{
    "121281-21846208":
    {
        "datetime_modified":"20241205T130011",
        "datetime_start":"20240705T080000",
        "datetime_end":"20240705T230000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Being Mixed Race in a Mono-racially Organized World",
        "occurrence_title":"",
        "combined_title":"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
        "event_subtitle":"Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The exhibit \"Being Mixed Race in a Mono-racially Organized World: Interracial Identity in the U.S. and Around the World \u2014 What Research and Mixed Race People Tell Us\" is an exploration into the library's collections about the diversity of mixed race heritage. Through research, narratives, demographic data, and a variety of visual and published materials, explore multifaceted aspects of mixed race heritage with insights from many perspectives.\r\n\r\nThe 2020 U.S. Census illuminated a 276 percent increase in individuals who identify as \"two or more races\" since 2010. In recognition of the growing numbers of mixed race-identifying people at the University of Michigan, throughout the country, and across the globe, we're excited to unveil this new exhibit \u2014 a unique exploration of changing demographics and intersectional identities.\r\n\r\n[The Hatcher Library will be closed December 21 to January 1.]",
        "occurrence_notes":null,
                "guid":"121281-21846208@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/121281",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library (2nd floor)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Free","Library"],
        "website":"",
        "sponsors":[
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                "group_id":"1186",
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    }    ,    "120565-21844955":
    {
        "datetime_modified":"20240410T105911",
        "datetime_start":"20240705T080000",
        "datetime_end":"20240705T170000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024",
        "occurrence_title":"",
        "combined_title":"Summer Institute in Survey Research Techniques - Classes - June 3-July 26, 2024: Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
        "event_subtitle":"Classes are open for registration! You do not have to be affiliated with the University in order to attend.",
        "event_type":"Class \/ Instruction",
        "event_type_id":"8",
        "description":"June 3- July 26, 2024\r\n77th Summer Institute in Survey Research Techniques\r\n\r\nClasses are open for registration!\r\n\r\nThe mission of the Summer Institute in Survey Research Techniques (SISRT) is to provide rigorous and high quality graduate training in all phases of survey research. The program teaches state-of-the art practice and theory in the design, implementation, and analysis of surveys. \r\n \r\nSpace is limited so please register early! Since our courses are not for academic credit, fees are based on the number of assigned \u201ccourse hours\u201d to each class.\r\n\r\nPlease view the 2024 course schedule for our extensive class offerings. Classes are offered remotely at their scheduled times.\r\n\r\nYou do not have to be affiliated with the University in order to attend. \r\n\r\nSCHEDULE\r\n\u2022\tJune 3-July 26: Analysis of Complex Sample Survey Data, 10:00am-12:00pm, M \/W (9:00am-11:00am) F \r\n\u2022\tJune 3-July 26: Workshop in Survey Sampling Techniques, 2:00pm-5:00pm, M-F\r\n\u2022\tJune 3-July 26: Methods of Survey Sampling, 9:00am-11:00am, T\/Th \r\n\u2022\tJune 3-14: Machine Learning for Social Science, 1:00pm-3:00pm, M\/W\/F \r\n\u2022\tJune 3-7: Introduction to the Health and Retirement Study (HRS) Workshop, 10:00am-3:00pm, M-F \r\n\u2022\tJune 10-14: Introduction to Survey Methodology, 9:00am-12:00pm, M-F\r\n\u2022\tJune 11-12: Introduction to Focus Group Interviewing Research Methods, 8:30am-12:00pm, T-W\r\n\u2022\tJune 17-21: Mixed Method Research Design, Data Collection and Analysis, 8:30 am - 12:00 pm, M-F \r\n\u2022\tJune 17-28: Survey and Data Science for Undergraduates, 1:00pm-4:00pm, M-F\r\n\u2022\tJune 24-28: Writing Questions For Surveys, 1:00pm-4:00pm, M-F \r\n\u2022\tJune 25-27: RSD Webinar: Basic Concepts in Responsive Survey Design, 9:00am-1:00pm, T\/TH\r\n\u2022\tJune 24-July 17: Introduction to Questionnaire Design, 10:00am-12:00pm, M & W \r\n\u2022\tJuly 9,11: RSD Webinar: Interventions in a Responsive Survey Design Framework, 9:00am-1:00pm, T\/Th\r\n\u2022\tJuly 8-12: Design and Implementation of Web Surveys, 9:00am-1:00pm, M-F \r\n\u2022\tJuly 9-30: Data Collection Using Wearables, Sensors, and Apps in the Social, Behavioral, and Health Sciences, 11:00am - 12:30pm, T\r\n\u2022\tJuly 15-25: Introduction to Text Analysis, 1:00pm-2:30pm, M\/T\/Th \r\n\u2022\tJuly 15-26: Qualitative Methods: Overview and Semi-Structured Interviewing, 1:00-3:00pm, M-F\r\n\u2022\tJuly 23-25: Intermediate Questionnaire Design, 12:00pm-4:00pm, M-Th",
        "occurrence_notes":null,
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        "cost":"Fees are based on duration of the course. Please see Summer Institute website.",
        "tags":["Anthropology","Basic Science","Bias","Biomedical","Biosciences","Causal Inference","Computer Science","Data","Data Collection","Data Curation","Data Linkage","Data Management","Data Science","Department Of Political Science","Economics","Education","Electrical Engineering and Computer Science","gerald r. ford school of public policy","Graduate","Graduate and Professional Students","Graduate Students","Health Data","Macroeconomics","Mathematics","Medical","Political Science","Population Studies Center","Psychology","Public Health","Research","Science","Social Science","Social Sciences","Sociology","Survey Methodology","Survey Research"],
