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DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907492@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907728@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260917T114706
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T133000
SUMMARY:Lecture / Discussion:CJS Noon Lecture Series | Living Ainu Art: Community\, Nature\, and Intergenerational Knowledge through Song and Dance
DESCRIPTION:Please note: This lecture will be held in person in room 1010\, Weiser Hall\, and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/pg7N9.\n\nThis lecture-performance introduces Ainu culture through the living traditions of art\, song\, and dance. Participants will learn how Ainu art-making is rooted in community\, intergenerational knowledge\, and relationships with the natural world\, offering a perspective that differs from conventional notions of individual artistic practice. The session concludes with an interactive performance\, inviting the audience to experience Ainu culture through shared movement\, music\, and dialogue.\n\nKanako Uzawa is an Ainu multidisciplinary artist\, scholar\, and curator whose work bridges artistic practice\, academic research\, and community engagement. Originally from Japan and based in Norway\, she holds a Ph.D. in community planning and cultural understanding from UiT – The Arctic University of Norway\, where her research explored urban Indigenous identity and contemporary Ainu perspectives. Uzawa works across contemporary dance\, film\, animation\, installation\, and socially engaged art\, and her work has been exhibited and performed internationally. She is currently an invited faculty member at Hokkaido University\, an affiliated researcher at the University of Oslo\, and a guest curator at the University of Michigan Museum of Art and the Józef Piłsudski Museum. Across her research\, exhibitions\, performances\, and collaborations\, Uzawa works to create spaces where Indigenous knowledge\, contemporary art\, and lived experience meet\, fostering dialogue across cultures and generations.\n\nPhoto credit: Susan Dine\n\nThis lecture is co-sponsored by the Department of Dance. To learn more about this department\, please visit https://smtd.umich.edu/department/dance/.\n\nThis lecture is supported in part by the William P. Malm Fund.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:149999-21907796@events.umich.edu
URL:https://events.umich.edu/event/149999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:arts,Asian Languages And Cultures,center for japanese studies,japan,Japanese Studies,Music,Performance,Theme Year
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T164156
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T180000
SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea
DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\nFor parking information\, please visit this link: https://www.dc.umich.edu/about-the-dc/maps-floor-plans-hours/#parking\n\nExhibition Opening Event: \n- When: Friday\, September 18\, 5 pm to 6 pm\n- Where: Duderstadt Center Gallery\n- Open to the public\n- Description: Please join us for the opening of this photo exhibition. The event will feature remarks by the organizers\, the exhibition curators\, one of the featured photojournalists\, and a former Peace Corps volunteer who has stood in solidarity with the people of Gwangju since 1980. Light refreshments are provided. \n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150763-21910136@events.umich.edu
URL:https://events.umich.edu/event/150763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies
LOCATION:Duderstadt Center
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260825T142135
DTSTART;TZID=America/Detroit:20261001T180000
DTEND;TZID=America/Detroit:20261001T190000
SUMMARY:Workshop / Seminar:Korea Week | Learn About Hangul\, the Korean Alphabet
DESCRIPTION:Learn about Hangul (the Korean alphabet) with staff members from the Korean Language Program at the University of Michigan. Then try your hand at writing in Hangul through various activities.\n\nThis event is part of Korea Week\, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information\, visit https://myumi.ch/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150771-21910153@events.umich.edu
URL:https://events.umich.edu/event/150771
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,Free,In Person,Korea,korean cinema,Korean Studies,Language,Languages
LOCATION:Off Campus Location - 1st Floor Lobby
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261002T080000
DTEND;TZID=America/Detroit:20261002T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907493@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261002T080000
DTEND;TZID=America/Detroit:20261002T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907729@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T164156
DTSTART;TZID=America/Detroit:20261002T120000
DTEND;TZID=America/Detroit:20261002T180000
SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea
DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\nFor parking information\, please visit this link: https://www.dc.umich.edu/about-the-dc/maps-floor-plans-hours/#parking\n\nExhibition Opening Event: \n- When: Friday\, September 18\, 5 pm to 6 pm\n- Where: Duderstadt Center Gallery\n- Open to the public\n- Description: Please join us for the opening of this photo exhibition. The event will feature remarks by the organizers\, the exhibition curators\, one of the featured photojournalists\, and a former Peace Corps volunteer who has stood in solidarity with the people of Gwangju since 1980. Light refreshments are provided. \n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150763-21910137@events.umich.edu
URL:https://events.umich.edu/event/150763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies
LOCATION:Duderstadt Center
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260923T145243
DTSTART;TZID=America/Detroit:20261002T160000
DTEND;TZID=America/Detroit:20261002T180000
SUMMARY:Lecture / Discussion:CSAS 2026 Kavita Datla Memorial Lecture | Minor Cosmopolitanisms: Islam\, Urdu\, and Secularism in Postcolonial India
DESCRIPTION:Attend in person or via Zoom: https://myumi.ch/e73ZQ\n\nThis lecture seeks to build upon Kavita Datla’s work by exploring Urdu as a secular language of Islam. It does so by examining the life and intellectual biography of Syed Abid Husain (1896–1978)\, drawing upon his extensive corpus of works – including translations from German into Urdu\, creative literary writings\, and educational and political activism at Jamia Millia Islamia – to paint a portrait of a nationalist Indian Muslim in colonial and postcolonial India. Moving beyond the framework of nationalist history and adopting a global intellectual history approach\, my lecture aims to expand our geographical and conceptual understanding of ideas by mapping what I call the minor cosmopolitanisms of Husain’s intellectual journeys. I argue that Husain’s engagement with both German majoritarian and minority thought worlds offer valuable insights into the minority not merely as a political category but also as an intellectual and ethical one. Ultimately\, I contend that Husain’s life and writings provide unique insight on both the crises facing democracy and the potential for critical secularism and minority thought in an era dominated by majoritarian nationalism.\n\nDr. Razak Khan is a senior research fellow in global history at the Department of History\, Free University\, Berlin. He is part of the European Research Council funded project “Unfamiliar: Family\, Law\, and Democracy in South Asia.” It looks at the intersection of religion\, gender and sexual minorities\, and family law on the issues of marriage\, adoption\, and inheritance. His monograph *Minority Pasts: Locality\, Emotions\, and Belonging in Rampur* was published by (Oxford University Press\, 2022). He also edited the English translation edition of *The Incomparable Festival* (Penguin Random House India\, 2021) and co-edited *Nodes of Translation: Intellectual History between Modern India and Germany* (De Gruyter\, 2024). His second monograph is an intellectual biography of Syed Abid Husain and will be published by Routledge in 2027.\n\nThe lecture is made possible through the generosity of Dr. Kavita Datla's family and friends.\n\nFree and open to the public\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150690-21909931@events.umich.edu
URL:https://events.umich.edu/event/150690
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,Center For South Asian Studies,German,History,India,International,Islam,islamic studies,Politics,Religion
LOCATION:Michigan Union - Pendleton Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260825T142223
DTSTART;TZID=America/Detroit:20261002T180000
DTEND;TZID=America/Detroit:20261002T193000
SUMMARY:Performance:Korea Week | Traditional Korean Drumming with Sinaboro
DESCRIPTION:Learn about samul nori and pungmul nori (traditional Korean drumming) with Sinaboro\, the Korean percussion ensemble at the University of Michigan.  We'll learn about the four traditional Korean percussive instruments and listen to a short performance by Sinaboro.\n\nThis event is part of Korea Week\, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information\, visit https://myumi.ch/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150772-21910154@events.umich.edu
URL:https://events.umich.edu/event/150772
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,Concert,Free,In Person,Korea,Korean Studies,Music,Performance
LOCATION:Off Campus Location - Lower Level Program Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260825T142253
DTSTART;TZID=America/Detroit:20261003T130000
DTEND;TZID=America/Detroit:20261003T140000
SUMMARY:Lecture / Discussion:Korea Week | Korean Storytime
DESCRIPTION:Hear stories told by Eunjae Cheon and sing songs led by Andrea Yun! All activities will be led in Korean. After storytime\, stay for a craft!\n\nThis event is part of Korea Week\, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information\, visit https://myumi.ch/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150773-21910156@events.umich.edu
URL:https://events.umich.edu/event/150773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,Children,Family,Free,In Person,Kids,Korea,Korean Studies,Music
LOCATION:Off Campus Location - Program Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T164156
DTSTART;TZID=America/Detroit:20261004T120000
DTEND;TZID=America/Detroit:20261004T180000
SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea
DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\nFor parking information\, please visit this link: https://www.dc.umich.edu/about-the-dc/maps-floor-plans-hours/#parking\n\nExhibition Opening Event: \n- When: Friday\, September 18\, 5 pm to 6 pm\n- Where: Duderstadt Center Gallery\n- Open to the public\n- Description: Please join us for the opening of this photo exhibition. The event will feature remarks by the organizers\, the exhibition curators\, one of the featured photojournalists\, and a former Peace Corps volunteer who has stood in solidarity with the people of Gwangju since 1980. Light refreshments are provided. \n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150763-21910139@events.umich.edu
URL:https://events.umich.edu/event/150763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies
LOCATION:Duderstadt Center
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260825T142326
DTSTART;TZID=America/Detroit:20261004T130000
DTEND;TZID=America/Detroit:20261004T140000
SUMMARY:Workshop / Seminar:Korea Week | Learn about Gangdong-gu!
DESCRIPTION:Learn about AADL's partnership with Gangdong-gu in Seoul while enjoying simple crafts!\n\nThis event is part of Korea Week\, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information\, visit https://myumi.ch/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150776-21910158@events.umich.edu
URL:https://events.umich.edu/event/150776
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Asian Languages And Cultures,Free,In Person,Korea,Korean Studies
LOCATION:Off Campus Location - Program Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261005T080000
DTEND;TZID=America/Detroit:20261005T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907496@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261005T080000
DTEND;TZID=America/Detroit:20261005T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907732@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121134
DTSTART;TZID=America/Detroit:20261005T170000
DTEND;TZID=America/Detroit:20261005T183000
SUMMARY:Lecture / Discussion:WCEE Distinguished Lecture. Europe's Coalition of the Willing\, Ukraine\, and the Future of NATO
DESCRIPTION:What is Europe’s strategic future as transatlantic ties unravel? What are its options as US priorities and capabilities change over in a world in which the distribution of power is changing rapidly? Europe has to chart its new course beyond the immediate impact of the second Trump presidency.\n\nFrançois Heisbourg is a senior advisor on Europe of the London-based International Institute for Strategic Studies (IISS) and special adviser of the Paris-based Fondation pour la Recherche Stratégique (FRS). He has served in government (French mission to the UN in New York\, policy planning at the Ministry of Foreign Affairs\, international security adviser to the Minister of Defense)\, industry (Thomson-CSF\, today’s Thales\; Matra\, now in Airbus)\, academia (professor of the world politics course at Sciences-Po Paris)\, and the think-tank world (as director of the IISS and subsequently the FRS). He has sat on blue-ribbon bodies\, notably the French government’s White Paper on terrorism (2006) and the Defense and National Security White Papers (under President Sarkozy in 2007-2018 and President Hollande in 2012-2013)\; the International Commission on Nuclear Non-Proliferation and Disarmament\; and the International Commission on the Balkans. He chaired the council of the Geneva Centre for Security Policy (GCSP) from 1998 to 2018\, and of the IISS (2001-2018)\, and was a Richard von Weizsäcker Fellow at the Bosch Academy in Berlin (2015-2017). He dealt with defense and national security issues as part of Emmanuel Macron’s first presidential campaign (2016-17).Since the beginning of 2022\, he has been focusing on French and European military assistance to Ukraine.\n   \nIf there is anything we can do to make this event accessible to you\, please contact us at gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:149133-21905804@events.umich.edu
URL:https://events.umich.edu/event/149133
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:europe,Theme Year,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907497@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907733@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121206
DTSTART;TZID=America/Detroit:20261006T120000
DTEND;TZID=America/Detroit:20261006T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | Bad Romance in Southeast Asia: China-Linked Cyber-Scamming\, Variegated Govotolerance\, and the Geopolitics of Criminality along China's Belt and Road
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/7JPzN\n\nThe rise of Chinese-linked criminal actors in Southeast Asia – including cyber scammers running fake online romance schemes for financial extortion – has disrupted traditional narratives of China's Belt and Road Initiative (BRI) infrastructure investment strategy. Counter to the \"romantic\" Silk Road imagery the BRI commonly draws on\, these activities are forcing a reconfiguration of political and economic realities across the region\, shifting attention toward changing practices of digital economy and governance along the BRI. This paper introduces the concept of 'variegated govotolerance' to explain why governments and citizens have (to varying degrees) come to tolerate\, regional cybercriminal activity linked to Chinese actors.\n\nTom Narins is an associate professor of geography\, planning\, and sustainability at the University at Albany with research interests in the critical geopolitics of China's growing engagement with the global economy.\nHis current research examines the political and economic tensions associated with “Global China” in terms of both traditional and digital infrastructure\, with a special focus on China’s digital expansion across the Global South. As a political and economic geographer\, Tom has published on sovereignty issues relating to China's Belt and Road Initiative (BRI) as well as on official Chinese lending to BRI-participant countries after the coronavirus pandemic. His work has been published in peer-reviewed journals such as: *Geopolitics\; Human Geography*\; *Territory\, Politics\, Governance*\; *The Professional Geographer*\; *Asian Perspective\; Area*\; and *The Extractive Industries and Society*.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150164-21908309@events.umich.edu
URL:https://events.umich.edu/event/150164
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,center for chinese studies,China,Chinese Studies,Economics,Politics,Theme Year
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T164156
DTSTART;TZID=America/Detroit:20261006T120000
DTEND;TZID=America/Detroit:20261006T180000
SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea
DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\nFor parking information\, please visit this link: https://www.dc.umich.edu/about-the-dc/maps-floor-plans-hours/#parking\n\nExhibition Opening Event: \n- When: Friday\, September 18\, 5 pm to 6 pm\n- Where: Duderstadt Center Gallery\n- Open to the public\n- Description: Please join us for the opening of this photo exhibition. The event will feature remarks by the organizers\, the exhibition curators\, one of the featured photojournalists\, and a former Peace Corps volunteer who has stood in solidarity with the people of Gwangju since 1980. Light refreshments are provided. \n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150763-21910141@events.umich.edu
URL:https://events.umich.edu/event/150763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies
LOCATION:Duderstadt Center
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T082340
DTSTART;TZID=America/Detroit:20261006T180000
DTEND;TZID=America/Detroit:20261006T193000
SUMMARY:Lecture / Discussion:CCPS/Slavic Event. Student Symposium – Experiences in Poland
DESCRIPTION:What is it really like to study\, work\, and live in Poland? Come hear firsthand from students who turned the experience into unforgettable memories. From learning Polish at leading universities to completing internships and exploring Polish culture\, our presenters will share the stories\, challenges\, discoveries\, and connections that shaped their journeys. Be inspired\, ask questions\, and discover where your own Poland experience could begin!\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149977-21907697@events.umich.edu
URL:https://events.umich.edu/event/149977
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:poland
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907498@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907734@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T164156
DTSTART;TZID=America/Detroit:20261007T120000
DTEND;TZID=America/Detroit:20261007T180000
SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea
DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\nFor parking information\, please visit this link: https://www.dc.umich.edu/about-the-dc/maps-floor-plans-hours/#parking\n\nExhibition Opening Event: \n- When: Friday\, September 18\, 5 pm to 6 pm\n- Where: Duderstadt Center Gallery\n- Open to the public\n- Description: Please join us for the opening of this photo exhibition. The event will feature remarks by the organizers\, the exhibition curators\, one of the featured photojournalists\, and a former Peace Corps volunteer who has stood in solidarity with the people of Gwangju since 1980. Light refreshments are provided. \n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150763-21910142@events.umich.edu
URL:https://events.umich.edu/event/150763
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies
LOCATION:Duderstadt Center
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121221
DTSTART;TZID=America/Detroit:20261007T120000
DTEND;TZID=America/Detroit:20261007T132000
SUMMARY:Livestream / Virtual:CREES Noon Lecture. When Everyday Life Becomes an Event: Mobility in the Georgia-Abkhazia Conflict Zone
DESCRIPTION:What does it take to sustain an ordinary life in a place shaped by decades of unresolved conflict and political uncertainty? Drawing on long-term ethnographic research in the de facto Georgia-Abkhazia borderland\, this talk examines how displaced Georgians with constructed lives across an unrecognized but highly militarized border learn to navigate a landscape in which mobility is continually subject to political\, material\, and documentary contingencies. Rather than approaching protracted conflict primarily through rupture\, destruction\, or spectacular violence\, Aydemir-Kundakci focuses on everyday eventfulness: how ordinary journeys to attend a wedding\, shop\, visit family\, or go to a hospital can unexpectedly become consequential—when rising waters turn a familiar river crossing into a life-threatening swim\, a document check evolves into harassment or extortion\, or a passport stamp creates the risk of punishment on the other side.\n\nAydemir-Kundakci develops the concept of manageable eventfulness to describe the practical and anticipatory work through which people seek not necessarily to eliminate such contingencies altogether\, but to keep their consequences within manageable limits. Following these practices across changing border regimes\, landscapes\, documents\, and generations\, she shows how people continually recalibrate their movements and anticipations as they strive for uneventful\, ordinary lives amid prolonged conflict.\n\nDr. Görkem Aydemir-Kundakci is an FWO Postdoctoral Fellow in Anthropology at KU Leuven. Her research examines long-term displacement\, conflict\, mobility\, environmental change\, and precarity in Georgia’s de facto borderland with Abkhazia. She holds a PhD in Anthropology from George Washington University and held a postdoctoral fellowship at the University of Calgary. Her writing has appeared in journals such as the Journal of Refugee Studies\, History and Anthropology\, and Anthropology News. Aydemir-Kundakci’s research has been funded by the National Science Foundation (NSF)\, American Council of Learned Societies (ACLS)\, and Research Foundation Flanders (FWO).\n\nPlease note this event will be held virtually on Zoom. Please register at this link: https://myumi.ch/mVV9g\n\nIf there is anything we can do to make this event accessible to you\, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:151245-21911142@events.umich.edu
URL:https://events.umich.edu/event/151245
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:central asia,Theme Year
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T110225
DTSTART;TZID=America/Detroit:20261007T163000
DTEND;TZID=America/Detroit:20261007T180000
SUMMARY:Lecture / Discussion:Manoogian Postdoctoral Lecture | Purist Pursuits: Language\, Global Ideas\, and the Creation of Western Armenian in the Ottoman Empire
DESCRIPTION:This lecture follows Armenians in the Ottoman Empire through a dramatic linguistic transformation\, the aftershocks of which are still being felt today throughout the Armenian diaspora. It chronicles how and why Armenians in the Ottoman Empire fashioned a new language called Western Armenian in the eighteenth\, nineteenth and early twentieth centuries and explores the evolution of an ever-changing ideology that undergirded all phases of the language's formation: linguistic purism. Manoukian will examine the power of global intellectual movements in crafting new language ideologies in the Ottoman Empire and reimagines what language histories can be for Ottoman-era language communities.\n\nJennifer Manoukian is a historian of language. Her work explores the language practices and ideologies of Armenians in the Ottoman Empire and post-genocide diaspora. She earned her PhD in Near Eastern Languages and Cultures from the University of California\, Los Angeles\; her MA in Middle Eastern\, South Asian and African Studies from Columbia University\; and her BA in French and Middle Eastern Studies from Rutgers University. She is the author of *Purist Pursuits: Language\, Global Ideas\, and the Creation of Western Armenian in the Ottoman Empire* and two book-length literary translations from Western Armenian: *The Gardens of Silihdar by Zabel Yessayan* and* The Candidate by Zareh Vorpouni*. She is also the author of a number of articles and the co-founder of Gesaria Armenian Research and Academic Services.\n\nCosponsors: Center for Middle Eastern and North African Studies\, Department of Middle East Studies\, Department of Linguistics\, Department of Anthropology\, and NAASR.
