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        "event_title":"Gifts of Art presents Collected Surface: Functional Ceramics",
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        "combined_title":"Gifts of Art presents Collected Surface: Functional Ceramics: Huron Valley Ceramics Collective",
        "event_subtitle":"Huron Valley Ceramics Collective",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Huron Valley Ceramics Collective (Isabella Comai, Dennison Dorsey, Sasha Guo and Margaret A. Miller) is a group of emerging artists who work out of the Clay Work Studio in Ann Arbor, Michigan. The works in this exhibit are an expression of how ceramics mediate our daily life though use. The artists explore life and reflection through surface and narrative elements by using a combination of wheel thrown and hand built terra cotta, stoneware and porcelain.",
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                "guid":"52359-12649736@events.umich.edu",
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        "room":"Gifts of Art Gallery \u2014 Taubman Health Center South Lobby, Floor 1",
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        "event_title":"Gifts of Art presents Flexx \u2013 Semi-Industrial Jewelry",
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        "combined_title":"Gifts of Art presents Flexx \u2013 Semi-Industrial Jewelry: Marsha Chamberlin",
        "event_subtitle":"Marsha Chamberlin",
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        "event_type_id":"7",
        "description":"Starting with the material of screen spline, Marsha Chamberlin combines items such as grommets, bungee cord, washers, nuts, floor matting and more with an array of beads to create a contemporary, semi-industrial style of work. Pieces often contrast the functionality of hardware with sparkles and colors that provide a unique style.\r\nMarsha Chamberlin was president and CEO of the Ann Arbor Art Center (formerly Ann Arbor Art Association) for 33 years.",
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        "datetime_start":"20180810T080000",
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        "event_title":"Gifts of Art presents Flora & Fauxna: Photography",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Flora & Fauxna: Photography: Patty Carroll",
        "event_subtitle":"Patty Carroll",
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        "event_type_id":"7",
        "description":"Patty Carroll\u2019s highly intense, saturated color photographs have led to her recognition as one of Photolucida\u2019s Top 50 Photographers (2104, 2017). Flora & Fauxna is a still life series about women and their homes using decorative fabric, artificial flowers and ceramic birds to create a sumptuous, and often humorous, ornate world. Unlike traditional still life images, these photographs show no horizon line, dramatic lighting, or symbols of death and decay. Birds in many cultures are messengers between heaven and earth, acting as a bridge between the mundane and spiritual life. In Carroll\u2019s work, birds represent the human desire to escape gravity and reach the level of angels.",
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        "building_name":"University Hospitals",
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        "has_livestream":0,
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        "tags":["Art","Children","Culture","Exhibition","Family","Free","Health & Wellness","Visual Arts"],
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        "datetime_modified":"20180516T084216",
        "datetime_start":"20180810T080000",
        "datetime_end":"20180810T080000",
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        "date_start":"2018-08-10",
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        "event_title":"Gifts of Art presents Life, Architecture & People of Cuba: Photography",
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        "combined_title":"Gifts of Art presents Life, Architecture & People of Cuba: Photography: Larry Hauptman",
        "event_subtitle":"Larry Hauptman",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Larry Hauptman is a photographer who is fascinated by and seeks to document the life and culture of peoples around the world. This exhibit is about the Cuba of today. Many forces have contributed to Cuba\u2019s history, and evidence of its struggles can be seen everywhere. Yet despite the decaying structures and uncertainties, you do not have to look hard to find much beauty and happiness.",
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        "tags":["Art","Children","Culture","Family","Free","Health & Wellness","Visual Arts"],
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        "datetime_modified":"20180515T161801",
        "datetime_start":"20180810T080000",
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        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents Nature Illustrated: Oil & Acrylic Painting",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Nature Illustrated: Oil & Acrylic Painting: John Megahan",
