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        "datetime_end":"20190611T235900",
        "has_end_time":1,
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        "date_end":"2019-06-11",
        "time_start":"01:00:00",
        "time_end":"23:59:00",
        "time_zone":"America\/Detroit",
        "event_title":"Research Scholars Applications Open",
        "occurrence_title":"",
        "combined_title":"Research Scholars Applications Open: Undergraduate Research Opportunity Program",
        "event_subtitle":"Undergraduate Research Opportunity Program",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Want to return to research for the Fall 2019-Winter 2020 Academic Year? Apply to the Research Scholars Program by August 1st at 5pm.\r\nhttps:\/\/lsa.umich.edu\/urop\/students\/fall-winter-programs\/research-scholars-program.html",
        "occurrence_notes":"https:\/\/lsa.umich.edu\/urop\/students\/fall-winter-programs\/research-scholars-program.html",
                "guid":"63876-15955839@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/63876",
        "building_id":"1005046",
        "building_name":"Undergraduate Science Building",
        "campus_maps_id":"508",
        "room":"1190",
        "location_name":"Undergraduate Science Building",
        "has_livestream":0,
        "cost":"",
        "tags":["Applications","Interdisciplinary","Research","Undergraduate","Undergraduate Students","Urop"],
        "website":"https:\/\/lsa.umich.edu\/urop\/students\/fall-winter-programs\/research-scholars-program.html",
        "sponsors":[
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                "group_id":"3702",
                "website":"https:\/\/twitter.com\/UROPumich"                }                    ],
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    {
        "datetime_modified":"20190614T140151",
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        "datetime_end":"20190611T170000",
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        "date_end":"2019-06-11",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"she was here, once",
        "occurrence_title":"",
        "combined_title":"she was here, once: nastassja e. swift",
        "event_subtitle":"nastassja e. swift",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The mobility and displacement of the Black body, from port to holding cell, to ward and out, is a history that is embedded in our communities socially, culturally and geographically. Alluding to feelings of pain, otherness, power and triumph, \"she was here, once\" features work that illustrates a moment of remembrance and reflection on the women who have roamed these spaces before us.\r\n\r\nIn summer 2018, artist Nastassja Swift organized a collaborative workshop and public performance in her home city of Richmond, Virginia. Using a range of choreographed movement, sound, and solidarity, eight Black women and girls, wearing large needle felted wool masks, traced the ancestral footprints of the arrival of the Black body in Richmond. The 3.5 mile walk began in Shockoe Bottom (the site of the importation of slaves into Richmond, and one of the largest sources of slave trade in America) and concluded in the Jackson Ward neighborhood (one of the largest Black communities in Richmond).\r\n\r\nThe multi-layered piece has produced a short film, mini documentary, photography, and performance masks, on display in her solo exhibition, \"she was here, once\" in Lane Hall.\r\n\r\nLane Hall Gallery is open to the public weekdays from 8am - 4pm. Class visits are encouraged.\r\n\r\nAccessibility: Ramp and elevator access at the E. Washington Street entrance (by the loading dock). There are accessible restrooms on the south end of Lane Hall, on each floor of the building. A gender neutral restroom is available on the first floor.\r\n\r\nContact Heidi Bennett, IRWG Event Planner (heidiab@umich.edu) with questions about this exhibition.\r\n\r\nCosponsors: Department of Women's Studies, Stamps School of Art & Design, Department of English, Art History, Eisenberg Institute for Historical Studies, Center for the Education of Women+",
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                "guid":"59501-14875238@events.umich.edu",
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        "building_id":"1000183",
        "building_name":"Lane Hall",
        "campus_maps_id":"84",
        "room":"Gallery (1st floor)",
        "location_name":"Lane Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["African American","Art","Diversity","Exhibition","Film","Humanities","Multicultural","Visual Arts","Women's Studies"],
        "website":"http:\/\/www.nastassjaswift.com\/",
        "sponsors":[
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
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        "datetime_modified":"20190426T150827",
        "datetime_start":"20190611T080000",
        "datetime_end":"20190611T230000",
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        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"08:00:00",
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        "event_title":"True to Life: Film Director Nancy Savoca\u2019s Quest for Authenticity",
        "occurrence_title":"",
        "combined_title":"True to Life: Film Director Nancy Savoca\u2019s Quest for Authenticity",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Filmmaker Nancy Savoca aims to be as authentic as possible. Her films are brilliant, intimate portraits that explore the weight of social institutions and social injustice placed upon the shoulders of her characters. Her lead characters, typically women, must balance their needs with those of others in order to find their true voice. This U-M student-curated exhibit is the result of a semester-long course devoted to her films and career.\r\n\r\nSavoca contributed her papers \u2014 spanning her career as a director, producer, and screenwriter \u2014 to the Screens Arts Mavericks & Makers collection at the U-M Library. Her archive represents nearly three decades of indie filmmaking, and includes notes, notebooks, photos, and script drafts.\r\n\r\nSee the symposium schedule for Character Driven: Exploring the Career and Archives of Nancy Savoca: https:\/\/www.lib.umich.edu\/announcements\/symposium-celebrates-filmmaker-nancy-savoca",
        "occurrence_notes":null,
