{ "150290-21908958": { "datetime_modified":"20260814T155307", "datetime_start":"20270227T080000", "datetime_end":"20270227T230000", "has_end_time":1, "date_start":"2027-02-27", "date_end":"2027-02-27", "time_start":"08:00:00", "time_end":"23:00:00", "time_zone":"America\/Detroit", "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them", "occurrence_title":"", "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit", "event_subtitle":"Exhibit", "event_type":"Exhibition", "event_type_id":"7", "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.", "occurrence_notes":null, "guid":"150290-21908958@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/150290", "building_id":"1000181", "building_name":"Hatcher Graduate Library", "campus_maps_id":"65", "room":"Clark Library, 2nd Floor", "location_name":"Hatcher Graduate Library", "has_livestream":0, "cost":"", "tags":["Maps","Library","Free"], "website":"https:\/\/www.lib.umich.edu\/events", "sponsors":[ { "group_name":"University Library", "group_id":"1186", "website":"https:\/\/www.facebook.com\/UMichLibrary\/" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2026\/08\/event_150290_original-1.jpg", "styled_images":{ 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"occurrence_title":"", "combined_title":"Aaron Berofsky, violin; Yeonjin Kim, cello & Christopher Harding, piano: Beethoven II: Piano Trios Op. 1 Nos. 1, 2 and 3", "event_subtitle":"Beethoven II: Piano Trios Op. 1 Nos. 1, 2 and 3", "event_type":"Performance", "event_type_id":"15", "description":"Professor Aaron Berofsky, new Professor of Cello Yeonjin Kim, and Professor Christopher Harding will present a concert of Beethoven\u2019s first published works: three very great piano trios in E-flat Major, G Major, and C Minor, which announced an immensely talented and ambitious young composer to the world. Presented in the 200th anniversary year of Beethoven\u2019s death.\n\nABOUT THE ARTISTS\n\nViolinist AARON BEROFSKY has toured extensively throughout the United States and abroad, gaining wide recognition as a soloist and chamber musician. As soloist, he has performed with orchestras in the United States, Germany, Italy, Spain and Canada. He has performed the complete cycle of Mozart violin sonatas at the International Festival Deia in Spain and all of the Beethoven sonatas at New York\u2019s Merkin Concert Hall. His 2011 recording of the complete Beethoven sonatas with Phillip Bush has been met with great acclaim.\n\nFrance\u2019s *Le Figaro* calls his playing \u201cBeautiful, the kind of music-making that gives one true pleasure\u201d. He has appeared in such renowned venues as Carnegie Hall, Alice Tully Hall, the 92nd Street Y, the Corcoran Gallery, Het Doelen, L'Octogone, Seoul National University, the Teatro San Jose and the Museo de Bellas Artes. Mr. Berofsky has been featured on NPR's *Performance Today* and on the Canadian Broadcasting Company. His acclaimed recordings can be found on the Sony, Naxos, New Albion, ECM, Audio Ideas, Blue Griffin and Chesky labels. Recent recital tours have taken him to Germany, Italy and Korea, and he was featured soloist on the 2009 NAXOS recording of music by Paul Fetler, performed by the Ann Arbor Symphony, including the debut recording of his Concerto No. 2. His recording of the complete chamber music of Franz Xavier Mozart was released in 2013 on Equilibrium.\n\nMr. Berofsky was the first violinist of the Chester String Quartet for fifteen years. The quartet has been acclaimed as \"one of the country's best young string quartets\" by the *Boston Globe*. Tours have taken them throughout the Americas and Europe and the quartet members have collaborated with such artists as Robert Mann, Arnold Steinhardt, Franco Gulli, members of the Alban Berg quartet, Andres Diaz, Eugene Istomin and Ruth Laredo. Some notable projects over the years have included the complete cycles of the quartets by Beethoven and Dvorak, and numerous recordings by such composers as Mozart, Haydn, Barber, Porter, Piston, Kernis and Tenenbom. The Chester Quartet has served as resident quartet at the University of Michigan and at Indiana University South Bend.\n\nAn alumnus of the Juilliard School, Mr. Berofsky was a scholarship student of Dorothy DeLay. Other important teachers have included Robert Mann, Felix Galimir, Glenn Dicterow, Lorand Fenyves and Elaine Richey. Mr. Berofsky is known for his commitment to teaching and is Professor of Violin at the University of Michigan and served as visiting Professor at the Hochschule fur Musik in Detmold, Germany. He taught at the Meadowmount School of Music for many summers and is currently on the violin faculty of the Chautauqua Institution. He has also given masterclasses throughout the world, including a 2013 tour of Korea which included classes at Seoul National University, Ewha Women\u2019s University, Seoul Arts High School and many others. He has also given class at the Cleveland Institute, Oberlin, Eastman, the Peter de Grote festival in the Netherlands, Domaine Forget in Quebec, Interlochen, the Adriatic Chamber Music Festival and the Conservatorio Palma Mallorca.\n\nMr. Berofsky's interest in early music led him to perform with the acclaimed chamber orchestra Tafelmusik on period instruments, also makingseveral recordings with them for the Sony label. He co-runs University of Michigan\u2019s Baroque Chamber Orchestra with harpsichordist Joseph Gascho. With a strong dedication to new music as well, he has worked extensively with many leading composers of the twentieth and twenty-first centuries, performing, commissioning and recording music by John Cage, William Bolcom, Zhou Long, Michael Daugherty, Aaron Jay Kernis, Susan Botti, Morton Subotnick, Paul Fetler and Bright Sheng.