        "website":"https:\/\/si.isr.umich.edu\/",
        "sponsors":[
             {
                "group_name":"Summer Institute in Survey Research Techniques",
                "group_id":"4327",
                "website":""                },             {
                "group_name":"Institute for Social Research",
                "group_id":"3285",
                "website":"http:\/\/isr.umich.edu"                },             {
                "group_name":"Survey Research Center",
                "group_id":"5063",
                "website":"https:\/\/src.isr.umich.edu\/"                }                    ],
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    {
        "datetime_modified":"20240423T152636",
        "datetime_start":"20240705T090000",
        "datetime_end":"20240705T170000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bill Jackson Photography Exhibition",
        "occurrence_title":"",
        "combined_title":"Bill Jackson Photography Exhibition: \"Homecoming\"  April 19 to August 2, 2024",
        "event_subtitle":"\"Homecoming\"  April 19 to August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition is entitled HOMECOMING because it has been almost 6 years since Bill was scheduled to have an exhibition at NCRC Gallery.  However, his untimely passing in 2018 prevented the exhibition.  In honor of the artist, his wife Meighen Jackson has assembled this body of work for this exhibition.\r\n\r\nA 1960\u2019s graduate of Monteith College at Wayne State, Bill saw himself not as a storyteller nor a documentarian, but as a photographer seeking images with the power and creativity of late 20th century painting and music making.\r\n\r\nBill Jackson\u2019s work is represented nationally by Walter Wickiser Gallery in Manhattan and regionally by M Contemporary in Ferndale, MI.   It is included in many permanent collections including Wayne State University in Detroit.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121687-21846988@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/121687",
        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts"],
        "website":"",
        "sponsors":[
             {
                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    }    ,    "121689-21847076":
    {
        "datetime_modified":"20240423T153958",
        "datetime_start":"20240705T090000",
        "datetime_end":"20240705T170000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Enna Diddio Exhibition \"War Relics\"",
        "occurrence_title":"",
        "combined_title":"Enna Diddio Exhibition \"War Relics\": May 10-August 2, 2024",
        "event_subtitle":"May 10-August 2, 2024",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Enna Diddio was born and raised in Detroit.  She is a multimedia artist with a newfound attachment to printmaking. A recent Wayne State Fine Arts graduate, with a major in Drawing, Diddio\u2019s work is versatile and inquisitive. She is a strong proponent of City of Detroit, with a strong sense of community, craftsmanship, and creativity. They have created as space between traditionally taught skills and the contemporary methods to apply them and I desire to function within that space.\r\n\r\nThe works in the exhibition \u201cWar Relics\u201d speak directly to the printmaking qualities and imagery of Western war iconography and memorabilia. In recent years the artist has gravitated towards signage, print, poster, stamp, reproduction and automation and highlighting the roll advertisement and design play in war. Some pieces include pin up nose bird art, signage, ration packaging and wartime tattoo flash.",
        "occurrence_notes":"or by appointment serrag@med.umich.edu",
                "guid":"121689-21847076@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/121689",
        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Free","Humanities","North Campus","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    {
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240705T090000",
        "datetime_end":"20240705T160000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "building_id":"1000183",
        "building_name":"Lane Hall",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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    {
        "datetime_modified":"20240130T121550",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T200000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
        "occurrence_notes":null,
                "guid":"107870-21817850@events.umich.edu",
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        "campus_maps_id":"11",
        "room":"Lizzie and Jonathan Tisch Apse",
        "location_name":"Museum of Art",
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        "tags":["Art","Exhibition","Free","Humanities","Museum","Staff","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2023\/a-gathering",
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        "datetime_modified":"20240130T121549",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T200000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
        "occurrence_title":"",
        "combined_title":"Angkor Complex:\u00a0\u200bCultural Heritage and Post-Genocide Memory in Cambodia.",
