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    {
        "datetime_modified":"20260728T142037",
        "datetime_start":"20260930T090000",
        "datetime_end":"20260930T170000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Grand Vision",
        "occurrence_title":"",
        "combined_title":"Grand Vision: An exhibition by Olayami Dabls",
        "event_subtitle":"An exhibition by Olayami Dabls",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Visiting artist Olayami Dabls is a storyteller, curator, educator, and mentor. He is the founder of the MBAD African Bead Museum in Detroit. Through material culture, Dabls presents commentary on the past, present, and future from African and African-American perspectives, with the understanding that generations of African ancestors used visual materials to convey information about their identity as well as send messages for healing and protection. Dabls is a luminary; for decades he has re-imagined what a museum space can be, accessible to everyone, free from the underpinnings of colonialism and the Western, often white, frame. *Grand Vision* includes a conceptual installation in the Gallery, presenting Dabls\u2019s own work in visual conversation with African beads and artifacts from Dabls\u2019s Bead Museum collections. \n\nAdditionally, Dabls\u2019s iconic outdoor sculpture *Iron Teaching Rocks Table Manners* will be installed on the U-M campus grounds near UMMA, at the intersection of State Street and South University from September 17- October 11, 2026. The project\u2019s range intends to more fully articulate the many facets of Dabls\u2019 creative practice, and the overlay of art, history, identity, community, and healing.",
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        "room":"Institute for the Humanities Gallery",
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        "tags":["African American","Art","Detroit","Exhibition","Humanities","Michigan Arts Festival","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "datetime_start":"20260930T090000",
        "datetime_end":"20260930T170000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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                "guid":"150287-21908793@events.umich.edu",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
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        "tags":["Art","Humanities","Visual Arts"],
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        "datetime_modified":"20260806T102928",
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        "datetime_end":"20260930T184500",
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        "time_zone":"America\/Detroit",
        "event_title":"The Stories We Carry",
        "occurrence_title":"",
        "combined_title":"The Stories We Carry: Writer Colum McCann in Conversation with Michigan Public's April Baer",
        "event_subtitle":"Writer Colum McCann in Conversation with Michigan Public's April Baer",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"*Free and open to the public. Registration is not required. *\n\nNovelist Colum McCann joins Michigan Public's April Baer for a conversation on storytelling as an act of empathy and why listening matters now more than ever. \n\nStories have the power not only to entertain or inform, but to help us imagine lives beyond our own. In this special Jill S. Harris Memorial Lecture, internationally acclaimed novelist Colum McCann joins Michigan Public's April Baer for a conversation about storytelling as an act of empathy, curiosity, and human connection. Drawing on McCann's celebrated fiction and his work as co-founder of Narrative 4, the discussion will explore how stories invite us to listen more deeply, understand one another across differences, and expand our sense of what it means to be human. At a time when genuine listening can feel increasingly rare, this conversation will consider the unique role that literature and storytelling can play in helping us encounter one another with greater openness, compassion, and imagination.\n\nJoin us after the conversation for a Community Story Exchange led by Narrative 4 at 7pm! Registration required. More details at https:\/\/events.umich.edu\/event\/149899.\n\nColum McCann is the author of eight novels, three collections of stories and two works of non-fiction. Born and raised in Dublin, Ireland, he has been the recipient of many international honours, including the U.S National Book Award, the International Dublin Literary Prize, a Chevalier des Arts et Lettres from the French government, election to the Irish arts academy, several European awards, the 2010 Best Foreign Novel Award in China, and an Oscar nomination. In 2017 he was elected to the American Academy of Arts.  He is the President and co-founder of the non-profit global story exchange organisation, Narrative 4. He lives in New York with his wife Allison and their family.  His 2009 novel Let the Great World Spin has sold a million copies in the United States alone, and was voted on the New York Times Readers List, \u201c100 Best Books of the 21st Century.\u201d  \n\nApril Baer is the host of Michigan Public\u2019s Stateside talk show. Prior to her arrival in Michigan, April was the host of the weekly show State of Wonder on Oregon Public Broadcasting (OPB) for the past six years. Before that, she was the Morning Edition host and a reporter at OPB, covering beats including government and legal affairs, changing demographics and the arts.\n\n*The Jill S. Harris Memorial Endowment was established in 1985 by Roger and Meredith Harris, Jill\u2019s parents, her grandparents Allan and Norma Harris, and friends. The fund was established in memory of Jill, a resident of Chicago and undergraduate student at U-M who passed away due to injuries from an auto accident.*",
