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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20201106T121713
DTSTART;TZID=America/Detroit:20201128T000000
DTEND;TZID=America/Detroit:20201128T235900
SUMMARY:Exhibition:\"Watch Me Work — Portraits of Self\"
DESCRIPTION:In *Watch Me Work — Portraits of Self*\, Detroit artist Sydney G. James brings to the forefront and celebrates the work of Black women. The USPS worker\, the artist\, the event-planning Zoom mom—the paintings in this exhibition reposition the narrative of black women’s visibility and value. Each portrait honors the individual and collective contributions and labors of Black women\, persistent through the pandemics\, through police violence\, and whether seen or unseen.\n\nWith the Gallery closed to the public due to COVID\, *Watch Me Work* will be completely visible from the street. Artwork will be hung in the Washington and Thayer-street first floor windows of the Institute for the Humanities\, with two additional pieces visible through the gallery window on Thayer in a public celebration of these meaningful human relationships and connections.\n\nThis exhibition was made possible by a grant from The Andrew W. Mellon Foundation.
UID:79248-20241285@events.umich.edu
URL:https://events.umich.edu/event/79248
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Art,Detroit,Exhibition,Humanities,Visual Arts
LOCATION:202 S. Thayer
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20201130T143220
DTSTART;TZID=America/Detroit:20201128T000000
DTEND;TZID=America/Detroit:20201128T235900
SUMMARY:Livestream / Virtual:CAS Film Screening | Village of Women
DESCRIPTION:Please register in advance to receive the streaming link and to attend the Q/A session with the film director: http://myumi.ch/0W1oY.\n\nThe film will be available for you to watch on your own from November 27 to December 2nd.\n   \n   A village where women\, children\, and elderly reside. Men leave nine months of the year for Russia to work. Summer\, a slow and friendly atmosphere\; women do the hay\, cut the grass\, and store for the winter. Fruits are canned to be eaten during the cold winter. The sun arouses certain laziness\, a sensual relaxation. Autumn\, with its different shades of red\, is the season of birth and potato harvest. Women and men find intimacy in the coldness of winter\, hence\, women give birth in October and November. Fathers meet their children in December. Preparations start early to welcome men. Waiting is long and tiring.\n   \n   Winter is near\, a form of suspense sets in: whose husband will come first? The men arrive with the snow. The women are shy\, they need time to exist in the presence of men. The children are happy to be close to their fathers. Spring sets in\, the atmosphere becomes tense. Men depart for the land of tsars. She is weak and sad but needs to find the strength to take care of the children.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at armenianstudies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:77015-19788557@events.umich.edu
URL:https://events.umich.edu/event/77015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Armenia,Film
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20201205T180007
DTSTART;TZID=America/Detroit:20201128T000000
DTEND;TZID=America/Detroit:20201128T235959
SUMMARY:Community Service:Michigan Mudbowl eSports Tournament Fundraiser Challenge
DESCRIPTION:During these trying Covid times\, while the Mud waits\, our #LittleVictors at C.S.Mott Children’s Hospital still need help. That’s why we’re going virtual and hosting an eSports fueled fundraising challenge! While nothing can replace that sloppy\, adrenalized feeling of blood\, sweat and Mud on a cold October morning\, Charles Woodson and the Michigan Mudbowl Club appreciate your efforts on the field and beyond — as even $10 raised really does go a long way in helping the kids via the Charles Woodson Clinical Research Fund.To learn more\, register a Team or just donate to help the kids\, please visit https://michiganmudbowl.org/register-esports-team/Thanks and Go Blue! 