        "event_subtitle":"John Megahan",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"John Megahan grew up in the Pacific Northwest. The mountains of Idaho, Oregon and Washington instilled in him a deep love and appreciation for nature. In college he studied art and biology, and after graduation worked as a freelance illustrator for commercial and educational institutions. Since 1996, he has been a scientific illustrator for the U-M Museum of Zoology. In addition to scientific illustration and painting, he occasionally teaches at the U-M Penny W. Stamps School of Art & Design, the University of Oregon, and illustrates children\u2019s books.",
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        "building_id":"1000317",
        "building_name":"Taubman Center",
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        "room":"Gifts of Art Gallery \u2014 Taubman Health Center North Lobby, Floor 1",
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        "tags":["Art","Children","Culture","Exhibition","Family","Free","Health & Wellness"],
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    {
        "datetime_modified":"20180515T162111",
        "datetime_start":"20180810T080000",
        "datetime_end":"20180810T200000",
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        "date_start":"2018-08-10",
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        "event_title":"Gifts of Art presents Not Your Grandmother\u2019s Dolls",
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        "combined_title":"Gifts of Art presents Not Your Grandmother\u2019s Dolls: Charlie Patricolo",
        "event_subtitle":"Charlie Patricolo",
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        "description":"Charlie Patricolo has been creating, engineering and executing dolls for 25 years, and teaching doll making for 20. She studied at the John C. Campbell Folk School in North Carolina, and has been a member of the Southern Highland Craft Guild since 2002. When teaching, Patricolo feels that, \u201cWatching someone go from \u2018I can\u2019t do this\u2019 to \u2018I can\u2019t believe I did this!\u2019 is pretty fantastic!\u201d Her inspiration often comes when she isn\u2019t looking for it: in songs and books when a line rings out so clearly it cannot be ignored, or a piece of fabric that refuses to be left behind. Patricolo is now based in North Carolina, but lived most of her life in Michigan.",
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    {
        "datetime_modified":"20180516T084840",
        "datetime_start":"20180810T080000",
        "datetime_end":"20180810T200000",
        "has_end_time":1,
        "date_start":"2018-08-10",
        "date_end":"2018-08-10",
        "time_start":"08:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Gifts of Art presents Reconstructed Blueprints: Acrylic Painting",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Reconstructed Blueprints: Acrylic Painting: Adnan Charara",
        "event_subtitle":"Adnan Charara",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In this exhibit, Adnan Charara translates his assembled characters, from both collage and found object assemblage, into commanding acrylic paintings. The backgrounds interact with the figures, who represent history, identity, and the struggle for a sense of belonging. They are blueprints for being human: imperfect, unique and multi-faceted. Charara works in various mediums ranging from drawing, to jewelry, to large scale sculpture. He is a Lebanese-American artist with a studio in Detroit.",
        "occurrence_notes":null,
                "guid":"52360-12649820@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/52360",
        "building_id":"1000316",
        "building_name":"University Hospitals",
        "campus_maps_id":"158",
        "room":"Gifts of Art Gallery \u2014 University Hospital Main Lobby, Floor 1",
        "location_name":"University Hospitals",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Children","Culture","Detroit","Exhibition","Family","Free","Health & Wellness","Visual Arts"],
        "website":"http:\/\/www.med.umich.edu\/goa\/",
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        "event_title":"Gifts of Art presents Water\u2019s Presence: Landscapes in Oil",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Water\u2019s Presence: Landscapes in Oil: Cathy VanVoorhis",
        "event_subtitle":"Cathy VanVoorhis",
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        "description":"Cathy VanVoorhis\u2019 oil landscape paintings represent her experience of the healing power of nature. VanVoorhis travels to lakes, rivers and streams to witness the ecology and beauty of natural coastlines of Michigan. She finds inspiration in the writing of naturalists such as Rachel Carson, and the understanding of the intricate web of all life. This series of paintings focuses on the healing that comes from contemplation of bodies of water. This beautiful element can bring a meditative calm and inner peace, as one feels a connection to the timeless forces of life. VanVoorhis is a lecturer at the U-M Penny W. Stamps School of Art & Design.",