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        "room":"Helmut Stern Auditorium",
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        "cost":"",
        "tags":["american culture","Books","Community Building","Humanities","Inclusion","Literature","Michigan Arts Festival","Storytelling"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "datetime_modified":"20260819T160813",
        "datetime_start":"20260930T190000",
        "datetime_end":"20260930T203000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"19:00:00",
        "time_end":"20:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Community Story Exchange",
        "occurrence_title":"",
        "combined_title":"Community Story Exchange: Facilitated by Narrative 4",
        "event_subtitle":"Facilitated by Narrative 4",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"*\"You tell my story, I tell yours. In the first-person. Face to face.\" *\n    * \u2013Colum McCann, co-founder of Narrative 4*\n\nHeld in conjunction with The Stories We Carry, featuring acclaimed novelist Colum McCann in conversation with Michigan Public's April Baer (https:\/\/myumi.ch\/NXrg9), this facilitated workshop offers the opportunity to put the evening's ideas into practice. Participants will pair with another attendee, share a personal story in response to a common prompt, and then retell their partner's story in the first person\u2014a powerful exercise in empathy, perspective-taking, and human connection.\n\nNo storytelling experience is required. Whether or not you attended the preceding conversation with Colum McCann, you are welcome to participate. Space is limited, and advance registration is required. Register to attend the story exchange at https:\/\/forms.gle\/pQP3PbMdD3LvZ3tQA.\n\nNarrative 4 is a global nonprofit that believes stories can change the world. Co-founded by acclaimed novelist Colum McCann, Narrative 4 brings people together through its signature Story Exchange, an evidence-informed practice that invites participants to share a personal story and then tell their partner's story in the first person. Used in schools, universities, and communities around the world, the Story Exchange cultivates empathy, deep listening, and meaningful human connection across lines of difference.",
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        "tags":["Community Conversation","First-generation","Humanities","Inclusion","Storytelling","Undergraduate Students"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "datetime_modified":"20260728T142037",
        "datetime_start":"20261001T090000",
        "datetime_end":"20261001T170000",
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        "date_end":"2026-10-01",
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        "time_zone":"America\/Detroit",
        "event_title":"Grand Vision",
        "occurrence_title":"",
        "combined_title":"Grand Vision: An exhibition by Olayami Dabls",
        "event_subtitle":"An exhibition by Olayami Dabls",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Visiting artist Olayami Dabls is a storyteller, curator, educator, and mentor. He is the founder of the MBAD African Bead Museum in Detroit. Through material culture, Dabls presents commentary on the past, present, and future from African and African-American perspectives, with the understanding that generations of African ancestors used visual materials to convey information about their identity as well as send messages for healing and protection. Dabls is a luminary; for decades he has re-imagined what a museum space can be, accessible to everyone, free from the underpinnings of colonialism and the Western, often white, frame. *Grand Vision* includes a conceptual installation in the Gallery, presenting Dabls\u2019s own work in visual conversation with African beads and artifacts from Dabls\u2019s Bead Museum collections. \n\nAdditionally, Dabls\u2019s iconic outdoor sculpture *Iron Teaching Rocks Table Manners* will be installed on the U-M campus grounds near UMMA, at the intersection of State Street and South University from September 17- October 11, 2026. The project\u2019s range intends to more fully articulate the many facets of Dabls\u2019 creative practice, and the overlay of art, history, identity, community, and healing.",
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        "datetime_start":"20261008T090000",
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        "has_end_time":1,
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        "event_title":"Grand Vision",
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        "combined_title":"Grand Vision: An exhibition by Olayami Dabls",
        "event_subtitle":"An exhibition by Olayami Dabls",