UID:79512-20472164@events.umich.edu
URL:https://events.umich.edu/event/79512
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Online
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20201028T115802
DTSTART;TZID=America/Detroit:20201128T000000
DTEND;TZID=America/Detroit:20201128T235900
SUMMARY:Livestream / Virtual:Results or Roses: New and Assorted Works
DESCRIPTION:View the online gallery at https://sites.lsa.umich.edu/humanitiesgalleries/sarah-rose-sharp/\n\nResults or Roses: New and Assorted Works is a virtual exhibition by artist and writer Sarah Rose Sharp and part of the Institute for the Humanities' Andrew W. Mellon Foundation-funded \"High Stakes Art\" initiative. The exhibition of new and collected fiber-based art incorporates salvaged and found bits of cultural and fiber art that\, as she explains\, \"forms a discourse that is physical rather than textual.\"\n\nThanks to the grant from The Andrew W. Mellon Foundation\, we supported Sharp's work on Results and Roses during the summer of 2020\, but due to COVID-19 were forced to postpone the pop-up exhibition also scheduled for summer 2020. This fall we installed Results and Roses as a pop-up exhibition in the Osterman Common Room. Due to building security\, it's not open to the general public\, but we are thrilled to present the work online as a virtual exhibition. \n\nAbout the Artist\nSarah Rose Sharp is a Detroit-based writer\, activist\, photographer\, and multimedia artist. She writes about art and culture for Art in America\, Hyperallergic\, Flash Art\, Sculpture Magazine\, ArtSlant\, and others. Sarah was named a 2015 Kresge Literary Arts Fellow for Art Criticism and is a 2018 recipient of the Rabkin Foundation Prize. She is a guest lecturer at several universities in Southeast Michigan and served as a mentor in the NYFA Immigrant Artist Mentorship Program in 2018. Sarah has served as guest curator and juror for institutions including Penn State University (State College\, PA)\, Scarab Club (Detroit\, MI)\, The Terhune Gallery (Toledo\, OH)\, and The Ann Arbor Art Center (Ann Arbor\, MI). Sarah has shown her own work in New York\, Seattle\, Columbus & Toledo\, OH\, Covington\, KY\, and Detroit—including at the Detroit Institute of Arts—with solo shows at Simone De Sousa Gallery and Public Pool. She is primarily concerned with artist and viewer experiences of making and engaging with art\, and conducts ongoing research into the state of contemporary art in redeveloping cities\, with special focus and regard for Detroit.
UID:78997-20168587@events.umich.edu
URL:https://events.umich.edu/event/78997
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,humanities,Visual Arts
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20200810T194519
DTSTART;TZID=America/Detroit:20201128T000000
DTEND;TZID=America/Detroit:20201128T235900
SUMMARY:Other:Thanksgiving Recess
DESCRIPTION:Thanksgiving Recess
UID:75617-19546899@events.umich.edu
URL:https://events.umich.edu/event/75617
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Storytelling
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20201215T132250
DTSTART;TZID=America/Detroit:20201128T070000
DTEND;TZID=America/Detroit:20201128T210000
SUMMARY:Film Screening:John Lewis: Good Trouble (SOLD OUT)
DESCRIPTION:REDEMPTIONS ARE SOLD OUT! For those who purchased before 12/15\, you will have access to view the film until 12/31/20.\n\nSynopsis:\nAn intimate account of legendary U.S. Representative John Lewis’ life\, legacy and more than 60 years of extraordinary activism — from the bold teenager on the front lines of the Civil Rights movement to the legislative powerhouse he was throughout his career. After Lewis petitioned Dr. Martin Luther King Jr. to help integrate a segregated school in his hometown of Troy\, Alabama\, King sent “the boy from Troy” a round trip bus ticket to meet with him. From that meeting onward\, Lewis became one of King’s closest allies. He organized Freedom Rides that left him bloodied or jailed\, and stood at the front lines in the historic marches on Washington and Selma. He never lost the spirit of the “boy from Troy” and called on his fellow Americans to get into “good trouble” until his passing on July 17\, 2020.\n\n96 Minutes.
