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DTSTAMP:20260324T142358
DTSTART;TZID=America/Detroit:20260510T000000
DTEND;TZID=America/Detroit:20260510T230000
SUMMARY:Exhibition:'Redefining the Crown' Art Exhibit
DESCRIPTION:\"Artist’s statement: For centuries\, hair has been critical to how human beings understand racial categories\, gender designations\, and class status. For Black women in particular\, hair has and continues to be tied to ethnic identity and a history of self-determination\, social justice\, and survival. Thus\, chemotherapy-induced hair loss is a devastating event for Black patients who are also more likely to be diagnosed with aggressive breast cancer subtypes necessitating chemotherapy\, carrying a 40% increased risk of dying from breast cancer.\n\nRedefining the ‘crown’: Approaching chemotherapy-induced alopecia among Black patients with breast cancer” started as a manuscript published in the scientific journal Cancer. But the work could not stop there. “Redefining the Crown” then metamorphosed into a photo essay project aimed at exploring the breast cancer journeys of six Black women and their experiences with hair loss due to chemotherapy. Though the project centers the experience of Black women\, we also acknowledge that breast cancer and chemotherapy-induced alopecia impact individuals of all genders. While the goal is to illuminate the unique stories of Black women who are affected uncommonly by this common disease\, the project is also a call to action regarding the disproportionate breast cancer-related mortality facing Black communities.\n\nIn this portraiture series\, photographer Tafari Stevenson-Howard captures the intimate journeys of Ann Chatman\, Tanisha Kennedy\, Felecia McDaniel\, Shantell Elaine McCoy\, Tamara Lynn Myles\, and Veleria Banks. This exhibition examines how these women have navigated the profound impact of hair loss caused by chemotherapy and how their sense of cultural pride and personal identity have been redefined amidst their battles with breast cancer.\n\nThese survivors have redefined their own crowns. More profound than the new hairstyles they don after hair loss are the invisible crowns that they choose to wear each day: gratitude\, faith\, and resilience. What do their words mean to you? Do they empower you to act?\n\nArtist’s name: Versha Pleasant\nWork Title: Image 2\nDate of creation: September 2024\nArtist’s statement: Photo by Tafari Stevenson-Howard\"
UID:146980-21900193@events.umich.edu
URL:https://events.umich.edu/event/146980
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Michigan Union - 1st Floor - Opera Lounge
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260504T120004
DTSTART;TZID=America/Detroit:20260510T000000
DTEND;TZID=America/Detroit:20260510T220000
SUMMARY:Other:Cycling Nationals
DESCRIPTION:Cycling Nationals
UID:141561-21889019@events.umich.edu
URL:https://events.umich.edu/event/141561
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Madison
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260430T164108
DTSTART;TZID=America/Detroit:20260510T090000
DTEND;TZID=America/Detroit:20260510T200000
SUMMARY:Exhibition:The People’s Bicentennial
DESCRIPTION:This selection of original artifacts documents the work of the Peoples Bicentennial Commission (PBC)\, which challenged the official\, corporate-sponsored commemoration of the 1976 bicentennial. This year we celebrate the 250th anniversary of the signing of the Declaration of Independence.\n\nItems on display are from the Joseph A. Labadie Collection\, which documents social protest movements and radical history.\n\nHOURS\nSunday 2-8pm\nMonday-Thursday 9am-8pm\nFriday 9am-4pm\nSaturday 11am-5pm
UID:147925-21902413@events.umich.edu
URL:https://events.umich.edu/event/147925
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,History,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room (1st floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260324T094536
DTSTART;TZID=America/Detroit:20260510T120000
DTEND;TZID=America/Detroit:20260510T160000
SUMMARY:Exhibition:Creating the Future of Medicine for 175 Years
DESCRIPTION:As the Medical School celebrates the anniversary of its opening in the fall of 1850\, and Michigan Medicine marks the 100th anniversary of the opening of the \"Old Main\" University Hospital that served as its flagship from 1925 to 1986\, a free museum exhibit explores 175 years of medical education\, research and clinical care. \n\nOpen to the public at the Museum on Main Street operated by the Washtenaw County Historical Society\, the exhibit includes artifacts\, photos and facts about how U-M's medical community grew from humble beginnings on the Diag to become one of the nation's largest and most respected academic medical centers. It also asks visitors to ponder their own attitudes and experiences\, and to submit memories and photos of their time working\, studying\, volunteering or receiving care at U-M's medical campus and beyond. There are also activities for young visitors.\n\nThe museum is open to the public every Saturday and Sunday from 12 p.m. to 4 p.m.\n\nFull details about the exhibit\, including parking instructions and how to book a free private group tour on a weekday\, are available at http://michmed.org/museum\n\nThe museum has an accessible entrance at the rear of the building.
