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        "date_start":"2026-11-08",
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        "time_start":"16:00:00",
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        "event_title":"Escher Quartet and Jason Vieaux, guitar",
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        "combined_title":"Escher Quartet and Jason Vieaux, guitar",
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        "description":"Classical guitarist Jason Vieaux makes his UMS debut, joining the Escher Quartet for a program of rarely heard music written for string quartet and guitar.\n\nVieaux, \u201cperhaps the most precise and soulful classical guitarist of his generation\u201d (NPR), has a wide-ranging career, with an extensive discography that includes many classical recordings and even a solo work dedicated to him by Pat Metheny.\n\nFor several years, he has partnered with the Escher Quartet, which made its UMS debut in 2024. Taking its name from the Dutch graphic artist M.C. Escher, and inspired by his methods of interplay between individual components that work together to form a creative whole, the Escher Quartet has been championed by key musical figures worldwide for its interpretations of both classics and new works.\n\nProgram\nSergei Prokofiev String Quartet No. 2 in F Major, Op. 92\nMario Castelnuovo-Tedesco Guitar Quintet, Op. 143\nJorge Morel Danza Brasilera\nJason Vieaux Tidal Pools\nJ.S. Bach Prelude in E-flat Major, BWV 998\nAgust\u00edn Barrios Vals No. 4 in G Major\nLuigi Boccherini Guitar Quintet in D Major, G. 448 (\u201cFandango\u201d)",
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        "building_name":"Rackham Graduate School (Horace H.)",
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        "room":"Auditorium",
        "location_name":"Rackham Graduate School (Horace H.)",
        "has_livestream":0,
        "cost":"Tickets start at $36 with $15-20 student tickets available",
        "tags":["UMS","Music"],
        "website":"https:\/\/ums.org\/performance\/escher-quartet-jason-vieaux\/",
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        "datetime_modified":"20261006T143458",
        "datetime_start":"20261110T180000",
        "datetime_end":"20261110T193000",
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        "date_start":"2026-11-10",
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        "time_start":"18:00:00",
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        "event_title":"UMS 101: Explore the World of Contemporary Percussion",
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        "combined_title":"UMS 101: Explore the World of Contemporary Percussion",
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        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"This interactive 90-minute workshop is presented in partnership with the University of Michigan School of Music, Theatre & Dance (SMTD) Percussion Studio. This session is designed to break down the boundaries of what makes an instrument and give you an insider's look at the incredible variety of sounds that drive modern performance. This workshop is fully interactive, casual, and built for the curious. Led by talented artists and educators from the SMTD Percussion Studio, you will get to experience a massive variety of traditional and modern contemporary percussion instruments. Discover how unexpected, everyday items can be transformed into powerful percussion tools. This session will also feature live demonstrations and fun, interactive rhythm activities where you get to join in on the action. Whether you want to understand the rhythm behind upcoming UMS performances or just want to try your hand at making some noise, this workshop will completely change how you listen to the world around you.\n\nNote: Sandbox Percussion will not be performing at this event.",
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        "location_name":"Cahoots (206 E Huron St)",
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        "cost":"$15",
        "tags":["Music","UMS","Workshop"],
        "website":"https:\/\/ums.org\/performance\/ums-101-contemporary-percussion\/",
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        "datetime_modified":"20261006T114909",
        "datetime_start":"20261113T193000",
        "datetime_end":"20261113T210000",
        "has_end_time":1,
        "date_start":"2026-11-13",
        "date_end":"2026-11-13",
        "time_start":"19:30:00",
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        "event_title":"Mozart's Requiem and Brahms's Alto Rhapsody with Ann Arbor Symphony and UMS Choral Union",
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        "combined_title":"Mozart's Requiem and Brahms's Alto Rhapsody with Ann Arbor Symphony and UMS Choral Union",
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        "event_type":"Performance",