UID:78378-20186350@events.umich.edu
URL:https://events.umich.edu/event/78378
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:activism,CCI,center for campus involvement,Diversity Equity and Inclusion,Film,Humanities,Social Justice
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20200930T113353
DTSTART;TZID=America/Detroit:20201128T080000
DTEND;TZID=America/Detroit:20201128T230000
SUMMARY:Careers / Jobs:Detroit Community-Engaged Research Program Applications Open
DESCRIPTION:The Detroit Community-Engaged Research Program (DCERP) is a UROP summer U-M undergraduate research fellowship.\n\nPriority Deadline: December 4\, 2020\nApplication Deadline: January 18\, 2021\n\nhttp://myumi.ch/erK95\n\nBe part of the DCERP social justice focused summer fellowship program run through the U-M’s Undergraduate Research Opportunity Program. Learn while helping community organizations with research projects addressing social and environmental justice\, food insecurity\, human rights\, public health\, youth development\, and more! Our program brings together aspiring change agents who will learn about the city\, non-profits\, community engagement and each other!
UID:77975-19947589@events.umich.edu
URL:https://events.umich.edu/event/77975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:AEM Featured,Dcerp,Detroit,Fellowship,first-generation,Food,Free,Humanities,Interdisciplinary,Internship,Public Health,Research,Social Impact,Social Justice,Summer Jobs,Undergraduate,Undergraduate Students,Urop
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20201028T111727
DTSTART;TZID=America/Detroit:20201128T090000
DTEND;TZID=America/Detroit:20201128T160000
SUMMARY:Exhibition:In-Between the World and Dreams
DESCRIPTION:In this multi-venue project led by the Institute for the Humanities\, in collaboration with the Charles H. Wright Museum of African American History and the U-M Museum of Art\, with funding from The Andrew W. Mellon Foundation\, Ghanaian artist Ibrahim Mahama explores global exchange\, commerce and the troubling histories of colonialism and slavery in the Western world. \n\nMahama's artistic practice illustrates\, as he explains\, how art education\, art and cultural opportunities \"allow for people to find new ways to acquire knowledge\, not only of themselves\, but their histories and the places and spaces in which they find themselves.\"\n\nEnveloping the contours of a museum building or wall\, the blankets of jute fibers are meant to contrast with the monumentality of the institutional buildings and spaces they cover\, becoming remnants and traces that reference the hands of laborers\, the imprints of colonialism and the interference of Britain and the U.S. in Ghanaian history.\n\nThe project marks the first outdoor exhibition of Mahama's work in the United States. It is responsive to the present moment\, offering students and the broader community the opportunity to engage with the arts in a public space at a time when gatherings inside buildings and museums are limited.\n\nCurator's Statement:\n\nGhanaian artist Ibrahim Mahama’s installations are cumulative moments of reckoning\, mending\, and recycling. Things fall apart\, come undone. His constructions defy any notions of permanence and longevity. They are monuments to the in-between and the upending\, begging the question\, “What can we do?”\n\nMahama incorporates jute sacks—synonymous with the trade markets of Ghana where he lives and works—as a raw material. He works collaboratively with his community to complete the extensive sewing of the sacks required in preparation for his projects. For the U-M installations\, he incorporates materials from his previous seminal works over the last decade as a retrospective.\n\nThe markings\, stitching\, and signs of wear on the jute remind us of the many changing hands and endless labor behind international trade—the human toll of capitalism\, commodification\, and globalization. The fabric itself acts as metaphor for Ghana’s complicated history defined by Dutch colonialism and the Gold Coast slave trade\, British rule till 1957\, and a future de-railed by military coups post-independence.