UID:139428-21899870@events.umich.edu
URL:https://events.umich.edu/event/139428
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:History,Life Science,Medicine,Museum,Nursing
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260423T133818
DTSTART;TZID=America/Detroit:20260510T120000
DTEND;TZID=America/Detroit:20260510T124500
SUMMARY:Presentation:Sea Monsters
DESCRIPTION:The film follows a curious and adventurous Dolichorhynchops—familiarly known as a ‘dolly’—as she travels through the most dangerous oceans in history. Along the way\, she encounters long-necked plesiosaurs\, giant turtles\, enormous fish\, fierce sharks\, and the most dangerous sea monster of all– the mosasaur.
UID:147952-21902607@events.umich.edu
URL:https://events.umich.edu/event/147952
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Museum,natural history museum,Natural Sciences,Planetarium,Science
LOCATION:Museum of Natural History
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260413T104859
DTSTART;TZID=America/Detroit:20260510T130000
DTEND;TZID=America/Detroit:20260510T134500
SUMMARY:Exhibition:Sky Tonight
DESCRIPTION:A live presentation on what to find in the sky tonight and for the coming few weeks. This presentation includes how to find the cardinal directions with the North Star\, current and upcoming constellations\, visible planets\, a few deep sky objects depending on the season\, and other interesting astronomical visualizations. If you want to be able to look up from your own backyard and know what to look for\, this is the show for you.
UID:141325-21901533@events.umich.edu
URL:https://events.umich.edu/event/141325
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Astronomy,Children,Family,Museum,museums,natural history museum,Natural Sciences,Planetarium,Prospective Undergraduate Students,Science,Space,Undergraduate
LOCATION:Museum of Natural History
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260420T121357
DTSTART;TZID=America/Detroit:20260510T140000
DTEND;TZID=America/Detroit:20260510T150000
SUMMARY:Tours:Sunday Drop-In Tour | Women in the Ancient World: A Mother’s Day Tour
DESCRIPTION:Celebrate Mother’s Day with a tour of the Kelsey Museum of Archaeology! At this docent-led event\, explore the status of women in various ancient societies highlighted by representations of women\, goddesses\, and mythological females.\n\nThis event is free and open to all visitors. If you have any questions or concerns regarding accessing this event\, please visit our accessibility page at https://myumi.ch/zwPkd or contact the education office by calling (734) 647-4167. We ask for advance notice as some accommodations may require more time for the university to arrange.
UID:147867-21902091@events.umich.edu
URL:https://events.umich.edu/event/147867
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ancient Greece,Ancient Middle East,Ancient Rome,Archaeology,Free,History,Museum,Tour
LOCATION:Kelsey Museum of Archaeology
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260413T104336
DTSTART;TZID=America/Detroit:20260510T140000
DTEND;TZID=America/Detroit:20260510T144500
SUMMARY:Film Screening:T.REX
DESCRIPTION:With stunning CGI visuals and the latest research from leading paleontologists\, the film offers audiences a fresh perspective on the GOAT (Greatest Of All Tyrants): Tyrannosaurus rex. Anchored by the true story of the young fossil hunters who made the discovery of a lifetime when they spotted a large fossilized leg bone on a walk on public lands in North Dakota\, T. REX intercuts the remarkable fossil dig\, with cutting edge computer graphics that bring the iconic T. rex to life—from hatchling to hulking adult. Narrated by Jurassic Park actor Sam Neill\, T. REX explores the newest science that has helped reinvent our understanding of the iconic predator.