UID:150148-21908292@events.umich.edu
URL:https://events.umich.edu/event/150148
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:armenia,Armenian Studies,Discussion,eurasia,history,Lecture
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261008T080000
DTEND;TZID=America/Detroit:20261008T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907499@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261008T080000
DTEND;TZID=America/Detroit:20261008T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907735@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260924T104318
DTSTART;TZID=America/Detroit:20261008T120000
DTEND;TZID=America/Detroit:20261008T130000
SUMMARY:Lecture / Discussion:NCKS Colloquium Series | 	Growth and Instability: New Varieties and Agricultural Production in Colonial Korea\, 1910–1945
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/X8xre\n\nDuring the colonial era (1910–1945)\, the Japanese colonial government implemented various measures to increase rice production in Korea in an effort to alleviate rice shortages in Japan. The large-scale introduction of Japanese rice varieties was a central component of this policy\, and by the late 1930s\, traditional varieties had been almost entirely replaced by new varieties from Japan. While some scholars argue that the introduction of new varieties contributed substantially to the growth of rice production\, others contend that their marginal impact was limited without complementary investments in irrigation and the increased use of fertilizers. Using data from various sources\, Kim estimates the impact of new varieties on rice production and finds that their adoption increased agricultural productivity but also heightened production instability. These findings shed new light on the effects of colonial agricultural policies and their implications for social discontent and the legacies of Japanese colonial rule.\n\nDuol Kim is professor of economics at Myongji University in South Korea. His research focuses on Korean and East Asian economic history\, institutional economics\, and law and economics. He received his Ph.D. in economics from UCLA in 2003. He subsequently held a postdoctoral fellowship at UC Davis (2003–2006) and served as a fellow at the Korea Development Institute (2006–2013) before joining Myongji University. His research has been published in the *Journal of Economic History*\, *Explorations in Economic History*\, and other academic journals\, and he co-edited a special issue of the *Asian-Pacific Economic History Review*. He has served as president of the Asian Historical Economics Society and the Korean Law and Economics Association. He is currently president of the Korean Economic History Association\, an associate editor of the *Asian Journal of Law and Economics*\, and editor of the *Seoul Review of Books*\, a quarterly magazine.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at namhy@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152809-21914555@events.umich.edu
URL:https://events.umich.edu/event/152809
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asia,Asian Languages And Cultures,History,Korea,Korean Studies
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260929T115647
DTSTART;TZID=America/Detroit:20261008T120000
DTEND;TZID=America/Detroit:20261008T133000
SUMMARY:Lecture / Discussion:Interdisciplinary Islamic Studies Seminar (IISS) | Imperial Waqfs: Global Islamic Law in the 19th Century
DESCRIPTION:Interdisciplinary Islamic Studies Seminar Series\n\nImperial Waqfs: Global Islamic Law in the 19th Century\nNurfadzilah Yahaya\, Assistant Professor of History\, Yale University\n\nThursday\, October 8\n12 to 1:30 p.m.\nWeiser Hall\, 10th floor\n\nNurfadzilah Yahaya is an Assistant Professor of History at Yale University. She received her BA (2003) and MA (2006) from the National University of Singapore\, and her PhD (2012) in History from Princeton University. Before coming to Yale\, she taught at the National University of Singapore. Dr. Yahaya specializes in history of Southeast Asia\, Indian Ocean history\, legal history\, history of infrastructure\, and environmental history. Her first book\, *Fluid Jurisdictions: Colonial Law and Arabs in Southeast Asia *(Cornell University Press\, 2020) demonstrates how colonial subjects entrenched European colonial legalities in British and Dutch territories in Southeast Asia by playing several jurisdictions against one another from the mid-nineteenth century onwards\n\nPlease email IISScoordinators@umich.edu with questions.
UID:153011-21914912@events.umich.edu
URL:https://events.umich.edu/event/153011
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Discussion,Global Islamic Studies,Lecture
LOCATION:Weiser Hall - 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260923T144914
DTSTART;TZID=America/Detroit:20261008T190000
DTEND;TZID=America/Detroit:20261008T210000
SUMMARY:Film Screening:Halaloween x AANM: *Madayen* (Saudi Arabia\, 2016)
DESCRIPTION:Join the Global Islamic Studies Center and the Arab American National Museum (AANM) for a free screening of the Saudi found-footage horror film Madayen (2016) on October 8\, 2026\, at 7:00 PM at the Arab American National Museum in Dearborn\, Michigan.\n\nAfter the film\, we will show a short\, pre-recorded Q&A talkback with the filmmakers Ayman Tamano and Hakeem Jomah.\n\nThis screening is ONLY in person at the Arab American National Museum in Dearborn. Reserve your free tickets here: http://watch.eventive.org/halaloween\n\n\n\nHALALOWEEN FEATURE FILM: \n\n*Madayen* (2016)\n\n2016 | 62 minutes | Arabic with English subtitles | Saudi Arabia\nDirected by: Ayman Tamano\nFeaturing: Hakeem Jomah\, Khaled Yeslam\, Abdullah Kurashi\, Nadia Malaika\n\n\nFilm Description: Madayen is an indie found-footage-style film from the Kingdom of Saudi Arabia\, written and produced by Hakeem Jomah and directed by Ayman Tamano\, that tells the tale of three young Saudis who set out to the notoriously haunted Madayen Saleh ruins in the far north of the Kingdom to investigate the myths and the truths behind the cursed place.\n\nHalaloween Horror Rating: 1/5. Not very scary. Road trip buddy movie meets found footage horror.\n\nReligious Content: fairly minimal\; jinn.\n\n\n\n_____\n\n\n\nHalaloween Muslim Horror Film Festival Info:\n\nWelcome to the 8th annual Halaloween: A Muslim Horror Film Festival 2026!\n\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by\, for\, or about Muslims to understand: “What scares Muslim audiences? Are horror movies halal?”\n\nThis year’s Halaloween 2026 film festival is a retrospective that brings back some of our Michigan community’s favorite Muslim horror films from the past few years. As usual\, the festival runs throughout October with a different movie screening and/or event every week. In addition to local theater screenings\, we are bringing you three community collaborations this year: with the Arab American National Museum in Dearborn\, with Michigan Medicine and the U-M Medical School\, and with the Brooklyn Detroit venue in Corktown!\n\nThe 2026 lineup: Halaloween starts off at the Arab American National Museum (AANM) in Dearborn on Thursday\, October 8\, with a screening of the Saudi found-footage film Madayen (2016). On October 12 and October 20\, head to the State Theatre in Ann Arbor for the Iranian film Under the Shadow (2016) and the Malaysian film Tiger Stripes (2023)\, respectively. On October 27\, we are collaborating with the Division of Geriatric and Palliative Medicine at Michigan Medicine and the University of Michigan Medical School to bring you an expert medical and film panel on “Fears of the Body: Processing Illness\, Death\, & Loss with Horror Movies.”\n\nHalaloween officially ends on the evening of October 29 at 9pm at the Brooklyn Detroit venue in Corktown\, Detroit\, with a screening of two Muslim horror short films: Aicha (directed by Sanaa El Alaoui\, Morocco\, 2025) and Enmity Djinn (directed by: Mohamed Echkouna\, Mauritania\, 2023)\, followed immediately after by the special event “Those Between Worlds: A Jinn Dreamscape\,\" a Halaloween sampler with live music score in collaboration with Reginald Thiessen\, Victor Ghannam\, and Devil's Night Detroit!\n\nAlso check out our streaming Muslim horror films anytime on U-M Kanopy: the Senegalese folk horror film Saloum (2021)\, the witchy Tunisian film Dachra (2018)\, and the Iranian “vampire spaghetti Western” film A Girl Walks Home Alone at Night (2014).\n\nThe festival is mostly in-person and free–but make sure to reserve tickets! In-person screenings will be first-come\, first-served\, with RSVPs strongly encouraged.\n\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies\, to those who love the gore–we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\n\n\n\nThe 2026 Halaloween Lineup:\n\nOctober 8: Madayen | Saudi Arabia | 2016 | 7:00 PM | Arab American National Museum\, Dearborn\nOctober 13: Under the Shadow | Iran | 2016 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 20: Tiger Stripes | Malaysia | 2023 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 27: Halaloween x Michigan Medicine Panel: “Fears of the Body: Processing Illness\, Death\, and Loss with Horror Movies” | Hussey Room\, Michigan League\, University of Michigan\n\nOctober 29: “Those Between Worlds: A Jinn Dreamscape\": Halaloween Short Films and Live Music Score Retrospective at Devil's Night Detroit | Short films Aicha and Enmity Jinn | 7:00 PM |  Brooklyn Detroit\, Corktown (venue). *This event is ticketed and not free. Get tickets and more info here.\n\n\nRSVP & find out more: http://watch.eventive.org/halaloween\nSponsors: Halaloween: A Muslim Horror Film Festival is brought to you by the Global Islamic Studies Center and co-sponsored by the Arab American National Museum\, Devil’s Night Detroit\, and Michigan Medicine.\n\n\nFor more events from the Global Islamic Studies Center at the University of Michigan\, please visit ii.umich.edu/islamicstudies. If you have any questions\, feel free to reach out to islamicstudies@umich.edu.\n\nJoin our email newsletter: https://myumi.ch/nbW83\n\nFollow our social media for event updates:\n\nFacebook: UmichGISC\nhttps://www.facebook.com/UmichGISC/\n\nTwitter: @umichgisc\nhttps://twitter.com/umichGISC
UID:152745-21914455@events.umich.edu
URL:https://events.umich.edu/event/152745
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Global Islamic Studies,Halaloween,Michigan Arts Festival
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261009T080000
DTEND;TZID=America/Detroit:20261009T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907500@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261009T080000
DTEND;TZID=America/Detroit:20261009T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907736@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260929T142511
DTSTART;TZID=America/Detroit:20261009T110000
DTEND;TZID=America/Detroit:20261009T150000
SUMMARY:Conference / Symposium:CSAS SiSA 20th Anniversary Event
DESCRIPTION:For more details: https://myumi.ch/QMw9r\nTo register for the event: https://myumi.ch/RQ9Dd \n\nThis year marks 20 years of the Summer in South Asia Fellowship.\n\nOn October 9\, 2026\, the Center for South Asian Studies invites all SiSA alumni to gather in Ann Arbor for a celebration and reflection of the past two decades of this program. Years since the summer you spent in India\, we are curious to hear how the fellowship has shaped your approach to relationship and community building\, professional work\, and connection to South Asia.\n\nProgram\n11:00 AM - Welcome & Registration\nLight refreshments\, informal meet and greet\n11:30 AM - Opening Remarks & Reflections\nCSAS Director\, Matthew Hull\n11:45 AM - Remarks by SiSA’s Anonymous Donor\n12:00 - 12:45 PM - Alumni Panel: Journeys since SiSA\nPanel discussion with alumni from 2006 to 2025 sharing travel highlights\, lessons learned\, and personal growth\n1:00 PM - Lunch\n1:45 PM - SiSA Symposium\nPresentations from the 2026 fellows\n2:15 PM - Looking Forward\, Open mic\nAlumni connections\, strengthening ties and long-term plans\n3:00 PM - Informal exchange and conclusion\n\n*If there is anything we can do to make this event accessible to you\, please contact us at csas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152938-21914817@events.umich.edu
URL:https://events.umich.edu/event/152938
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,India,South Asia,south asian,South Asian Languages Program,South Asian Studies,Study Abroad
LOCATION:Michigan League - Koessler Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260810T164813
DTSTART;TZID=America/Detroit:20261009T120000
DTEND;TZID=America/Detroit:20261009T130000
SUMMARY:Lecture / Discussion:CSEAS Friday Lecture Series | Lee Kuan Yew Goes Global?