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        "description":"While Mozart is not primarily known for sacred music, his final composition \u2014 the Requiem Mass \u2014 stands among his most sublime achievements.\n\nLeft unfinished at his death at age 35 and immortalized in the film Amadeus, the work was commissioned anonymously by a mysterious benefactor and was ultimately completed by Mozart\u2019s student, Franz Xaver S\u00fcssmayr, from his sketches. As Mozart\u2019s health declined, he is said to have believed he was composing the Requiem not for another, but for himself, a notion that deepens the work\u2019s haunting resonance. Blending fear and hope with extraordinary emotional depth, the Requiem has captivated listeners for centuries.\n\nThis performance marks the UMS Choral Union\u2019s first return to the piece in 80 years, in collaboration with the Ann Arbor Symphony Orchestra and its music director, Earl Lee. The program opens with Johannes Brahms\u2019s rarely-performed Alto Rhapsody, a striking work for alto, male chorus, and orchestra.\n\nPROGRAM\nJohannes Brahms Alto Rhapsody, Op. 53\nWolfgang Amadeus Mozart Requiem in d minor, K. 626\n\nFeaturing:\nAnn Arbor Symphony Orchestra\nUMS Choral Union (\nScott Hanoian, UMS Choral Union music director)\nEarl Lee, music director and conductor\nHera Hyesang Park, soprano\nAvery Amereau, mezzo-soprano\nNicholas Phan, tenor\nStephano Park, bass",
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        "building_name":"Hill Auditorium",
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        "location_name":"Hill Auditorium",
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        "cost":"Tickets start at $20, with $15-20 student tickets available",
        "tags":["Ann Arbor Symphony Orchestra","Arts Initiative","Music","UMS"],
        "website":"https:\/\/ums.org\/performance\/mozart-requiem\/",
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        "datetime_modified":"20261006T115434",
        "datetime_start":"20261115T160000",
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        "has_end_time":1,
        "date_start":"2026-11-15",
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        "event_title":"Sandbox Percussion and Andy Akiho",
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        "combined_title":"Sandbox Percussion and Andy Akiho",
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        "event_type":"Performance",
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        "description":"Following his UMS debut last season alongside the Imani Winds, composer and percussionist Andy Akiho returns with his steelpan and the Brooklyn-based ensemble Sandbox Percussion, a quartet that came together in 2011 because of their interest in expanding the percussion repertoire.\n\nThis exhilarating ensemble champions living composers through an unwavering dedication to contemporary chamber music and has established a wider audience for classical music through collaborations with leading composers and artists.\n\nFor their UMS debut, they\u2019ll perform works by Andy Akiho from their many collaborations, dating back 15 years to when Akiho and Sandbox member Ian Rosenbaum met in graduate school. The program will include bespoke arrangements of Akiho\u2019s earliest works, selections from his Pulitzer Prize-winning composition Seven Pillars, and excerpts from a new large-scale piece, Pentalateral.\n\nSandbox Percussion \u201chas been expanding the repertoire for their vast array of instruments since 2011,\u201d noted Gramophone, \u201creveal[ing] both the refined virtuosity the musicians have cultivated and their exceptional taste in choosing composers who write for percussion with vibrant and elegant imagination.\u201d\n\nA pre-concert talk begins at 2:45 pm on the 4th floor of the Rackham building.\n\nProgram (all works by Andy Akiho):\nCrown Heights\nPortal\nLonging\nPillar V\nKarakurenai\nAka\nPentalateral (excerpts), to be announced by the artists from stage",
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        "location_name":"Rackham Graduate School (Horace H.)",
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        "cost":"Tickets start at $32, with $15-20 student tickets available",
        "tags":["UMS","Music"],
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        "datetime_modified":"20261006T115942",
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        "event_title":"Jack Tucker Comedy Standup Show",
        "occurrence_title":"",
        "combined_title":"Jack Tucker Comedy Standup Show: Performed by Zach Zucker",
        "event_subtitle":"Performed by Zach Zucker",
        "event_type":"Performance",
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        "description":"Jack Tucker is hilariously awful, and that\u2019s precisely the point.\n\nThe Jack Tucker Comedy Standup Show is the misguided brainchild of Zach Zucker, a performer who is celebrated for blending virtuosic clowning with razor-sharp satire. His character Jack Tucker is a well-respected journeyman and bonafide legend on the Upstate New York regional comedy scene, a catastrophically overconfident stand-up comedian whose hacky punchlines, misplaced swagger, and desperate need to be adored convince him that he\u2019s going to make it big any day now.\n\nAs his jokes collapse and his bravado frays, the show exposes the fragile ego beneath the spotlight and the quiet terror behind the mic. Equal parts parody, performance art, and masterclass in comedic tension, Jack Tucker Comedy Standup Show walks a thrilling line, with Zach Zucker\u2019s physical control and improvisational daring bringing both discipline and danger to the chaos.\n\nZucker, whose clown lineage dates to the famous \u00c9cole Philippe Gaulier in France, the training ground for actors such as Sacha Baron Cohen, Helena Bonham Carter, Emma Thompson, and many others, is a cult favorite on the international comedy circuit, known for his always sold-out Stamptown Comedy and a forthcoming Netflix special.\n\nRecommended for mature audiences.",
