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        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Comics Beyond Sight",
        "occurrence_title":"",
        "combined_title":"Comics Beyond Sight",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit covers a variety of creative approaches to comics accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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        "room":"Gallery, 1st Floor",
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        "has_livestream":0,
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        "tags":["Library","Free","Disability","Comics","Accessibility"],
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        "datetime_modified":"20260814T155307",
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        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
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        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
        "event_subtitle":"Exhibit",
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        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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        "datetime_modified":"20260806T162236",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 1010",
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        "tags":["ukraine","russia","Art"],
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        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
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        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
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        "tags":["Michigan Arts Festival","Visual Arts","Humanities","Disability Studies"],
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        "datetime_modified":"20260803T124814",
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        "event_title":"Like the Flowing River",
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        "combined_title":"Like the Flowing River: An exhibition by Tomoyuki Ueno",
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        "description":"Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form, one echoing the other, a repetition. They are a combination of certainty and ephemerality, as if hinged between living and loss. The specificity of Ueno\u2019s sculptural works reads like poetry. Ueno\u2019s installation offers visitors time away, for contemplation, to draw inward, to come inside, to ask the question, \u201cHow are art and the everyday intertwined?\u201d Honoring the Buddhist philosophy of impermanence, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of H\u014dj\u014dki, written by 13th-century Japanese Buddhist monk Kamo no Ch\u014dmei: \"The flow of the river is ceaseless, and the water is never the same\u2026\"*",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive-responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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        "event_title":"CEW+ Midweek Mindfulness",
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        "combined_title":"CEW+ Midweek Mindfulness: Virtual Guided Weekly Mindfulness Sits",
        "event_subtitle":"Virtual Guided Weekly Mindfulness Sits",
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        "description":"RSVP here: https:\/\/umich.zoom.us\/meeting\/register\/htrYM6lXQH28gjySTQaKIw\n\nJoin us on Wednesdays from 12:15 \u2013 12:45 pm. Register once to receive a Zoom link to access the sits each week or as your schedule allows.\n\nMindful meditation is a contemplative practice that, over time, can build resilience and coping skills to support you to gain perspective, navigate the demands of daily life, and build compassion. Weekly guided sits offer a virtual community of practice that explores present-moment awareness, open and directed attention, non-judgment, and self-compassion. CEW+ Midweek Mindfulness welcomes practitioners of all skill levels. Each session offers instruction, support, and the opportunity to practice guided and self-directed mindful meditation. Participate weekly, or drop in as your schedule allows. All are welcome!",
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