                "guid":"63404-15669588@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/63404",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Gallery (Room 100)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Exhibition","Film","Free","Library"],
        "website":"",
        "sponsors":[
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                "group_id":"1186",
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    {
        "datetime_modified":"20190423T113940",
        "datetime_start":"20190611T083000",
        "datetime_end":"20190611T153000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"08:30:00",
        "time_end":"15:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Institute for Community-Driven Practice",
        "occurrence_title":"",
        "combined_title":"Institute for Community-Driven Practice",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"The Institute for Community-Driven Practice (CDP) is a training program, offered by the Ginsberg Center, designed for faculty and staff who support community-engaged practice and scholarship.  This two-day program will provide an intensive exploration of the principles of community engagement, and opportunities to begin integrating community engagement into their own curriculum and training.",
        "occurrence_notes":null,
                "guid":"63320-15642807@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/63320",
        "building_id":"",
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        "has_livestream":0,
        "cost":"$300,  sliding scale, for training and access to materials",
        "tags":["Community Engagement","Diversity Equity and Inclusion","Faculty","Research","Staff","Teaching"],
        "website":"https:\/\/ginsberg.umich.edu\/article\/institute-community-driven-practice",
        "sponsors":[
             {
                "group_name":"Ginsberg Center",
                "group_id":"1146",
                "website":"http:\/\/ginsberg.umich.edu\/"                }                    ],
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    }    ,    "59301-15765594":
    {
        "datetime_modified":"20190508T105014",
        "datetime_start":"20190611T090000",
        "datetime_end":"20190611T160000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Exhibition | Ancient Color",
        "occurrence_title":"",
        "combined_title":"Exhibition | Ancient Color: Due to popular demand, extended through July 28, 2019",
        "event_subtitle":"Due to popular demand, extended through July 28, 2019",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Roman world was a colorful place. Although we often associate the Romans with white marble statues, these statues \u2014 as well as Roman homes, clothing, and art \u2014 were vibrant with color. This exhibition examines colors in the ancient Roman world, how these colors were produced, where they were found, what the Romans thought about them, and how we study them today. We hope that visitors will think about what different colors mean to them, and how these meanings compare to the roles of colors in the ancient Roman world.\r\n\r\nCurators: Catherine Person and Caroline Roberts\r\n\r\nView the online exhibition: http:\/\/exhibitions.kelsey.lsa.umich.edu\/ancient-color\/",
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                "guid":"59301-15765594@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/59301",
        "building_id":"1000178",
        "building_name":"Kelsey Museum of Archaeology",
        "campus_maps_id":"186",
        "room":"",
        "location_name":"Kelsey Museum of Archaeology",
        "has_livestream":0,
        "cost":"",
        "tags":["AEM Featured","Archaeology","Classical Studies","Exhibition","Museum"],
        "website":"http:\/\/www.lsa.umich.edu\/kelsey\/",
        "sponsors":[
             {
                "group_name":"Kelsey Museum of Archaeology",
                "group_id":"3154",
                "website":"http:\/\/www.lsa.umich.edu\/kelsey\/"                },             {
                "group_name":"Kelsey Museum of Archaeology Exhibitions",
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                "website":""                }                    ],
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    {
        "datetime_modified":"20190218T154028",
        "datetime_start":"20190611T090000",
        "datetime_end":"20190611T160000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Introduction to the Health and Retirement Study (HRS) Workshop",
        "occurrence_title":"",
        "combined_title":"Introduction to the Health and Retirement Study (HRS) Workshop: Amanda Sonnega, University of Michigan",
        "event_subtitle":"Amanda Sonnega, University of Michigan",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"The Health and Retirement Study (hrsonline.isr.umich.edu) Summer Workshop is intended to give participants an introduction to the study that will enable them to use the data for research. HRS is a large-scale longitudinal study with more than 20 years of data on the labor force participation and health transitions that individuals undergo toward the end of their work lives and in the years that follow. The HRS Summer Workshop features morning lectures on basic survey content, sample design, weighting, and restricted data files. Hands-on data workshops are held every afternoon in which participants learn to work with the data (including the user-friendly RAND version of the HRS data) under the guidance of HRS staff. Staff of the Gateway to Global Aging project (G2Aging.org), which harmonizes data across HRS international sister studies, conduct an afternoon training. At the end of the week, students have the opportunity to present their research ideas to the class and HRS research faculty and obtain feedback. Topics include (but are not limited to) in depth information on HRS data about health insurance and medical care; biomarkers, physical measures, and genetic data; cognition; health and physical functioning; linkage to Medicare; employment, retirement, and pensions and linkage toe Social Security records; psychosocial and well-being; family data; and international comparison data. The data training portion assumes some familiarity with SAS or STATA.",
        "occurrence_notes":null,
                "guid":"61353-15090342@events.umich.edu",
