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    "147884-21902266":
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        "datetime_modified":"20260421T085257",
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        "date_start":"2026-07-03",
        "date_end":"2026-07-03",
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        "event_title":"Debbie Thompson Exhibition",
        "occurrence_title":"",
        "combined_title":"Debbie Thompson Exhibition: Phytopia:  Accessing the Invisible",
        "event_subtitle":"Phytopia:  Accessing the Invisible",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Debbie Thompson works predominantly in clay and draws inspiration from the natural world, which she frequently references in her work. Her interest in ceramics began in high school when she took classes at Cranbrook Academy of Art in Bloomfield Hills, Michigan. She later pursued her passion at the University of Michigan School of Art and Design, earning a Bachelor of Fine Arts. She also holds a Master of Arts from Eastern Michigan University and has completed post-graduate studio coursework at the School of the Art Institute of Chicago, Maryland Institute College of Art, Rhode Island School of Design, and Arrowmont School of Arts and Crafts.\n\nThompson taught visual art in the Ann Arbor Public Schools for 34 years and has also taught at the University of Michigan School of Education and Washtenaw Community College. She exhibits her work both locally and nationally and was a member of the Clay Gallery. She continues her practice in her home studio and at the Potters Guild in Ann Arbor, Michigan. She is a member of the National Council on Education for the Ceramic Arts and the Michigan Ceramic Art Association. Her work is included in the permanent collection of the International Dinnerware Museum.\n\nThompson\u2019s work has been inspired by the natural world since childhood. Although she initially studied biology in college, she later shifted her focus to visual art. The textures, colors, and forms in her pieces are drawn directly from nature.\nSeeds\u2014structures that have enabled plants to move through space and time for over 600 million years\u2014are central to her recent work. They are vital to the continuation of plant life, and therefore to human survival.\n\nIn this exhibition, Thompson explores the unseen structures of seeds as revealed through electron microscopy. These images highlight the intricate beauty and ingenuity of nature, which she interprets through her wall-mounted ceramic sculptures.\n\nAt a time when our planet and its ecosystems face increasing threats, Thompson\u2019s work serves as a reminder of the importance of preserving the natural world. Recognizing the beauty and significance of these often-unseen forms is a crucial first step toward protecting the life systems on which we all depend.",
        "occurrence_notes":"Mon-Fri 9 am to 5 pm or by appointment.  serrag@med.umich.edu",
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        "room":"Connection Gallery",
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        "tags":["Family","Alumni","Art","ArtsEngine","ArtsRx","Biosciences","Culture","Ecology","Environment","Exhibition","Free","Humanities","Nature","North Campus","Visual Arts"],
        "website":"",
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        "time_zone":"America\/Detroit",
        "event_title":"Melissa Jones Exhibition",
        "occurrence_title":"",
        "combined_title":"Melissa Jones Exhibition: Internal Architecture",
        "event_subtitle":"Internal Architecture",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Melissa Jones works across multiple mediums, consistently centering the human figure, texture, and elements of the natural world\u2014such as weathered surfaces, bones, and rust. These recurring interests create a unifying thread throughout her work, regardless of medium.\nShe creates in both two and three dimensions, including sculpture, painting, and assemblage. Oil painting is her preferred medium, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones\u2019 work is primarily figurative, often narrative and autobiographical\u2014though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form, finding beauty in subtle details: the turn of a wrist, the curve of a spine, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form, embracing the challenge of capturing this complexity in paint. Beyond physical representation, her work also explores psychological dimensions, aiming to convey mood and emotional depth.\n\nHer technique, in both painting and sculpture, is highly detailed, realistic, and developed gradually over time through layered processes. At times, her work enters the realm of magical realism. While deeply personal, her narratives remain intentionally ambiguous, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit, Jones studied at Wayne State University, earning a Bachelor\u2019s degree in Art Education and a Master\u2019s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006, receiving numerous awards. In addition, she served as a board member and exhibition committee member for the Detroit Artists Market.",
        "occurrence_notes":"Mon-Friday, 9 am to 5 pm or by appointment serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "tags":["Exhibition","Humanities","Free","Family","Visual Arts","Detroit","ArtsRx","ArtsEngine"],