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        "building_name":"Cancer Center",
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        "room":"Gifts of Art Gallery \u2014 Rogel Cancer Center, Level 1",
        "location_name":"Cancer Center",
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        "tags":["Art","Children","Culture","Exhibition","Family","Free","Health & Wellness","Visual Arts"],
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    {
        "datetime_modified":"20180606T110026",
        "datetime_start":"20180810T080000",
        "datetime_end":"20180810T230000",
        "has_end_time":1,
        "date_start":"2018-08-10",
        "date_end":"2018-08-10",
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        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Nothing Makes Sense, Except Love: The Cinematic Musings of Director Alan Rudolph",
        "occurrence_title":"",
        "combined_title":"Nothing Makes Sense, Except Love: The Cinematic Musings of Director Alan Rudolph",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit features materials reproduced from the Alan Rudolph Collection now part of the University of Michigan Library Special Collections Research Center. Told in Rudolph\u2019s first-person voice, it chronicles his career.\r\n\r\nQuirky, off kilter, stylishly romantic and filled with moments of wry humor, Alan Rudolph makes movies with dreamy eyed protagonists searching for love in all the wrong places. He often mashes up genres into something new and unique and peppers his films with elements not always beholden to realism. He began his four decade career under the watchful eye of mentor Robert Altman, but he soon created a body of work that is clearly his own vision.",
        "occurrence_notes":null,
                "guid":"52575-12857415@events.umich.edu",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Gallery (Room 100)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition","Film","Free","Library"],
        "website":"",
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                },             {
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    }    ,    "53037-13209250":
    {
        "datetime_modified":"20180717T112425",
        "datetime_start":"20180810T083000",
        "datetime_end":"20180810T170000",
        "has_end_time":1,
        "date_start":"2018-08-10",
        "date_end":"2018-08-10",
        "time_start":"08:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"You Must Judge a Book by Cover: Highlights from the Julia Miller Collection of Bookbinding Models",
        "occurrence_title":"",
        "combined_title":"You Must Judge a Book by Cover: Highlights from the Julia Miller Collection of Bookbinding Models",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"What did a book look like in ancient Rome? How did our ancestors read, hold and protect their books? How did medieval monks construct the bindings of their manuscripts? These and many other questions will be answered by visiting our exhibit of models recreating ancient and medieval bookbindings. Bequeathed by scholar conservator Julia Miller, this extraordinary teaching collection of bookbinding models includes replicas of Graeco-Roman tablets, early Coptic books, as well as medieval European, Near Eastern, and Islamic bindings spanning from the 12th to the 17th century.",
        "occurrence_notes":"Exhibit hours are Monday through Friday. No weekend hours.",
                "guid":"53037-13209250@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/53037",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Special Collections, 6th Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Library"],
        "website":"https:\/\/www.facebook.com\/UMichLibrary\/",
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                "group_id":"1186",
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    {
        "datetime_modified":"20180809T111519",
        "datetime_start":"20180810T100000",
        "datetime_end":"20180810T120000",
        "has_end_time":1,
        "date_start":"2018-08-10",
        "date_end":"2018-08-10",
        "time_start":"10:00:00",
        "time_end":"12:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Dissertation Defense: Epistemic Norms and the Normativity of Belief",
        "occurrence_title":"",
        "combined_title":"Dissertation Defense: Epistemic Norms and the Normativity of Belief: Anna Edmonds",
