Sporting Event:2026 U.S. Synchronized Skating Championships
2026-03-04 00:00 - 23:59 (America/Detroit) | Maverik Center
The fifth and final competition of the University of Michigan Synchronized Skating Team's 2025-2026 season, located in Salt Lake City, Utah.

Careers / Jobs:LSA Opportunity Hub Career Trek: Exploring Careers in Media/Entertainment
2026-03-04 09:00 - 17:00 | Off Campus Location
March 4 - 6, 2026

New York, New York

Are you curious about what it’s like to work behind the scenes of your favorite shows, sports, or streaming platforms? Join the LSA Opportunity Hub for a Career Trek to New York City and experience the heart of the media and entertainment world firsthand.

Over three exciting days, you’ll visit leading companies like Disney, Madison Square Garden, and The Montag Group (with more to come!) connecting directly with industry professionals and University of Michigan alums who are shaping the future of media. You’ll gain insider insights into a wide range of roles, from production and storytelling to marketing, business operations, and talent representation.

This fully funded experience includes round-trip flights, hotel accommodations, and most meals so you can focus on learning, connecting, and imagining your future career.

Along the way, you’ll:

Build your professional network with U-M alumni and company insiders

Explore different career paths within media and entertainment

Learn what skills and experiences make candidates stand out in these dynamic fields

Reflect on how your liberal arts education can open doors in creative industries

Application details:

Students must complete a short online application, submit a resume and unofficial transcript (to confirm good academic standing), and record a 1–2 minute video essay. Applications will be reviewed as they come in, so early submissions are encouraged. Spots are limited!

Students selected for the Trek will also attend a mandatory orientation on February 18 or 19 to prepare for the experience.

All LSA undergraduates are welcome to apply whether you’re just beginning to explore career options or already passionate about media and entertainment, this Trek is designed to meet you where you are in your journey.

Don’t miss this chance to see your liberal arts degree in action and to discover what’s possible for you in one of the most exciting industries in the world.

To submit your Application by December 7th, click the link in the sidebar.

Exhibition:Lynn Galbreath Exhibition
2026-03-04 09:00 - 17:00 | North Campus Research Complex Building 18 - Rotunda Gallery
Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.

Galbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy — School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children’s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.

This exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.

Telegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.

On the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.

Working Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.

Furthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.

Exhibition:Materia Magica: Materiality and Ritual in the Greco-Roman World
2026-03-04 09:00 - 20:00 | Hatcher Graduate Library
View a diverse array of artifacts which were created to communicate with and call upon various unseen, supernatural forces for aid and protection. While the objects on display are disparate at first glance, ranging from lead tablets and amulets to papyrus and parchment leaves, they all share a common thread: they have long been labeled as "magical" in traditional Western scholarship.

However, each of these artifacts is better understood on a broad spectrum of ancient ritual, from subversive and transgressive acts to highly social and visible ones. The exhibit highlights the objects’ oft-overlooked material dimensions, asking us to consider how qualities like color, texture, and weight shaped an object’s perceived efficacy and meaning.

This exhibit was a collaboration, and displays items from several University of Michigan units: the library’s Special Collections Research Center and Papyrology Collection, the Museum of Natural History, and the Kelsey Museum of Archaeology. It was curated by Abigail Staub, PhD Candidate, Interdepartmental Program in Mediterranean Art & Archaeology.

Anna Bonnell Freidin, U-M associate professor of history, will talk about "Healing the Womb: Uterine Amulets in the Roman World" (https://events.umich.edu/event/142418) on January 16.

Workshop / Seminar:OGPS Career Exploration Winter 2026
2026-03-04 09:00 - 10:30
This series will guide participants through essential steps of career exploration: self-assessment, researching career options, and networking. You will gain valuable insights into your strengths, values, priorities, and aspirations, and learn actionable strategies for career discovery. By blending guidance, hands-on assessments, practical frameworks, and networking skill-building, this series supports you in making informed decisions and finding career paths that fit your interests. Through this series, you’ll develop the clarity, confidence, and connectivity needed to navigate your career exploration process and pursue fulfilling opportunities
Learning ObjectivesBy the end of this series, you will be able to:Identify and articulate your unique strengths and talents through the CliftonStrengths assessment, and apply them to your professional journey.Define your “Career Compass” by clarifying your values, skills, life needs, and mission, using these as guideposts for career exploration and evaluation.Discover and utilize effective resources for researching career fields, analyze job descriptions for fit, and develop strategies to organize and assess your current skills.Build and maintain professional relationships using best networking practices, conduct impactful informational interviews, and create a compelling professional brand.

Exhibition:Terence Swafford Exhibition
2026-03-04 09:00 - 17:00 | North Campus Research Complex Building 18 - Connections Gallery
This exhibition showcases a decade of artist Terry Swafford’s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.

Swafford’s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.

In addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.

Swafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.