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        "description":"Care in Uncertain Times\n \nAs crises of public health, economic instability, authoritarian regimes, racial injustice, and climate change spread around the globe,\u00a0millions are experiencing distress, conflict, uncertainty, and vulnerability. This troubling combination of experiences is nothing new for Cambodians. Between 1975-1979, when the Khmer Rouge ruled Cambodia, about a quarter of the country\u2019s populations died of infectious diseases, weapon wounds, and malnutrition.\n \nThis exhibition brings together more than 80 works of art spanning a millennium to present how the visual culture of Cambodia and its\u00a0diaspora\u00a0has evolved in the face of cultural upheaval. Showcasing works from worldwide collections, including those from some of the foremost members of the Cambodian contemporary art scene, Angkor Complex allows viewers to encounter the still-fresh scars of a genocide and critically appreciate the strategies evolved to nurture resilience in trying times.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, Eleanor Noyes Crumpacker Endowment Fund, and U-M Ross School of Business.\n\u00a0",
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        "room":"A. Alfred Taubman Gallery I",
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        "tags":["Art","Culture","Exhibition","Museum","Public Health","UMMA"],
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    {
        "datetime_modified":"20240610T132829",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T160000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Nicole Ray Art Exhibit: State of Play",
        "occurrence_title":"",
        "combined_title":"Nicole Ray Art Exhibit: State of Play",
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        "event_type":"Exhibition",
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        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
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        "building_id":"0",
        "building_name":"Matthaei Botanical Gardens",
        "campus_maps_id":"554",
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        "location_name":"Matthaei Botanical Gardens",
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        "tags":["Art","Exhibition","Free","In Person","Visual Arts"],
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20240705T100000",
        "datetime_end":"20240705T200000",
        "has_end_time":1,
        "date_start":"2024-07-05",
        "date_end":"2024-07-05",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_id":"1000151",
        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
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        "tags":["Art","European","Exhibition","History","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "datetime_modified":"20240710T181506",
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        "event_title":"Elizabeth Youngblood: Syntax",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nStamps Gallery is proud to present a solo exhibition that celebrates the important work of Detroit-based artist, educator, and designer Elizabeth Youngblood (BFA 1973). This exhibition explores the expansive and experimental nature of her prolific and interstitial art practice. Syntax sheds light on Youngblood\u2019s embodied practice that encompasses a deep commitment and respect for the process and the material with which she is working - be it found objects, fur, hair, surfaces of different types of paper, pigments, ink, wire, porcelain, threads, and\/or clay, that may have inspired her. The work occupies the spaces between art and design, abstract and concrete, making and becoming. In Syntax, the viewers will encounter over 30 works from the last four decades that range from large-scale drawings to intimate mixed-media works, sculptural objects, and weavings. The exhibition will also include Youngblood's early design work where her explorations with dots, dashes, lines and accumulation of lines and space emerged and became a framework for a way to consider form as ever-evolving and iterative. These recurring forms were the points of departure for her experiments with materiality as they became reconstituted across different mediums and disciplines, transformed over and over again to create Youngblood\u2019s unique visual vocabulary and her Syntax of making and meaning.\nCurated by Srimoyee Mitra.\nArtist\u2019s Bio\nBorn in Detroit and educated in southeastern Michigan, Elizabeth Youngblood is an artist, educator, designer and maker of interesting things. From her high school education at Cass Technical High School to her undergraduate education at the University of Michigan, through graduate work at Cranbrook, she has always maintained a dual interest in making by hand and in design for production. Youngblood\u2019s art-making practice includes working in the mediums of drawing, ceramics, weaving, bookbinding and more. She\u2019s been a faculty member at the University of Michigan, Ann Arbor and SUNY Purchase, NY, managed branding with Unisys and designed at The New York Times. After a stint on the east coast, Youngblood has returned to Detroit where she maintains a studio practice and continues to investigate the intersection of her range of interests.\n",
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        "time_start":"11:01:00",
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        "event_title":"Black Art Library",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nThe Black Art Library is a collection of books and other art history ephemera on Black visual art intended to be an educational resource to share within the Black community and beyond. The library intends to introduce or expand the community\u2019s knowledge of Black art from the past and the present through art books. For Stamps Gallery, independent curator and organizer of the Black Art Library Asmaa Walton has curated a special selection of books that focus on black women artists as well as Black artists from Southeast Michigan. \n\nAbout the curator:\nAsmaa Walton was born and raised in Detroit, she is an arts educator and ardent developer of a Black cultural archive. In 2017, Walton earned a BFA in Art Education from Michigan State University. In 2018, she received a MA in Art Politics from New York University, Tisch School of the Arts. After completing her masters degree, Walton joined Toledo Museum of Art as an Education and Engagement Intern, in 2018. In the same year she was appointed the Museum\u2019s first KeyBank Fellow in Diversity Leadership, a position where she identified opportunities for diversity and equity programming across museums and cultural institutions. In 2019, Walton was appointed Romare Bearden Graduate Museum Fellow at Saint Louis Art Museum. In 2020, Walton established Black Art Library which is a collection of publications, exhibition catalogs and theoretical texts about Black art and visual culture. Walton is currently working towards the mobile project becoming a public archive in a permanent space in Detroit, Michigan.",
