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DTSTAMP:20260508T161657
DTSTART;TZID=America/Detroit:20260702T080000
DTEND;TZID=America/Detroit:20260702T163000
SUMMARY:Exhibition:Celebrating Pride Month
DESCRIPTION:We are thrilled to announce that Pride Month is being celebrated in the Hatcher Library! See selected historical artifacts from the Joseph A. Labadie Collection.\n\nVisit our exhibit in the Special Collections Research Center\, 6th floor Hatcher South\, Monday-Friday\, 9am-4:30pm.
UID:148197-21903252@events.umich.edu
URL:https://events.umich.edu/event/148197
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,LGBT,Library
LOCATION:Hatcher Graduate Library - Special Collections Research Center, 6th floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260429T134150
DTSTART;TZID=America/Detroit:20260702T090000
DTEND;TZID=America/Detroit:20260702T100000
SUMMARY:Exercise / Fitness:Chair Aerobics/Stretch\, Strength & Balance/Zumba
DESCRIPTION:Lifetime Fitness classes are offered at Briarwood Mall in the JCPenney wing every Monday-Friday from 9-10am. No experience necessary. Classes are specifically designed for senior adults\, however\, everyone is welcome. LTF classes are free\, but please consider making a $2/person per class donation as our classes are supported strictly through donations. No registration is necessary\, simply attend when it fits your schedule.
UID:148012-21902785@events.umich.edu
URL:https://events.umich.edu/event/148012
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:fitness,Health & Wellness
LOCATION:Off Campus Location - JCPenney Wing
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T085257
DTSTART;TZID=America/Detroit:20260702T090000
DTEND;TZID=America/Detroit:20260702T170000
SUMMARY:Exhibition:Debbie Thompson Exhibition
DESCRIPTION:Debbie Thompson works predominantly in clay and draws inspiration from the natural world\, which she frequently references in her work. Her interest in ceramics began in high school when she took classes at Cranbrook Academy of Art in Bloomfield Hills\, Michigan. She later pursued her passion at the University of Michigan School of Art and Design\, earning a Bachelor of Fine Arts. She also holds a Master of Arts from Eastern Michigan University and has completed post-graduate studio coursework at the School of the Art Institute of Chicago\, Maryland Institute College of Art\, Rhode Island School of Design\, and Arrowmont School of Arts and Crafts.\n\nThompson taught visual art in the Ann Arbor Public Schools for 34 years and has also taught at the University of Michigan School of Education and Washtenaw Community College. She exhibits her work both locally and nationally and was a member of the Clay Gallery. She continues her practice in her home studio and at the Potters Guild in Ann Arbor\, Michigan. She is a member of the National Council on Education for the Ceramic Arts and the Michigan Ceramic Art Association. Her work is included in the permanent collection of the International Dinnerware Museum.\n\nThompson’s work has been inspired by the natural world since childhood. Although she initially studied biology in college\, she later shifted her focus to visual art. The textures\, colors\, and forms in her pieces are drawn directly from nature.\nSeeds—structures that have enabled plants to move through space and time for over 600 million years—are central to her recent work. They are vital to the continuation of plant life\, and therefore to human survival.\n\nIn this exhibition\, Thompson explores the unseen structures of seeds as revealed through electron microscopy. These images highlight the intricate beauty and ingenuity of nature\, which she interprets through her wall-mounted ceramic sculptures.\n\nAt a time when our planet and its ecosystems face increasing threats\, Thompson’s work serves as a reminder of the importance of preserving the natural world. Recognizing the beauty and significance of these often-unseen forms is a crucial first step toward protecting the life systems on which we all depend.