Exhibition:The Evolution of Campus, 1838-1963: A Cartographic Celebration of U-M's History
2026-03-04 09:00 - 21:00 | Hatcher Graduate Library - Clark Library (2nd floor)
Learn about the campus’ history and architecture and explore the campus that might have been. This exhibit highlights the U-M Ann Arbor campus, both before its creation and throughout its continuous evolution. Featuring the work of famous architects such as Alexander Jackson Davis, Albert Kahn and Eero Saarinen, the exhibit presents maps, plans, architectural drawings, proposals, and photographs of the campus throughout its evolution.

This exhibit was originally part of a larger exhibit displayed from July 2017 to January 2018 to commemorate U-M's bicentennial.

Exhibition:Fore-Site (Phase 2): The Stamps Gallery Pillar Project
2026-03-04 11:00 - 19:00 | Off Campus Location
From September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA ’20) and Abhishek Narula (MFA ’20); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA ’21). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they've curated six artists to create new work for the pillars over three cycles:
Phase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)
Phase 2
Curated by Sometimes Space: Sally Clegg (entry pillar)Curated by CYNK Studios: Kim Karlsrud (courtyard pillar)

Workshop / Seminar:AI Show and Tell
2026-03-04 12:00 - 13:00

Social / Informal Gathering:Weekly coffee chat hosted by INFORMS & HFES
2026-03-04 14:00 - 15:00 | Industrial and Operations Engineering Building - Community Suite Room 1700
Come join us in the IOE Commons for some coffee and networking!

Other:Grants office hours: Get support applying for one of SSC's Sustainability Grants!
2026-03-04 16:00 - 17:00 | Off Campus Location
Drop in to our weekly open office hours to learn and get support applying to our Planet Blue Student Innovation Fund (PBSIF) or Social and Environmental Sustainability Grant (SES).

Workshop / Seminar:LSA Transfer Information Session
2026-03-04 16:00 - 17:15 | Off Campus Location
Join the LSA Transfer Recruitment Team for our virtual sessions where we will discuss LSA requirements, transfer credit, pre-transfer academic advising, LSA opportunities and other transfer tidbits.

Registration is required. Register using link to the right

Social / Informal Gathering:Sustainability Coffee Chats: Free coffee and good conversation!
2026-03-04 17:00 - 18:00 | Palmer Commons - Window's Lounge (3rd Floor)
The Student Sustainability Coalition will be hosting our coffee chats throughout the semester and we want you to join us! Passionate about sustainability?--water conservation, AI, carbon neutrality, transportation, ANYTHING!--come chat with us, share your passion(s) and interests, all while helping contribute to a more sustainable University of Michigan! Not to mention: WE WILL BUY YOUR DRINK!

Find us at:
Maizes Cafe every Friday from 3-4p and Rooting for Change Cafe (3rd Floor Palmer Commons) every other Wednesday from 5-6p

Exercise / Fitness:Beginner Lesson and Social Dance
2026-03-04 18:30 - 21:30 | Michigan League, Vandenberg Room
Swing Ann Arbor hosts a beginner drop-in lesson and social dance every Wednesday! No partner or experience needed. You do not need to be a student of the University of Michigan to attend. Just bring yourself and some comfy shoes!

WHEN:Join us Wednesdays from 6:30-7:30pm for a free beginner drop-in lesson, followed by a social dance from 7:30-9:30pm!

WHERE:Michigan League, Vandenberg Room throughout Fall 2025911 N University Ave, Ann Arbor, MI

COST:Admission to beginner drop-in lesson: FREE!
Admission to social dance: $5 or FREE if you take the beginner drop-in lesson

LIVE MUSIC WEDNESDAYS:Each last week of the month we are hosting live music during our social dances! Check out our separate event listing for full details.

VOLUNTEER:Help us run the front desk! You get free admission and $5 in Swing Ann Arbor credit! Email swingannarbor@gmail.com to help out.

Photo Credit: Samantha Kunz Photography

Performance:Trace Bundy
2026-03-04 20:00 | ARK Reserved
“Bundy’s live show is without a doubt an event that needs to be witnessed rather than told about” –Audiocast Magazine

Internationally-acclaimed guitar virtuoso Trace Bundy must be seen, not just heard. His music is poetry in motion, using harmonics, looping, multiple capos, and his unique banter and stage presence to deliver an unforgettable live concert experience. Listening to his intricate arrangements is one thing, but seeing the fan-dubbed “Acoustic Ninja” play live confounds even the most accomplished music lovers as to how one person can do all that with just two hands and ten fingers.

Bundy’s unique career has brought him across the world, with concerts in 28 countries and counting – from high-tech performance halls in South Korea and Italy, to remote villages in Zimbabwe and Guatemala. He has independently sold over 150,000 albums on his record label, Honest Ninja Music. His video clips circulate virally at astonishing speed, with over 45 million YouTube views to date.