\n\nAaron Berofsky has been concertmaster of the Ann Arbor Symphony since 2003. He has also served as guest concertmaster for many orchestras throughout the US and Europe.\n\n---\n\nCellist YEONJIN KIM has received international acclaim as a soloist, recitalist, and chamber musician.\n\nKim has performed at major venues including the Kennedy Center, Konzerthaus Berlin, Berlin Philharmonie, Seoul Arts Center, and Suntory Hall, and as a soloist with orchestras in Cleveland, Ann Arbor, Colorado, Seoul, Tianjin, and Manila. Her concerts have been broadcast on television and radio across the United States, Korea, China, and Japan.\n\nShe has been a top prizewinner in several international competitions, including the Sorantin International Competition, Dichler-Sato International Competition, Viva Hall Competition, and the Korea Philharmonic Orchestra Competition. Her solo recording of Max Reger\u2019s Three Suites for Cello Solo has been praised for its depth and expressive power. An avid chamber musician, Kim has also collaborated with numerous world-renowned artists and performs regularly with her sisters as part of Trio K.\n\nKim has taught and mentored students from around the world, drawing on her extensive experience across Korea, the United States, China, and Japan. She has served on the faculty of the Tianjin Juilliard School and has held teaching appointments at the University of Michigan, Oberlin Conservatory, and Furman University. She has presented master classes at leading institutions such as the Juilliard School, Korean National University of Arts, Liszt Academy, YST Conservatory, Taipei National University of the Arts, and the Shanghai Conservatory. Many of her students have gone on to win international competitions and secure positions in leading orchestras and institutions.\n\nA graduate of Seoul National University, Kim earned her orchestra certificate from Toho Gakuen in Japan, her MM from the Cleveland Institute of Music, and her DMA from the University of Michigan.\n\n---\n\nPianist CHRISTOPHER HARDING maintains an international presence as a noted teacher and performer. He has given solo, concerto, and chamber music performances in venues as far flung as the Kennedy Center and Phillips Collection in Washington, D.C., the IBK and Recital Halls of the Seoul Art Center, Suntory Hall in Tokyo, the National Theater Concert Hall in Taipei, the Jack Singer Concert Hall in Calgary, and halls and festival appearances in Newfoundland, Israel, Italy, Singapore, Thailand, Indonesia, Romania, Russia, and China. His concerto performances have included concerts with the National Symphony and the Saint Louis Symphony Orchestras, the San Angelo and Santa Barbara Symphonies, and the Tokyo City Philharmonic, working with such conductors as Andrew Sewell, Eric Zhou, Taijiro Iimori, Gisele Ben-Dor, Fabio Machetti, Randall Craig Fleisher, John DeMain, Ron Spiegelman, Daniel Alcott, and Darryl One, among others.\n\nMr. Harding\u2019s chamber music and duo collaborations have included internationally renowned artists such as clarinetist Karl Leister, flautist Andras Adorjan, and members of the St. Lawrence and Ying String Quartets, in addition to frequent projects with his distinguished faculty colleagues at the University of Michigan. He has recorded solo and chamber music CDs for the Equilibrium and Brevard Classics labels. He has additionally edited and published critical editions and recordings of works by Claude Debussy (Children's Corner, Suite Bergamasque, the Arabesques and shorter works) and Wolfgang Amadeus Mozart (Viennese Sonatinas) for the Schirmer Performance Editions published by Hal Leonard.\n\nProfessor Harding has presented master classes and lecture recitals in universities across the United States and Asia, as well as in Europe, Israel, and Canada. He is a Permanent Guest Professor at the Sichuan Conservatory in Chengdu, China; he has additionally served as a Fulbright Senior Specialist at the Sichuan Conservatory (2008) and Seoul National University (2011) and Ewha Womans\u2019 University (2023). He has taught masterclasses and performed lecture recitals at all the major universities and schools of music in South Korea, and throughout China, Taiwan, Thailand, Indonesia and Singapore.\n\nIn addition to serving as Chair of Piano and teaching undergraduate and graduate piano performance and chamber music at the University of Michigan School of Music, Theatre & Dance, Mr. Harding also serves on the faculty of the Sicily International Piano Festival and is a regular guest artist and teacher at the Rebecca Penneys Piano Festival in Tampa, Florida. \n\nHarding was born of American parents in Munich, Germany and raised in Northern Virginia. His collegiate studies were with Menahem Pressler and Nelita True. Prior to college, he worked for 10 years with Milton Kidd at the American University Department of Performing Arts Preparatory Division, where he was trained in the traditions of Tobias Matthay. He has taken 25 first prizes in national and international competitions and in 1999 was awarded the special \"Mozart Prize\" at the Cleveland International Piano Competition, given for the best performance of a composition by Mozart.", "occurrence_notes":null, "guid":"149530-21906568@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/149530", "building_id":"1000440", "building_name":"Earl V. Moore Building", "campus_maps_id":"52", "room":"Britton Recital Hall", "location_name":"Earl V. 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But the spiraling McNeal has little space to enjoy the honor, as his health, personal relationships, and professional reputation all teeter on the edge of disaster. McNeal himself threatens to push them all over as he delves deeper into his use of AI to tell stories that might not be his to tell. 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