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    {
        "datetime_modified":"20260430T164108",
        "datetime_start":"20260703T090000",
        "datetime_end":"20260703T200000",
        "has_end_time":1,
        "date_start":"2026-07-03",
        "date_end":"2026-07-03",
        "time_start":"09:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The People\u2019s Bicentennial",
        "occurrence_title":"",
        "combined_title":"The People\u2019s Bicentennial",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This selection of original artifacts documents the work of the Peoples Bicentennial Commission (PBC), which challenged the official, corporate-sponsored commemoration of the 1976 bicentennial. This year we celebrate the 250th anniversary of the signing of the Declaration of Independence.\n\nItems on display are from the Joseph A. Labadie Collection, which documents social protest movements and radical history.\n\nHOURS\nSunday 2-8pm\nMonday-Thursday 9am-8pm\nFriday 9am-4pm\nSaturday 11am-5pm",
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        "permalink":"http:\/\/events.umich.edu\/event\/147925",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Hatcher Gallery Exhibit Room (1st floor)",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Library","Free","History"],
        "website":"https:\/\/www.lib.umich.edu\/events",
        "sponsors":[
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    {
        "datetime_modified":"20250828T001529",
        "datetime_start":"20260703T110000",
        "datetime_end":"20260703T190000",
        "has_end_time":1,
        "date_start":"2026-07-03",
        "date_end":"2026-07-03",
        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"From September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 3 \nCurated by Sometimes Space: Abhishek Narula (entry pillar)Curated by CYNK Studios: Nathan Byrne (courtyard pillar)",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
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    {
        "datetime_modified":"20260416T121510",
        "datetime_start":"20260703T120000",
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        "has_end_time":1,
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        "event_title":"Marianetta Porter: Breath, Fragment, Return",
        "occurrence_title":"",
        "combined_title":"Marianetta Porter: Breath, Fragment, Return",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nCurated by Juana Williams, this exhibition examines how Marianetta Porter uses everyday objects, fragments, and embodied memory to make absence an active, living presence while challenging linear histories. Rooted in African American experience, her practice treats what is discarded, overlooked, or missing not as loss, but as a source of meaning that continues to act on the present. Through her process and materials, Porter reveals how memory is carried in the body and embedded in ordinary things. Her work also resists forward-moving notions of time, instead presenting a diasporic temporality in which past, present, and lived experience circulate together through repetition, touch, and recall. In doing so, Porter proposes a vision of history as unfinished, memory as active, and absence as a force that sustains connection and shapes the present. \n\nMarianetta Porter is a visual artist and product designer whose research and creative practice are grounded in the study of African American history, culture, and representation. Through the language of visual art, she draws connections between historic memory and contemporary African American life, giving voice to the history of the African diaspora while acknowledging its central influence on the birth and flourishing of American culture.\n\nHer work has been exhibited nationally at institutions such as the Indianapolis Museum of Art, the Chicago Museum of Science and Industry, the Spoleto Festival, the Harriet Tubman Museum, and the Hampton University Museum of Art.\n\nShe earned her Bachelor of Fine Arts from Hampton University and her Master of Fine Arts from the University of Michigan. The recipient of numerous awards, Porter is Professor Emeritus at the University of Michigan\u2019s Stamps School of Art and Design.\n\nJuana Williams is a curator and writer whose work explores the intersections of cross-border intellectual history, cultural memory, and identity formation as expressed through modern and contemporary art from Africa and its diasporas.\n\nWilliams has held curatorial and academic appointments at organizations including the Detroit Institute of Arts, Library Street Collective, Wayne State University, and the Urban Institute for Contemporary Art. Her curatorial projects have been presented at institutions across the United States and France, including the Grand Rapids Art Museum, the Muskegon Museum of Art, Palais de Tokyo (Paris), and the Westmoreland Museum of American Art. In addition, she has presented lectures at various museums and universities and contributed to numerous exhibition catalogs. Her work has been written about in publications such as Artsy, Beaux Arts Magazine, Cond\u00e9 Nast Traveller, Michigan Chronicle, and Observer. Williams holds a BA in Fine Art and an MA in Art History from Wayne State University.",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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