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        "description":"Visiting artist Olayami Dabls is a storyteller, curator, educator, and mentor. He is the founder of the MBAD African Bead Museum in Detroit. Through material culture, Dabls presents commentary on the past, present, and future from African and African-American perspectives, with the understanding that generations of African ancestors used visual materials to convey information about their identity as well as send messages for healing and protection. Dabls is a luminary; for decades he has re-imagined what a museum space can be, accessible to everyone, free from the underpinnings of colonialism and the Western, often white, frame. *Grand Vision* includes a conceptual installation in the Gallery, presenting Dabls\u2019s own work in visual conversation with African beads and artifacts from Dabls\u2019s Bead Museum collections. \n\nAdditionally, Dabls\u2019s iconic outdoor sculpture *Iron Teaching Rocks Table Manners* will be installed on the U-M campus grounds near UMMA, at the intersection of State Street and South University from September 17- October 11, 2026. The project\u2019s range intends to more fully articulate the many facets of Dabls\u2019 creative practice, and the overlay of art, history, identity, community, and healing.",
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        "event_title":"7th Annual Creating Community Conference",
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        "combined_title":"7th Annual Creating Community Conference: The Expanding Landscape of Art and Disabilities",
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        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
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        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
        "event_type":"Exhibition",
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        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "description":"Join us as we celebrate the opening of the *Fashion\/Forward* pop-up exhibition in the Institute for the Humanities Osterman Common Room.\n\n*Fashion\/Forward *is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "event_title":"Great Michigan Gathering Watch Party",
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        "combined_title":"Great Michigan Gathering Watch Party: Livestream event featuring *The Art of Gathering* author Priya Parker",
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        "description":"Visiting artist Olayami Dabls is a storyteller, curator, educator, and mentor. He is the founder of the MBAD African Bead Museum in Detroit. Through material culture, Dabls presents commentary on the past, present, and future from African and African-American perspectives, with the understanding that generations of African ancestors used visual materials to convey information about their identity as well as send messages for healing and protection. Dabls is a luminary; for decades he has re-imagined what a museum space can be, accessible to everyone, free from the underpinnings of colonialism and the Western, often white, frame. *Grand Vision* includes a conceptual installation in the Gallery, presenting Dabls\u2019s own work in visual conversation with African beads and artifacts from Dabls\u2019s Bead Museum collections. \n\nAdditionally, Dabls\u2019s iconic outdoor sculpture *Iron Teaching Rocks Table Manners* will be installed on the U-M campus grounds near UMMA, at the intersection of State Street and South University from September 17- October 11, 2026. The project\u2019s range intends to more fully articulate the many facets of Dabls\u2019 creative practice, and the overlay of art, history, identity, community, and healing.",
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        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
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        "event_title":"Paris is Burning",
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        "description":"Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City\u2019s African American and Latinx Harlem drag ball scene. Made over seven years, *Paris Is Burning *offers an intimate portrait of rival fashion \u201chouses,\u201d from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia and transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women\u2014including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza\u2014*Paris Is Burning *brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.\n\nDigitally remastered by the UCLA Film and Television Archive in conjunction with Sundance Institute and Outfest UCLA Legacy Project. Preservation funded by Sundance Institute, Outfest, and the Andrew J. Kuehn Jr. Foundation.",
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        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"America at 250: History, Memory, and Truth",
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        "combined_title":"America at 250: History, Memory, and Truth: Reflections with Lonnie G. Bunch III, Secretary of the Smithsonian Institution",
        "event_subtitle":"Reflections with Lonnie G. Bunch III, Secretary of the Smithsonian Institution",
        "event_type":"Lecture \/ Discussion",