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        "room":"Arthur Miller Theatre",
        "location_name":"Walgreen Drama Center",
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        "datetime_start":"20261206T140000",
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        "date_start":"2026-12-06",
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        "event_title":"Handel's Messiah",
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        "combined_title":"Handel's Messiah: with Ann Arbor Symphony Orchestra and UMS Choral Union",
        "event_subtitle":"with Ann Arbor Symphony Orchestra and UMS Choral Union",
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        "description":"Composed in 1741, Handel\u2019s enduring masterpiece has enraptured audiences for centuries with its sublime beauty and profound spirituality.\n\nComposed in a miraculous three weeks in 1741, it marked the beginning of a new direction for Handel, whose oratorios were immensely popular. From the jubilant \u201cHallelujah\u201d chorus to its stirring arias and evocative chorales, Messiah is a celebration of the season\u2019s true meaning: comfort, hope, and the promise of joy.\n\nLed by conductor Scott Hanoian and brought to life each year by friends and colleagues throughout the community who perform with the Ann Arbor Symphony Orchestra and the UMS Choral Union, this musical tradition continues to shine brightly. Each year, we receive dozens of comments from audience members, some of whom have been attending for decades, proclaiming it the musical highlight of the year.\n\nFeaturing:\nAnn Arbor Symphony Orchestra\nUMS Choral Union\nScott Hanoian, conductor\nAmanda Forsythe, soprano\nSun-Ly Pierce, mezzo-soprano\nNicholas Phan, tenor\nCharles H. Eaton, baritone",
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        "cost":"Tickets start at $14, with student tickets available",
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        "datetime_start":"20261210T193000",
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        "date_start":"2026-12-10",
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        "event_title":"Yo-Yo Ma and Emanuel Ax",
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        "combined_title":"Yo-Yo Ma and Emanuel Ax",
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        "description":"\u201cAside from being the most famous cellist alive, [Yo-Yo Ma] is a musician of immense conscience, a wholeheartedly earnest presence who tends to bring out the best in whatever company he is in.\u201d (The New York Times)\n\nBeloved by UMS audiences, the legendary cellist returns to UMS with pianist Emanuel Ax for an evening shaped by decades of shared musical curiosity.\n\nEach has built an expansive career as a soloist, collaborator, and advocate for the expressive power of classical music. Their many performances together epitomize their personal and professional connection, with running commentary reflecting a shared history that dates back to their days at Juilliard.\n\nWith a combined 27 performances at UMS over nearly five decades (Ax made his debut in 1978, and Ma in 1982), this dream team of classical music returns to Hill Auditorium with a program to be announced.\n\nPROGRAM\nProgram to include:\nBeethoven Variations in F on a theme from The Magic Flute, Op. 66\nProkofiev Cello Sonata in C Major, Op. 119\nBrahms Violin Sonata No. 3 in d minor, Op. 108",
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        "datetime_modified":"20261006T120951",
        "datetime_start":"20261218T193000",
        "datetime_end":"20261218T213000",
        "has_end_time":1,
        "date_start":"2026-12-18",
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        "event_title":"Isidore String Quartet and Anthony McGill, clarinet",
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        "combined_title":"Isidore String Quartet and Anthony McGill, clarinet",
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        "description":"Exploring new repertoire written for the ensemble by U-M alumnus James Lee III.\n\nNew York Philharmonic principal clarinetist Anthony McGill joins the Isidore String Quartet for this exciting program of chamber music. McGill returns for his first appearance since his 2019 concert with the Tak\u00e1cs Quartet, and the Isidore String Quartet returns after its highly successful UMS debut in March 2024. In addition to Lee\u2019s new piece, together they\u2019ll perform two beloved clarinet quintets by Johannes Brahms and Wolfgang Amadeus Mozart.\n\nLee\u2019s new clarinet quintet, Humanity\u2019s Essential Gems, had its world premiere in December 2025, and Lee describes it as \u201cexplor[ing] what truly matters beyond basic survival, focusing on deeper human needs like connection, community, and art.\u201d\n\nPROGRAM\nWolfgang Amadeus Mozart String Quartet in D Major, K. 575\nJames Lee III Humanity\u2019s Essential Gems\nJohannes Brahms Clarinet Quintet in b minor, Op. 115",
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