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        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"TBD",
        "location_name":"Mason Hall",
        "has_livestream":0,
        "cost":"$500.00",
        "tags":["Graduate and Professional Students","Prospective Graduate Students","Prospective Undergraduate Students","Undergraduate Students"],
        "website":"https:\/\/www.facebook.com\/SummerInstituteSurveyResearchTechniques\/",
        "sponsors":[
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                "group_name":"Summer Institute in Survey Research Techniques",
                "group_id":"4327",
                "website":""                }                    ],
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        "datetime_modified":"20190506T172335",
        "datetime_start":"20190611T100000",
        "datetime_end":"20190611T200000",
        "has_end_time":1,
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        "date_end":"2019-06-11",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Revolution Worth Having: Emma Goldman at 150",
        "occurrence_title":"",
        "combined_title":"A Revolution Worth Having: Emma Goldman at 150",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Joseph A. Labadie Collection in the U-M Library is one of the world's most complete collections of anarchist thought and contains more original Emma Goldman material than any other U.S. library. In commemoration of her 150th birthday, we will display a selection of these artifacts, including her Russian passport and original writings. The exhibit will showcase materials related to her travels in Ann Arbor and Detroit, life in Russia, relationships with other well-known anarchists, and representation in popular culture today.",
        "occurrence_notes":null,
                "guid":"63490-15751198@events.umich.edu",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Special Collections Research Center, 6th floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition","Free","Library"],
        "website":"",
        "sponsors":[
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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        "datetime_modified":"20190611T111441",
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        "date_end":"2019-06-11",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bonsai in Bloom: Satsuki Azalea",
        "occurrence_title":"",
        "combined_title":"Bonsai in Bloom: Satsuki Azalea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"A display of satsuki azalea bonsai in bloom as well as a display of viewing stones (found stones or rocks that that resemble objects or landscapes). Includes events and workshops June 8 & 9 along with self-guided tours and other activities. The satsuki azalea are on loan from Ohio collector and U-M alumnus Dr. Melvyn Goldstein. To learn more and to view photos of the bonsai and viewing stones, visit: https:\/\/mbgna.umich.edu\/bonsai-in-bloom-satsuki-azalea-bonsai-at-matthaei-botanical-gardens\/",
        "occurrence_notes":null,
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        "building_id":"0",
        "building_name":"Matthaei Botanical Gardens",
        "campus_maps_id":"554",
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        "location_name":"Matthaei Botanical Gardens",
        "has_livestream":0,
        "cost":"",
        "tags":["bonsai","matthaei botanical gardens"],
        "website":"",
        "sponsors":[
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                "group_name":"Matthaei Botanical Gardens & Nichols Arboretum",
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        "date_end":"2019-06-11",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Nichols Arboretum Peony Garden Bloom Season",
        "occurrence_title":"",
        "combined_title":"Nichols Arboretum Peony Garden Bloom Season",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"The largest collection of heirloom peonies in North America comes alive in spring with as many as 10,000 blooms at peak. Bloom time varies with weather. Visit our dedicated peony website for bloom updates as the season progresses, beginning mid-May: peony.mbgna.umich.edu.",
        "occurrence_notes":"Nichols Arboretum entrance",
                "guid":"63336-15644894@events.umich.edu",
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        "room":"",
        "location_name":"Nichols Arboretum, 1610 Washington Hts., Ann Arbor, MI 48109",
        "has_livestream":0,
        "cost":"",
        "tags":["nichols arboretum peony garden","peony","peony garden"],
        "website":"",
        "sponsors":[
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                "group_id":"1072",
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    {
        "datetime_modified":"20181223T134343",
        "datetime_start":"20190611T100000",
        "datetime_end":"20190611T113000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"10:00:00",
        "time_end":"11:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Constitution at the Border:  When Immigration Policy and Constitutional Norms Clash",
        "occurrence_title":"",
        "combined_title":"The Constitution at the Border:  When Immigration Policy and Constitutional Norms Clash: Margo Schlanger",
        "event_subtitle":"Margo Schlanger",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Margo Schlanger is the Wade H. and Dores M. McCree Collegiate Professor of Law at the University of Michigan, where she has taught since 2009. She teaches constitutional law, torts, and classes relating to civil rights and to prisons. She also founded and runs the Civil Rights Litigation Clearinghouse. Professor Schlanger earned her J.D. from Yale in 1993. She then served as law clerk for Justice Ruth Bader Ginsburg of the U.S. Supreme Court from 1993 to 1995. From 1995 to 1998, she was a trial attorney in the U.S. Department of Justice Civil Rights Division, where she worked to remedy civil rights abuses by prison and police departments on civil rights issues and civil and criminal detention.In addition to her research and writing, Professor Schlanger does substantial work in civil rights litigation and prison and immigration reform. She has been appointed class counsel in Hamama v. Adducci, a national class action to ensure due process for Iraqi nationals whom the Trump Administration seeks to deport.\r\n\r\nThis presentation will examine some current controversies relating to immigration, border enforcement, and the Constitution. \r\n\r\nThis is the last in OLLI\u2019S distinguished lecture series for 2018-19. A total of ten lectures are presented covering a variety of topics.",