UID:136347-21901527@events.umich.edu
URL:https://events.umich.edu/event/136347
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Museum,natural history museum,Planetarium
LOCATION:Museum of Natural History
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260501T173508
DTSTART;TZID=America/Detroit:20260510T150000
DTEND;TZID=America/Detroit:20260510T170000
SUMMARY:Performance:CAS Musical Performance. UCLA Armenian Music Program's VEM String Quartet Performs Suni\, Gazarossian\, Saryan\, and Komitas
DESCRIPTION:Musical Performance\n\nUCLA Armenian Music Program's VEM String Quartet Performs Suni\, Gazarossian\, Saryan\, and Komitas with special guest speakers\n\nHelmut Stern Auditorium at the University of Michigan Museum of Art\n\nUCLA Armenian Music Program's VEM String Quartet Performs Suni\, Gazarossian\, Saryan\, and Komitas with special guest speakers\n\nSonic Recovery: Koharik Gazarossian's Life and Music \n\nMelissa Bilal \n\nThis lecture traces the life and work of Koharik Gazarossian (1907-1967)\, a Constantinople-born\, Paris-educated\, internationally acclaimed pianist\, composer\, and music educator. It contextualizes her biography within the history of continuities and ruptures in Armenian communal life in the Ottoman Empire and post-Ottoman Republic of Turkey.\n\nMelissa Bilal is a sociocultural anthropologist and historian specialized in Music and Performance Studies\, Gender and Sexuality Studies\, and Memory Studies. She is an Assistant Professor in the Department of Ethnomusicology and the Department of Music Performance\, Education\, and Composition at UCLA’s Herb Alpert School of Music where she holds the Promise Chair in Armenian Music\, Arts\, and Culture and serves as the director of the Armenian Music Program. Dr. Bilal's ethnographic research explores the role of music in the transmission of Armenian memory in Turkey\, while her archival research is focused on the musical and intellectual history of Armenians in the late Ottoman Empire and early republican Turkey. Her most recent publications are the book chapter “Pavagan E (Enough!): Zabel Yesayan’s (1878–1943?) Political Thought on Peace\, Justice\, and People’s Right to Self-Defense” in *Histories of Political Thought in the Ottoman World* (Oxford University Press\, 2024) and the book *Feminism in Armenian: Lives and Texts Through Empire\, Genocide\, and Diaspora* (with Lerna Ekmekcioglu\, Indiana University Press\, Forthcoming 2026). She is currently working on her ethnographic monograph *Injuries of Reconciliation: Music\, Memory\, and Everyday Survival of Armenians in Turkey* and on a biography of pianist and composer Koharik Gazarossian (1907-1967). \n\nGrigor Mirzaian Suni\, Ethnomusicologist and Revolutionary\n\nRonald Grigor Suny\n\nBorn in Karabakh\, educated in Echmiadzin and St. Petersburg\, a friend of Gomidas and a student of Rimsky-Korsakov\, Grikor Mirzoian Suni moved between the world of Armenian folk and classical music and the revolutionary politics of his age. An Armenian patriot all his life\, he began as a member of the Dashnaktsutyun and ended up as a Harajdimakan (Progressive) supporting Soviet Armenia until he spoke against Stalin and was ejected by his \"comrades.\" His travels took him through historic Armenia and to America where he founded and led choruses as exiled Armenians turned their communities into little Armenias far from their homeland. Reviled for his politics and beloved for his music\, Grikor Suni disregarded the conventions of traditional Armenian life and forged his own national identity as an artist and revolutionary. Forgotten for a half century after his death\, the revival of interest in this extraordinary musician and public figure is a testament to the need for Armenians to recover their lost pasts in order to appreciate what they were\, are\, and will become.\n\nRonald Grigor Suny is William H. Sewell\, Jr. Distinguished University Professor of History and Professor of Political Science Emeritus at the University of Michigan and Emeritus Professor of Political Science and History at the University of Chicago. He was the first holder of the Alex Manoogian Chair in Modern Armenian History at the University of Michigan\, where he founded and directed the Armenian Studies Program. He is author of *The Baku Commune: Class and Nationality in the Russian Revolution\; The Making of the Georgian Nation\; Looking Toward Ararat: Armenia in Modern History\; The Revenge of the Past: Nationalism\, Revolution\, and the Collapse of the Soviet Union\; The Soviet Experiment: Russia\, the Soviet Union and the Successor States\; “They Can Live in the Desert But Nowhere Else”: A History of thse Armenian Genocide\; Red Flag Unfurled: History\, Historians\, and the Russian Revolution\; Red Flag Wounded: Stalinism and the Fate of the Soviet Experiment\; Stalin: Passage to Revolution*: and co-author with Valerie Kivelson of *Russia’s Empires*.  He is currently working on a book on the history of the nation-form and the recent upsurge of exclusivist nationalisms and authoritarian populisms:  *Forging the Nation: The Making and Faking of Nationalisms*.\n\nSeda Suny: Armenian American Dance Pioneer  \n\nAnoush Tamar Suni\n\nThis talk highlights the life and legacy of Seda Suny\, daughter of Armenian Composer Grikor Mirzaian Suni and pathbreaking dancer\, choreographer\, ballet teacher\, and musician. Born in Tiflis in 1905\, she emigrated to the United States in the 1920s\, and became a lively participant in Armenian cultural life\, singing and dancing at her father’s concerts and her own. A well-known dance teacher\, pianist\, and costume-maker\, she created her own ballet school in New York\, and generously trained many artists\, to the end of her long life. I will trace her life through war and revolution and outline her unique contributions to Armenian and American art\, dance\, and music.