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: http://myumi.ch/PbkD4\n\nThere is little that connects the Chinese Communist Party\, British Conservative Party\, Kenyan leadership\, Silicon Valley right-wing\, and elites in post-Soviet states. But they all exhibit an acute fascination with founding Singaporean Prime Minister Lee Kuan Yew\, invoking select strands of his political thought and practice to legitimate their own political projects or imaginaries. Yet\, while interest in Lee outside of Singapore is consistently growing\, within Singaporean society there is a growing sense of exhaustion and indifference in appealing to his figure – especially when it is perceived as a cynical means to derive political profit for his long-ruling People’s Action Party (PAP). Using this observation as a launching pad\, this lecture explores the contradictions of Lee’s legacy and develops rudiments to pursue a global history of Lee Kuan Yew\, bringing his international reception and footprints within a single frame. This entails treating Lee as a global figure of world-historical importance\, situating his political thought\, movements\, and interventions within global trends and networks. While this global approach magnifies Lee’s stature\, it also amplifies the less comfortable aspects of his legacy: his “original sin” is no longer the detention without trial\, but his role in legitimizing the bloody Vietnam War. A global history of Lee thereby presents intensified contradictions to grapple with.\n\nQuah Say Jye is a Klarman Postdoctoral Fellow at Cornell University. He is a political theorist of postcolonial modernity\, with a focus on Southeast Asia. His writing is forthcoming or can be found at the *American Journal of Political Science*\, *Review of International Studies*\, *Journal of Contemporary Asia*\, *Critical Asian Studies*\, *International Affairs*\, and *Perspectives on Politics*. For more\, see https://quahsayjye.wordpress.com/about/.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150078-21907988@events.umich.edu
URL:https://events.umich.edu/event/150078
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,center for southeast asian studies,international policy,Politics,Southeast Asia
LOCATION:Weiser Hall - Room 110
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261012T080000
DTEND;TZID=America/Detroit:20261012T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907503@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261012T080000
DTEND;TZID=America/Detroit:20261012T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907739@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121235
DTSTART;TZID=America/Detroit:20261012T080000
DTEND;TZID=America/Detroit:20261012T170000
SUMMARY:Conference / Symposium:Africa Conference | Shifting Tides: The U.S.-Africa Relationship Amid Global Competition
DESCRIPTION:“Shifting Tides: The U.S.-Africa Relationship Amid Global Competition” is a two-day conference examining how African states\, regional institutions\, and global powers are navigating rapidly evolving geopolitical\, economic\, and legal landscapes. Bringing together scholars\, policymakers\, legal experts\, investors\, and diplomats\, the conference will explore African perspectives on global governance reform\, climate and innovation challenges\, great power competition\, peace and security\, and emerging economic growth trajectories—including trade integration\, industrial policy\, and Africa-to-Africa investment. With a blend of legal and policy perspectives across five thematic panels\, the conference seeks to analyze the strategic choices facing African governments\, assess implications for U.S. diplomatic and economic engagement\, and highlight the African Union’s growing influence in global diplomacy\, trade\, and law. Through a private expert roundtable and public panel discussions\, the conference will foster critical dialogue and produce actionable policy recommendations aimed at strengthening U.S.–Africa engagement in a more multipolar and economically dynamic world.\n\nSpeakers:\n+Hajer Gueldich\, African Union and University of Carthage+\n+Ebenezer Obadare\, Council on Foreign Relations+\n+Susan D. Page\, University of Michigan+\n+Boubacar Bocoum\, World Bank+\n+Eghosa Ekhator\, University of Derby+\n+Olanrewaju Suraju\, HEDA Resource Centre+\n+Bilal Butt\, University of Michigan+\n+Benedito Machava\, Yale University+\n+Kamissa Camara\, University of Michigan+\n+Shakirah Hudani\, University of North Carolina at Chapel Hill+\n+Omotade Akin Aina\, Carnegie Corporation of New York+\n+Murithi Mutiga\, International Crisis Group+\n+Chidi Blyden\, Culturally Bound and Georgetown University+\n+Olufunmilayo Arewa\, George Mason University+\n+Anita Plummer\, Howard University+\n+Laura Beny\, University of Michigan+\n\nPlease RSVP: https://docs.google.com/forms/d/e/1FAIpQLSd_7vqvXpfabMWFssspB47cq0UNdRcVGnm7TjujLNy43lXLHw/viewform\n\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150688-21909914@events.umich.edu
URL:https://events.umich.edu/event/150688
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African Studies,African Studies Center,Conference,Global Affairs,Theme Year
LOCATION:Weiser Hall - 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261013T080000
DTEND;TZID=America/Detroit:20261013T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907504@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261013T080000
DTEND;TZID=America/Detroit:20261013T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907740@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121235
DTSTART;TZID=America/Detroit:20261013T080000
DTEND;TZID=America/Detroit:20261013T170000
SUMMARY:Conference / Symposium:Africa Conference | Shifting Tides: The U.S.-Africa Relationship Amid Global Competition
DESCRIPTION:“Shifting Tides: The U.S.-Africa Relationship Amid Global Competition” is a two-day conference examining how African states\, regional institutions\, and global powers are navigating rapidly evolving geopolitical\, economic\, and legal landscapes. Bringing together scholars\, policymakers\, legal experts\, investors\, and diplomats\, the conference will explore African perspectives on global governance reform\, climate and innovation challenges\, great power competition\, peace and security\, and emerging economic growth trajectories—including trade integration\, industrial policy\, and Africa-to-Africa investment. With a blend of legal and policy perspectives across five thematic panels\, the conference seeks to analyze the strategic choices facing African governments\, assess implications for U.S. diplomatic and economic engagement\, and highlight the African Union’s growing influence in global diplomacy\, trade\, and law. Through a private expert roundtable and public panel discussions\, the conference will foster critical dialogue and produce actionable policy recommendations aimed at strengthening U.S.–Africa engagement in a more multipolar and economically dynamic world.\n\nSpeakers:\n+Hajer Gueldich\, African Union and University of Carthage+\n+Ebenezer Obadare\, Council on Foreign Relations+\n+Susan D. Page\, University of Michigan+\n+Boubacar Bocoum\, World Bank+\n+Eghosa Ekhator\, University of Derby+\n+Olanrewaju Suraju\, HEDA Resource Centre+\n+Bilal Butt\, University of Michigan+\n+Benedito Machava\, Yale University+\n+Kamissa Camara\, University of Michigan+\n+Shakirah Hudani\, University of North Carolina at Chapel Hill+\n+Omotade Akin Aina\, Carnegie Corporation of New York+\n+Murithi Mutiga\, International Crisis Group+\n+Chidi Blyden\, Culturally Bound and Georgetown University+\n+Olufunmilayo Arewa\, George Mason University+\n+Anita Plummer\, Howard University+\n+Laura Beny\, University of Michigan+\n\nPlease RSVP: https://docs.google.com/forms/d/e/1FAIpQLSd_7vqvXpfabMWFssspB47cq0UNdRcVGnm7TjujLNy43lXLHw/viewform\n\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150688-21909915@events.umich.edu
URL:https://events.umich.edu/event/150688
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African Studies,African Studies Center,Conference,Global Affairs,Theme Year
LOCATION:Weiser Hall - 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121244
DTSTART;TZID=America/Detroit:20261013T120000
DTEND;TZID=America/Detroit:20261013T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | Haunted Modernities: Gender\, Memory\, and Place-Making in Postindustrial Taiwan
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/VDGR3\n\nThis talk interrogates the nature of shared expressions of history\, sentiments\, and memory as it investigates the role of women workers in the shifting public narrative surrounding the Memorial Park for Women Laborers in Kaohsiung\, Taiwan.  As a heritage site\, the Memorial Park for Women Laborers elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social\, political\, and economic needs of the present\, legitimized and validated through its associations with the past.\n\nA cultural anthropologist\, Anru Lee's research focuses on the Asian Pacific region and issues of capitalism\, modernity\, gender and sexuality\, and urban anthropology. She is the author of *In the Name of Harmony and Prosperity: Labor and Gender Politics in Taiwan's Economic Restructuring* and *Haunted Modernities: Gender\, Memory\, and Placemaking in Postindustrial Taiwan* and is co-editor of *Women in the New Taiwan: Gender Roles and Gender Consciousness in a Changing Society*\, *Why Taiwan? Anthropological Perspectives*\, and *Brill Encyclopedia of Taiwan Studies* (The Gender and Women's Studies Section). She is currently working on a book manuscript that investigates mass rapid transit systems as related to issues of technology\, governance\, and citizenship. She is professor of anthropology at the City University of New York.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150166-21908311@events.umich.edu
URL:https://events.umich.edu/event/150166
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Anthropology,Asian Languages And Cultures,China,Chinese Studies,Gender,Politics,taiwan,Theme Year,Women's Studies
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260928T125058
DTSTART;TZID=America/Detroit:20261013T150000
DTEND;TZID=America/Detroit:20261013T163000
SUMMARY:Workshop / Seminar:Brazil at a Crossroads: Discussing the 2026 Elections
DESCRIPTION:On October 4\, 2026\, Brazil\, Latin America’s largest democracy\, will hold presidential elections. Voters will also elect members of the National Congress\, governors and vice governors\, and more than 1\,000 state legislators. The elections come at a consequential moment for Brazil\, amid concerns about corruption and inflation\, disputes over tariffs and trade\, and growing tensions with the Trump administration.\n\nThe Latin American Elections Hub (LATAM-EH) brings together a group of experts to discuss the stakes of the election for Brazil and its broader regional and international implications. The panel will analyze the results of the first round\, the factors shaping voter behavior\, and the prospects for a potential second round on October 25\, 2026.\n\nThe panelists will be Cesar Zucco (Columbia University)\, Raphael Nishimura (University of Michigan\, ISR)\, and Malu Gatto (University College London). The event chair is Pedro Luz de Castro of the University of Michigan. Edgar Franco-Vivanco\, Director of the Latin American Elections Hub\, is the discussant.\n\nThis event will be hybrid. Please RSVP if you plan to attend in person: https://docs.google.com/forms/d/e/1FAIpQLSdWcKXuMZG4NyEW0qIfQxym3co8X5FMHFmm5pWH5QihJq3PkA/viewform?usp=publish-editor\n\nJoin on Zoom: https://umich.zoom.us/j/93381880351\n\n\nRoom: Haven Hall 5769 (Prefunction room)\n\n\nTime: Oct. 13\, 3:00pm to 4:20 EDT\n\nCoffee and baked goods will be provided
UID:152569-21913924@events.umich.edu
URL:https://events.umich.edu/event/152569
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:brazil,Center For Latin American And Caribbean Studies,center for latin american and caribbean studies brazil initiative,Center For Political Studies,center of latin american and caribbean studies,center of latin american and caribbean studies brazil initiative,Democracy,Elections,International,International Studies,Latin America,Latina/o Studies,Political Science,Politics,Social Sciences,South America
LOCATION:Haven Hall - 5769 Prefunction Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260922T102329
DTSTART;TZID=America/Detroit:20261013T160000
DTEND;TZID=America/Detroit:20261013T173000
SUMMARY:Film Screening:WCEE Film Screening. (Un)known Holocaust
DESCRIPTION:This documentary explores the history of World War II and the Holocaust in Ukraine.While rooted in a regional perspective\, the film addresses a much broader phenomenon of mass violence and its legacy.\n\n2026\, Ukrainian with English subtitles.\n\nDirected by Les Kasyanov and Yurii Kaparulin\, U-M Wallenberg Fellow and former WCEE Ukrainian Fellow.\nScreening time: 42 minutes.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at 	gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150869-21910343@events.umich.edu
URL:https://events.umich.edu/event/150869
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Poland
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260923T145307
DTSTART;TZID=America/Detroit:20261013T190000
DTEND;TZID=America/Detroit:20261013T210000
SUMMARY:Film Screening:Halaloween: *Under The Shadow* (2016\, Iran)
DESCRIPTION:Join us for a free screening of the Iranian horror film Under the Shadow (2016) on October 13\, 2026 at 7:00 PM at the State Theatre in Ann Arbor\, Michigan. This screening is ONLY in person at the State Theatre in Ann Arbor. Reserve your free tickets here: watch.eventive.org/halaloween.\n\n\nHALALOWEEN FEATURE FILM: \n\n*Under The Shadow* (2016)\n2016 | 62 minutes | Persian with English subtitles | Iran\n\nDirected by: Babak Anvari\nFeaturing: Narges Rashidi\, Avin Manshadi\, Bobby Naderi\n\nFilm Description: Set in Tehran during the 1980-1988 Iran-Iraq War\, this movie is a meditation on the post-revolutionary fallout of the 1979 Iranian Revolution from a female perspective. A woman and her young daughter hunker down in their Tehran apartment during Iraqi bombardment. Did the missile that struck their building bring a jinn into their lives?\n\nHalaloween Horror Rating: 3/5. Reasonably scary. Includes jump scares\, jinn\, demonic children\, misogyny\, mother-daughter and husband-wife tension\, parental losing of a child\, and property damage due to war bombings.\n\nReligious Content: Islamic daily prayers\, hijab debates\, religious state authorities\, jinn.\n___\n\nHalaloween Muslim Horror Film Festival Info:\n\nWelcome to the 8th annual Halaloween: A Muslim Horror Film Festival 2026!\n\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by\, for\, or about Muslims to understand: “What scares Muslim audiences? Are horror movies halal?”\n\nThis year’s Halaloween 2026 film festival is a retrospective that brings back some of our Michigan community’s favorite Muslim horror films from the past few years. As usual\, the festival runs throughout October with a different movie screening and/or event every week. In addition to local theater screenings\, we are bringing you three community collaborations this year: with the Arab American National Museum in Dearborn\, with Michigan Medicine and the U-M Medical School\, and with the Brooklyn Detroit venue in Corktown!\n\nThe 2026 lineup: Halaloween starts off at the Arab American National Museum (AANM) in Dearborn on Thursday\, October 8\, with a screening of the Saudi found-footage film Madayen (2016). On October 12 and October 20\, head to the State Theatre in Ann Arbor for the Iranian film Under the Shadow (2016) and the Malaysian film Tiger Stripes (2023)\, respectively. On October 27\, we are collaborating with the Division of Geriatric and Palliative Medicine at Michigan Medicine and the University of Michigan Medical School to bring you an expert medical and film panel on “Fears of the Body: Processing Illness\, Death\, & Loss with Horror Movies.”\n\nHalaloween officially ends on the evening of October 29 at 9pm at the Brooklyn Detroit venue in Corktown\, Detroit\, with a screening of two Muslim horror short films: Aicha (directed by Sanaa El Alaoui\, Morocco\, 2025) and Enmity Djinn (directed by Mohamed Echkouna\, Mauritania\, 2023)\, followed immediately after by the special event “Those Between Worlds: A Jinn Dreamscape\,\" a Halaloween sampler with live music score in collaboration with Reginald Thiessen\, Victor Ghannam\, and Devil's Night Detroit!\n\nAlso check out our streaming Muslim horror films anytime on U-M Kanopy: the Senegalese folk horror film Saloum (2021)\, the witchy Tunisian film Dachra (2018)\, and the Iranian “vampire spaghetti Western” film A Girl Walks Home Alone at Night (2014).\n\nThe festival is mostly in-person and free–but make sure to reserve tickets! In-person screenings will be first-come\, first-served\, with RSVPs strongly encouraged.\n\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies\, to those who love the gore–we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\n\n\n\nThe 2026 Halaloween Lineup:\n\nOctober 8: Madayen | Saudi Arabia | 2016 | 7:00 PM | Arab American National Museum\, Dearborn\nOctober 13: Under the Shadow | Iran | 2016 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 20: Tiger Stripes | Malaysia | 2023 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 27: Halaloween x Michigan Medicine Panel: “Fears of the Body: Processing Illness\, Death\, and Loss with Horror Movies” | Hussey Room\, Michigan League\, University of Michigan\n\nOctober 29: “Those Between Worlds: A Jinn Dreamscape\": Halaloween Short Films and Live Music Score Retrospective at Devil's Night Detroit | Short films Aicha and Enmity Jinn | 7:00 PM |  Brooklyn Detroit\, Corktown (venue). *This event is ticketed and not free. Get tickets and more info here.\n\n\nRSVP & find out more: http://watch.eventive.org/halaloween\n\nSponsors: Halaloween: A Muslim Horror Film Festival is brought to you by the Global Islamic Studies Center and co-sponsored by the Arab American National Museum\, Devil’s Night Detroit\, and Michigan Medicine.\n\n\n\nFor more events from the Global Islamic Studies Center at the University of Michigan\, please visit ii.umich.edu/islamicstudies. If you have any questions\, feel free to reach out to islamicstudies@umich.edu.\n\nJoin our email newsletter: https://myumi.ch/nbW83\n\n\n\nFollow our social media for event updates:\n\nFacebook: UmichGISC\nhttps://www.facebook.com/UmichGISC/\n\nTwitter: @umichgisc\nhttps://twitter.com/umichGISC\n\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:152680-21914376@events.umich.edu
URL:https://events.umich.edu/event/152680
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Halaloween,Islamic Studies,Michigan Arts Festival
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261014T080000
DTEND;TZID=America/Detroit:20261014T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907505@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261014T080000
DTEND;TZID=America/Detroit:20261014T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907741@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T164441
DTSTART;TZID=America/Detroit:20261014T100000
DTEND;TZID=America/Detroit:20261014T170000
SUMMARY:Conference / Symposium:CMENAS 65th Anniversary: Celebrate the Legacy\, Scholarship\, & Future of Mena Studies
DESCRIPTION:10:30–11:  Arrival & Registration\n\n11:00–11:10: Director Welcome Remarks by CMENAS Director Jay Crisostomo\, George G. Cameron Professor of Ancient Near Eastern Civilization and Languages+\n\n11:15–12:30: Building CMENAS: Foundations & Transformations\, Former Directors Panel \n\n1:30 – 2:45: CMENAS in Practice: Careers & Impact featuring CMENAS Alumni\, Language Lecturers\, and K–12 Educators\n\n2:50– 2:55: Keynote Introductions\n\n3:00–4:30: Keynote by Aaron David Miller\, Senior Fellow\, Carnegie Endowment for International Peace\n\n4:30–4:40 PM: Closing Remarks\n\nAbout the Keynote Speaker:\nAaron David Miller is a senior fellow at the Carnegie Endowment for International Peace\, focusing on U.S. foreign policy. He has written five books\, including his most recent\, The End of Greatness: Why America Can’t Have (and Doesn’t Want) Another Great President (Palgrave\, 2014) and The Much Too Promised Land: America’s Elusive Search for Arab-Israeli Peace (Bantam\, 2008)\, and hosts Carnegie Connects\, Carnegie’s premier live podcast. He received his PhD in Middle East and U.S. diplomatic history from the University of Michigan in 1977. Miller hosts Carnegie Connects\, Carnegie’s premier live podcast.\n\nMiller’s articles have appeared in the *New York Times*\, *Washington Post*\, *Politico*\, *Foreign Policy Magazine*\, and *Foreign Affairs Magazine*. He is a frequent commentator on CNN\, MSNBC\, NPR\, BBC\, and SiriusXM Radio.\n\nJoin on Zoom: https://myumi.ch/E78M6
