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        "time_start":"08:00:00",
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        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
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        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
        "event_subtitle":"Exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd Floor",
        "location_name":"Hatcher Graduate Library",
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        "tags":["Maps","Library","Free"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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        "datetime_modified":"20260806T162236",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 1010",
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        "tags":["russia","ukraine","Art"],
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        "datetime_modified":"20260929T124858",
        "datetime_start":"20270301T200000",
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        "date_start":"2027-03-01",
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        "time_start":"20:00:00",
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        "event_title":"Mei Semones",
        "occurrence_title":"",
        "combined_title":"Mei Semones: Presented by The Ark",
        "event_subtitle":"Presented by The Ark",
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        "event_type_id":"15",
        "description":"Jazz influenced indie pop\n\nOn the night of the Fourth of July, fireworks over Mei Semones' Brooklyn block were competing with something more primal. Up and down the street, dogs answered each burst with a long, ragged howl of their own. Semones, alone in her apartment with her guitar while the rest of the city celebrated outside, found she didn't mind the solitude. The howling struck her less as a cry for help than as a kind of greeting: proof that she was never really by herself, not with music always keeping her company. By morning, she had the seed of the title track for her sophomore album, Howl.\n \n\"Sometimes making music feels like howling into the universe,\" Semones says. \"I make music because I like it, because it feels instinctual \u2014 but it also connects me to people close and far. I like to think of this music as my howl.\"\n \nAt 26, the Brooklyn-based Japanese American guitarist and singer-songwriter \u2014 already named an Artist to Watch by The New York Times and Stereogum, and Artist You Need to Know by Rolling Stone and The FADER \u2014 has developed a sound that brings together jazz, bossa nova, samba and grungy math rock without treating any of them as separate worlds. Her bilingual songwriting works in much the same way. \n \nGrowing up in Ann Arbor, Semones began playing piano at age four on an instrument gifted by her Japanese grandmother before picking up electric guitar at 11, inspired in part by Marty McFly's performance of \"Johnny B. Goode\" in Back to the Future. Semones also spent summers as a child in Yokosuka, Japan \u2014 where her grandmother lived \u2014 attending a local elementary school for two weeks each year and spending long afternoons catching cicadas, playing soccer, building things with mud, and searching for rhinoceros beetles. Those unhurried childhood experiences would later shape her 2024 EP, Kabutomushi, named after the very beetles she would catch with her school friends in Yokosuka.\n \nIn high school, she was introduced to jazz through greats like Charlie Parker, John Coltrane, Bud Powell, Thelonious Monk and Wes Montgomery, and around the same time she discovered bossa nova through Jo\u00e3o Gilberto's recordings. She later studied music with a focus on guitar at Berklee College of Music.\n  \nHowl, the second studio album by Mei Semones, is out on January 15th via Verve\/Interscope\n\nMei Semones VIP Experience includes the below: \nA Meet & Greet and photo with Mei Semones\nOne (1) VIP exclusive merch item\nEarly Entry To The Venue\nEarly Access To The Merch Table\nOne (1) GA ticket",
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