\n\nAnoush Tamar Suni is a sociocultural anthropologist who studies political violence and the aftermath of genocide\; the politics of history and memory\; ruins\, landscape\, and cultural heritage\; and religious and ethnic minority communities in the Middle East. Dr. Suni is currently a postdoctoral research fellow at the Raoul Wallenberg Institute\, where she is completing her first book\, Memory in Ruins: Politics of History and the Afterlives of Genocide in Anatolia. Based on over two years of ethnographic fieldwork in eastern Turkey\, this book traces the interconnected pasts and presents of Muslim Kurdish and Christian Armenian communities with a focus on state violence\, local memory\, and the material landscape of ruins. Dr. Suni is also at work on a second ethnographic project—Imagining the Underground: Violence\, Value\, and Enchanted Treasure—which explores the hunt for mythical buried Armenian gold as a material interaction with a history of genocide and displacement in the context of a violent present. Dr. Suni’s research has been published in the journals Comparative Studies in Society and History\, Anthropological Quarterly\, and the International Journal of Middle East Studies. Dr. Suni is the great-granddaughter of Grikor Mirzaian Suni and continues her family’s musical legacy through first her study of classical violin and later her study of Middle Eastern and Armenian folk music on the oud. \n\nThe VEM Ensemble is the cornerstone of the Armenian Music Program at UCLA\, which in its 12 years of existence has become an internationally renowned leader in celebrating the richness and diversity of the Armenian musical tradition. In residence at the UCLA Herb Alpert School of Music\, the VEM Ensemble has worked with musicians such as Tigran Mansurian\, Kim Kashkashian\, David Starobin\, Armen Hyusnunts\, Artur Avanesov\, Seth Knopp\, and many others. The VEM Ensemble has performed at various venues in Los Angeles including Zipper Hall\, Bing Theater\, Schoenberg Hall\, and the Hammer Museum\, as well as in Boston\, Montreal\, Detroit\, New Mexico\, Colorado\, and the Incontri in Terra di Siena Festival in Italy. In his review of their performance in Italy\, critic Laurence Vittes wrote\, “The evening’s most memorable music was made by the VEM Quartet… who laid out Eduard Mirzoyan’s String Quartet with a feline\, subtle grace that touched hearts with its gentle melodic content and long-lined eloquence.” The VEM is featured in *Modulation Necklace and Serenade with a Dandelion*\, the critically acclaimed CDs of Armenian Music by the Naxos-distributed label\, New Focus Recordings.\n\nAlly Cho is a doctoral student of Violin Performance at UCLA under the guidance of Movses Pogossian and Varty Manouelian. Her musical journey began in Gold Coast\, Australia\, where she first picked up the violin at the age of 5. Her path has been a remarkable adventure\, taking her across the seas in pursuit of her dream. In 2018\, Ally crossed continents to pursue a Bachelor's degree in classical violin under the tutelage of Lucie Robert at Manhattan School of Music in New York City\, broadening her horizons with chamber music opportunities. Since 2023\, Ally has been a part of the VEM Quartet\, the resident ensemble of the UCLA Armenian Music Program. She aspires to be a virtuoso violinist\, captivating global audiences and inspiring future musicians. Her musical journey continues\, with many more chapters and achievements yet to be composed.\n\nNiall Tarō Ferguson is a cellist\, composer\, and orchestrator. He received his bachelor’s degree in 2017 from the UCLA Herb Alpert School of Music\, where he studied cello performance with Antonio Lysy and music composition with Ian Krouse and Bruce Broughton. Niall has participated in many international music festivals and performed on many of LA’s premiere contemporary music series. His concert works have been performed throughout California and overseas. As of 2019\, Niall is a Program Associate with the Asia / America New Music Institute (AANMI)\, a collective that pursues cultural exchange through modern music. In April 2019 he participated in his first AANMI tour and contributed to lectures at institutions throughout Asia. Niall is of Japanese descent on his mother’s side and of Scottish and Irish descent on his father’s. He goes by both his Gaelic and Japanese names\, Niall or Tarō\, respectively.\n\nMovses Pogossian is a celebrated prize-winning violinist\, Distinguished Professor of Violin at the UCLA Herb Alpert School of Music\, and Founder/Advisor of the UCLA Armenian Music Program. He participates in the Music for Food project\, which fights hunger in local communities and gives the opportunity to experience the powerful role music plays as a catalyst for change. His recent CD releases include *Con Anima\, Hommage à Kurtág\, Modulation Necklace*\, and *Serenade with a Dandelion: Armenian Chamber Music\, Old and New*.\n\nDamon Zavala is a Mexican-American violist and violinist from Oregon. Currently pursuing a doctoral degree in music\, Damon dedicates himself to part-time teaching of string chamber studies at UCLA\, under the guidance of Brian Chen and Movses Pogossian\, and at the SOL-LA Music Academy in Santa Monica. While at UCLA\, he actively participates as a violist in the Armenian Music Program and is a member of the VEM Quartet. This experience not only enriches his understanding but also amplifies his ongoing commitment to showcasing a broad spectrum of cultural expressions in music. This dedication has most recently led him to a pivotal role with the Sphinx Organization\, where he currently manages community arts organizations to enhance the representation of underrepresented communities in orchestral settings\, striving to ensure that Black and Brown voices can be heard and valued. His efforts to broaden his teaching outreach and contribute significantly to both educational and commercial music sectors underscore his dedication to diversity and inclusion in classical music.