UID:150692-21909932@events.umich.edu
URL:https://events.umich.edu/event/150692
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Area Studies,center for middle eastern and north african studies,cmenas,Conference,Middle East Studies
LOCATION:Michigan League - Vandenberg Room (2nd Floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261015T080000
DTEND;TZID=America/Detroit:20261015T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907506@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261015T080000
DTEND;TZID=America/Detroit:20261015T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907742@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260917T114853
DTSTART;TZID=America/Detroit:20261015T120000
DTEND;TZID=America/Detroit:20261015T133000
SUMMARY:Lecture / Discussion:CJS Noon Lecture Series | A History of Unowned Dance: Bodies in Transmission
DESCRIPTION:Please note: This lecture will be held in person in East Hall 4448. We recommend entering East Hall using the Church Street entrance and taking the elevator to the 4th floor. This event is in-person only and will not be livestreamed or recorded.\n\nThis lecture examines how dance is transformed through embodied transmission rather than preserved as a fixed tradition. Drawing on more than three decades of artistic practice between New York and Japan\, Yasuko Yokoshi reflects on how choreography\, Nihon Buyo\, and Noh have continually reshaped her body and artistic practice. Through performance examples and the ongoing dojojiproject\, the lecture considers transformation not as the opposite of the archive\, but as the very condition through which dance survives.\n\nYasuko Yokoshi is a choreographer and dancer whose work explores embodied transmission\, dance lineage\, and the unstable nature of dance as a living archive. Based in New York from 1996 to 2015\, she received two New York Dance and Performance “Bessie” Awards (2003\, 2006)\, a Guggenheim Fellowship\, a NYFA Artist Fellowship\, support from Creative Capital\, and a Foundation for Contemporary Arts Award. Her works have been presented internationally\, often engaging the space between contemporary dance and Japanese traditional performing arts.\n\nThis lecture is co-sponsored by the Department of Dance. To learn more about this department\, please visit https://smtd.umich.edu/department/dance/.\n\nThis lecture is supported in part by the William P. Malm Fund.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150001-21907799@events.umich.edu
URL:https://events.umich.edu/event/150001
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:arts,Asian Languages And Cultures,center for japanese studies,Dance,japan,Japanese Studies,Performance
LOCATION:East Hall - Room 4448
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261016T080000
DTEND;TZID=America/Detroit:20261016T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907507@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261016T080000
DTEND;TZID=America/Detroit:20261016T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907743@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261019T080000
DTEND;TZID=America/Detroit:20261019T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907510@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261019T080000
DTEND;TZID=America/Detroit:20261019T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907746@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261020T080000
DTEND;TZID=America/Detroit:20261020T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907511@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261020T080000
DTEND;TZID=America/Detroit:20261020T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907747@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260923T145338
DTSTART;TZID=America/Detroit:20261020T190000
DTEND;TZID=America/Detroit:20261020T210000
SUMMARY:Film Screening:Halaloween: *Tiger Stripes *(Malaysia\, 2023)
DESCRIPTION:Join us for a free screening of the Malaysian horror film Tiger Stripes (2023) on October 20\, 2026 at 7:00 PM at the State Theatre in Ann Arbor\, Michigan. This screening is ONLY in person at the State Theatre in Ann Arbor. Reserve your free tickets here: watch.eventive.org/halaloween\n\n\nHALALOWEEN FEATURE FILM: \n\n*Tiger Stripes* (2023)\n\n2023 | 95 minutes | Malay with English subtitles | Malaysia\nDirected by: Amanda Nell Eu\nFeaturing: Zafreen Zairizal\, Piqa\, Deena Ezral\n\nFilm Description: The once carefree Zaffan turns twelve years old and becomes the first girl amongst her friends to reach puberty\, discovering a terrifying secret about her body. Ostracized by her community\, Zaffan fights back\, learning that to be truly herself and have agency\, she must embrace the body she fears. Winner of the Critics’ Week Grand Prize at the 2023 Cannes Film Festival.\n\nHalaloween Horror Rating: 4/5. Scary. This movie includes the horror subgenres of body horror\, blood and menstrual horror\, female coming-of-age horror\, gendered body horror\, and posthuman transformations. Reminiscent of the teen/adolescent girl horror films Carrie and Ginger Snaps.\n\nReligious Content: Most characters are Muslim\, and the film is set in a Muslim girls' school. Includes adhan\, Islamic prayer\, and corrupt male religious leaders.\n\n____\n\nHalaloween Muslim Horror Film Festival Info:\n\nWelcome to the 8th annual Halaloween: A Muslim Horror Film Festival 2026!\n\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by\, for\, or about Muslims to understand: “What scares Muslim audiences? Are horror movies halal?”\n\nThis year’s Halaloween 2026 film festival is a retrospective that brings back some of our Michigan community’s favorite Muslim horror films from the past few years. As usual\, the festival runs throughout October with a different movie screening and/or event every week. In addition to local theater screenings\, we are bringing you three community collaborations this year: with the Arab American National Museum in Dearborn\, with Michigan Medicine and the U-M Medical School\, and with the Brooklyn Detroit venue in Corktown!\n\nThe 2026 lineup: Halaloween starts off at the Arab American National Museum (AANM) in Dearborn on Thursday\, October 8\, with a screening of the Saudi found-footage film Madayen (2016). On October 12 and October 20\, head to the State Theatre in Ann Arbor for the Iranian film Under the Shadow (2016) and the Malaysian film Tiger Stripes (2023)\, respectively. On October 27\, we are collaborating with the Division of Geriatric and Palliative Medicine at Michigan Medicine and the University of Michigan Medical School to bring you an expert medical and film panel on “Fears of the Body: Processing Illness\, Death\, & Loss with Horror Movies.”\n\nHalaloween officially ends on the evening of October 29 at 9pm at the Brooklyn Detroit venue in Corktown\, Detroit\, with a screening of two Muslim horror short films: Aicha (directed by Sanaa El Alaoui\, Morocco\, 2025) and Enmity Djinn (directed by Mohamed Echkouna\, Mauritania\, 2023)\, followed immediately after by the special event “Those Between Worlds: A Jinn Dreamscape\,\" a Halaloween sampler with live music score in collaboration with Reginald Thiessen\, Victor Ghannam\, and Devil's Night Detroit!\n\nAlso check out our streaming Muslim horror films anytime on U-M Kanopy: the Senegalese folk horror film Saloum (2021)\, the witchy Tunisian film Dachra (2018)\, and the Iranian “vampire spaghetti Western” film A Girl Walks Home Alone at Night (2014).\n\nThe festival is mostly in-person and free–but make sure to reserve tickets! In-person screenings will be first-come\, first-served\, with RSVPs strongly encouraged.\n\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies\, to those who love the gore–we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\n\n\n\nThe 2026 Halaloween Lineup:\n\nOctober 8: Madayen | Saudi Arabia | 2016 | 7:00 PM | Arab American National Museum\, Dearborn\nOctober 13: Under the Shadow | Iran | 2016 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 20: Tiger Stripes | Malaysia | 2023 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 27: Halaloween x Michigan Medicine Panel: “Fears of the Body: Processing Illness\, Death\, and Loss with Horror Movies” | Hussey Room\, Michigan League\, University of Michigan\n\nOctober 29: “Those Between Worlds: A Jinn Dreamscape\": Halaloween Short Films and Live Music Score Retrospective at Devil's Night Detroit | Short films Aicha and Enmity Jinn | 7:00 PM |  Brooklyn Detroit\, Corktown (venue). *This event is ticketed and not free. Get tickets and more info here.\n\n\nRSVP & find out more: http://watch.eventive.org/halaloween\n\nSponsors: Halaloween: A Muslim Horror Film Festival is brought to you by the Global Islamic Studies Center and co-sponsored by the Arab American National Museum\, Devil’s Night Detroit\, and Michigan Medicine.\n\n\n\nFor more events from the Global Islamic Studies Center at the University of Michigan\, please visit ii.umich.edu/islamicstudies. If you have any questions\, feel free to reach out to islamicstudies@umich.edu.\n\nJoin our email newsletter: https://myumi.ch/nbW83\n\n\n\nFollow our social media for event updates:\n\nFacebook: UmichGISC\n\nhttps://www.facebook.com/UmichGISC/\n\nTwitter: @umichgisc\n\nhttps://twitter.com/umichGISC\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email Contact:	islamicstudies@umich.edu
UID:152756-21914470@events.umich.edu
URL:https://events.umich.edu/event/152756
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Global Islamic Studies,Halaloween,Michigan Arts Festival
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261021T080000
DTEND;TZID=America/Detroit:20261021T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907512@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261021T080000
DTEND;TZID=America/Detroit:20261021T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907748@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T081801
DTSTART;TZID=America/Detroit:20261021T140000
DTEND;TZID=America/Detroit:20261021T150000
SUMMARY:Presentation:Masters in the Midwest: Opportunities for Graduate Programs in Russian\, East European and Eurasian Studies at Midwestern Universities
DESCRIPTION:Please join representatives of interdisciplinary graduate programs in Russian\, East European and Eurasian Studies at Midwestern Universities to find which program is best for you. Each institution will give a brief introduction of their programs and specialties\, and attendees will be able to join breakout rooms and ask questions about the programs most of interest. Students planning to apply this cycle are urged to attend\, but those considering applying in future years are also welcome.\n\nTuesday\, September 22 10:00-11:00 AM Eastern (9:00-10:00 AM Central)--Register: https://osu.zoom.us/meeting/register/Ujuo3QfITxW1K8h8-RepuQ\n\nWednesday\, October 21 2:00 PM-3:00 PM Eastern (1:00 PM-2:00 PM Central)--Register: https://osu.zoom.us/meeting/register/aPbuj82AQN2MxV59DnvDAA\n\nTuesday\, December 1 4:00 PM-5:00 PM Eastern (3:00 PM-4:00 PM Central)--Register: https://osu.zoom.us/meeting/register/wPK_73VxTxy3xffylNtc8A\n\nParticipating programs:\n\nThe Ohio State University: Master of Arts in Slavic\, East European and Eurasian Studies\; Dual Degrees with Bioethics and Public Affairs\n\nUniversity of Kansas: Master of Arts in Slavic and Eurasian Studies\nMA concentrations: 1. Slavic languages and literatures 2. Russian\, East European\, and Eurasian Studies \n\nUniversity of Michigan: Masters in International and Regional Studies\, Specialization in Russian\, East European\, & Eurasian Studies\n\nUniversity of Wisconsin-Madison: MA Degree Program in Russian\, East European\, and Central Asian Studies\n\nIf you have questions about accessibility or wish to request accommodation such as live captioning or interpretation to participate in these events\, please contact Emma Pratt at pratt.124@osu.edu. Typically\, two weeks' notice will allow us to provide access\, but the university will make every effort to meet requests made after this date.
UID:152173-21913175@events.umich.edu
URL:https://events.umich.edu/event/152173
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:eastern europe,Graduate School,Info Session,russia
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261022T080000
DTEND;TZID=America/Detroit:20261022T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907513@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261022T080000
DTEND;TZID=America/Detroit:20261022T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907749@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261023T080000
DTEND;TZID=America/Detroit:20261023T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907514@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261023T080000
DTEND;TZID=America/Detroit:20261023T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907750@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261026T080000
DTEND;TZID=America/Detroit:20261026T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907517@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261026T080000
DTEND;TZID=America/Detroit:20261026T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907753@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261027T080000
DTEND;TZID=America/Detroit:20261027T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907518@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261027T080000
DTEND;TZID=America/Detroit:20261027T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907754@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121559
DTSTART;TZID=America/Detroit:20261027T120000
DTEND;TZID=America/Detroit:20261027T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | Metricracy: The Data and Symbolic Politics of a Chinese Social Credit System
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/kVZXk\n\nBased on fieldwork inside one of China's most celebrated social credit systems\, this talk shows what actually happens when a state tries to score the moral lives of its citizens. Far from the all-seeing surveillance machine\, the system runs on data that are selectively collected and routinely fabricated—and even then\, the state struggles to make the score mean anything\, facing constant contestation and reinterpretation. This notorious system\, Dr. Liu will suggest\, is less an authoritarian anomaly than a sharp lens on the contradictions of governing by numbers anywhere.\n\nChuncheng Liu is a sociologist of knowledge and technology who studies the politics of data and classification. An assistant professor of communication and sociology at Northeastern University\, he earned his Ph.D. in sociology and science studies at the University of California\, San Diego\, and was a postdoctoral researcher at Microsoft Research New England. His current research examines the politics of sociotechnical systems that surveil and classify citizens. His work has appeared in journals including *Big Data & Society*\; *Information\, Communication & Society*\; *Social Science & Medicine*\; and *Science\, Technology & Human Values*\, and has been featured in outlets such as The Guardian\, Bloomberg\, and Rest of World.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150169-21908314@events.umich.edu
URL:https://events.umich.edu/event/150169
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,China,chinese,Chinese Studies,Data,Politics,Sociology,Theme Year
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260923T145350
DTSTART;TZID=America/Detroit:20261027T173000
DTEND;TZID=America/Detroit:20261027T193000
SUMMARY:Lecture / Discussion:Halaloween x Michigan Medicine Panel | Fears of the Body: Processing Illness\, Death\, and Loss with Horror Movies
DESCRIPTION:Join us on Tuesday\, October 27\, 2026 at 5:30 PM in the Hussey Room in the Michigan League at the University of Michigan for the first-ever Halaloween panel collaboration between the Global Islamic Studies Center and Michigan Medicine’s Division of Geriatric and Palliative Medicine! An expert panel of pediatric\, geriatric\, hospice\, and palliative care medical doctors\, hospital chaplains\, and horror film scholars will discuss how the horror genre and horror movies can be tools for people dealing with illness\, grief\, death\, loss\, and shared fears that are both specific to and transcend religion and culture.\n\nPanelists will discuss: what can horror tell us about the fears that people bring with them when they encounter bodily illness and healthcare providers\, particularly when they\, their elders\, or their children are experiencing serious illness\, the process of dying\, ambiguous loss\, or anticipatory grief? Can Muslim and spiritually or religiously themed horror movies provide psychological catharsis and alleviate suffering?\n\nThis panel is ONLY in person. The event is free and open to the public. RSVP on this form: https://forms.gle/bkZC5NsLagDaf99w9\n\n\nMeet the panelists:\n\nDr. Adam Marks\, MD\, Clinical Professor of Geriatric and Palliative Medicine\; Medical Director\, Hospice Program and Adult Hospice\n\nDr. Nurah Omobola Lawal\, MD\, Clinical Assistant Professor of Pediatrics & Hospice and Palliative Medicine\n\nDr. Karla Mallette\, Professor of Italian and Mediterranean Studies\; Founder\, Halaloween\n\nChaplain LJ Brazier\, Michigan Medicine Spiritual Care Department\, Palliative Care\n\nChaplain Maryam Ashraf\, Michigan Medicine Spiritual Care Department\, Spiritual and Muslim Patient Care\n\nModerator: Dr. Aliyah Khan\, Director\, Global Islamic Studies Center\; Associate Professor of English & Afroamerican and African Studies\n\nThis panel is brought to you by the Global Islamic Studies Center (GISC) in collaboration with the Division of Geriatric and Palliative Medicine at Michigan Medicine and the University of Michigan Medical School.\n\n___\n\nHalaloween Muslim Horror Film Festival Info:\n\nWelcome to the 8th annual Halaloween: A Muslim Horror Film Festival 2026!\n\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by\, for\, or about Muslims to understand: “What scares Muslim audiences? Are horror movies halal?”\n\nThis year’s Halaloween 2026 film festival is a retrospective that brings back some of our Michigan community’s favorite Muslim horror films from the past few years. As usual\, the festival runs throughout October with a different movie screening and/or event every week. In addition to local theater screenings\, we are bringing you three community collaborations this year: with the Arab American National Museum in Dearborn\, with Michigan Medicine and the U-M Medical School\, and with the Brooklyn Detroit venue in Corktown!\n\nThe 2026 lineup: Halaloween starts off at the Arab American National Museum (AANM) in Dearborn on Thursday\, October 8\, with a screening of the Saudi found-footage film Madayen (2016). On October 12 and October 20\, head to the State Theatre in Ann Arbor for the Iranian film Under the Shadow (2016) and the Malaysian film Tiger Stripes (2023)\, respectively. On October 27\, we are collaborating with the Division of Geriatric and Palliative Medicine at Michigan Medicine and the University of Michigan Medical School to bring you an expert medical and film panel on “Fears of the Body: Processing Illness\, Death\, & Loss with Horror Movies.”\n\nHalaloween officially ends on the evening of October 29 at 9pm at the Brooklyn Detroit venue in Corktown\, Detroit\, with a screening of two Muslim horror short films: Aicha (directed by Sanaa El Alaoui\, Morocco\, 2025) and Enmity Djinn (directed by Mohamed Echkouna\, Mauritania\, 2023)\, followed immediately after by the special event “Those Between Worlds: A Jinn Dreamscape\,\" a Halaloween sampler with live music score in collaboration with Reginald Thiessen\, Victor Ghannam\, and Devil's Night Detroit!\n\nAlso check out our streaming Muslim horror films anytime on U-M Kanopy: the Senegalese folk horror film Saloum (2021)\, the witchy Tunisian film Dachra (2018)\, and the Iranian “vampire spaghetti Western” film A Girl Walks Home Alone at Night (2014).\n\nThe festival is mostly in-person and free–but make sure to reserve tickets! In-person screenings will be first-come\, first-served\, with RSVPs strongly encouraged.\n\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies\, to those who love the gore–we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\n\n\n\nThe 2026 Halaloween Lineup:\n\nOctober 8: Madayen | Saudi Arabia | 2016 | 7:00 PM | Arab American National Museum\, Dearborn\nOctober 13: Under the Shadow | Iran | 2016 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 20: Tiger Stripes | Malaysia | 2023 | 7:00 PM | State Theatre\, Ann Arbor\n\nOctober 27: Halaloween x Michigan Medicine Panel: “Fears of the Body: Processing Illness\, Death\, and Loss with Horror Movies” | Hussey Room\, Michigan League\, University of Michigan\n\nOctober 29: “Those Between Worlds: A Jinn Dreamscape\": Halaloween Short Films and Live Music Score Retrospective at Devil's Night Detroit | Short films Aicha and Enmity Jinn | 7:00 PM |  Brooklyn Detroit\, Corktown (venue). *This event is ticketed and not free. Get tickets and more info here.\n\n\nRSVP & find out more: watch.eventive.org/halaloween\nSponsors: Halaloween: A Muslim Horror Film Festival is brought to you by the Global Islamic Studies Center and co-sponsored by the Arab American National Museum\, Devil’s Night Detroit\, and Michigan Medicine.\n\n\n\nFor more events from the Global Islamic Studies Center at the University of Michigan\, please visit ii.umich.edu/islamicstudies. If you have any questions\, feel free to reach out to islamicstudies@umich.edu.\n\nJoin our email newsletter: https://myumi.ch/nbW83.\n\n\n\nFollow our social media for event updates:\n\nFacebook: UmichGISC\nhttps://www.facebook.com/UmichGISC/\n\nTwitter: @umichgisc\nhttps://twitter.com/umichGISC
