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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20260912T000326
DTSTART;TZID=America/Detroit:20261205T000000
DTEND;TZID=America/Detroit:20261205T235959
SUMMARY:Other:2026 Porter Classic Synchronized Skating Competition
DESCRIPTION:Synchronized Skating Competition in Ann Arbor\, Michigan. 
UID:151279-21911304@events.umich.edu
URL:https://events.umich.edu/event/151279
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:BIGGBY Coffee Ice Cube - Ann Arbor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260826T132935
DTSTART;TZID=America/Detroit:20261205T080000
DTEND;TZID=America/Detroit:20261205T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics visual accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for those who are blind or have low vision\, assembled by the Accessible Comics Collective at San Francisco State University (SFSU) with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person to draw his dissertation in comics format\, subsequently published as the graphic novel Unflattening.\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908571@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261205T080000
DTEND;TZID=America/Detroit:20261205T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908874@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T165408
DTSTART;TZID=America/Detroit:20261205T090000
DTEND;TZID=America/Detroit:20261205T200000
SUMMARY:Exhibition:Faster and More Fun: American Home Cooking in the 1920s
DESCRIPTION:Visit the Hatcher Gallery Exhibit Room to see historical materials that illustrate women’s changing relationship with food\, cooking\, and technology during the heady decade of the 1920s\, sandwiched between WWI and the Great Depression. This exhibit features materials from the Janice Bluestein Longone Culinary Archive\, as well as select items from the Art\, Architecture\, and Engineering Special Collections and the Transportation History Collection.\n\nAs America rang in a new decade in the 1920s\, cookbook authors and appliance manufacturers stood ready to offer the newly emancipated and forward-thinking American woman a vision for her future\, a vision that would be scientifically  grounded\, speedy enough to make time for leisure as well as housework\, and guaranteed to bring fun to that most humdrum of chores: planning and preparing meals for a family three times a day\, 365 days a year.
UID:150658-21909846@events.umich.edu
URL:https://events.umich.edu/event/150658
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T143717
DTSTART;TZID=America/Detroit:20261205T090000
DTEND;TZID=America/Detroit:20261205T173000
SUMMARY:Conference / Symposium:Past Matters: Environments and Methods in Medieval Europe and the Mediterranean
DESCRIPTION:The field of medieval environmental history has grown immensely from its inception 30 years ago. While scholars of the classical past and modern period registered environmental changes made by their powerful states a little earlier\, the topic caught on more slowly in the medieval field\, where small and ineffective states posed different methodological challenges. It took different ways of studying nature to see how environments changed in Europe and the Mediterranean during the millennium between 500 and 1500 CE. Scholars of the medieval environment of necessity adopted an acrobatic approach to the past\, bringing together the usual tools of the historian -- close textual analysis – with archaeology\, archaeobotany\, and scientific studies of pollen distribution\, weather patterns\, and the contents of middens. Today\, the field of medieval environmental history represents one of the most methodologically diverse and inventive among any branch of history.\n\n\nThis one-day conference\, with an opening session on the previous afternoon\, will appraise the major developments and turning points of the last 30 years in medieval environmental history with papers from some of the leading scholars in the field. Since one of the pioneers in medieval environmental history\, Paolo Squatriti\, has been on the faculty of the U of M for 25 years\, the conference will take cues from his seminal works and methodological turns. Panels will offer papers within the following themes: 1. History in the mundane 2. Historical agency and unexpected actors 3. The Mediterranean as a place of hybridity 4. Materiality and the past 5. Science in the service of history.\n\nFeaturing:\nJon Arnold (University of Tulsa)\nHenrik Dey (Hunter College)\nHussein Fancy (Yale University)\nBenjamin Graham (University of Memphis)\nRichard Hoffman (York University)\nAlyssa Kotva (The Ohio State University)\nJamie Kreiner (University of California\, Los Angeles)\nStephanie Leitzel (Cornell University)
UID:150198-21908385@events.umich.edu
URL:https://events.umich.edu/event/150198
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Anthropology,Environment,European,Graduate,Graduate Students,History,Humanities,Literature,Social Sciences
LOCATION:Tisch Hall - 1014
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121232
DTSTART;TZID=America/Detroit:20261205T103000
DTEND;TZID=America/Detroit:20261205T113000
SUMMARY:Presentation:Saturday Morning Physics | So\, You've Taken an Image with a Telescope — Now\, How Do You Measure the Expansion of the Universe?
