrative Director, GACC Michigan Chapter, at the address listed below:\r\n\r\nGACC Midwest Michigan Chapter\r\nJanina Luomala\r\nPO Box 1448\r\nBrighton, MI 48116\r\nPhone: 248-826-8806\r\nEmail: info@gaccmi.org\r\n\r\nThe committee will make rolling decisions.  Applicants are encouraged to apply as soon as possible, once they have received an actual internship offer.",
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        "tags":["Internship","Scholarship"],
        "website":"http:\/\/www.facebook.com\/umichGerman\/",
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