UID:152748-21914464@events.umich.edu
URL:https://events.umich.edu/event/152748
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Discussion,Film,Global Islamic Studies,Halaloween,Michigan Arts Festival
LOCATION:Michigan League - Hussey Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261028T080000
DTEND;TZID=America/Detroit:20261028T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907519@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261028T080000
DTEND;TZID=America/Detroit:20261028T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907755@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260901T102705
DTSTART;TZID=America/Detroit:20261028T140000
DTEND;TZID=America/Detroit:20261028T160000
SUMMARY:Lecture / Discussion:CMENAS 2026 Fall Colloquium Series | Chokepoints: Temporalities of Navigation in the Red Sea
DESCRIPTION:The story of shipping and of global trade is often narrated as one of ever-increasing efficiency and speed\, of transitions from sail to steam to cargo and futures of automation—of making straight lines. But\, for as long as there has been trade (and ships) there have been delays and interruptions—rerouters and rerouting. I argue that disruptions and moments when things appear to be stuck or rerouted are neither aberrations nor failures. Rerouting\, far from being an exception\, is both the norm and\, at times\, such as this contemporary moment of wars\, sanctions\, and tariffs\, is a condition desired by many as a mode of profit and possibility.\n\nTo showcase the productive possibilities of rerouting\, I focus on one sea route—the Bab-el-Mandeb\, a key chokepoint for global trade connecting Europe to Asia and the Red Sea to the Indian Ocean. In 2023\, in response to Houthi attacks on merchant ships\, this shipping route briefly disappeared\, as cargo ships were rerouted through the Cape of Good Hope. I tell this story of this rerouting and its consequences both ephemeral and long-lasting from the perspective of a mobile set of actors in the Red Sea. Locating them within longer histories and wider geographies\, I argue for the centrality of interruptions within our understandings of circulation and crossings in the Indian Ocean and beyond.\n\nJatin Dua is an associate professor of anthropology at the University of Michigan (U-M). He also directs the Oceans Lab at U-M\, dedicated to collaborative and multimodal ways of engaging oceans as anthropological interlocutors. His research explores maritime mobility\, and its perils and possibilities\, in the Indian Ocean\, focusing on processes and projects of governance\, law\, and economy. His book\, *Captured at Sea: Piracy and Protection in the Indian Ocean\, published with the University of California Press* (December 2019) [winner of the 2020 Elliot P. Skinner Book Award\; shortlisted for the 2024 Monsoon Book Prize and translated into Italian and Greek] is a multi-sited ethnographic and archival engagement with Somali piracy and contestations over legitimate and illegitimate commerce in the Western Indian Ocean. In addition\, he has published several articles on maritime anthropology\, captivity\, political economy\, and sovereignty in *Public Culture*\, *American Ethnologist*\, *Cultural Anthropology\,* *Ethnos*\, *Annual Review of Anthropology*\, *History and Anthropology* and *Comparative Studies in Society and History*. He is currently the editor-in-chief of *Comparative Studies in Society and History*.\n\nRSVP: https://myumi.ch/PbbAb\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu
UID:151293-21911330@events.umich.edu
URL:https://events.umich.edu/event/151293
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:center for middle eastern and north african studies,Cmenas Colloquium Series,Discussion,Global Affairs,History,Lecture,Middle East Studies
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261029T080000
DTEND;TZID=America/Detroit:20261029T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907520@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261029T080000
DTEND;TZID=America/Detroit:20261029T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907756@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260923T145402
DTSTART;TZID=America/Detroit:20261029T190000
DTEND;TZID=America/Detroit:20261029T230000
SUMMARY:Performance:Devil’s Night Detroit: “Those Between Worlds: A Jinn Dreamscape\" Musical Retrospective and Short Films
DESCRIPTION:Join us on October 29\, 2026\, at 9:00 PM for the first-ever Halaloween collab between the Global Islamic Studies Center and Devil’s Night Detroit™ at the Brooklyn Detroit venue in Corktown\, Detroit\, for a showing of Muslim horror short films from Morocco and Mauritania\, followed by “Those Between Worlds: A Jinn Dreamscape\,” a video retrospective of Halaloween by Reginald Thiessen\, accompanied by a live musical score by Victor Ghannam.\n\n\nDevil’s Night Detroit™ is an immersive\, multi-arts world shaped by the macabre\, the surreal\, and the beautifully strange. Cinema\, music\, movement\, live performance\, and unexpected encounters unfold throughout the night\, appearing and disappearing like fever dreams. This isn’t simply a night you attend. It’s a world you enter.\n\n\n\nSchedule:\n\n\nDJ Wraith 'Nocturnal Transmissions' + Experimental Film Oddities\n7:00 PM\n\nDark Pages Horror Book Club Presents \"Silver Nitrate\" Discussion\n8:00 PM\n\nDark Pages Horror Book Club Presents \"Nocturnal Rituals' An Intimate Q&A w. David J (Bauhaus)\n8:15 PM\n\nHalaloween Muslim Horror Festival Presents: Aicha and Enmity Djinn (film shorts)\n9:00 PM\n\nHalaloween Muslim Horror Festival Presents: Those Between Worlds (A Jinn Dreamscape) Live Score and Screening\n9:30 PM\n\nDavid J's Grand Guignol 'The Spectral Score' Live Score and Screening\n10:00 PM\n\nMila La Machina's 'The She-Devil of Excess'\n10:45 PM\n\nDJ Wraith 'Nocturnal Transmissions'\n11:15 PM\n\nThe full event begins at 7:00 PM\; see the full schedule & more information here.\n\nEVENT 1\, SHORT FILMS\, 9:00 PM: Aicha (2025) & Enmity Djinn (2023)\n\n*Aicha* | 2025 | 25 minutes | Darija with English subtitles | Morocco\nDirected by: Sanaa El Alaoui\nFeaturing: Hind Dafer\, Manal Bennani\, Mohamed Amine Kihal\n\nFilm Description: A 17-year-old girl struggles with an emotionally distant mother as her life takes a tragic and violent turn. The mother joins an Amazigh gnawa mystical and musical ceremony to face her grief and the lost bond with her daughter.\n\nHalaloween Horror Rating: 3/5. Very scary. Serious bodily content warnings: sexual violence against and murder of a teen girl\, birthing\, menstruation\, implied violence. The true horror is other human beings\, rather than the supernatural. Features folkloric figure Aicha Kandicha\, possession\, sacrificed animals\, and jinn. Religious content includes Islamic prayer and duaa\, ghusl of a female body\, Qur’an pictured.\n\n*Enmity Djinn* | 2023 | 19 minutes | Arabic and French with English subtitles | Mauritania\nDirected by: Mohamed Echkouna\nFeaturing: Zeinebou Ahmed\, Khadijetou Ely Bakha\, Aminetou Brahim\n\nFilm Description: An elderly woman is forced to confront a malevolent jinn that once haunted her past.\n\nHalaloween Horror Rating: 2.5/5. Creepy slow burn\, but no gore. References to sihr\, black magic\, jinn\; implied killing of women and manipulation of children by jinn. Creepy and ominous feeling. Religious content includes Muslims praying.\n\n\nEVENT 2. LIVE MUSIC SCORE AND VIDEO RETROSPECTIVE: “Those Between Worlds (A Jinn Dreamscape).” Following the short films.\n\n\nThe Halaloween Muslim Horror Festival and Devil’s Night Detroit™ presents: “Those Between Worlds (A Jinn Dreamscape) Live Score and Screening\,” a Halaloween video retrospective by Reginald Thiessen with a live music score by Victor Ghannam.\n\n\n\nFollowing the short films\, after 9:30 PM at Devil’s Night Detroit™.\n\nThis event is brought to you in collaboration with Reginald Thiessen and Devil’s Night Detroit™.\n\n\n\n____\n\n\n\nHalaloween Muslim Horror Film Festival Info\nWelcome to the 8th annual Halaloween: A Muslim Horror Film Festival 2026!\n\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by\, for\, or about Muslims to understand: “What scares Muslim audiences? Are horror movies halal?”\n\n\n\nThis year’s Halaloween 2026 film festival is a retrospective that brings back some of our Michigan community’s favorite Muslim horror films from the past few years. As usual\, the festival runs throughout October with a different movie screening and/or event every week. In addition to local theater screenings\, we are bringing you three community collaborations this year: with the Arab American National Museum in Dearborn\, with Michigan Medicine and the U-M Medical School\, and with the Brooklyn Detroit venue in Corktown!\n\n\n\nThe 2026 lineup: Halaloween starts off at the Arab American National Museum (AANM) in Dearborn on Thursday\, October 8\, with a screening of the Saudi found-footage film Madayen (2016). On October 12 and October 20\, head to the State Theatre in Ann Arbor for the Iranian film Under the Shadow (2016) and the Malaysian film Tiger Stripes (2023)\, respectively. On October 27\, we are collaborating with the Division of Geriatric and Palliative Medicine at Michigan Medicine and the University of Michigan Medical School to bring you an expert medical and film panel on “Fears of the Body: Processing Illness\, Death\, & Loss with Horror Movies.”\n\n\n\nHalaloween officially ends on the evening of October 29 at the Brooklyn Detroit venue in Corktown\, Detroit\, with a screening of Muslim horror short films from Morocco and Mauritania\, followed immediately after by the special event “Those Between Worlds: A Jinn Dreamscape\,\" a Halaloween music video retrospective in collaboration with Reginald Thiessen\, Victor Ghannam\, and Devil's Night Detroit!\n\n\n\nAlso check out our streaming Muslim horror films anytime on U-M Kanopy: the Senegalese folk horror film Saloum (2021)\, the witchy Tunisian film Dachra (2018)\, and the Iranian “vampire spaghetti Western” film A Girl Walks Home Alone at Night (2014).\n\nThe festival is mostly in-person and free–but make sure to reserve tickets! In-person screenings will be first-come\, first-served\, with RSVPs strongly encouraged.\n\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies\, to those who love the gore–we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\n\n\n\nThe 2026 Halaloween Lineup:\n\nOctober 8: Madayen | Saudi Arabia | 2016 | 7:00 PM | Arab American National Museum\nOctober 13: Under the Shadow | Iran | 2016 | 7:00 PM | State Theatre\nOctober 20: Tiger Stripes | Malaysia | 2023 | 7:00 PM | State Theatre\nOctober 27: Halaloween x Michigan Medicine Panel: “Fears of the Body: Processing Illness\, Death\, and Loss with Horror Movies” | Time & Date TBA\nOctober 29: “Those Between Worlds: A Jinn Dreamscape\": Halaloween Short Films and Panel at Devil's Night Detroit | 7:00 PM | Brooklyn Detroit (Venue)*\n*This event is ticketed and not free\n\n\n\nRSVP & find out more: http://watch.eventive.org/halaloween\n\n\nSponsors: Halaloween: A Muslim Horror Film Festival is brought to you by the Global Islamic Studies Center and co-sponsored by the Arab American National Museum\, Devil’s Night Detroit\, and Michigan Medicine.\n\n\n\nFor more events from the Global Islamic Studies Center at the University of Michigan\, please visit ii.umich.edu/islamicstudies. If you have any questions\, feel free to reach out to islamicstudies@umich.edu.\n\n\nJoin our email newsletter: https://myumi.ch/nbW83\n\n\nFollow our social media for event updates:\n\nFacebook: UmichGISC\nhttps://www.facebook.com/UmichGISC/\n\nTwitter: @umichgisc\nhttps://twitter.com/umichGISC\n\n\n----\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email Contact:	islamicstudies@umich.edu
UID:152746-21914456@events.umich.edu
URL:https://events.umich.edu/event/152746
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Global Islamic Studies,Halaloween,Michigan Arts Festival,Performance
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261030T080000
DTEND;TZID=America/Detroit:20261030T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907521@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261030T080000
DTEND;TZID=America/Detroit:20261030T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907757@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T142343
DTSTART;TZID=America/Detroit:20261030T123000
DTEND;TZID=America/Detroit:20261030T140000
SUMMARY:Lecture / Discussion:Author Talk: Chinese Cooking with Food Writer and Chef Fuchsia Dunlop
DESCRIPTION:Fuel your food fantasies for the harvest season with an exploration of Chinese cooking rooted in the ancient philosophy of the five fundamental tastes—sour\, bitter\, sweet\, pungent\, and salty. Fuchsia Dunlop is an English writer and cook who specialises in Chinese cuisine\, especially Sichuan cuisine. Join us for a lunchtime conversation with Chef Dunlop as we celebrate the release of her brilliant new book: *Five Tastes: Delicious Recipes for Chinese Flavors*.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:151917-21912414@events.umich.edu
URL:https://events.umich.edu/event/151917
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,China,chinese,Cooking,Dinner,Food,International
LOCATION:Michigan League - Koessler Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260917T143953
DTSTART;TZID=America/Detroit:20261030T160000
DTEND;TZID=America/Detroit:20261030T173000
SUMMARY:Lecture / Discussion:CSAS Lecture Series | Beyond the Seas Blue
DESCRIPTION:Attend in person or via Zoom: https://myumi.ch/E775e\n\nIn this lecture\, Kazmi will discuss *Beyond the Seas Blue* alongside earlier projects that connect contemporary technologies to histories of science\, material transformation\, and knowledge production in the Middle East and South Asia.\n\nAsma Kazmi is an interdisciplinary artist whose work explores the relationships among art\, technology\, history\, and power. Through installations\, video\, sculpture\, virtual environments\, and collaborative research\, she examines how contemporary technologies emerge from longer histories of science\, extraction\, trade\, and knowledge production. Her work centers connections between the Middle East\, South Asia\, and the West\, often using archives\, material culture\, and speculative storytelling. Her newest project\, *Beyond the Seas Blue*\, traces lapis lazuli from the mines of Badakhshan through histories of pigment making\, museums\, colonial collecting\, and digital infrastructure. Kazmi is associate professor of art practice at the University of California\, Berkeley\, and teaches at the Berkeley Center for New Media.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151092-21910859@events.umich.edu
URL:https://events.umich.edu/event/151092
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Asian Languages And Cultures,Center For South Asian Studies,History,history of art,South Asia,South Asian Studies
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261102T080000
DTEND;TZID=America/Detroit:20261102T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907524@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121616
DTSTART;TZID=America/Detroit:20261102T170000
DTEND;TZID=America/Detroit:20261102T183000
SUMMARY:Lecture / Discussion:Teresa Poggi Lecture on Italy and the Mediterranean World. “Signor Presidente:\" Giorgia Meloni and the Italian Laboratory
DESCRIPTION:In 2022\, Prime Minister Giorgia Meloni became the first far-right leader of Italy since Fascism and the first woman to ever lead the country. Four years later\, Meloni has proven resilient\, despite challenging economic indicators and after losing a referendum to limit the independence of the judiciary. A skillful politician\, Meloni has deftly navigated between Italy’s commitments to the European Union and the country’s longtime strategic alliance with the United States\, even as the Trump Administration has pushed to scale back NATO in Europe\, causing confusion and distress in Europe’s halls of power.\n\n   From Fascism to the personality-driven phenomenon of Silvio Berlusconi to the anti-system Five Star Movement\, Italy has always been a political laboratory\, a harbinger of political trends to come. With this lens\, what larger lessons can we draw from Meloni’s leadership about the direction of Italy and Europe? Has Meloni normalized the far right or transformed it into a mainstream conservative movement? What are her most concrete accomplishments? As a study in power\, what do we make of this small\, blonde\, fierce woman who insists on using the masculine form of address\, “Signor Presidente”?\n  \nThe annual Teresa Poggi Lecture on Italy and the Mediterranean World focuses on contemporary and historical issues related to the region. It is made possible by a generous gift from Stephanie and Sue Augustyniak in honor of their mother.\n   \nRachel Donadio is a Paris-based writer\, a contributing writer for *The Atlantic*\, and a former Rome Bureau Chief and European Culture Correspondent for *The New York Times*. She regularly publishes textured profiles and features at the intersection of culture and politics\, as well as literary criticism\, and is a frequent contributor to *The New York Review of Books*. Donadio has reported from more than two dozen countries and interviewed heads of state and major cultural figures\, including four Nobel Laureates in literature.\n   \nIn her many years covering Italy\, she has written on Giorgia Meloni’s culture wars\, Curzio Malaparte\, Nicola Gratteri when he was a leading Italian anti-Mafia prosecutor\, former Prime Minister Silvio Berlusconi\, Gina Lollobrigida\, Paolo Sorrentino\, a rare book theft in Naples\, why Italians gesticulate\, Amalfi lemons\, a family of centenarians in Sardinia\, a Bangladeshi Cricket league in Rome\, and the first non-Italian director of the Uffizi. She has also covered the Vatican and led *The New York Times* coverage of the conclave in which Pope Francis was elected.\n   \nIf there is anything we can do to make this event accessible to you\, please contact gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:149056-21905367@events.umich.edu
URL:https://events.umich.edu/event/149056
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Europe,italian,Italian Studies,Politics,Theme Year
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261103T080000
DTEND;TZID=America/Detroit:20261103T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907525@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T143401
DTSTART;TZID=America/Detroit:20261103T120000
DTEND;TZID=America/Detroit:20261103T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | From a 'Ton of Steel' to 'Another Province Overseas': Foreign and Diaspora Tourism to Mao-Era China
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/gk19J\n\nIn the early years of the People’s Republic of China\, state tourism officials saw sightseeing as a form of public diplomacy\, but noted also that they could earn as much from hosting just one Soviet tourist as they could from exporting a ton of steel. At the same time\, the vast majority of visitors to China during the Mao years came from China’s diaspora\, which officials referred to as “another province overseas” that could contribute to the economic and political foundations of the new nation. This talk will examine the challenges faced by China’s state tourism officials in promoting foreign and diaspora tourism as a form of public diplomacy and economic development from the founding of the PRC to the Cultural Revolution.\n\nGavin Healy is a center associate of the Lieberthal-Rogel Center for Chinese Studies at the University of Michigan and has taught Chinese history at Columbia University and the State University of New York. He is the author of *A Guide to Mao’s China: Showing the Nation to Foreign Guests* (Cornell University Press\, 2026). His work appears in *20th Century China*\, *Modern China*\, and the *Journal of Contemporary History*.