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        "description":"Rescheduled from the original March, 2026 date!\n\nFree and open to the public. Registration is not required but we would appreciate it if you let us know you're coming at https:\/\/myumi.ch\/bDEz9.\n\nMuseums are the classrooms of our country. They play a crucial role in helping us understand the nation\u2019s complex past. Join us for a dynamic conversation with Lonnie G. Bunch III, Secretary of the Smithsonian Institution and Lynette Clemetson, Director of Wallace House Center for Journalists, as they reflect on the significance of the 250th anniversary of the United States.  At a moment in which discussions about our shared past and collective future feel especially urgent, this event offers an opportunity to learn from a leader who has devoted his career to informing and inspiring Americans to strive for the public good. \n\nQ & A will follow and copies of Secretary Bunch's book *A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump* will be available for purchase. \n\nParking is available at the Thayer Parking Structure, 216 S. Thayer, at the standard charge of $10\/vehicle.\n\nLonnie G. Bunch III is the 14th Secretary of the Smithsonian. He assumed his position June 16, 2019. As Secretary, he oversees 21 museums, 21 libraries, the National Zoo, numerous research centers, and several education units and centers. Two new museums\u2014the National Museum of the American Latino and the Smithsonian American Women\u2019s History Museum\u2014are in development. Bunch was the founding director of the Smithsonian\u2019s National Museum of African American History and Culture. Bunch chronicled the creation of the museum in his book, *A Fool\u2019s Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump*, and is the first historian to be Secretary of the Institution. Since 2024, Bunch has been Honorary Professor of Practice at Queen\u2019s University Belfast. A member of the American Academy of Arts & Sciences, Bunch received France\u2019s highest award, The Legion of Honor, in 2021.\n\nLynette Clemetson is Director of Wallace House Center for Journalists, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards for Young Journalists at the University of Michigan. She came to the university from NPR where she was Senior Director of Strategy and Content Initiatives, developing and guiding projects across broadcast, digital and events to develop new audiences. Her career in journalism spans newspapers, magazines and audio across a range of platforms. As a reporter, she was a Washington-based correspondent for *The New York Times *and *Newsweek*, writing about politics, social issues and demographic change. Prior to her domestic correspondent work, she was an international correspondent for *Newsweek *based in Hong Kong, where she covered the former British colony\u2019s return to Chinese rule in 1997. She moved into digital strategy and leadership in 2008 as the founding managing editor of TheRoot.com, launched for The Washington Post Company with Henry Louis Gates Jr. She is also the former Director of Content Strategy at Pew Center on the States.\n\n*This 2026 Marc and Constance Jacobson Lecture is presented by the Institute for the Humanities in partnership with Wallace House Center for Journalists. Additional support provided by the Initiative for Democracy & Civic Empowerment, Life-Changing Education, Museum Studies Program, U-M Library, and the U-M Museum of Art*.",
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        "tags":["African American","american culture","Art","Art History","Democracy","Discussion","History","Humanities","Michigan Arts Festival","Museum"],
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        "event_title":"Fashion\/Forward",
        "occurrence_title":"",
        "combined_title":"Fashion\/Forward: An exhibition by artists with developmental disabilities and mental health differences",
        "event_subtitle":"An exhibition by artists with developmental disabilities and mental health differences",
        "event_type":"Exhibition",
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        "description":"Fashion\/Forward is an invitational group exhibition celebrating the innovative work by artists with developmental disabilities and\/or mental health differences from progressive art studios around the country. Both including fashion and about fashion, the exhibition features drawings, paintings, sculptures, textiles, wearable clothing, accessories, and other fabulous fashion-inspired works and is organized in conjunction with the 2026 Creating Community Conference. Learn more about the conference at https:\/\/myumi.ch\/qwVRX.",
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        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
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        "datetime_modified":"20260904T125608",
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        "time_start":"16:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
        "occurrence_title":"",
        "combined_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