UID:147884-21902265@events.umich.edu
URL:https://events.umich.edu/event/147884
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Alumni,Art,ArtsEngine,ArtsRx,Biosciences,Culture,Ecology,Environment,Exhibition,Family,Free,Humanities,Nature,North Campus,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Connection Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260423T085450
DTSTART;TZID=America/Detroit:20260702T090000
DTEND;TZID=America/Detroit:20260702T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she served as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902168@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:ArtsEngine,ArtsRx,Detroit,Exhibition,Family,Free,Humanities,Visual Arts
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260518T091620
DTSTART;TZID=America/Detroit:20260702T090000
DTEND;TZID=America/Detroit:20260702T170000
SUMMARY:Exhibition:Resistance is Fertile: Celebrating 30 Years of Cultivating Change
DESCRIPTION:Resistance Is Fertile honors the founding moment of the Institute for Research on Women & Gender\, while speaking to the present. The institute was established because faculty members believed that research on women\, gender\, and sexuality required an institutional commitment to thrive. That belief was itself a form of resistance—to disciplinary silos\, to marginalization\, to the idea that such scholarship was peripheral.\n\nThis theme reminds us that resistance is not merely reactive\; it is constructive. When rooted in collaboration and sustained through infrastructure\, it produces knowledge that reshapes disciplines\, institutions\, and public life.\n\nThis exhibit celebrates 30 years of IRWG—its history\, its programs\, and the people whose vision and labor built it into what it is today. Through archival materials\, milestones\, and stories\, we trace the evolution of an institute that has continually expanded the boundaries of research in women\, gender\, and sexuality.\n\nThis exhibit centers growth\, collaboration\, and intellectual creativity—honoring the sustained efforts\, bold ideas\, and collective care that have shaped IRWG’s legacy and continue to guide its future.\n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M. \n\nLocated on the first floor of Lane Hall (204 S. State Street)\, the Exhibit Space is free and open to the public\, M-F\, 9am-4pm.
UID:148280-21903735@events.umich.edu
URL:https://events.umich.edu/event/148280
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,gender,Gender Based Violence,women,Women History,Women's And Gender Studies,women's studies
LOCATION:Lane Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260508T155502
DTSTART;TZID=America/Detroit:20260702T090000
DTEND;TZID=America/Detroit:20260702T200000
SUMMARY:Exhibition:The People’s Bicentennial
DESCRIPTION:This selection of original artifacts documents the work of the Peoples Bicentennial Commission (PBC)\, which challenged the official\, corporate-sponsored commemoration of the 1976 bicentennial. This year we celebrate the 250th anniversary of the signing of the Declaration of Independence.\n\nItems on display are from the Joseph A. Labadie Collection\, which documents social protest movements and radical history.\n\nHOURS\nSunday 2-8pm\nMonday-Thursday 9am-8pm\nFriday 9am-4pm\nSaturday 11am-5pm
UID:147925-21902466@events.umich.edu
URL:https://events.umich.edu/event/147925
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,History,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room (1st floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260528T082355
DTSTART;TZID=America/Detroit:20260702T100000
DTEND;TZID=America/Detroit:20260702T110000
SUMMARY:Workshop / Seminar:10 Week Accessibility Challenge
DESCRIPTION:Join the 10-Week Accessibility Challenge to learn more about accessibility basics\, best practices\, and U-M resources and tools available to help you with this work. This training program is open to all U-M staff\, faculty\, and students - no prior accessibility experience or knowledge is required. These live sessions dive deeper into the Challenge content and give participants a chance to get live support and ask questions with our digital accessibility staff. If you have any questions or concerns\, please reach out to accessibility-challenge@umich.edu.\n\nThe 10-Week Accessibility Challenge sessions take place on Fridays at 10:00 - 11:00am\, June 5 - August 7\, 2026. Due to the July 3 holiday\, the Challenge will be moved to July 2.