UID:150172-21908317@events.umich.edu
URL:https://events.umich.edu/event/150172
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,China,chinese history,Chinese Studies,Travel
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261104T080000
DTEND;TZID=America/Detroit:20261104T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907526@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261104T080000
DTEND;TZID=America/Detroit:20261104T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913077@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260928T111121
DTSTART;TZID=America/Detroit:20261104T120000
DTEND;TZID=America/Detroit:20261104T133000
SUMMARY:Lecture / Discussion:Pious Politics: Cultural Foundations of the Islamist Movement in Turkey
DESCRIPTION:Respondent: Pauline Jones\, U-M\n\nWhat explains the rise and resilience of religious movements in historically secular contexts? Pious Politics (Cambridge University Press\, 2025) investigates this question through the case of Islamist mobilization in Turkey. Drawing on two years of archival research and ethnographic fieldwork in formal and clandestine religious networks in Turkey\, Ozgen shows that the Turkish Islamists captured the state by developing a popular\, well-organized movement that rallied the masses and built vigorous political parties. But an equally formative\, if not more significant\, factor was the cultural groundwork Islamists laid through a quiet\, gradual\, and remarkably robust model of mobilization. Leveraging this groundwork\, Islamists taught people to act politically in everyday life—situating personal choices about dress\, speech\, comportment\, and social relations against a particular sociopolitical worldview. Pious Politics advances debates across political\, historical\, and cultural sociology\, as well as scholarship on Islam and the Middle East. \n\nWebinar Link: https://umich.zoom.us/webinar/register/WN_oQqwZXShTuWSZaHhojrtGg\n\nIf there is anything we can do to make this event accessible to you\, please contact us at emergingdemocracies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150927-21910454@events.umich.edu
URL:https://events.umich.edu/event/150927
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:democracy,Turkey
LOCATION:Institute For Social Research - 1430 BD
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261105T080000
DTEND;TZID=America/Detroit:20261105T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907527@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261105T080000
DTEND;TZID=America/Detroit:20261105T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913078@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T152312
DTSTART;TZID=America/Detroit:20261105T120000
DTEND;TZID=America/Detroit:20261105T133000
SUMMARY:Lecture / Discussion:CJS Noon Lecture Series | Nourishing Life: Cultures of Food and Health in Early Modern Japan
DESCRIPTION:Please note: This lecture will be held in person in room 1010\, Weiser Hall\, and virtually on Zoom.  If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/ykpz2\n\nCan food determine your fate? Could indulging in delicacies bring calamity to your community? This talk reevaluates the history of Japanese food culture by examining how ideas of healthy eating became both a popular phenomenon and a matter of grave concern among trained medical experts and amateur culinary enthusiasts alike. It explores why ordinary people ate what they did\, how these ideas on proper eating came to be\, and what social\, economic\, and moral concerns propelled their rise. Guidance on dietetics conveyed priorities about how well-nourished bodies were meant to act in the world\, whether as agricultural workers\, samurai bureaucrats\, or merchant consumers. Failure to keep a proper diet carried life-or-death consequences\, according to these guides\, that could bring not just disease to oneself but financial and moral ruin to one’s household\, domain\, or even society at large. This study of historical nourishment modes in Japan thus reveals an early modern dietetic revolution in the making\, which disrupted older forms of expertise and provided a venue to critique official policies on eating and living right before the introduction of modern scientific nutrition.\n\nJoshua Schlachet is a historian of Japan\, specializing in the cultural history of nourishment in the eighteenth and nineteenth centuries. His new book\, *Nourishing Life: Cultures of Food and Health in Early Modern Japan* (University of Hawaiʻi Press\, 2026)\, examines how the emergence of a dietary common knowledge expanded concepts of a well-nourished body to encompass economic productivity\, status hierarchy\, and moral cultivation. Schlachet is co-editor of *Interdisciplinary Edo: Towards an Integrated Approach to Early Modern Japan* (Routledge\, 2024)\, a collected volume of innovative humanistic research on society and culture in the Tokugawa era. He received his Ph.D. in East Asian languages and cultures from Columbia University in 2018 and is a proud graduate of the University of Michigan's Center for Japanese Studies.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150002-21907801@events.umich.edu
URL:https://events.umich.edu/event/150002
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asia,Asian Languages And Cultures,center for japanese studies,Food,History,japan,Japanese Studies
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261106T080000
DTEND;TZID=America/Detroit:20261106T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907528@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261106T080000
DTEND;TZID=America/Detroit:20261106T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913079@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261109T080000
DTEND;TZID=America/Detroit:20261109T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907531@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261109T080000
DTEND;TZID=America/Detroit:20261109T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913082@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261110T080000
DTEND;TZID=America/Detroit:20261110T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907532@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261110T080000
DTEND;TZID=America/Detroit:20261110T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913083@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121639
DTSTART;TZID=America/Detroit:20261110T120000
DTEND;TZID=America/Detroit:20261110T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | The Sacred Edict as Hate Speech: Griffith John\, the Hunan Riots\, and  Qing imperial ideology
DESCRIPTION:In the 1890s\, a series of anti-missionary riots swept through Hunan province. While the disturbances were promptly quelled and the instigators brought to justice\, missionaries found themselves in heated debates about the origins of the riots. One of them was Welshman Griffith John who singled out the Sacred Edict as one root cause of anti-Christian sentiment and argued for its amendment. This talk examines the context behind the debate and what it can tell us about endurance of and contradictions within imperial ideology in late imperial China.\n\nPär Cassel is an associate professor of modern Chinese history at the University of Michigan. He is strongly committed to multi-lingual and multi-archival research and is especially interested in historical problems where international relations\, jurisprudence\, institutional history\, and linguistics intersect. He is currently working on a book length project about the Sacred Edict.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150196-21908382@events.umich.edu
URL:https://events.umich.edu/event/150196
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,China,chinese history,Chinese Studies,History,Imperialism,Theme Year
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260901T092147
DTSTART;TZID=America/Detroit:20261110T173000
DTEND;TZID=America/Detroit:20261110T190000
SUMMARY:Lecture / Discussion:CREES Annual Borka Tomljenović Lecture. Reading through the Double Archival Grain: Yugoslav Socialist Humanitarianism and its Whiteness
DESCRIPTION:For the 2026 Annual Borka Tomljenović Lecture\, Professor Čarna Brković will consider different forms of affective engagement with humanitarian activities in socialist Yugoslavia\, including irony and nostalgia. Ironic engagement assumes that Yugoslav solidarity with formerly colonized populations during the Cold War was empty rhetoric\, driven by a pragmatic desire to establish the country as a significant player on the geopolitical stage. Nostalgic engagement\, by contrast\, is shaped by the belief that Yugoslavs were motivated by an honest ideological commitment to solidarity and anti-racism that ultimately placed them on the “right side” of history. Both ironic and nostalgic engagements with socialist humanitarianism evaluate the past through contemporary ideas about solidarity\, socialism\, capitalism\, and their interrelations.\n\nTo understand socialist humanitarianism on its own terms\, Brković proposes reading it through the double grain of state socialism and the end of history. Such an analytical approach illuminates the role of racial socialism—socialist ideologies of “race” and local racial projects—and its interactions with global racial hierarchies\, showing how these ideologies were shaped by particular value constellations.\n\nBy discussing a 1961 humanitarian initiative of the Yugoslav Red Cross that brought sixty children and young people from the Congo to Tivat\, Montenegro\, this talk sheds light on the workings of socialist whiteness. This was not a colourist project but rather a normative regime of political value with two key characteristics: it ascribed superiority to Yugoslavs on the basis of their greater socialist experience\, and it overlooked present problems in favour of a future in which “race” would no longer matter.\n\nČarna Brković is professor of cultural studies and European ethnology at the University of Mainz. Dr. Brković has a PhD in Social Anthropology from the University of Manchester and a BA in Ethnology and Anthropology from the University of Belgrade. In her European Research Council (ERC) Consolidator Grant “Racial Socialism” (2026-2031) as well as in her book Realigning Humanitarianism in the Balkans: From Cold War Politics to Neoliberal Ethics (Indiana University Press\, 2026)\, she studies historical projects of integrating the world differently\, such as socialist humanitarianism and Europeanization.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151290-21911323@events.umich.edu
URL:https://events.umich.edu/event/151290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:eastern europe,yugoslavia
LOCATION:Michigan League - Vandenberg Room (2nd floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261111T080000
DTEND;TZID=America/Detroit:20261111T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907533@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261111T080000
DTEND;TZID=America/Detroit:20261111T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913084@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260928T080400
DTSTART;TZID=America/Detroit:20261111T113000
DTEND;TZID=America/Detroit:20261111T130000
SUMMARY:Lecture / Discussion:Donia Human Rights Center Panel. Human Rights Reporting: Stories from the Field
DESCRIPTION:Tanzil Asif\, Erica Hellerstein\, and Shan Li\, three of this year's Knight-Wallace Fellows\, will discuss their experiences covering human rights stories in China\, Ukraine\, India\, and Latin America\, as well as challenges they faced in reporting these stories. The panelists will offer comparative insights from their field experiences and lessons for all of us seeking to better understand how journalists navigate risks and conduct investigations in often precarious contexts.\n\nAbout the Speakers\n\nTanzil Asif\nFounder\, Main Media\n\nTanzil Asif is an Indian journalist and founder of the Bihar-based hyperlocal news platform\, Main Media. His work includes video reporting and writing on a wide range of issues\, including politics\, climate change\, systemic development\, and the marginalization of minorities\, including India's Muslim minority. He has contributed to outlets such as Al Jazeera\, The Hindu\, The Wire\, The Quint\, Outlook Magazine and BehanBox. \n\nErica Hellerstein\nImmigration and Labor Reporter\, El Tímpano\n\nErica Hellerstein is the senior immigration and labor reporter at El Tímpano\, an outlet serving the Bay Area's Latino and Mayan immigrants. Previously\, she spent more than a decade reporting on human rights across the U.S.\, Latin America\, Africa and Europe\, investigating labor exploitation\, gender-based violence\, rising authoritarianism and the surveillance state. In 2025\, she reported from Ukraine on her hidden family history and how Jewish Ukrainian identity is evolving amid Russia's invasion. \n\nShan Li\nSouth Asia Correspondent\, Wall Street Journal\n\nShan Li is the South Asia correspondent for The Wall Street Journal\, covering politics\, culture and economic issues in India and the surrounding region. She previously served as China correspondent for The Journal\, reporting on the global influence of Chinese tech companies and the early days of the COVID-19 pandemic from Wuhan. She and other colleagues had their press credentials revoked and were expelled from China by the Chinese government in 2020.\n\nAbout the Moderator\nLynette Clemetson\nDirector\, Wallace House Center for Journalists\n\nLynette Clemetson is Director of Wallace House Center for Journalists\, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards for Young Journalists at the University of Michigan. She came to the university from NPR\, where she was Senior Director of Strategy and Content Initiatives. Her career in journalism spans newspapers\, magazines and audio across a range of platforms. As a reporter\, she was a Washington-based correspondent for The New York Times and Newsweek. Prior to her domestic correspondent work\, she was an international correspondent for Newsweek based in Hong Kong.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at umichhumanrights@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:152225-21913398@events.umich.edu
URL:https://events.umich.edu/event/152225
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:human rights,Journalism
LOCATION:Michigan League - Koessler Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121720
DTSTART;TZID=America/Detroit:20261111T140000
DTEND;TZID=America/Detroit:20261111T160000
SUMMARY:Lecture / Discussion:CMENAS 2026 Fall Colloquium Series | Western Sahara: Multi-scalar Struggles\, Recognition and Change in a Thawing Conflict
DESCRIPTION:Irene Fernández-Molina is a senior lecturer in International Relations at the University of Exeter. She is a scholar of international relations of the Global South and across the Euro-Mediterranean space\, contested statehood and international recognition politics\, and foreign policy and conflicts in the Maghreb. She previously worked as a research fellow at the European Neighbourhood Policy Chair of the College of Europe (Warsaw)\, Schuman fellow at the Directorate-General for External Policies of the European Parliament (Brussels)\, and PhD research fellow at Complutense University of Madrid. Her research has been published in journals such as *International Affairs*\, *International Studies Review*\, *Review of International Studies*\, *International Political Sociology*\, and the *Journal of Intervention and Statebuilding*. She is the author of *Moroccan Foreign Policy under Mohammed VI\, 1999–2014 *(2016)\, and co-editor of *Global\, Regional and Local Dimensions of Western Sahara’s Protracted Decolonization* (2017)\, and* Foreign Policy in North Africa: Navigating Global\, Regional and Domestic Transformations* (2021).\n\nJoin on Zoom: https://myumi.ch/7J946\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150315-21909006@events.umich.edu
URL:https://events.umich.edu/event/150315
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:center for middle eastern and north african studies,Cmenas Colloquium Series,Discussion,Lecture,Theme Year
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T110827
DTSTART;TZID=America/Detroit:20261111T163000
DTEND;TZID=America/Detroit:20261111T180000
SUMMARY:Lecture / Discussion:Guest Lecture | Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict