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        "event_title":"Michelle Hinojosa: Logcabins",
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        "description":"Stamps Gallery commissioned Michelle Hinojosa (MFA, 2023) to reimagine the pillars on Division Street that flank the Gallery. Hinojosa has created log cabin quilts to adorn the columns in front of Stamps Gallery. The log cabin quilts traditionally represent the warm hearth at the center of a home. This installation reflects on the interplay between home, placemaking, labor, and intergenerational memories of migration. Rather than quilting cotton designed to softly embrace the body, these quilts are sewn from outdoor grade, UV-resistant polyester. The quilt is an ode to Hinojosa\u2019s grandmother who illegally crossed the US\/Mexico border holding her babies and her quilts. As she and her family drove across the United States to work in the fields of the Salinas Valley, the quilts offered a safe space for her and her family. Hinojosa celebrates their resilience to her grandmother and elders while also drawing attention to precarity and violence experienced by refugees and migrants crossing the US-Mexico border in our present today.\nArtist\u2019s bio:\nMichelle Inez Hinojosa is an artist, educator, and researcher whose work is informed by Indigenous and Latine\/x\/a\/o studies. Born and raised in Texas, she earned her Bachelor of Fine Arts degree in both drawing and painting and art education with a minor in art history at the University of North Texas. She holds a Master of Fine Arts from the University of Michigan. She works with quilting, bead weaving, embroidery, jewelry, transparent film installations, painting, ceramics, and sculpture to honor and explore the history of migration in her family and humanize the current discourse around migration still occurring at the southern border. Alongside her artwork she maintains a writing practice to re-story, re-make, and re-claim the often subordinated narratives of Latinx, Chicanx, Mexican, and Texican peoples. \n\nRecently, Hinojosa was named an inaugural Creative Careers Artist in Residence at the University of Michigan, she has also attended residencies at Mildred's Lane (Pennsylvania), Anderson Ranch Art Center (Aspen, CO) and The Cedars Union (Dallas, TX). ",
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        "event_title":"Heartfulness Guided Meditation",
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        "combined_title":"Heartfulness Guided Meditation: Pushyami Gundala",
        "event_subtitle":"Pushyami Gundala",
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        "description":"Heartfulness Guided Meditation is a weekly, drop-in program designed to help you Mental well-being. \r\n\r\nAll U-M students, faculty, and staff are welcome to participate in guided meditation practice with a trainer every Friday at noon over Zoom (details to join are provided below). No prior experience with meditation is required. \r\n\r\n*What will you learn?*\r\n\r\nThe guided meditation practice involves three simple steps: relaxation, rejuvenation, and meditation.\r\n\r\nRelaxation brings your body to a calm, steady posture creating a stillness at the physical level, and prepares the mind for meditation. We follow this with a rejuvenation method to detox the mind to let go of stress and complex emotions, and will leave you feeling light and refreshed. Lastly, learning to meditate by being mindful of your heart will connect you with yourself by listening to your heart\u2019s voice. \r\n\r\n*Why Meditate?*\r\n\r\nWhile physical fitness keeps our bodies in shape, meditation is an exercise for the mind and mental wellness. In addition to the measurable benefits mentally and physically, many people benefit from an unquantifiable inner poise and harmony. \r\n\r\n*Please take Learn to Meditate session if you are new to the practice. These sessions are offered Monthly.* https:\/\/events.umich.edu\/event\/128708\r\n\r\n*Event Details*\r\n\r\nHeartfulness Guided Meditation \r\nFridays from 12-12:30 p.m. ET (except during university season days \/ holidays)\r\nJoin Via Zoom Meeting\r\nRegister to receive Passcode (see \u201cRelated links\u201d\r\n\r\n\r\nThis wellness program is coordinated by ITS Teaching & Learning and provided at no cost by heartfulness.org.",
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        "time_zone":"America\/Detroit",
        "event_title":"Sea Monsters",
        "occurrence_title":"",
        "combined_title":"Sea Monsters",
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        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"The film follows a curious and adventurous Dolichorhynchops \u2013 familiarly known as a \u2018dolly\u2019 \u2013 as she travels through the most dangerous oceans in history. Along the way, she encounters long-necked plesiosaurs, giant turtles, enormous fish, fierce sharks, and the most dangerous sea monster of all\u2013 the mosasaur.",
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