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    "149975-21907658":
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        "datetime_modified":"20260806T162236",
        "datetime_start":"20270315T080000",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Art","russia","ukraine"],
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                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
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    {
        "datetime_modified":"20260921T122847",
        "datetime_start":"20270315T160000",
        "datetime_end":"20270315T180000",
        "has_end_time":1,
        "date_start":"2027-03-15",
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        "event_title":"A Brief History of Pretending to Use the Computer",
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        "combined_title":"A Brief History of Pretending to Use the Computer: Nick Seaver, Tufts University",
        "event_subtitle":"Nick Seaver, Tufts University",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"The post-pandemic explosion of work-from-home arrangements is often credited with the rise of \"mouse jigglers,\" devices or programs that simulate user input, allowing workers to evade surveillance by their managers. But the history of pretending to use computers is nearly as long as the history of actually using them. This talk traces the genealogy of techniques for simulating computer use, ranging from coffee mugs set on keyboards to AI agents granted root-level privileges. These techniques have evolved in parallel with new methods and motives for detecting computer use\u2014most conspicuously, efforts to assess whether users are paying attention by conflating their attention with the activity of the machines they use. The ubiquity of simulated computer use raises questions about the units in which the attention economy is denominated.\n\nNick Seaver is Associate Professor of Anthropology at Tufts University, where he also directs the program in Science, Technology & Society. His research examines the relationship between cultural concepts and technological practices, particularly in computational settings. He is co-editor of Towards an Anthropology of Data (2021) and the author of Computing Taste: Algorithms and the Makers of Music Recommendation (2022), an ethnographic study of music recommender system developers. He is currently writing a book on the meaning and measurement of attention and developing a project on the anthropology of contraptions.",
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        "tags":["Science","Society","Technology"],
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                "group_name":"Science, Technology and Society",
                "group_id":"3327",
                "website":"http:\/\/www.lsa.umich.edu\/sts"                },             {
                "group_name":"Department of Anthropology",
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    {
        "datetime_modified":"20260928T143448",
        "datetime_start":"20270315T160000",
        "datetime_end":"20270315T173000",
        "has_end_time":1,
        "date_start":"2027-03-15",
        "date_end":"2027-03-15",
        "time_start":"16:00:00",
        "time_end":"17:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Elsa Yan Seminar",
        "occurrence_title":"",
        "combined_title":"Elsa Yan Seminar: Elsa Yan | Yale",
        "event_subtitle":"Elsa Yan | Yale",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"TBD",
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                "guid":"152387-21913623@events.umich.edu",
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        "building_name":"Chemistry Dow Lab",
        "campus_maps_id":"34",
        "room":"CHEM 1640",
        "location_name":"Chemistry Dow Lab",
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        "cost":"",
        "tags":["Chemistry"],
        "website":"https:\/\/yan.chem.yale.edu\/people",
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             {
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                "group_id":"3761",
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