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        "permalink":"http:\/\/events.umich.edu\/event\/58943",
        "building_id":"null",
        "building_name":"Off Campus Location",
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        "room":"",
        "location_name":"Washtenaw Community College, Towsley Auditorium, Morris Lawrence Building, 4800 East Huron River Drive, Ann Arbor, Michigan.",
        "has_livestream":0,
        "cost":"$25 for a 5-lecture series (or $10 for a single lecture\r\ndaypass, payable at the door; checks preferable)\r\n$20 for the Annual Membership Fee (effective from\r\nSeptember 1, 2018 - August 31, 2019).",
        "tags":["Immigration And The Constitution","Lifelong Learning","Retirement"],
        "website":"http:\/\/olli-umich.org",
        "sponsors":[
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                "group_name":"Osher Lifelong Learning Institute (50+)",
                "group_id":"3107",
                "website":"http:\/\/www.olli-umich.org"                }                    ],
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    {
        "datetime_modified":"20180815T103906",
        "datetime_start":"20190611T110000",
        "datetime_end":"20190611T170000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Abstraction, Color, and Politics in the Early 1970s",
        "occurrence_title":"",
        "combined_title":"Abstraction, Color, and Politics in the Early 1970s",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how \u201cgreat modern art\u201d was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color  to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. \"Abstraction, Color, and Politics in the Early 1970s\" presents large-scale work by four leading American artists\u2014Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson\u2014who chose abstraction as a means of expression within the intense political climate of the early 1970s.\r\n\r\nLead support for \"Abstraction, Color, and Politics in the Early 1970s\" is provided by the University of Michigan Office of the Provost, Michigan Medicine, the Richard and Rosann Noel Endowment Fund, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.",
        "occurrence_notes":null,
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        "building_name":"Museum of Art",
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        "tags":["Art","Culture","Exhibition","Museum","UMMA","Visual Arts"],
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    {
        "datetime_modified":"20190510T121534",
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        "date_end":"2019-06-11",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Abstraction, Color, and Politics in the Early 1970s",
        "occurrence_title":"",
        "combined_title":"Abstraction, Color, and Politics in the Early 1970s",
        "event_subtitle":"",
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        "description":"Can abstract art be about politics? In the early 1970s, that question was hotly debated as artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how \u201cgreat modern art\u201d was defined and assessed, and on employing art to advance civil rights. Within this discourse, abstraction had an especially fraught role. To many, the decision by women artists and artists of color \u00a0to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. Abstraction, Color, and Politics in the Early 1970s presents large-scale work by four leading American artists\u2014Helen Frankenthaler, Sam Gilliam, Al Loving, and Louise Nevelson\u2014who chose abstraction as a means of expression within the intense political climate of the early 1970s.\n\nUMMA gratefully acknowledges the following donors for their generous support of this exhibition:\n\nLead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts\n\nExhibition Endowment Donors: \u00a0Richard and\u00a0Rosann\u00a0Noel Endowment Fund, Herbert W. and Susan L.\u00a0Johe\u00a0Endowment, and Robert and Janet Miller Fund\n\nUniversity of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies",
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        "tags":["Art","Exhibition","Museum","Politics","UMMA"],
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    {
        "datetime_modified":"20190611T121531",
        "datetime_start":"20190611T110000",
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        "has_end_time":1,
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        "time_start":"11:00:00",
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        "event_title":"Abstraction, Color, and Politics:",
        "occurrence_title":"",
        "combined_title":"Abstraction, Color, and Politics:: The 1960s and 1970s",
        "event_subtitle":"The 1960s and 1970s",
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        "description":"In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction\u2019s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies\u2014seen here across large-scale and miniature work\u2014dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.\n\nUMMA\u00a0gratefully acknowledges the following donors for their generous support:\n\nLead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts\n\nExhibition Endowment Donors: \u00a0Richard and\u00a0Rosann\u00a0Noel Endowment Fund, Herbert W. and Susan L.\u00a0Johe\u00a0Endowment, and Robert and Janet Miller Fund\n\nUniversity of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies",
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        "tags":["Art","Exhibition","Museum","Politics","UMMA"],
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    {
        "datetime_modified":"20190522T181534",
        "datetime_start":"20190611T110000",
        "datetime_end":"20190611T170000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bauhaus Architectural Exhibition TEST!",
        "occurrence_title":"",
        "combined_title":"Bauhaus Architectural Exhibition TEST!",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Bauhaus Architectural Exhibition TEST\n\n",
        "occurrence_notes":null,