DESCRIPTION:Hybrid Lecture: Join us in Weiser Hall in person (Rooms 170 and 182) or stream live: https://myumi.ch/QMmrw\n\nAstronomers use light to study everything from individual stars and planets to the history and evolution of the Universe. By observing the sky across all forms of light – from radio waves to visible light to gamma rays – we can turn images from telescopes into measurements of the cosmos. In this talk\, I describe how we go from taking images with telescopes all the way to making grand statements about the expansion of the Universe\, focusing on exploding stars called supernovae and examples from my research projects DEHVILS and SAINTS.
UID:150462-21909477@events.umich.edu
URL:https://events.umich.edu/event/150462
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Community Event,Faculty,Free,Graduate Students,Physics,Science,Staff,Undergrad Physics Events,Undergraduate Students
LOCATION:Weiser Hall - 170 & 182
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261205T110000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909069@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261205T110000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881376@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261205T120000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906655@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260728T153948
DTSTART;TZID=America/Detroit:20261205T120000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Community Service:Interfaith Service Opportunity: CASS Community Social Services Detroit
DESCRIPTION:Serve in Detroit with RSSL! \n\nCASS Community Social Services \n\nSaturday October 3\, 2026 | 12:00 - 5:00 PM \n\nBe part of something bigger than yourself! Join RSSL for an afternoon of meaningful service at CASS Community Social Services in Detroit. Work alongside community partners\, connect with fellow students\, and make a tangible impact while learning more about the people and organizations strengthening our community. \n\nTransportation is provided. \n\nRegistration is required. \n\nSpace is limited\, sign up today! \n\nhttps://myumi.ch/RQWrd
UID:149628-21906821@events.umich.edu
URL:https://events.umich.edu/event/149628
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Community Engagement,Community Service,Culture,Detroit,Discussion,Diversity,Diversity Equity and Inclusion,Faith,Free,Health & Wellness,In Person,Inclusion,Interfaith,Leadership,Multicultural,Networking,Religious,Social Impact,Social Justice,Volunteer,Workshop
LOCATION:Off Campus Location - CASS
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181531
DTSTART;TZID=America/Detroit:20261205T120000
DTEND;TZID=America/Detroit:20261205T160000
SUMMARY:Other:National Portfolio Day - Online
DESCRIPTION:\n\nExplore the nation’s best col­leges of art and design and meet with Stamps Admissions rep­re­sen­ta­tives\, who can pro­vide informal port­fo­lio reviews\, dis­cuss our unique cur­ricu­lum\, and answer ques­tions about pro­fes­sional careers in art. Show­ing your work early can help you acquire impor­tant infor­ma­tion about orga­niz­ing and pre­sent­ing your port­fo­lio for future admis­sion con­sid­er­a­tion. High school stu­dents\, par­ents\, teach­ers\, guid­ance coun­selors\, and col­lege trans­fer stu­dents are encour­aged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to theevent’s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone\, and register through the official National Portfolio Day website.
UID:150665-21909868@events.umich.edu
URL:https://events.umich.edu/event/150665
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260912T012223
DTSTART;TZID=America/Detroit:20261205T120000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Workshop / Seminar:RSSL Interfaith Service Opportunity: CASS
DESCRIPTION:Service Opportunity: Cass Community Social Services\nOctober 3\, 2026 | 12:00–5:00 PMJoin RSSL for an afternoon of service with Cass Community Social Services in Detroit. Together\, students will support an organization dedicated to meeting immediate needs while creating pathways toward long-term stability through food assistance\, affordable housing\, job training\, and community-building initiatives. This hands-on service experience invites students to put compassion into action\, deepen their understanding of social justice\, and build meaningful connections with one another while serving the broader Detroit community.Transportation will be provided from the University of Michigan\, making it easy for students to participate. Whether you're looking to give back\, meet new people\, or learn more about community engagement\, all are welcome to join us.