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        "description":"As people working in the humanities and the arts, we know our work matters\u2013to our fields, to our disciplines, and to society. We have seen how the arts and humanities transform perception, provide expertise, and help people grapple with the biggest questions about what it means to be human and to live in an increasingly interconnected, yet often divided world. And, in both the arts and humanities, we know UM faculty are contributing to their disciplines in deeply meaningful ways. \n\nYet, for all we know about these positive effects, arts and humanities research is often imagined to be at odds with the metric-driven language of \u201cimpact\u201d--a term often seen as imposed from fields outside the arts and humanities. At the same time, \u201cimpact\u201d has become the dominant framework for measuring the value of academic research. As a result, arts and humanities faculty are often called upon to describe our \u201cimpact\u201d in ways that are legible to University leadership and funding imperatives, even as we feel uneasy about how to answer such calls in ways that are authentic to our work. How do we avoid finding ourselves outside terms that are increasingly important in the fight for the continued growth and resilience of higher education in the U.S?\n\n\u201cWhat\u2019s Our Impact?: Understanding how the Arts & Humanities Matter\u201d is a series of events slated for October 29 & 30 on UM\u2019s Ann Arbor campus. A joint initiative of the UM Arts Initiative, Office of Vice President of Research (OVPR), and the Institute for Humanities, the gathering will serve arts and humanities faculty seeking more ways to discuss their work in terms that are legible within the ascendant impact paradigm, while also ensuring that those terms are authentic to our disciplines, methods, and creative practice. Through a public conversation, facilitated workshop, keynote from UM leadership, and a panel with funders, the 1.5 day long event will bring together experts\u2013those engaging \u201cimpact\u201d in their research, those in leadership, and those community partners with whom we work\u2013and put them in conversation with arts and humanities leadership and researchers at the University of Michigan. In addition to allowing our communities to come together to elaborate what \u201cimpact\u201d means on our terms, this event is also designed to help humanities and arts faculty recognize how they could become more competitive in University grant opportunities, including the Strategic Initiative Fund, the Arts Research: Incubation and Acceleration (ARIA) program, Humanities Institute Fellowship, and a range of other internal and external funding initiatives.\n\nThursday, October 29, 4:30-6:30\nWhat Works Now: arts and humanities advocacy in the impact paradigm \nPendleton Room, Michigan Union (2nd floor) \na public discussion about making the best case for the arts and humanities with leading voices, including \nProfessor Jill Dolan, Annan Professor Emeritus of English, Princeton University\nArtist, Curator, and Organizer Ryan Myers-Johnson, Executive Director and Founder of Sidewalk Detroit\nProfessor Shelome Gooden, Assistant Vice Chancellor for Research in the Humanities, Arts, Social Sciences and Related Fields, University of Pittsburgh\nJennifer Rupp, President & CEO, Michigan Humanities\n\nFriday, October 30\nMichigan Room, Michigan Union (2nd floor)\n\n9-11:30\n\u201cImpact\u201d in Our Own Words: a workshop for arts and humanities faculty\nArts and humanities faculty bring current project ideas and experiment with ways of discussing \u201cimpact\u201d \n\n11:30: Lunch served\n\n12-12:45: Keynote lunch talk with Vice Provost for Arts & Humanities Sara Blair\nMichigan Room, Michigan Union (2nd floor)\n\n1-2:30\nMaking the Case: Funders on Arts and Humanities Impact\nMichigan Room, Michigan Union (2nd floor)\nHear from internal and external funders on how \u201cimpact\u201d plays a role in their granting process",
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        "event_title":"Alternative Affinities: Constellations of Kinship and Community",
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        "combined_title":"Alternative Affinities: Constellations of Kinship and Community: 2026 Graduate Student Conference",
        "event_subtitle":"2026 Graduate Student Conference",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"The Kleinfamilie, or \u201cnuclear family,\u201d endures as a core structure that helps to define human relations. With roots in the eighteenth century, the Kleinfamilie provided a social and economic foundation for the rise of the modern nation state. However, the heterogeneous and multidimensional ways individuals and communities connect with one another today require a broader focus. A more fluid and encompassing term, \u201ckinship,\u201d offers a way of seeing and describing those ties that extend beyond the nuclear family and are by nature shifting and\ntemporary.\n\nUsing kinship as a framework, Heidi Schlipphacke\u2019s book The Aesthetics of Kinship: Form and Family in the Long Eighteenth Century (Bucknell University Press, 2023) reexamines 18th-century German novels and dramas to uncover alternative affinities that are hidden when exclusively considered through the walled-off Kleinfamilie. Sclipphacke\u2019s investigation belongs to a larger body of recent scholarly work seeking to reconceive of  repurpose the term \u201ckinship.\u201d For example, Jennifer Evans\u2019s The Queer Art of History: Queer Kinship after Fascism (Duke University Press, 2023) deploys kinship as an analytic category to demonstrate how queer and trans people in postwar and contemporary Germany navigated citizenship, love, and public and family life. A broader investigation into kinship, Adele E. Clarke\u2019s and Donna Harraway\u2019s edited volume\nMaking Kin Not Population: Reconceiving Generations (The University of Chicago Press, 2018) contemplates questions of reproductive and environmental justice to\nconsider how we establish personal and public connections today. Building on recent interventions like these, this conference will approach kinship as an interdisciplinary tool for exploring relational networks and the formation of personal and collective identity within\u2013and in opposition to\u2013\u201cWestern,\u201d modern, white, heterosexual, and even anthropocentric norms.",