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        "room":"Albertine Monroe-Brown Study-Storage Gallery",
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        "has_livestream":0,
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        "tags":["Art","Exhibition","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2019\/bauhaus-architectural-exhibition-test",
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    {
        "datetime_modified":"20190606T181531",
        "datetime_start":"20190611T110000",
        "datetime_end":"20190611T170000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Jason DeMarte: Garden of Artificial Delights",
        "occurrence_title":"",
        "combined_title":"Jason DeMarte: Garden of Artificial Delights",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Jason DeMarte: Garden of Artificial Delights presents an enigmatic world filled with unexpected and unsettling sensory temptations. In this immersive installation of photographs and wallpaper, Michigan-based photographer Jason DeMarte weaves together detailed images of fauna (birds, caterpillars, and moths) and flora (local plants and flowers). Each scene is set against ominous cloudy skies, which rain melted ice cream, whipped topping, candies, and glossy paint. Overburdened with decorations, the flowers and plants begin to decay, leaving the birds and insects unable to survive for long in this overly sweet environment. DeMarte\u2019s illusionistic landscapes recall the long tradition of still life painting in Europe and America, and a rich history of fantasy environments represented in literature and film\u2014from Alice\u2019s Wonderland to Willy Wonka\u2019s chocolate factory. Yet, his images decidedly foreground the complicated visual circumstances of our contemporary moment and provoke us to consider this imagined and oversaturated world as analogous to our own.\n\nSupport for Jason DeMarte: Garden of Artificial Delights\u00a0is provided by P.J. and Julie Solit, Amelia and Eliot Relles, and the Herbert W. and Susan L. Johe\u00a0Endowment.\n\u00a0",
        "occurrence_notes":null,
                "guid":"62085-15286900@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/62085",
        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"ArtGym",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Environment","Exhibition","Film","History","Literature","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2019\/jason-demarte-garden-of-artificial-delights",
        "sponsors":[
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    {
        "datetime_modified":"20190405T121617",
        "datetime_start":"20190611T110000",
        "datetime_end":"20190611T220000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"11:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"New at\u00a0UMMA:\u00a0Oshima\u00a0Tsumugi\u00a0Kimono",
        "occurrence_title":"",
        "combined_title":"New at\u00a0UMMA:\u00a0Oshima\u00a0Tsumugi\u00a0Kimono",
        "event_subtitle":"",
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        "description":"Fashioned in the Amami islands of Japan, Oshima Tsumugi silk has long been admired for its understated beauty, incredible softness, and comfortable year-round lightness. The rich fabric is created through a remarkable and \u00a0laborious process: from pattern design and cotton-thread binding, to over 100 rounds of plant and mud dyeing and weaving. This series of steps may take up to one year. Despite the high production values and complexities, Oshima Tsumugi kimono can be worn only for non-ceremonial occasions, since woven fabric is considered to be a less elevated technique than paint-dyed fabric.\n \nThis special installation introduces UMMA audiences to one of the ten exceptional Oshima Tsumugi kimono recently donated to the Museum by Kazuko Miyake. Thanks to Mrs. Miyake and her older sister, Shizuko Iwata, who previously gifted her kimono and other formal garment collection, UMMA holds more than 300 traditional Japanese ensembles.\n\nThis kimono was recently gifted to UMMA by Ms. Kazuko Miyake.",
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        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"The Connector",
        "location_name":"Museum of Art",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2019\/new-at-umma-oshima-tsumugi-kimono",
        "sponsors":[
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    {
        "datetime_modified":"20190523T121533",
        "datetime_start":"20190611T110000",
        "datetime_end":"20190611T170000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"The Six Senses of Buddhism",
        "occurrence_title":"",
        "combined_title":"The Six Senses of Buddhism",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Art museums generally give primacy to the sense of sight. Religious and ritual objects, on the other hand, stimulate an array of multi-sensory experiences. Focusing on works from UMMA\u2019s collection associated with different types of Japanese Buddhism, we engage all of the six senses in this exhibition.\n \nSix senses are integral to Buddhist devotion: sight, hearing, smell, touch, taste, and mind (or the activity of thinking, including what is perceived via the other senses). The \u201cSix Senses\u201d gallery experience extends beyond vision to include: the sound of chanting and ritual implements; the fragrance of incense; the feel of bronze, ceramic, and silk; and the creation of mental images. Our goal for visitors is to gain a deeper understanding of the nature and histories of objects used in Buddhist practice.\n\nLead support for\u00a0The Six Senses of Buddhism is provided by the Japan Business Society of Detroit Foundation and the University of Michigan Center for Japanese Studies.",
        "occurrence_notes":null,
                "guid":"58565-14511615@events.umich.edu",
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        "campus_maps_id":"11",
        "room":"The Jan and David Brandon Family Bridge",
        "location_name":"Museum of Art",
        "has_livestream":0,
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        "tags":["Art","Exhibition","Museum","nature","Religious","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2019\/the-six-senses-of-buddhism",
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                "group_id":"1177",
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    {