UID:149166-21906816@events.umich.edu
URL:https://events.umich.edu/event/149166
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:CASS Community Social Services
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260826T181708
DTSTART;TZID=America/Detroit:20261205T193000
DTEND;TZID=America/Detroit:20261205T213000
SUMMARY:Performance:Chamber Opera: \"The Medium\" (1946)
DESCRIPTION:The Department of Voice & Opera presents *The Medium*\, with music and libretto by Gian Carlo Menotti. \n\nSung in English. \n\nConductor: Timothy Cheek\nStage Director: Chía Patiño
UID:148735-21904677@events.umich.edu
URL:https://events.umich.edu/event/148735
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Music,North Campus,Storytelling,Theater
LOCATION:Earl V. Moore Building - McIntosh Theatre
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260422T132602
DTSTART;TZID=America/Detroit:20261205T200000
SUMMARY:Performance:Bedouine
DESCRIPTION:“humble folk-pop brilliance” –Rolling Stone\n\nAs a child\, if you’re lucky\, summer afternoons stretch out like a yawn\, pool waves are as warm and engulfing as a blanket\, the safety of your mother’s arms feels endless. On her new album\, Neon Summer Skin\, Bedouine\, the project of Azniv Korkejian\, explores this feeling of safety long before one can fully understand the concept. Written with vivid\, honest and intimate imagery after visiting her family in Saudi Arabia\, it tells the story of family and upbringing\, and mourns the end of her childhood. There is a singular resonance and newfound heft in this music previously unheard in Bedouine’s discography. \n\nBedouine is known for making gentle\, lilting folk songs that build fingerpicked guitar melodies into tsunamis of emotion. Her masterful songwriting and timeless melodies have earned her praise from publications like Pitchfork\, who said her music “boasts a surreal calm and lived in glow\,” and Rolling Stone\, who lauded her “humble folk-pop brilliance\,” plus an NPR Tiny Desk Concert\, and tours with the likes of Fleet Foxes and Father John Misty. \n\nAs personal as her songs have been\, they’ve often built upon universal experiences. The writing on Neon Summer Skin\, however\, is full of specific memories: a neon swim suit\, beads of water dripping down tangled hair\, the blood of a lamb\, often sacrificed at Syrian weddings\, oozing across the pavement. “It was the first time I had the inclination to write a record about one main subject which gave me a clarity and motivation I hadn't quite had before.” \n\nBedouine started working on the record after a trip to Saudi Arabia to visit her parents. She correctly assumed it would be her last one there because her family was retiring to Armenia. “For my 20s and much of my 30s\, I couldn’t sit still\,” she says. “I would pack my car and move to a new place. I was so curious about my own independence that it just didn't occur to me for the longest time to mourn the past. But after that trip\, I came home and was so devastated. I couldn't place the feeling immediately\, but as I started writing\, I realized I was processing that I wasn’t ready to stop being somebody’s kid. \n\nShe co-produced most of the songs with her longtime collaborator\, Gus Seyffert\, and wrote with the sweet pop melodies of Todd Rundgren\, Karen Carpenter\, and Carole King in mind. She also worked on a couple of tracks with producer Jonathan Rado with Michael and Brian D’Addario of the Lemon Twigs.  “It was important to me to try to approach some of the production of this record a little differently\, just to try something new\,” she says. The result is a fuller\, more playful sound\, at times grand and orchestral\, shimmery and surreal\, inflected with bits of psychedelia\, bossa nova\, and jazz.
UID:147617-21901364@events.umich.edu
URL:https://events.umich.edu/event/147617
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ark,Mutotix
LOCATION:ARK Reserved
CONTACT:
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