        "event_subtitle":"Anna Edmonds",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Maria Lasonen-Aarnio (Chair)\r\nPeter Railton\r\nBrian Weatherson\r\nChandra Sripada\r\nRick Lewis (cognate: CogSci)\r\n\r\nEpistemologists frequently claim that the question \u201cWhat should I believe?\u201d demarcates the field of epistemology.  This question is then compared to the question asked in ethics: \u201cWhat should I do?\u201d  The question and the ensuing comparison, it is thought, specify both the content and the normativity at stake in epistemology.  I argue that both of the assumptions embedded in this demarcation are problematic.  By thinking of epistemology\u2019s focal question in this light, first, we risk importing our assumptions about the epistemic domain into our understanding of the nature and normativity of the belief state, and second, we come to have a false picture of the normativity that supposedly underlies the domain.  \r\n\r\n\tIn Chapter 1, \u201cThe Doxastic Assumption about the Epistemic\u201d, I explore a range of views that assume there to be an essential connection between belief and truth.  I look at views that treat all beliefs as attempts to believe the truth, views that consider belief\u2019s biological function to be accurate representation, and views that hold that the very concept of belief is a normative concept.  I go on to explore instrumentalist conceptions of belief\u2019s truth connection and conduct an inquiry into the value of true belief.  I conclude that neither the value of true belief nor an essential connection between belief and truth can explain epistemic normativity. \r\n\r\n\tIn Chapter 2, \u201cEvidential Exclusivity, Correctness, and the Nature of Belief\u201d I note that epistemologists have recently argued that the best explanation for the apparent truth of a pair of claims - \u201cTransparency\u201d and \u201cExclusivity\u201d \u2013 is that belief is subject to a standard of correctness such that a belief that p is correct if and only if p is true.  I argue that the proposed explanation unduly privileges one part of belief\u2019s full functional profile \u2013 its role in deliberation \u2013 and that a more complete consideration of belief\u2019s role in cognition suggests an alternative explanation for Exclusivity and Transparency but denies belief\u2019s standard of correctness.  \r\n\r\n\tIn Chapter 3, \u201cTradeoffs and Epistemic Value\u201d, I look at a debate about whether epistemic norms are teleological.  Though it\u2019s standard to assume in keeping with teleology that certain goals or values explain the content of our norms, a collection of recent papers have aimed to show that this assumption can\u2019t be correct because teleological norms countenance tradeoffs but epistemic norms don\u2019t countenance tradeoffs.  I note that the kind of non-teleological view that countenances no tradeoffs whatsoever is actually quite extreme and virtually unheard of in ethics. I go on to make the case that norms that license no tradeoffs can\u2019t reasonably be taken to be grounded in value at all, and thus can\u2019t be understood to be genuinely normative. I conclude by suggesting that we broaden our conception of the epistemic domain to recognize teleological norms that provide recommendations for methods of inquiry or pursuit of significant truth or knowledge.",
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        "building_name":"Angell Hall",
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        "room":"1164",
        "location_name":"Angell Hall",
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        "tags":["Philosophy"],
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        "datetime_modified":"20180730T084852",
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        "datetime_end":"20180810T110000",
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        "date_end":"2018-08-10",
        "time_start":"10:00:00",
        "time_end":"11:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Dissertation defense: The geography of diversification: a critical evaluation of methods and an empirical exploration of global marine fish diversity",
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        "event_title":"Marcel Dzama: A Jester's Dance",
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        "datetime_modified":"20180502T121513",
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        "event_title":"Materials On Hand: The Art of Ellen Wilt",
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        "event_title":"New at UMMA: Illuminated Manuscript",
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        "description":"Books of hours\u2014custom-made for private devotion in the Christian faith\u2014were a bestseller in medieval Europe. These manuscripts incorporated prayers, hymns, biblical stories, and monthly calendars featuring religious feast days, which were often supplemented by images painted in exquisite detail. Today, books of hours are a testament to the visually rich material culture of the Middle Ages. UMMA was recently gifted a bejeweled double-sided calendar leaf for January. Executed on parchment, the page highlights the material opulence and artistry involved in manuscript illumination. Accompanying the calendar are painted images or miniatures of the labor and characteristic activity of the month, and Aquarius, the zodiac sign for January, embodied by a man collecting water from a stream. The folio\u2019s luminous, gilded surface, accentuated by the use of bright colors, was meant to transport the medieval viewer into a state of spiritual transcendence. \r\n\r\nThis work was recently gifted to UMMA by Mrs. Carrol Robertsen.",
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        "datetime_modified":"20180509T114004",
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        "event_title":"See Through: Windows and Mirrors in Twentieth-Century Photography",
