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BEGIN:VEVENT
DTSTAMP:20260814T151348
DTSTART;TZID=America/Detroit:20261126T080000
DTEND;TZID=America/Detroit:20261126T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that all comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for the blind and visually impaired\, assembled by the Accessible Comics Collective at San Francisco State University with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person known to have published their Ph.D. dissertation in comics format (UNFLATTENING).\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908562@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Library,Accessibility,Comics,Disability,Free
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261126T080000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907548@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260803T135300
DTSTART;TZID=America/Detroit:20261126T090000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Fashion/Forward
DESCRIPTION:Fashion/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and/or mental health differences from progressive art studios around the country. Both including fashion and about fashion\, the exhibition features drawings\, paintings\, sculptures\, textiles\, wearable clothing\, accessories\, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https://myumi.ch/qwVRX.
UID:149758-21907113@events.umich.edu
URL:https://events.umich.edu/event/149758
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Michigan Arts Festival,Humanities,Disability Studies
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260803T124814
DTSTART;TZID=America/Detroit:20261126T090000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Like the Flowing River
DESCRIPTION:Artist Tomoyuki Ueno creates individual works and installations where nature appears to be in an endless conversation with form\, one echoing the other\, a repetition. They are a combination of certainty and ephemerality\, as if hinged between living and loss. The specificity of Ueno’s sculptural works reads like poetry. Ueno’s installation offers visitors time away\, for contemplation\, to draw inward\, to come inside\, to ask the question\, “How are art and the everyday intertwined?” Honoring the Buddhist philosophy of impermanence\, one becomes a continuation of the other. The artist intends the space to offer a restorative and meditative experience.\n\nThis exhibition includes artworks created from natural materials foraged by the artist while in artist residency in Ann Arbor.\n\n*The title refers to the opening line of Hōjōki\, written by 13th-century Japanese Buddhist monk Kamo no Chōmei: \"The flow of the river is ceaseless\, and the water is never the same…\"*
UID:149763-21907145@events.umich.edu
URL:https://events.umich.edu/event/149763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Humanities,Visual Arts,Exhibition,Art
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260819T181517
DTSTART;TZID=America/Detroit:20261126T110000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive-responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881370@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260818T121513
DTSTART;TZID=America/Detroit:20261126T120000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n
UID:149541-21906648@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260813T101439
DTSTART;TZID=America/Detroit:20261126T190000
DTEND;TZID=America/Detroit:20261126T203000
SUMMARY:Social / Informal Gathering:Movie Nights at The Connector
DESCRIPTION:Wanna watch a movie and eat free popcorn? Join the Connector Community Assistants and watch a new movie or a classic while meeting new or familiar faces! Settle-in for a cozy night with us every Thursday as we enter into comfy Fall weather. \n\nThe Connector is located in West Quad.
UID:150143-21908235@events.umich.edu
URL:https://events.umich.edu/event/150143
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Welcome Week,Welcome Week Event,Welcome26,Housing,Free,Community Gathering,Community Engagement,Community Building
LOCATION:The Connector
CONTACT:
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