\n\nRather than grand gestures\, Mahama’s installations are humble acts of endurance. They are covert art take-overs\, subverting architecture and disrupting the pristine fascia of our institutional buildings. They hold us accountable for past trespasses. \n\nMahama is committed to offering his own country the same cultural opportunities and experiences available to those in the West. Most recently he designed and opened the Savannah Centre for Contemporary Arts in his hometown of Tamale Ghana\, contributing towards the expansion of his country’s contemporary art scene. An extension of his art practice\, the centre brings Mahama’s many visionary sketches to life\, creating classrooms in old airplanes\, a swimming pool for children’s play\, and public spaces for gatherings and the exchange of ideas.\n\nIn this pivotal year defined by Covid-19\, worldwide protests in support of Black Lives Matter\, climate change\, and our U.S. Presidential election in the balance\, Ibrahim Mahama’s work acknowledges failures and false promises\, but also the opportunities that can reveal themselves in times of crisis. \n\nPerhaps generations emerging from crisis can learn from the ghosts of the past and generate entirely new systems\, not motivated by profit or self-interest\, but by a deep commitment to the hard work ahead\, our willingness to do it\, and to the mutual space for dreams.\n\n–Amanda Krugliak\, arts curator\, Institute for the Humanities and curator of In Between the World and Dreams \n\nIn-Between the World and Dreams is a multi-venue project led by the U-M Institute for the Humanities Gallery\, in partnership with UMMA and the Charles H. Wright Museum of African American History\, Detroit. \n\nIn-Between the World and Dreams is made possible by a grant from The Andrew W. Mellon Foundation to further the Institute for the Humanities Gallery’s longtime mission in support of art as social practice.\n\nOct. 1-23\; large-scale public art installation\, U-M Museum of Art building facade\, 525 S. State St.\, Ann Arbor\n\nOct. 1-23: sidewalk gallery\, Institute for the Humanities Gallery\, 202 S. Thayer St.\, Ann Arbor (viewing from the gallery window only)\n\nOct. 12-Dec. 5: Community Gallery installation\, Charles H. Wright Museum of African American History\, 315 E. Warren Ave.\, Detroit\n\nPenny Stamps Speaker Series with Ibrahim Mahama\n\nOct. 23\, 8pm\, webcast at http://pennystampsevents.org/
UID:78990-20168542@events.umich.edu
URL:https://events.umich.edu/event/78990
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Africa,African American,Art,Exhibition,humanities,Visual Arts
LOCATION:Off Campus Location - Community Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20201112T155040
DTSTART;TZID=America/Detroit:20201128T090000
DTEND;TZID=America/Detroit:20201128T170000
SUMMARY:Other:UROP Outstanding Research Mentor Nominations
DESCRIPTION:Current UROP students if you would like to nominate your UROP mentor to receive an Outstanding Research Mentor Award during the 2021 Spring Research Symposium this coming April\, we would love hear about your undergraduate experience and how your research mentor has impacted your first research experience.\n\nSubmit your nomination at: http://myumi.ch/pdxpE
UID:79383-20288522@events.umich.edu
URL:https://events.umich.edu/event/79383
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:AEM Featured,Research,Undergraduate,Undergraduate Students,Urop
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20200302T121706
DTSTART;TZID=America/Detroit:20201128T110000
DTEND;TZID=America/Detroit:20201128T170000
SUMMARY:Exhibition:Collection Ensemble
DESCRIPTION:EXTRAORDINARY ARTISTS\, STARTLING WORKS OF ART\, PUT IN DIALOG FOR YOU TO DISCOVER \n \nCollection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American\, European\, African\, and Asian art from across media\, sampling the Museum's remarkable\, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida Höfer. Featuring works of art by numerous famous and not-so-famous artists\, many of them artists of color and women—including Charles Alston\, Christo\, Theaster Gates\, Jenny Holzer\, Roni Horn\, Do-Ho Suh\, Kara Walker\, and others\, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed\, but instead as an active\, creative\, sometimes startling source of material and ideas\, open for debate and interpretation.\n \nRead the exhibition press release here.\n \nJOIN US FOR THE GRAND OPENING AT UMMA AFTER HOURS Tuesday\, April 2 7–10 p.m.\n \nGallery talks\, live music\, and more! This is a free event\, and all are welcome.\n\n
UID:61790-17071495@events.umich.edu
URL:https://events.umich.edu/event/61790
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Africa,Alumni,Art,European,Exhibition,Free,Media,Museum,Music,UMMA
LOCATION:Museum of Art - Lizzie and Jonathan Tisch Apse
CONTACT:
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