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        "description":"See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed\u2014once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer\u2019s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eug\u00e8ne Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, Andr\u00e9 Kert\u00e9sz, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.\r\n\r\nLead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.",
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        "time_end":"17:00:00",
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        "event_title":"Unrecorded: Reimagining Artist Identities in Africa",
        "occurrence_title":"",
        "combined_title":"Unrecorded: Reimagining Artist Identities in Africa",
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        "event_type_id":"7",
        "description":"Historical collecting practices have had a lasting impact on representations of Africa, its history, culture, and life today. Labeled as \u2018unknown\u2019 or \u2018anonymous,\u2019 African artists became associated with broad cultural styles and collective identities rather than personal creativity and individual agency. The exhibition Unrecorded: Reimagining Artist Identities in Africa includes artworks from both named and unrecorded, contemporary and historic artists to tell an alternative story. It explores how the changing attributes of an \u2018African\u2019 artist\u2019s identity, and constructions of African identity more broadly, have shaped perceptions of Africa outside of the continent.\r\n\r\nLead support for Unrecorded: Reimagining Artist Identities in Africa is provided by the University of Michigan Office of the Provost and the African Studies Center. Additional generous support is provided by the University of Michigan Department of Afroamerican and African Studies and Susan Ullrich.",
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        "event_title":"Michigan in Washington Application Deadline-September 24, 2018",
        "occurrence_title":"",
        "combined_title":"Michigan in Washington Application Deadline-September 24, 2018",
        "event_subtitle":"",
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        "event_type_id":"22",
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        "event_title":"BME PhD Defense: Tu\u011fba Topal",
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        "event_subtitle":"Tu\u011fba Topal",
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        "description":"The Effects of Mechanical Forces on Human Embryonic Stem Cell Behavior\r\n\r\n \r\n\r\nThe development of an organism from a zygote into a fully functional 3D individual is a process in which a strong coupling of morphogens and mechanical forces is coordinated with embryo shape. During development, cells communicate with each other through cell-cell junctions and with their microenvironment via mechanical cues to regulate cell fate, re-organize the extracellular matrix, and guide developmental process. Most studies on human embryonic stem cells (hESCs) focused on how external soluble factors including growth factors and small inhibitors, gene and protein expression, and signaling pathways to maintain stemness or initiate differentiation of these cells. A various array of environmental factors including the effect of geometry and mechanical properties of extracellular matrix on stem cells contributes to altering stem cell fate. Recently, increasing evidence has revealed the importance of mechanical factors in affecting migration, proliferation and stem cell differentiation in vitro.\r\n\r\n \r\n\r\nIn this dissertation, we focus on the development and application of novel bioengineering approaches to understand the effects of mechanical forces on hESC behaviors and the directed differentiation of hESCs. Specifically, by employing a microfluidic device to induce controlled and regulated forces that apply global mechanical forces to adherent hESCs, we find that uniaxial substrate stretching disrupts the pluripotency circuit and initiates the exit of transcription factors, Nanog and Oct4, from the nucleus into the cytoplasm via a nuclear export protein (CRM1) as early as 30 min after stretch application and for 2 hours on a flexible substrate coated with Matrigel, and is not reliant on exogenous soluble factors.  In order to pinpoint to the receptors responsible for mechanical sensing, we employ a novel technique, acoustic tweezing cytometery (ATC), that utilizes ultrasound pulses to actuate functionalized microbubbles targeted to integrin in order to apply cyclic strain to hESCs. We find that ATC-mediated cyclic forces applied for 30 min induced immediate global responses in the colony, including increased contractile force, enhanced calcium activity, as well as decreased nuclear expression of pluripotency transcription factors Oct4 and Nanog, leading to rapid differentiation and characteristic epithelial-mesenchymal transition (EMT) events that depend on focal adhesion kinase activation and cytoskeleton tension. These results reveal a unique, rapid mechanoresponsiveness and community behavior of hESCs to integrin-targeted cyclic forces. Furthermore, we demonstrate an integrative mechanotransduction that induced neural rosette formation of hESCs via the application of ATC and induction medium. We observe upregulation of Pax6 and Sox1 in as early as 6 hours, following by neural rosettes formation in 48 hours, which is much faster compared to the typical 10-15 days needed with conventional neural rosettes formation protocols.