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        "tags":["Books","Conference","Ecology","European","European Studies","Free","German","German Studies","Germanic Languages And Literatures","Germany","global","Graduate","Graduate School","Graduate Students","Humanities","In Person","Interdisciplinary","International","Language","LGBT"],
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        "event_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
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        "combined_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
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        "description":"As people working in the humanities and the arts, we know our work matters\u2013to our fields, to our disciplines, and to society. We have seen how the arts and humanities transform perception, provide expertise, and help people grapple with the biggest questions about what it means to be human and to live in an increasingly interconnected, yet often divided world. And, in both the arts and humanities, we know UM faculty are contributing to their disciplines in deeply meaningful ways. \n\nYet, for all we know about these positive effects, arts and humanities research is often imagined to be at odds with the metric-driven language of \u201cimpact\u201d--a term often seen as imposed from fields outside the arts and humanities. At the same time, \u201cimpact\u201d has become the dominant framework for measuring the value of academic research. As a result, arts and humanities faculty are often called upon to describe our \u201cimpact\u201d in ways that are legible to University leadership and funding imperatives, even as we feel uneasy about how to answer such calls in ways that are authentic to our work. How do we avoid finding ourselves outside terms that are increasingly important in the fight for the continued growth and resilience of higher education in the U.S?\n\n\u201cWhat\u2019s Our Impact?: Understanding how the Arts & Humanities Matter\u201d is a series of events slated for October 29 & 30 on UM\u2019s Ann Arbor campus. A joint initiative of the UM Arts Initiative, Office of Vice President of Research (OVPR), and the Institute for Humanities, the gathering will serve arts and humanities faculty seeking more ways to discuss their work in terms that are legible within the ascendant impact paradigm, while also ensuring that those terms are authentic to our disciplines, methods, and creative practice. Through a public conversation, facilitated workshop, keynote from UM leadership, and a panel with funders, the 1.5 day long event will bring together experts\u2013those engaging \u201cimpact\u201d in their research, those in leadership, and those community partners with whom we work\u2013and put them in conversation with arts and humanities leadership and researchers at the University of Michigan. In addition to allowing our communities to come together to elaborate what \u201cimpact\u201d means on our terms, this event is also designed to help humanities and arts faculty recognize how they could become more competitive in University grant opportunities, including the Strategic Initiative Fund, the Arts Research: Incubation and Acceleration (ARIA) program, Humanities Institute Fellowship, and a range of other internal and external funding initiatives.\n\nThursday, October 29, 4:30-6:30\nWhat Works Now: arts and humanities advocacy in the impact paradigm \nPendleton Room, Michigan Union (2nd floor) \na public discussion about making the best case for the arts and humanities with leading voices, including \nProfessor Jill Dolan, Annan Professor Emeritus of English, Princeton University\nArtist, Curator, and Organizer Ryan Myers-Johnson, Executive Director and Founder of Sidewalk Detroit\nProfessor Shelome Gooden, Assistant Vice Chancellor for Research in the Humanities, Arts, Social Sciences and Related Fields, University of Pittsburgh\nJennifer Rupp, President & CEO, Michigan Humanities\n\nFriday, October 30\nMichigan Room, Michigan Union (2nd floor)\n\n9-11:30\n\u201cImpact\u201d in Our Own Words: a workshop for arts and humanities faculty\nArts and humanities faculty bring current project ideas and experiment with ways of discussing \u201cimpact\u201d \n\n11:30: Lunch served\n\n12-12:45: Keynote lunch talk with Vice Provost for Arts & Humanities Sara Blair\nMichigan Room, Michigan Union (2nd floor)\n\n1-2:30\nMaking the Case: Funders on Arts and Humanities Impact\nMichigan Room, Michigan Union (2nd floor)\nHear from internal and external funders on how \u201cimpact\u201d plays a role in their granting process",
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        "event_title":"Alternative Affinities: Constellations of Kinship and Community",
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