DESCRIPTION:This talk introduces the concept of heritage forensics\, a framework for studying abuses of cultural heritage in contexts of conflict\, genocide\, and ethnic cleansing. Drawing on the new co-authored volume\, *Heritage Forensics: Cultural on the Front Lines of the Armenia-Azerbaijan Conflict*\, the presentation examines how cultural sites became entangled in the conflict over Nagorno-Karabakh during the interwar period (1994-2020). The talk considers how satellite-based heritage forensics is being deployed prospectively\, to monitor hundreds of Armenian sites in Karabakh following Azerbaijan's 2023 takeover of the region and the displacement of its Armenian population. In doing so\, it asks: how can satellite-based monitoring function as a form of \"counter-forensics\,\" turning surveillance technologies developed for military purposes back on the state? Can heritage forensics move us beyond retrospective documentation to actively deter erasure and support truth\, reconciliation\, and accountability wherever cultural heritage is at stake?\n\nLori Khatchadourian is Professor of Near Eastern Studies and Anthropology at Cornell University\, and co-founder and co-director of Caucasus Heritage Watch. She currently serves as Director of the Cornell Institute of Archaeology and Material Studies. Khatchadourian’s research spans the fields of archaeology\, social anthropology\, and heritage studies\, with a particular focus on Armenia\, the wider South Caucasus\, and neighboring regions. Current projects explore the archaeology of modernity\, including problems of genocide\, deindustrialization\, and the entanglements of cultural heritage and war. She is the co-author of *Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict* (Cornell\, 2026) and author of Imperial Matter: Ancient Persia and the Archaeology of Empires (UC Press\, 2016). She is also co-editor of *Rethinking Empire: Materiality\, Metaphysics\, and Imperial Politics* (SAR\, 2026) and *Fitful Histories and Unruly Publics: The Archaeology of Eurasia *(2017).\n\nhttps://umich.zoom.us/j/99311308952\n\nCosponsors: Center for Middle Eastern and North African Studies\, Department of Middle East Studies\, Department of Linguistics\, Department of Anthropology\, Classical Studies\, Center for Russian\, East European\, and Eurasian Studies\, and NAASR.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: armenianstudies@umich.edu
UID:150145-21908256@events.umich.edu
URL:https://events.umich.edu/event/150145
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Area Studies,armenia,Armenian Studies,Discussion,History,Lecture
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261112T080000
DTEND;TZID=America/Detroit:20261112T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907534@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261112T080000
DTEND;TZID=America/Detroit:20261112T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913085@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260811T160816
DTSTART;TZID=America/Detroit:20261112T120000
DTEND;TZID=America/Detroit:20261112T133000
SUMMARY:Lecture / Discussion:CJS Noon Lecture Series | When Self-Empowerment Goes South (or East\, More Precisely): Gender\, Neoliberalism\, and Romance Fraud in Japan
DESCRIPTION:Please note: This lecture will be held in person in East Hall 4448 and virtually on Zoom. If you are attending in person\, we recommend entering East Hall using the Church Street entrance and taking the elevator to the 4th floor. The webinar is free and open to the public\, but registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/rwr6E.\n\nBuilding on scholarship on changing gender and intimacy norms under neoliberalism in Japan\, this lecture explores how these transformations are reflected in the realm of romance fraud. Drawing on two contrasting sets of empirical material—interviews with romance fraud victims and publications and interviews with followers and supporters of the fraudster ‘Ririchan the Grantee Gal’—the lecture argues that these seemingly disparate groups are connected by a common underlying dynamic: women's struggle for autonomy and/or recognition within a gendered social hierarchy. It examines how aspirations for self-empowerment and liberation\, often intensified by neoliberal ideals of personal responsibility and self-realization\, can paradoxically lead individuals towards both victimization and offending.\n\nDr. Yutaka Yoshida is a lecturer in criminology at Cardiff University. His research explores romance fraud victimization\, digital vigilantism\, and far-right movements in Japan\, with a particular interest in narratives\, identity\, and technology-mediated social harms. His current work examines how romance fraud victims make sense of their experiences and reconstruct their lives in the aftermath of victimization\, drawing on psychosocial approaches.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150003-21907802@events.umich.edu
URL:https://events.umich.edu/event/150003
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,center for japanese studies,Gender,gender studies,japan,Japanese Studies
LOCATION:East Hall - Room 4448
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261113T080000
DTEND;TZID=America/Detroit:20261113T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907535@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261113T080000
DTEND;TZID=America/Detroit:20261113T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913086@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260826T100220
DTSTART;TZID=America/Detroit:20261113T150000
DTEND;TZID=America/Detroit:20261113T170000
SUMMARY:Workshop / Seminar:International Education Week Celebration (2026)
DESCRIPTION:Join various International Education units on campus to celebrate International Education Week 2026!\n\nNovember 13th\, 3-5pm: IEW Rock Painting (George Washington Park Rock)\nNovember 18th\, 5-6:30pm: IEW Global Photo Showcase (Weiser Hall 10th floor)\n\nFeel free to register for one or both of these events to join us in celebrating study abroad\, international internships\, and international students here at the University of Michigan. :)\n\nThese events are organized by the Center for Global & Intercultural Study\, Global Engagement — Office of the Provost\, the International Institute\, International Programs in Engineering\, Ross Global Initiatives\, and the International Center.
UID:149937-21907398@events.umich.edu
URL:https://events.umich.edu/event/149937
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Abroad,All Majors Welcome,Community,Exhibition,global engagement,Graduate Students,International Education,International Education Week,photography,Sessions,study abroad,Travel,Undergraduate
LOCATION:George Washington Park Rock (Corner of Hill Street & Washtenaw)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260908T140120
DTSTART;TZID=America/Detroit:20261113T160000
DTEND;TZID=America/Detroit:20261113T173000
SUMMARY:Lecture / Discussion:CSAS Lecture Series | Indians and Cowboys: Race\, Caste\, and Catholic Missionary Priests from India in Rural America
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/Mpp95\n\nOver the past four decades\, the U.S. has become increasingly dependent on international priests to help run Catholic parishes\, schools\, hospitals\, missions\, and more. 90% of dioceses in the U.S. today rely on foreign born priests. Many of these priests are from India and they come on the R-1 temporary religious worker visa - a lesser researched visa category in South Asian diaspora studies that does not require a salary\, only compensation. Thomas' research shows that 64%+ of missionary priests from India come from dominant caste backgrounds.  Based on chapters from my forthcoming book on Indian Catholic priests in Eastern Montana and Western North Dakota\, in this talk I discuss caste\, remittances\, and the intricacies of the R-1 religious worker visa.  \n\nSonja Thomas is a professor of women’s gender and sexuality studies at Colby College.  Her research focuses on gender\, race\, caste\, and Christianity in India and the U.S. She is the author of *Privileged Minorities: Syrian Christianity\, Gender\, and Minority Rights in Postcolonial India*. Her second book\, *Indians and Cowboys\, on Catholic priests from India in rural America*\, is forthcoming from University of Washington Press. She is an associate editor of *South Asia: The Journal of South Asian Studies*\, is a member of Waterville Maine's K-12 Social Justice and Equity group\, and is an appointed commissioner with Maine’s Permanent Commission on Racial\, Indigenous\, and Tribal Populations.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151111-21910881@events.umich.edu
URL:https://events.umich.edu/event/151111
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,India,Religion,Religious Studies,South Asia,South Asian Studies
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T151451
DTSTART;TZID=America/Detroit:20261113T180000
DTEND;TZID=America/Detroit:20261113T220000
SUMMARY:Film Screening:33rd Ann Arbor Polish Festival
DESCRIPTION:The Ann Arbor Polish Film Festival is an annual celebration of Polish cinema\, organized by the Polish Cultural Fund in collaboration with the Ann Arbor Polonia Association and the U-M Polish Student Association. Since its inception in 1993\, the festival has brought audiences a vibrant selection of contemporary Polish documentaries\, short films\, and feature-length movies—each offering unique perspectives on Polish culture and global issues alike.\n\nA highlight of the festival is its juried competition\, which recognizes outstanding achievements in three categories: documentary film\, short narrative film\, and film debut.\n\nMichigan Theater\, 603 East Liberty St.\, Ann Arbor\n\nFestival Schedule:\n\nFriday\, November 13\, 2026\n6:00 PM – 10:00 PM\n\nSaturday\, November 14\, 2026\n10:00 AM – 10:00 PM\n\nSunday\, November 15\, 2026\n11:00 AM – 5:00 PM\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150560-21909597@events.umich.edu
URL:https://events.umich.edu/event/150560
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film,poland
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T151451
DTSTART;TZID=America/Detroit:20261114T100000
DTEND;TZID=America/Detroit:20261114T220000
SUMMARY:Film Screening:33rd Ann Arbor Polish Festival
DESCRIPTION:The Ann Arbor Polish Film Festival is an annual celebration of Polish cinema\, organized by the Polish Cultural Fund in collaboration with the Ann Arbor Polonia Association and the U-M Polish Student Association. Since its inception in 1993\, the festival has brought audiences a vibrant selection of contemporary Polish documentaries\, short films\, and feature-length movies—each offering unique perspectives on Polish culture and global issues alike.\n\nA highlight of the festival is its juried competition\, which recognizes outstanding achievements in three categories: documentary film\, short narrative film\, and film debut.\n\nMichigan Theater\, 603 East Liberty St.\, Ann Arbor\n\nFestival Schedule:\n\nFriday\, November 13\, 2026\n6:00 PM – 10:00 PM\n\nSaturday\, November 14\, 2026\n10:00 AM – 10:00 PM\n\nSunday\, November 15\, 2026\n11:00 AM – 5:00 PM\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150560-21909598@events.umich.edu
URL:https://events.umich.edu/event/150560
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film,poland
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T151451
DTSTART;TZID=America/Detroit:20261115T110000
DTEND;TZID=America/Detroit:20261115T170000
SUMMARY:Film Screening:33rd Ann Arbor Polish Festival
DESCRIPTION:The Ann Arbor Polish Film Festival is an annual celebration of Polish cinema\, organized by the Polish Cultural Fund in collaboration with the Ann Arbor Polonia Association and the U-M Polish Student Association. Since its inception in 1993\, the festival has brought audiences a vibrant selection of contemporary Polish documentaries\, short films\, and feature-length movies—each offering unique perspectives on Polish culture and global issues alike.\n\nA highlight of the festival is its juried competition\, which recognizes outstanding achievements in three categories: documentary film\, short narrative film\, and film debut.\n\nMichigan Theater\, 603 East Liberty St.\, Ann Arbor\n\nFestival Schedule:\n\nFriday\, November 13\, 2026\n6:00 PM – 10:00 PM\n\nSaturday\, November 14\, 2026\n10:00 AM – 10:00 PM\n\nSunday\, November 15\, 2026\n11:00 AM – 5:00 PM\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150560-21909600@events.umich.edu
URL:https://events.umich.edu/event/150560
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film,poland
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261116T080000
DTEND;TZID=America/Detroit:20261116T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907538@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261116T080000
DTEND;TZID=America/Detroit:20261116T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913089@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261117T080000
DTEND;TZID=America/Detroit:20261117T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907539@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261117T080000
DTEND;TZID=America/Detroit:20261117T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913090@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T114741
DTSTART;TZID=America/Detroit:20261117T120000
DTEND;TZID=America/Detroit:20261117T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | Chinese and Muslim Refugees on the Tibetan Frontier\, 1860–1965
DESCRIPTION:From 1860 onward\, frequent wars and disasters claimed millions of lives in Northwest China. More than one million Chinese and Muslims sought refuge on the northeastern Tibetan Plateau. This talk explores the diverse experiences of these refugees as they crossed multiple ethnocultural and administrative boundaries\, lived\nalongside Tibetans\, and forged new homelands during China’s transition from empire to nation-state.\n\nGyatso Marnyi is a historian of empires and frontiers in Asia. Combining textual sources with ethnographic fieldwork\, his research examines interactions and exchanges between China and surrounding Asian regions from the fourteenth to the twentieth century. He is currently completing a monograph that explores the uneven\nexperiences of Tibetan\, Mongol\, Chinese\, and Muslim communities during China’s transition from empire to nation-state on the Inner Asian frontier.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://ii.umich.edu/ii/news-events/all-events/theme
UID:150195-21908379@events.umich.edu
URL:https://events.umich.edu/event/150195
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,China,chinese history,Chinese Studies,History,Theme Year,Tibet
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261118T080000
DTEND;TZID=America/Detroit:20261118T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907540@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261118T080000
DTEND;TZID=America/Detroit:20261118T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913091@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T093057
DTSTART;TZID=America/Detroit:20261118T120000
DTEND;TZID=America/Detroit:20261118T132000
SUMMARY:Lecture / Discussion:CREES Noon Lecture. Rehabilitative Postsocialism\, Racialised Capital\, and Yearning for Crip Horizon
DESCRIPTION:Drawing on her new book\, *Rehabilitative Postsocialism: Disability\, Sex\, and Race in Eastern Europe*\, Kateřina Kolářová will argue that postsocialism is essential to understanding neoliberal cultural politics\, economic structures\, and state policies worldwide. She will show how disability\, sexuality\, and race—though often rendered invisible—have shaped the postsocialist consensus in the Czech Republic and more broadly.\n\nThe talk will focus on how discourses of “inadaptability” have contributed to racialized abandonment. Kolářová will examine how particular understandings of disability helped establish an ideal of rehabilitated\, white postsocialist citizenship. She will also consider the “neoliberalization of race” and the “racialization of neoliberalism” (Mahtani and Roberts) within the specific historical and political context of the Czech Republic and post socialist Eastern Europe. Specifically\, Kolářová will explore how portrayals of Roma people as “inadaptable (non)citizens” have been used to determine who belongs in shared public spaces and whose exposure to violence is treated as morally defensible. The talk will conclude by examining forms of resistance that open up alternative possibilities\, or “crip horizons.”\n\nKateřina Kolářová is associate professor of sociology at Charles University in Prague. Kolářová’s other recent work takes the feminist queer crip perspective to explore the bio-social dimensions of metabolism\, “crip guts\,” the relationship between human and non-human lives\, and how we coexist with microorganisms\, toxic chemicals\, and other \"unclean\" elements/entities. She is currently working on a monograph exploring HIV and human-viral coexistence (forthcoming in 2027). She is a passionate forager\, fermentation enthusiast\, and an avid chaos gardener.\n\nHer book *Rehabilitative Postsocialism: Disability\, Sex\, and Race in Eastern Europe* (University of Michigan Press\, 2025) is available on \"Open Access.\" It was the winner of the 2019 Tobin Siebers Prize for Disability Studies in the Humanities.\n\nOpen Access link to book: https://www.fulcrum.org/concern/monographs/xd07gw749\n\nIf there is anything we can do to make this event accessible to you\, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:152176-21913179@events.umich.edu
URL:https://events.umich.edu/event/152176
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:eastern europe
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260826T100220
DTSTART;TZID=America/Detroit:20261118T170000
DTEND;TZID=America/Detroit:20261118T183000
SUMMARY:Workshop / Seminar:International Education Week Celebration (2026)
DESCRIPTION:Join various International Education units on campus to celebrate International Education Week 2026!\n\nNovember 13th\, 3-5pm: IEW Rock Painting (George Washington Park Rock)\nNovember 18th\, 5-6:30pm: IEW Global Photo Showcase (Weiser Hall 10th floor)\n\nFeel free to register for one or both of these events to join us in celebrating study abroad\, international internships\, and international students here at the University of Michigan. :)\n\nThese events are organized by the Center for Global & Intercultural Study\, Global Engagement — Office of the Provost\, the International Institute\, International Programs in Engineering\, Ross Global Initiatives\, and the International Center.