UID:148367-21904016@events.umich.edu
URL:https://events.umich.edu/event/148367
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Digital Accessibility,Disability,Inclusion,Virtual,Workshop
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260511T181505
DTSTART;TZID=America/Detroit:20260702T110000
DTEND;TZID=America/Detroit:20260702T190000
SUMMARY:Exhibition:Fore-Site (Phase 2): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through November 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 12 - November 12) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 2 Curatorial Statement\n\nCurated by Sometimes Space: Sally Clegg (entry pillar)\nCurated by CYNK Studios: Kim Karlsrud (courtyard pillar)\n\nArtists Sally Clegg and Kim Karlsrud wrap the Division Street pillars in highly site-specific ornament unearthed from the overlooked margins of Ann Arbor. On the Courtyard pillar\, Karlsrud scales up photographs of objects found in liminal spaces surrounding campus buildings on Green Road\, which the artist has encrusted in road salt. On the entryway pillar\, Clegg zooms in on tiny fragments of found material from UMich’s famous “rock” to celebrate nearly seven decades of student art and activism. Both artists uplift aggregate of local human activity to reveal tiny worlds of found form. \n\nSally Clegg: Sentimentary Rock\nSentimentary Rock is a composition of paint slag collected from the UMich rock monument at the corner of Washtenaw Avenue and Hill Street. This colorful composite material has been accumulating at the base of the iconic limestone boulder since the mid 1950’s\, when students began a tradition of painting it in acts of protest\, creativity\, and ritual\, sometimes multiple times per week. Akin to byproducts of industry such as “Fordite” (collectable chunks of automotive overspray sometimes called ‘Detroit agate’)\, Sentimentary Rock includes thousands of layers\, each dripped from a palimpsestic public proclamation. When processed\, sculpted\, sealed\, assembled\, and macro-photographed\, the result is this enlarged array of tiny gems\, intended to celebrate the indissoluble student voice. \n\nKim Karlsrud: What Amasses\nWhat Amasses is an assemblage of everyday found objects collected within the Miller Creek watershed\, an urbanized drainage system that encompasses much of the city of Ann Arbor and the University of Michigan campus. Selected objects were immersed in a road salt solution\, allowing delicate crystalline formations to emerge. Road salt is a common material input into these hydrological networks during the winter months and exists in multiple states of refinement\, expression\, coherence\, and fragmentation. Each object was then arranged\, photographed\, and enlarged to recontextualize these materials in ways that invite deeper reflections on how infrastructure and human agency blur notions of the natural and the artificial. \nArtist Statements/Bios\n\nSally Clegg \nSally Clegg is an artist and educator from Pelham\, Massachusetts. Her studio practice is rooted in sculpture and expanded printmaking\, stemming from a fascination with human efforts to make meaning from our relationships to objects. Clegg integrates history\, popular culture\, literature and philosophy as material for artmaking\, leveraging personal anecdote and humor to reveal the complexity\, absurdity\, and theoretical richness at play in our connections to things and to ourselves. \n\nClegg holds an MFA in Art from The University of Michigan Stamps School of Art & Design\, and a BA in Art & English from Goucher College. She has exhibited nationally and internationally\, and her work can be found in permanent collections at Yale University\, The New York Public Library\, and elsewhere. Her artwork and writing has appeared in ASAP/Journal\, BOMB Magazine\, Sculpture Magazine\, and Hyperallergic. She is a lecturer in Art & Design at the University of Michigan. Website / Instagram\n\n\nKim Karlsrud \nKim Karlsrud is the co-founder of Commonstudio\, a collaborative creative practice that develops socio-ecological and spatial interventions\, installations\, and initiatives working with and within urban landscapes. Her work explores the space between art and design\, and is grounded in the concept of the “commons\,” that which is shared\, as well as that which is ordinary\, banal\, and commonplace.\n\nKarlsrud completed her undergraduate degree in Product Design from Otis College of Art and Design and an MFA in Art from the University of Michigan. She is currently an Assistant Visiting Professor in the College of Design at the University of Oregon\, teaching across Art and Landscape Architecture departments. She jointly received the 2014-15 Prince Charitable Trust Rome Prize in Landscape Architecture\, was a 2017 resident at the Headlands Center for the Arts\, and is the 2025-26 Fuller Fieldscape Fellow. Website / Instagram