        "datetime_modified":"20190429T181530",
        "datetime_start":"20190611T110000",
        "datetime_end":"20190611T220000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"11:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The World to Come: Art in the Age of the Anthropocene",
        "occurrence_title":"",
        "combined_title":"The World to Come: Art in the Age of the Anthropocene",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"EXPLORE SUBJECTS AND THEMES RELATED TO RAW MATERIALS, DISASTERS, CONSUMPTION, LOSS, AND JUSTICE\n \nThe World to Come: Art in the Age of the Anthropocene\u00a0awakens us to the physical and social effects of the Anthropocene, a much-debated term used to define a new geological epoch shaped by human activity. Structured around ecological issues, the exhibition presents photography, video, and sculpture that address subjects and themes related to raw materials, disasters, consumption, loss, and justice. More than thirty-five international artists, including Sammy\u00a0Baloji, Liu\u00a0Bolin, Dana Levy, Mary\u00a0Mattingly, Pedro\u00a0Neves\u00a0Marques, Gabriel Orozco, Trevor\u00a0Paglen, and Thomas\u00a0Struth, respond to dire global and local circumstances with resistance and imagination\u2014sustaining an openness, wonder, and curiosity about the world to come.\n \nRead the exhibition press release here.\n \n \u00a0\n\nThe World to Come: Art in the Age of the Anthropocene is organized by the Harn Museum of Art at the University of Florida and curated by Kerry Oliver-Smith, Harn Museum of Art Curator of Contemporary Art. Support for the exhibition is provided by the Andy Warhol Foundation\u00a0for the Visual Arts, UF Office of the Provost, National Endowment for the Arts, C. Frederick and Aase B. Thompson Foundation, Ken and Laura Berns, Daniel and Kathleen Hayman, Ken and Linda\u00a0 McGurn, Susan Milbrath, an anonymous foundation, UF Center for Humanities and the Public Sphere, UF Office of Research and Robert and Carolyn Thoburn, with additional support from a group of environmentally-minded supporters, the Robert C. and Nancy Magoon Contemporary Exhibition and Publication Endowment,\u00a0Harn Program Endowment, and the Harn Annual Fund.\n\nLead support for the local presentation of this exhibition\u00a0is provided by Lizzie and Jonathan Tisch, the University of Michigan Office of the Provost, Michigan Medicine, Tom Porter in honor of the Michigan Climate Action Network, the Herbert W. and Susan L. Johe Endowment, and the University of Michigan Penny W. Stamps School of Art and Design and School for Environment and Sustainability.\u00a0\n\u00a0",
        "occurrence_notes":null,
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        "campus_maps_id":"11",
        "room":"A. Alfred Taubman Gallery I",
        "location_name":"Museum of Art",
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        "tags":["Art","Exhibition","International","Museum","Social","UMMA"],
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        "time_start":"13:00:00",
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        "event_title":"Multi-Item Scale Development and Testing",
        "occurrence_title":"",
        "combined_title":"Multi-Item Scale Development and Testing: Pamela Campanelli, UK Survey Methods Consultant",
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        "event_type":"Workshop \/ Seminar",
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        "description":"Standardized multi-item scales are more common in some disciplines than others. This 2-day course is designed to inspire participants from all disciplines that it is possible to develop your own high quality multi-item scales (or correctly adapt existing multi-item scales) and offers an introduction on how to do this. It covers the psychometric principles of question development while adding in principles of general questionnaire design. Focusing first on Classical Measurement Theory, participants design their own multi-item scales. This is followed by a group discussion of existing multi-item scales. The course then introduces some basic statistical tools for assessing the reliability and dimensionality of multi-item scales and participants get to practice evaluating some existing scales in a computer lab session. The course finishes with an introduction to Item Response Theory.\r\n\r\nPrerequisite: There is no prerequisite, but a little knowledge about questionnaire design, multi-item scales and SPSS would be of value.",
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        "room":"TBD",
        "location_name":"Mason Hall",
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        "cost":"$1,000",
        "tags":["Graduate and Professional Students","Prospective Graduate Students","Prospective Undergraduate Students","Undergraduate Students"],
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        "datetime_modified":"20190613T100348",
        "datetime_start":"20190611T160000",
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        "time_zone":"America\/Detroit",
        "event_title":"Know Your Audience",
        "occurrence_title":"",
        "combined_title":"Know Your Audience: Sara Wong and Seth Wiley",
        "event_subtitle":"Sara Wong and Seth Wiley",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"In this workshop, we will use improv to develop several skills to help you engage in meaningful science advocacy.",
        "occurrence_notes":"Please arrive on time, the building closes at 6pm and requires card access or clearance",
                "guid":"63811-15890349@events.umich.edu",
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        "building_id":"1000209",
        "building_name":"Taubman Library",
        "campus_maps_id":"149",
        "room":"6215",
        "location_name":"Taubman Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Basic Science","Biosciences","Community Engagement","Food","Free","Interdisciplinary","Life Science","Public Policy","Research","Science","Social Impact","Student Org","Training","Workshop"],
        "website":"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSc1dKPhqJOs_ZS6f6x9OJgv5HFLKWOIyyhob-cFCPv-bHy6IA\/viewform?usp=sf_link",
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    {
        "datetime_modified":"20190506T143410",
        "datetime_start":"20190611T163000",