UID:143418-21893111@events.umich.edu
URL:https://events.umich.edu/event/143418
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Armenian Studies,Music
LOCATION:Museum of Art - Helmut Stern Auditorium
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260413T104859
DTSTART;TZID=America/Detroit:20260510T150000
DTEND;TZID=America/Detroit:20260510T154500
SUMMARY:Exhibition:Sky Tonight
DESCRIPTION:A live presentation on what to find in the sky tonight and for the coming few weeks. This presentation includes how to find the cardinal directions with the North Star\, current and upcoming constellations\, visible planets\, a few deep sky objects depending on the season\, and other interesting astronomical visualizations. If you want to be able to look up from your own backyard and know what to look for\, this is the show for you.
UID:141325-21901538@events.umich.edu
URL:https://events.umich.edu/event/141325
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Astronomy,Children,Family,Museum,museums,natural history museum,Natural Sciences,Planetarium,Prospective Undergraduate Students,Science,Space,Undergraduate
LOCATION:Museum of Natural History
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260303T152543
DTSTART;TZID=America/Detroit:20260510T200000
DTEND;TZID=America/Detroit:20260510T230000
SUMMARY:Exhibition:Echoes of the Past: Greektown as Seen by Sam Karres
DESCRIPTION:Explore the personal sketchbooks of Sam Karres\, Greek-American painter and artist\, as he illustrates the daily life of residents in Greektown\, Detroit. This exhibit highlights Detroit’s Greek-American community and urban scenery during the late 20th century. Experience art and life through Sam’s eyes with scenes of music\, dance\, restaurants\, and the faces of the community. Let the vivid watercolor paintings and expressive sketches transport you to a Greektown of the past\, and learn more about Sam Karres’ life as an artist.\n\nFeaturing works from the Sam Karres Archive\, 1955-2012\, held by the University of Michigan Library's Special Collection Research Center. Curated by Annelie Zissis and Arthur Pfeifer-Rubey\, Library Engagement Fellows.
UID:146151-21898491@events.umich.edu
URL:https://events.umich.edu/event/146151
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251211T113542
DTSTART;TZID=America/Detroit:20260510T200000
SUMMARY:Performance:Vance Gilbert
DESCRIPTION:“If Joni Mitchell and Richie Havens had a love child\, with Rodney Dangerfield as the midwife\, the results might be something close to the great Vance Gilbert\" –Richmond Magazine\n\nVance was born and raised in the Philadelphia area. Starting out hoping to be an R&B and jazz singer once at college\, there he discovered his affinity for the storytelling sensibilities of the acoustic singer-songwriter thing. Word spread like wildfire about Gilbert's stage-owning singing and playing\, and Shawn Colvin invited him to be special guest on her 1992 Fat City tour where he took much of America by storm and by surprise. “With the voice of an angel\, the wit of a devil\, and the guitar playing of a god..” wrote the Fort Worth Star-Telegram.\n\nMost recently he’s been the opener of choice for Mad About You/Stranger Things star Paul Reiser’s stand-up shows (50 +) for the last 7 years\, along with his own busy acoustic music touring and coaching schedule. \n\nVance's most recent album\, \"The Mother Of Trouble”\, features Grammy winner Lori McKenna on background vocals\, Juno award recipient and Bonnie Raitt Grammy hit song co-writer Joey Landreth on guitars\, and Americana-Roots master mandolinist Joe K. Walsh.
UID:142466-21890985@events.umich.edu
URL:https://events.umich.edu/event/142466
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ark,Mutotix
LOCATION:ARK Reserved
CONTACT:
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