UID:138032-21903400@events.umich.edu
URL:https://events.umich.edu/event/138032
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250828T001529
DTSTART;TZID=America/Detroit:20260702T110000
DTEND;TZID=America/Detroit:20260702T190000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:From September 2025 through August 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 3 \nCurated by Sometimes Space: Abhishek Narula (entry pillar)Curated by CYNK Studios: Nathan Byrne (courtyard pillar)
UID:138033-21881356@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260521T181508
DTSTART;TZID=America/Detroit:20260702T120000
DTEND;TZID=America/Detroit:20260702T170000
SUMMARY:Exhibition:Marianetta Porter: Breath\, Fragment\, Return
DESCRIPTION:\n\nCurated by Juana Williams\, this exhibition examines how Marianetta Porter uses everyday objects\, fragments\, and embodied memory to make absence an active\, living presence while challenging linear histories. Rooted in African American experience\, her practice treats what is discarded\, overlooked\, or missing not as loss\, but as a source of meaning that continues to act on the present. Through her process and materials\, Porter reveals how memory is carried in the body and embedded in ordinary things. Her work also resists forward-moving notions of time\, instead presenting a diasporic temporality in which past\, present\, and lived experience circulate together through repetition\, touch\, and recall. In doing so\, Porter proposes a vision of history as unfinished\, memory as active\, and absence as a force that sustains connection and shapes the present. \n\nMarianetta Porter is a visual artist and product designer whose research and creative practice are grounded in the study of African American history\, culture\, and representation. Through the language of visual art\, she draws connections between historic memory and contemporary African American life\, giving voice to the history of the African diaspora while acknowledging its central influence on the birth and flourishing of American culture.\n\nHer work has been exhibited nationally at institutions such as the Indianapolis Museum of Art\, the Chicago Museum of Science and Industry\, the Spoleto Festival\, the Harriet Tubman Museum\, and the Hampton University Museum of Art.\n\nShe earned her Bachelor of Fine Arts from Hampton University and her Master of Fine Arts from the University of Michigan. The recipient of numerous awards\, Porter is Professor Emeritus at the University of Michigan’s Stamps School of Art and Design.\n\nJuana Williams is a curator and writer whose work explores the intersections of cross-border intellectual history\, cultural memory\, and identity formation as expressed through modern and contemporary art from Africa and its diasporas.\n\nWilliams has held curatorial and academic appointments at organizations including the Detroit Institute of Arts\, Library Street Collective\, Wayne State University\, and the Urban Institute for Contemporary Art. Her curatorial projects have been presented at institutions across the United States and France\, including the Grand Rapids Art Museum\, the Muskegon Museum of Art\, Palais de Tokyo (Paris)\, and the Westmoreland Museum of American Art. In addition\, she has presented lectures at various museums and universities and contributed to numerous exhibition catalogs. Her work has been written about in publications such as Artsy\, Beaux Arts Magazine\, Condé Nast Traveller\, Michigan Chronicle\, and Observer. Williams holds a BA in Fine Art and an MA in Art History from Wayne State University.
UID:147625-21901387@events.umich.edu
URL:https://events.umich.edu/event/147625
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260521T112555
DTSTART;TZID=America/Detroit:20260702T120000
DTEND;TZID=America/Detroit:20260702T160000
SUMMARY:Exhibition:Up\, Up\, And Away: A History of Ballooning in America
DESCRIPTION:This exhibit examines the history of balloon flight in the United States from Blanchard’s first ascension to the early twentieth century. In the age of bird’s-eye views\, which imagined a perspective on American cities and towns from high in the air\, balloonists were the only people who actually had the opportunity to see what the growing nation looked like from above. As the nineteenth century progressed\, ballooning became a lucrative (if dangerous) business\, as crowds gathered to watch balloons launch\, and to see aeronauts risk their lives high in the air. Over time\, the image of the hot air balloon proliferated in American print culture\, being used to sell goods ranging from thread to canned beef. We hope that this exhibit conveys some of the thrill that would have come from seeing people fly for the first time.\n\nOn view May 22-August 28\, weekdays from 12-4 pm.