        "datetime_end":"20190611T180000",
        "has_end_time":1,
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        "date_end":"2019-06-11",
        "time_start":"16:30:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Exhibit Opening: Divide and Clothe",
        "occurrence_title":"",
        "combined_title":"Exhibit Opening: Divide and Clothe",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Isabelle Gillet and Courtney Wilder, both PhD candidates in History of Art, will speak about the exhibit they have curated, Divide and Clothe: Illustrating Fashion in Nineteenth Century Europe. After the talk, there will be time for questions, conversation, and browsing the exhibit. Light refreshments will be provided.\r\n\r\nDivide and Clothe: Illustrating Fashion in Nineteenth Century Europe explores a dramatic surge in images of clothing that appeared in European books, journals, and prints from the 1780s through the 1870s. These images contributed to and reflected shifting ideas about the interrelationship between clothing and identity. The exhibition traces two contrasting ideas about clothing as fashion and as costume (as well as hybrids of the two) across visual representations ranging from fashion plates to caricatures, and from journals associated with clothing production, to encyclopedic volumes on historic dress and world costume.",
        "occurrence_notes":null,
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Gallery",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Art","Free","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events\/exhibit-opening-divide-and-clothe",
        "sponsors":[
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                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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    {
        "datetime_modified":"20190626T123005",
        "datetime_start":"20190611T173000",
        "datetime_end":"20190611T200000",
        "has_end_time":1,
        "date_start":"2019-06-11",
        "date_end":"2019-06-11",
        "time_start":"17:30:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"HubSpot Sales Open House",
        "occurrence_title":"",
        "combined_title":"HubSpot Sales Open House",
        "event_subtitle":"",
        "event_type":"Careers \/ Jobs",
        "event_type_id":"2",
        "description":"Join us on June 11 at 5:30pm in our Cambridge Headquarters forour first ever HubSpot Sales Open House.\n\nWhat can you expect?\n\nWe were named one of the best sales teams in 2019 by Comparably. At our open house, you will hear from our sales executives and get a better understanding of what actually makes our team remarkable. We will then host a panel discussion with current HubSpot sales representatives and sales managers tospeak about their experience growing their careers at HubSpot. Come readyto learn about HubSpot and mix and mingle with other industry professionals. Appetizers and refreshments will be provided.\n\nAgenda:\n\n5:30PM: Registration & Networking\n\n6:00PM: Welcome Remarks & All About HubSpot\n\n6:15PM: Panel discussion & Open Q&A\n\n7:00PM: Networking\n\nRSVP - https:\/\/www.eventbrite.com\/e\/hubspot-sales-open-house-tickets-62268858833",
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        "location_name":"Cambridge, Massachusetts, United States of America",
        "has_livestream":0,
        "cost":"",
        "tags":[],
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        "sponsors":[
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                "group_id":"1140",
                "website":"http:\/\/careercenter.umich.edu"                }                    ],
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    {
        "datetime_modified":"20190501T132332",
        "datetime_start":"20190611T180000",
        "datetime_end":"20190611T193000",
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        "date_end":"2019-06-11",
        "time_start":"18:00:00",
        "time_end":"19:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Celebrating Brian L. Dunnigan",
        "occurrence_title":"",
        "combined_title":"Celebrating Brian L. Dunnigan",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Clements Library Associate Director and Curator of Maps Brian Leigh Dunnigan will retire on July 1, 2019. Join us as we congratulate him and reflect on his career. The Clements will hold a viewing of Dunnigan's exhibit (4:30-5:30pm) prior to this special event at the Ross School's 5th floor Blau Colloquium, featuring Remarks and a Reception.\r\n\r\nBrian Dunnigan joined the Clements Library staff in 1996, but he was already a familiar face in the reading room as a researcher for years prior. His expertise in cartography includes manuscript military maps and plans of the 18th and 19th centuries, town and fortification plans, and the mapping of the Great Lakes. In addition to caring for the map collections and publishing research, Brian expanded his duties to serve as the Clements' Interim Director in 2007-2008 and was named Associate Director in 2010. He also provided leadership for our fellowship programs and served as editor of The Quarto, the bi-annual publication of the Clements Library Associates.",
        "occurrence_notes":"5th floor Blau Colloquium",
                "guid":"61777-15179587@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/61777",
        "building_id":"1005188",
        "building_name":"Ross School of Business",
        "campus_maps_id":"547",
        "room":"Blau Colloquium",
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        "date_start":"2019-06-11",
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        "event_title":"The Ryan Montbleau Band",
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        "combined_title":"The Ryan Montbleau Band",
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        "event_type":"Performance",
        "event_type_id":"15",