\r\n\r\n \r\n\r\nTogether, this dissertation presents novel findings and insights regarding the effects of external mechanical forces on hESCs. Such information may help elucidate the mechanobiology of hESCs, and thus advance our knowledge of human embryogenesis, regenerative medicine, and tissue engineering.",
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    {
        "datetime_modified":"20180724T061517",
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        "time_end":"17:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Necessity is the Mother of Invention: Natural Products and the Chemistry They Inspire",
        "occurrence_title":"",
        "combined_title":"Necessity is the Mother of Invention: Natural Products and the Chemistry They Inspire: Sarah Reisman (Caltech)",
        "event_subtitle":"Sarah Reisman (Caltech)",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"                                                                                                                                   The chemical synthesis of natural products provides an exciting platform from which to conduct fundamental research in chemistry and biology. Our group is currently pursuing the synthesis of a number of structurally complex natural products, including the diterpenoids ryanodine, talatisamine, and pleuromutilin. The densely-packed arrays of heteroatoms and stereogenic centers that constitute these polycyclic targets challenge the limits of current technology and inspire the development of new synthetic strategies and tactics. This seminar will describe the latest progress in our methodological and target-directed synthesis endeavors. \r\n                                                \r\n                       \r\n                                                \r\n                       \r\n                                                \r\n                       \r\n                                                \r\n                       \r\n                        \nSarah Reisman (Caltech)",
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        "location_name":"Chemistry Dow Lab",
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        "event_title":"McKinsey & Company Diversity Webinar Series: The Importance of Mentorship",
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        "event_subtitle":"",
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        "description":"McKinsey & Company Diversity Webinar Series\n\nMcKinsey & Company is excited to host a webinar series this Spring and Summer for diversestudents interested in learning more about the firm, consulting, diversity, and the importance of mentorship. We will also cover full-time and internship opportunities at the firm in preparation for the upcoming fall recruiting season.\n\nWebinar Series:\n\u2022\tIntro to McKinsey and Consulting\nFriday, May 11th from 4-5pm ET\n\u2022\t\u201cWhat is the Digital practice\u201d?\nFriday, July 20th from 4-5pm ET\n\u2022\tThe Importance of Mentorship \nFriday, August 10th from 4-5pm ET\n\nUse the event link to RSVP by Wednesday, August 8th.\n\n\nAbout McKinsey\nMcKinsey is a management consulting firm helping companies in the public, private, and social sectors with their most critical problems. We work on teams and collaborate with senior management within organizations, bringing our skills and expertise to develop innovative and distinctive solutions. As a consultant, you can have tremendous impact, working on projects like: \n\u2022\tDeveloping an app for new parents to track development for premature babies, saving millions of lives each year \n\u2022\tHelping a renewable energy client develop a China market expansion strategy \n\u2022\tCreating the digital marketing plan for a major electronics company, leading to more than $300MM growth for the company\n*****\nInclusion & Diversity at McKinsey\nAt McKinsey, we are dedicated to building a great firm that attracts, develops, excites, and retains exceptional people. We aspire to be recognized as the best professional services firm in the world for all candidates. We value a respectful and inclusive work environment and are committed to inclusion of all people; our networks support our people, providing a welcoming environment where mentorship and community create an unparalleled sense of belonging and growth. To learn more, please visit our website, view our flyers about our firm's focus on inclusion and gender equality, and follow us on Facebook at Real Life at McKinsey and McKinsey Women. We also invite you to read outlatest report on the impact of diversity in the workplace, Delivering through Diversity.",
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