UID:148371-21904071@events.umich.edu
URL:https://events.umich.edu/event/148371
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:american culture,american history,Exhibit,Exhibition,Free,Fun,history,Humanities,In Person,libraries
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260427T090939
DTSTART;TZID=America/Detroit:20260702T120000
DTEND;TZID=America/Detroit:20260702T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays 12-5 pm\nFridays 12-11 pm\nSelected Saturdays 12-5 pm
UID:138950-21900831@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Astronomers,astronomy,bentley historical library,bentley library,Education,educational,Exhibition,free,history,Museum,museums,Science,U-m History,university history,university of michigan history
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260513T130729
DTSTART;TZID=America/Detroit:20260702T130000
DTEND;TZID=America/Detroit:20260702T150000
SUMMARY:Class / Instruction:June 2 - July 30\, 2026 T/TH  Course - Sampling in Practice
DESCRIPTION:June 2-July 30\, 2026\, T/TH\n1:00pm - 3:00pm\nA live course via Zoom. Registration and payment are required a minimum of two weeks prior to the start of the course.\n\nFounded in 1948\, the Summer Institute in Survey Research Techniques is designed specifically to meet the needs of professionals and graduate students seeking to deepen their expertise in survey methodology and data collection. Offered through the Michigan Program in Survey and Data Science within the Institute for Social Research at the University of Michigan\, the program provides a rigorous and flexible curriculum that blends theoretical foundations with practical application — entirely online.\n\nSampling in Practice\n\nUnlocking the art and science of sampling with an applied\, hands-on approach\, the course Sampling in Practice is designed for applied practitioners who want to master real-world sampling techniques through active learning and practical programming. Students will learn about probability sampling methods\, including simple random sampling\, stratification\, systematic selection\, cluster sampling\, probability proportional to size sampling\, and multistage sampling. We will also cover sampling cost models\, sampling error estimation techniques\, non-sampling errors\, missing data\, and nonprobability samples. The course emphasizes practical implementation\, featuring interactive coding exercises and in-class examples to reinforce each concept. A culminating project will give students the opportunity to integrate multiple techniques into a comprehensive sample design and demonstrate the profession in designing surveys\, selecting subjects\, analyzing sample data\, and solving real sampling problems using modern statistical tools.\n\nWhy take this course? \n\nThe course is crafted for students and practitioners eager: \n\nTo build proficiency in modern sampling techniques through active engagement and practical coding experience\nTo understand the basic ideas\, concepts and principles of probability sampling from an applied perspective\nTo be able to identify and appropriately apply sampling techniques to survey design problems\nTo understand and be able to assess the impact of the sample design on survey estimates\nTo be able to compute the sample size for a variety of sample designs\nTo learn how to design and select a probability sample involving complex sampling techniques in a survey project\, and receive expert feedback on a sampling report. \n\nYajuan Si is a Research Associate Professor in the Michigan Program in Survey and Data Science\, located within in the Institute for Social Research at the University of Michigan. She holds a Ph.D. in statistical science from Duke and received postdoctoral training at Columbia. Yajuan’s research focuses on methodology development\, from data analysis to study design\, in streams of Bayesian statistics\, linking design- and model-based approaches for survey inference\, data integration\, missing data analysis\, confidentiality protection\, and causal inference\, with applications in the social and health sciences. More information can be found here: https://websites.umich.edu/~yajuan/.