        "description":"In 2005, Ryan Montbleau and his band headed into Applehead Recording in Saugerties, New York, to cut their debut album. With nothing more than ambition and a relentless work ethic to their names, they bootstrapped the whole thing, maxing out credit cards to fund it themselves and launch their careers from the ground up. Twelve years, eleven records, thousands of shows, and 60 million Spotify streams later, Montbleau returned to the studio for a special one-night-only concert that would become the latest entry in his venerable catalog: \u2018Woodstock Sessions.\u2019\r\n\r\n \r\n\r\n\u201cThere was something special about performing there again after going into that same studio as a young buck trying to figure out how to make my first records,\u201d reflects Montbleau. \u201cComing back, I was a decade more confident, a decade stronger in my craft. It felt like coming full circle.\u201d\r\n\r\n \r\n\r\nFor his performance that night, Montbleau was backed not by his usual touring band, but by the acclaimed Boston duo Tall Heights (cellist Paul Wright and guitarist Tim Harrington). The collaboration yielded fresh perspective on Montbleau\u2019s catalog, fleshing out his stripped-down acoustic performances with gorgeous vocal blends and elegant instrumental arrangements. Soulful and spontaneous, the set showcased the magic that can happen when three consummate musicians surrender themselves to the songs, when a trio of gifted artists follow their instincts to craft a whole far greater than the sum of its parts.  \r\n\r\n \r\n\r\n\u201cTall Heights\u2019 sound just naturally wraps around mine in a way that\u2019s really unique,\u201d says Montbleau. \u201cTheir harmonies and tones are so dialed in with each other, and their voices gel around mine perfectly. When we get together, something special tends to happen.\u201d\r\n\r\n \r\n\r\nRecorded in front of an intimate audience, the resulting collection combines the pristine audio quality of a studio record with the contagious energy of a live album, an ideal fit for Montbleau\u2019s intimate, honest lyrics and spirited, dynamic delivery. The unusual setting pushed him to step outside his comfort zone and take bold artistic risks, assembling a setlist that was equal parts reimagined retrospective and trial-by-fire as he mixed stripped-down versions of songs from throughout his career with brand new tracks recorded for the first time that night. \u201cLess is more\u201d was the mantra, and while Montbleau may be best known for his barn-burning full-band shows, he\u2019s no stranger to the raw acoustic setting.\r\n\r\n \r\n\r\n\u201cI\u2019ve been touring solo about half the year lately, and my last release was a solo record where I really stripped the songs down to their bare bones,\u201d says Montbleau. \u201cI felt like those were some of the best songs I\u2019ve written in my entire life, and this record is a perfect continuation of that. The music\u2019s fleshed out a little bit more, but at its essence, it\u2019s still me just pouring my heart out.\u201d\r\n\r\n \r\n\r\nMontbleau\u2019s been pouring his heart out in song since the early 2000\u2019s, when he first began performing around his native Massachusetts. He\u2019d go on to collaborate with Martin Sexton, Trombone Shorty, and Galactic among others, and share bills and stages with artists as diverse as Tedeschi Trucks Band, Ani DiFranco, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples, but it was Montbleau\u2019s ecstatic headline shows\u2014often more than 200 of them a year\u2014that solidified his reputation as a live powerhouse and an inexorable road warrior. NPR\u2019s Mountain Stage compared his \u201celoquent, soulful songwriting\u201d to Bill Withers and James Taylor, while Relix hailed his \u201cpoetic Americana,\u201d and The Boston Herald raved that \u201che\u2019s made a career of confident, danceable positivity.\u201d\r\n\r\n \r\n\r\nMontbleau\u2019s never been one to rest on his laurels, though, and \u2018Woodstock Sessions\u2019 opens with a brand new song called \u201cLooking Glass,\u201d a gentle, pensive track that proves his lyrical prowess and melodic gifts are sharper now than ever before. \u201cBusy people in the burning sand \/ Take a look up from your looking glass when you can,\u201d he sings, his raspy voice ensconced in velvet harmony over top of intricate fingerpicking.\r\n\r\n \r\n\r\n\u201cThat song was written just in time for the session and it was buzzing to get out,\u201d explains Montbleau. \u201cIt's about the modern day-to-day, the ways we connect and the isolation we experience from staring at our screens all day and all night.\u201d\r\n\r\n \r\n\r\nThe desire for connection, for a true human bond, is a recurring theme in Montbleau\u2019s writing. The bittersweet \u201cOur Own Place\u201d searches for a home that\u2019s perpetually just out of reach, while the brooding \u201cShips In The Night\u201d ruminates on our polarized political climate, and the heartfelt \u201cThe Country and The Town\u201d (a song commissioned by PBS in Montbleau\u2019s newly-adopted home of Vermont) celebrates the power of community. Montbleau\u2019s live shows are nothing if not communal affairs, and the confessional \u201cHelp Me\u201d reaches out a helping hand out for anyone struggling through hard times.\r\n\r\n \r\n\r\n\u201cThere\u2019s still this shame tied up in mental illness or mental struggles,\u201d says Montbleau. \u201cSo many people experience dark, even suicidal thoughts, and we need to talk about that more, collectively as a society and individually as friends and families. I wrote this song when I was going through those feelings myself, and I share it in the hopes that it can help other folks dealing with the same thing.\u201d\r\n\r\n \r\n\r\nMontbleau\u2019s songs have a way of weaving themselves into the fabric of his listeners\u2019 lives that way, offering up hope and light in moments of darkness and doubt. The tender \u201cCarry\u201d pledges to always be there to pick up a lover\u2019s slack, while the striving \u201cChariot (I Know)\u201d insists upon love and faith in the face of uncertainty, and the lilting \u201cAll Or Nothing\u201d (which was originally recorded and released as a single with Tall Heights) promises better days to come. Selecting which ten tracks to include on the album from the nearly three-and-a-half-hour concert wasn\u2019t easy\u2014there\u2019s no way to include every fan favorite\u2014but Montbleau ultimately let the spirit of the songs guide him.\r\n\r\n \r\n\r\n\u201cI\u2019m not trying to put out my greatest hits,\u201d he concludes. \u201cI\u2019m just trying to create the best and most timely art I can.\u201d\r\n\r\n \r\n\r\nA lot may have changed since Ryan Montbleau first set foot in Applehead Recording, but some things will always stay the same.",
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