UID:148265-21903572@events.umich.edu
URL:https://events.umich.edu/event/148265
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Data,Data Analysis,Data Collection,Data Curation,Data Linkage,Data Management,Data Science,Graduate,Professional Development,Survey Methodology,Survey Methods,Survey Research
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260531T123049
DTSTART;TZID=America/Detroit:20260702T150000
DTEND;TZID=America/Detroit:20260702T160000
SUMMARY:Careers / Jobs:Resume Lab
DESCRIPTION:*RSVP required to attend. Click \"Join Event\" here: https://umich.joinhandshake.com/edu/events/1943807Just getting started building a resume? Have a draft but not sure how to make it better? Want to learn about resources available to revise your resume? Wherever you’re at Resume Lab is a great next step for you. Get real-time\, personalized support in a small group setting by checking out the Resume Lab.We will discuss and educate you on…- Design andformat- Writing a great bullet point- Targeting your resumefor specific internships/jobs If you're a Graduate Studentor Recent Grad\, please make a 1:1 appointment instead of attending the Lab because this event is designed for undergraduates. Note:This event's information is shown in Handshake as well as on the Happening @ Michigan calendar so that it will be seen by a larger number of U-M Students.#UCC
UID:147720-21901650@events.umich.edu
URL:https://events.umich.edu/event/147720
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260407T145732
DTSTART;TZID=America/Detroit:20260702T200000
SUMMARY:Performance:Blake Whyte
DESCRIPTION:Wander Free tour\n\nA songwriter\, actor\, vocalist\, and theatre educator\, with supreme soul. Unpredictable\, yet fluid\, and freely authentic. Blake creates experiences that reawaken our strong bonds to the earth and humanity.\n\nWith the release of his new single Wander Free\, written during a rare quiet week away from family life in the wilds of Scotland’s Loch Lomond and Trossach’s National Park\, Blake Whyte invites audiences into an inspiring\, healing\, and deeply soulful experience.
UID:147439-21901027@events.umich.edu
URL:https://events.umich.edu/event/147439
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ark,Mutotix
LOCATION:ARK Reserved
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260303T152543
DTSTART;TZID=America/Detroit:20260702T200000
DTEND;TZID=America/Detroit:20260702T230000
SUMMARY:Exhibition:Echoes of the Past: Greektown as Seen by Sam Karres
DESCRIPTION:Explore the personal sketchbooks of Sam Karres\, Greek-American painter and artist\, as he illustrates the daily life of residents in Greektown\, Detroit. This exhibit highlights Detroit’s Greek-American community and urban scenery during the late 20th century. Experience art and life through Sam’s eyes with scenes of music\, dance\, restaurants\, and the faces of the community. Let the vivid watercolor paintings and expressive sketches transport you to a Greektown of the past\, and learn more about Sam Karres’ life as an artist.\n\nFeaturing works from the Sam Karres Archive\, 1955-2012\, held by the University of Michigan Library's Special Collection Research Center. Curated by Annelie Zissis and Arthur Pfeifer-Rubey\, Library Engagement Fellows.
UID:146151-21898544@events.umich.edu
URL:https://events.umich.edu/event/146151
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260414T144814
DTSTART;TZID=America/Detroit:20260702T200000
DTEND;TZID=America/Detroit:20260702T233000
SUMMARY:Exhibition:Muted Volumes: Book-Objects\, Patterned Papers\, and the Closed Stacks of Buhr
DESCRIPTION:This exhibit in the Clark Library rotunda focuses on handmade decorative patterned papers when exploring books stored at the library's Buhr Offsite Shelving Facility. Decorative paper\, noticed when walking through the stack's aisles or surprising you when you casually flip through a book\, can really catch your eye. But because the Buhr stacks are closed from browsing\, the density and dimensionality of its nearly 3 million books are reduced to title searches on a screen.\n\nAs a response to these reflections\, artist and library staff member Stephanie Osorio shares her handbound unopenable book-objects as symbolic stand-ins for forgotten books at Buhr — the books that don’t get a chance to be noticed. Along with the book-objects are the carved woodblocks that made prints to decorate them. Some books from Buhr that inspired this project with their original decorated patterned papers will also be on display.\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening reception on Thursday\, May 14th\, 5pm - 6:30pm\, for an opportunity to hear from the artist and engage with the book-objects.
UID:147739-21901718@events.umich.edu
URL:https://events.umich.edu/event/147739
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library
LOCATION:Hatcher Graduate Library - Clark Library (2nd floor)
CONTACT:
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