UID:149937-21907399@events.umich.edu
URL:https://events.umich.edu/event/149937
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Abroad,All Majors Welcome,Community,Exhibition,global engagement,Graduate Students,International Education,International Education Week,photography,Sessions,study abroad,Travel,Undergraduate
LOCATION:1010 Weiser Hall (10th Floor, 500 Church Street)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261119T080000
DTEND;TZID=America/Detroit:20261119T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907541@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261119T080000
DTEND;TZID=America/Detroit:20261119T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913092@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261120T080000
DTEND;TZID=America/Detroit:20261120T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907542@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261120T080000
DTEND;TZID=America/Detroit:20261120T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913093@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260811T101823
DTSTART;TZID=America/Detroit:20261120T120000
DTEND;TZID=America/Detroit:20261120T130000
SUMMARY:Lecture / Discussion:CSEAS Friday Lecture Series | After the War: Vietnamese Memory\, Identity\, and the Unfinished Stories of Vietnam
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: http://myumi.ch/G74ng\n\nWhat happens to a war after the war is over?\n\nVietnamese journalist and documentary filmmaker Van Le reflects on the Vietnam War through the memories of those who lived through it. Drawing on her years of reporting and documentary filmmaking\, she explores how the war continues to shape Vietnamese identity\, relationships\, and understandings of the past—both in Vietnam and across the diaspora. The talk focuses on personal memories of loss\, fear\, displacement\, loyalty\, and silence\, and how trauma is remembered\, carried\, and passed across generations.\n\nVan Le is an investigative journalist\, author\, and independent documentary filmmaker based in Vietnam. She is a 2026–2027 Knight-Wallace Journalism Fellow at the University of Michigan. She was a reporter for the acclaimed documentary The Stringer and has contributed environmental reporting to ProPublica. She previously worked as a feature writer and investigative journalist for Thanh Nien Newspaper\, a national news outlet in Vietnam.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:150113-21908029@events.umich.edu
URL:https://events.umich.edu/event/150113
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,center for southeast asian studies,Cseas Lecture Series,History,Journalism,Southeast Asia,Vietnam
LOCATION:Weiser Hall - Room 110
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260918T110745
DTSTART;TZID=America/Detroit:20261120T120000
DTEND;TZID=America/Detroit:20261120T133000
SUMMARY:Lecture / Discussion:Provosts in Conversation. International Education at a Crossroads
DESCRIPTION:This dialogue will bring together provosts from three Midwestern public universities: University of Michigan\, University of Illinois Urbana-Champaign\, and Indiana University Bloomington\, to discuss the current landscape of international education.\n\nThe provosts will share the common threads across their experiences and how each institution has navigated the challenges differently\, along with what's at stake for international students and scholars under current conditions and for students' access to global opportunity. They will also share their vision for how universities might adapt and chart a path forward.\n\nLaurie McCauley\, Provost and Executive Vice President for Academic Affairs\, University of Michigan\n\nJohn Coleman\, Provost and Executive Vice Chancellor for Academic Affairs\, University of Illinois Urbana-Champaign\n\nJohn Ciorciari\, Provost and Executive Vice Chancellor\, Indiana University Bloomington\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email Contact:	iimichigan@umich.edu\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:152429-21913723@events.umich.edu
URL:https://events.umich.edu/event/152429
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Area Studies,immigration,International Education,International Students,international studies,Theme Year
LOCATION:Palmer Commons - Great Lakes Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907545@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913096@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907546@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913097@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261125T080000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907547@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261125T080000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913098@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261126T080000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907548@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261126T080000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913099@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261127T080000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907549@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261127T080000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913100@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261130T080000
DTEND;TZID=America/Detroit:20261130T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907552@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261130T080000
DTEND;TZID=America/Detroit:20261130T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913103@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261201T080000
DTEND;TZID=America/Detroit:20261201T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907553@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261201T080000
DTEND;TZID=America/Detroit:20261201T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913104@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T143453
DTSTART;TZID=America/Detroit:20261201T120000
DTEND;TZID=America/Detroit:20261201T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | The Forgotten\, Gourmet Origins of Your Favorite Chinese Takeout
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/8Jq1G\n\nPotstickers. Kung Pao Chicken. General Tso's. Americans can't get enough of these dishes\, yet food critics and historians often dismiss them as pale imitations of \"authentic\" Chinese cuisine. This lecture reveals the surprising origins of American Chinese takeout in the elite kitchens of the Chinese Nationalist Party in wartime Chongqing and traces its remarkable journey through postwar Taiwan to the United States in the 1970s. Far from being corruptions of Chinese food\, these beloved dishes preserve a gourmet culinary tradition that once inspired swoons among China's elite and earned rave reviews from New York Times critics.\n\nMiranda Brown is the Yi-Tsi Mei Feuerwerker Collegiate Professor of Chinese Studies in the Department of Asian Languages and Culture\, where she has taught since 2002. A San Franciscan by birth and historian of early China by training\, she discovered in her later career her true passion: Chinese food. Her book\, *Dumpling Therapy*\, will be published by St. Martin's Press in January 2027. Professor Brown spent the 2023-2024 academic year in Taipei\, Taiwan on a Fulbright grant\, which enabled her to research post-war Taiwanese foodways and to eat way too much.
UID:150197-21908383@events.umich.edu
URL:https://events.umich.edu/event/150197
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,China,Chinese Studies,Cooking,Culture,Food
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T081801
DTSTART;TZID=America/Detroit:20261201T160000
DTEND;TZID=America/Detroit:20261201T170000
SUMMARY:Presentation:Masters in the Midwest: Opportunities for Graduate Programs in Russian\, East European and Eurasian Studies at Midwestern Universities
DESCRIPTION:Please join representatives of interdisciplinary graduate programs in Russian\, East European and Eurasian Studies at Midwestern Universities to find which program is best for you. Each institution will give a brief introduction of their programs and specialties\, and attendees will be able to join breakout rooms and ask questions about the programs most of interest. Students planning to apply this cycle are urged to attend\, but those considering applying in future years are also welcome.\n\nTuesday\, September 22 10:00-11:00 AM Eastern (9:00-10:00 AM Central)--Register: https://osu.zoom.us/meeting/register/Ujuo3QfITxW1K8h8-RepuQ\n\nWednesday\, October 21 2:00 PM-3:00 PM Eastern (1:00 PM-2:00 PM Central)--Register: https://osu.zoom.us/meeting/register/aPbuj82AQN2MxV59DnvDAA\n\nTuesday\, December 1 4:00 PM-5:00 PM Eastern (3:00 PM-4:00 PM Central)--Register: https://osu.zoom.us/meeting/register/wPK_73VxTxy3xffylNtc8A\n\nParticipating programs:\n\nThe Ohio State University: Master of Arts in Slavic\, East European and Eurasian Studies\; Dual Degrees with Bioethics and Public Affairs\n\nUniversity of Kansas: Master of Arts in Slavic and Eurasian Studies\nMA concentrations: 1. Slavic languages and literatures 2. Russian\, East European\, and Eurasian Studies \n\nUniversity of Michigan: Masters in International and Regional Studies\, Specialization in Russian\, East European\, & Eurasian Studies\n\nUniversity of Wisconsin-Madison: MA Degree Program in Russian\, East European\, and Central Asian Studies\n\nIf you have questions about accessibility or wish to request accommodation such as live captioning or interpretation to participate in these events\, please contact Emma Pratt at pratt.124@osu.edu. Typically\, two weeks' notice will allow us to provide access\, but the university will make every effort to meet requests made after this date.
UID:152173-21913176@events.umich.edu
URL:https://events.umich.edu/event/152173
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:eastern europe,Graduate School,Info Session,russia
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261202T080000
DTEND;TZID=America/Detroit:20261202T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907554@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261202T080000
DTEND;TZID=America/Detroit:20261202T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913105@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121739
DTSTART;TZID=America/Detroit:20261202T140000
DTEND;TZID=America/Detroit:20261202T160000
SUMMARY:Lecture / Discussion:CMENAS 2026 Fall Colloquium Series | ‘Vernacular Sovereignty’ Without a State: Kurdish Studies\, Decolonial Thought\, and the Making of Online Kurdistan
DESCRIPTION:What does it mean to imagine a nation without a state? This talk draws on my broader research in Kurdish studies to examine how Kurdish political life has repeatedly been organized around forms of authority and belonging that do not depend on\, or wait for\, a state. Taking my recent article \"The Making of Online Kurdistan\,\" co-authored with Barış Öktem\, as its empirical center\, the talk asks how Kurdish Generation Z constructs national belonging through digital platforms — building a transnational field of community through hashtags\, online seminars\, and digitally organized movements\, even as this same infrastructure exposes Kurdish youth to surveillance and repression across borders. I situate this case within a longer arc of my work on Kurdish politics and within a decolonial reading of Kurdish studies more broadly. Rather than offering a general theory of sovereignty\, the talk uses the Kurdish case to think through a live and unresolved question in the study of stateless nations: what forms can political authority\, legitimacy\, and collective imagination take when territorial statehood is foreclosed\, and what is gained and lost when that struggle moves online.\n\nMashuq Kurt is Associate Professor of Sociology in the Department of Law and Criminology at Royal Holloway\, University of London. His work sits at the intersection of Middle Eastern studies and the sociology of migration and diaspora\, examining how Kurds and other marginalised communities construct political authority and belonging outside the institutions of the nation-state. He is the author of *Kurdish Hizbullah in Turkey: Islamism\, Violence and the State* (Pluto Press\, 2017)\, co-editor of the *South Atlantic Quarterly Special Issue: Decolonizing Kurdish Studies *(2024) and the *Contemporary Islam Special Issue: Islam\, Critique and the Canon* (2024)\, and has published in journals including *Current Anthropology*\, *Journal of Middle East Women's Studies*\, and *Social Research: An International Quarterly*. His recent article \"The Making of Online Kurdistan\" (*Journal of Ethnic and Migration Studies*\, 2026)\, co-authored with Barış Öktem\, examines how Kurdish Generation Z constructs national belonging through digital platforms. He was a Marie Curie Global Fellow at the London School of Economics and Yale University\, has held visiting positions at Stanford and Sciences Po CERI. A regular contributor to public and policy debates\, he has organised panels and given talks at the UK Parliament\, Chatham House\, and RUSI\, and his commentary has appeared in Foreign Policy\, Le Monde\, and The New Arab\, among others. He is also an award-winning filmmaker: his documentary *The Seven Doors *received the Jean Rouch Award from the American Anthropological Association's Society for Visual Anthropology in 2020.\n\nJoin on Zoom: https://myumi.ch/pgV2y\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:150314-21909005@events.umich.edu
URL:https://events.umich.edu/event/150314
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:center for middle eastern and north african studies,cmenas,Cmenas Colloquium Series,Discussion,Lecture,Theme Year
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261203T080000
DTEND;TZID=America/Detroit:20261203T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907555@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261203T080000
DTEND;TZID=America/Detroit:20261203T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913106@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260930T105534
DTSTART;TZID=America/Detroit:20261203T170000
DTEND;TZID=America/Detroit:20261203T183000
SUMMARY:Lecture / Discussion:Annual Copernicus Lecture. The Beauty and Significance of Interwar Polish Popular Music
DESCRIPTION:In this lecture\, Jan Emil Młynarski will offer an immersive exploration of Polish popular music of the interwar period (1918–1939)\, examining Polish tango\, the development of the recording industry\, and the vibrant world of theatres and cabarets that shaped popular musical culture between the wars. Młynarski will perform selected works and present archival recordings\, guiding the audience through the rich landscape of Polish song\, its composers\, lyricists and performers\, situating their work within the broader cultural context of the era and assessing its artistic value\, cultural significance and contemporary reception.\n\nJan Emil Młynarski is a drummer\, street singer and passionate advocate for Polish popular music of the first half of the twentieth century. He holds degrees from the Karol Lipiński Academy of Music in Wrocław and from the Drummers Collective in New York.\n\nHe hosts *Salon\, Ulica\, Dancing (Salon\, Street\, Dance Hall)* — a weekly radio show on Polskie Radio 3 dedicated to Interwar Polish music\, is the founder and leader of the Warszawskie Combo Taneczne *(Warsaw Dance Combo)*\, and is a member of the Jazz Band Młynarski-Masecki. He has released several dozen albums and was awarded multiple Fryderyk \, the Polish music industry's most prestigious recording award.\n\nIf there is anything we can do to make this event accessible to you\, please contact gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149007-21905310@events.umich.edu
URL:https://events.umich.edu/event/149007
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:europe,European,Music,Performance,Poland
LOCATION:Rackham Graduate School (Horace H.) - Amphitheatre
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261204T080000
DTEND;TZID=America/Detroit:20261204T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907556@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261204T080000
DTEND;TZID=America/Detroit:20261204T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913107@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261207T080000
DTEND;TZID=America/Detroit:20261207T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907559@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261207T080000
DTEND;TZID=America/Detroit:20261207T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913110@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261208T080000
DTEND;TZID=America/Detroit:20261208T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907560@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261208T080000
DTEND;TZID=America/Detroit:20261208T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913111@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T115315
DTSTART;TZID=America/Detroit:20261208T120000
DTEND;TZID=America/Detroit:20261208T130000
SUMMARY:Lecture / Discussion:LRCCS Noon Lecture Series | China’s Economic Slowdown: A Firm-Level Perspective
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/DW8j6\n\nThis talk develops a new representative firm-level dataset for Chinese manufacturing from 1998 to 2019 by combining tax\, registry\, and inspection records and correcting for sampling biases in existing administrative data. Using a CES production framework with firm-specific distortions\, the talk introduces a novel decomposition of aggregate TFP growth into efficient growth and changes in misallocation. The analysis documents a sharp slowdown in Chinese manufacturing productivity growth after 2010\, driven both by weaker incumbent-firm productivity growth and by a diminished contribution from firm turnover and reallocation.  \n\nLoren Brandt is a professor of economics at the University of Toronto specializing in the Chinese economy.  He has published widely on the Chinese economy in leading economic journals including the *American Economic Review*\, *the Quarterly Journal of Economics*\, *Review of Economic Studies*\, *Econometrica and the Journal of Political Economy*\, and been involved in extensive household and enterprise survey work in both China and Vietnam. With Thomas Rawski\, he completed *Policy\, Regulation\, and Innovation in China’s Electricity and Telecom Industries* (Cambridge University Press\, 2019)\, an interdisciplinary effort analyzing the effect of government policy on the power and telecom sectors in China. He was also co-editor and major contributor to *China’s Great Economic Transformation* (Cambridge University Press\, 2008)\, which provides an integrated analysis of China’s unexpected economic boom of the past three decades.  His current research focuses on issues of entrepreneurship and firm dynamics\, industrial policy and innovation\, and economic growth and structural change.
UID:150699-21909978@events.umich.edu
URL:https://events.umich.edu/event/150699
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,China,Chinese Studies,Data,Economics
LOCATION:Weiser Hall - 10th Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261209T080000
DTEND;TZID=America/Detroit:20261209T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907561@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261209T080000
DTEND;TZID=America/Detroit:20261209T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913112@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260911T121757
DTSTART;TZID=America/Detroit:20261209T120000
DTEND;TZID=America/Detroit:20261209T132000
SUMMARY:Lecture / Discussion:CREES Noon Lecture. Who Defines Central Asia? Decolonial Disruptions from Below
DESCRIPTION:A consequential shift is taking place in Central Asian studies today. What started as a slow rejection of the idea that the region benefited from Soviet control has turned into a decentralized\, collective effort to revise the region’s relationship to its colonial identity and to search for indigenous interpretations of the self. A recent Cambridge Element publication co-authored by Erica Marat and Aizada Arystanbek explores the current decolonial disruptions in Central Asia – how the region is being redefined by its inhabitants\, both in discourse and in practice. It captures the main areas of activism in memory studies\, language activism\, art installations\, and transnational solidarity networks. Decolonial discussions are gaining traction\, challenging political elites’ hegemony over national identity formation. Such changes harbor the potential to profoundly alter Russia’s influence in the areas it once controlled. Decolonial disruptions are reshaping how Central Asians think about their past and imagine their future.\n\nDr. Erica Marat is an adjunct professor at the Center for Security Studies\, Georgetown University. Her research focuses on violence\, mobilization and security institutions in Europe\, Central Asia\, India\, and Mexico. She is an author of several books\, including \"Decolonial Disruptions in Central Asia: Discussion\, Practices\, and Networks\" (Cambridge Elements 2026) and \"Transformative Violence: When Routine Cruelty Sparks Historic Mobilization\" (Oxford University Press 2024). Her articles have appeared in \"Foreign Affairs\,\" \"Foreign Policy\,\" \"Just Security\,\" and \"Open Democracy.\"\n\nIf there is anything we can do to make this event accessible to you\, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme
UID:151822-21912231@events.umich.edu
URL:https://events.umich.edu/event/151822
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:central asia,Theme Year
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260816T221327
DTSTART;TZID=America/Detroit:20261209T140000
DTEND;TZID=America/Detroit:20261209T160000
SUMMARY:Lecture / Discussion:CMENAS 2026 Fall Colloquium Series | Middle Eastern Christians: The Struggle for Recognition and Rights
DESCRIPTION:A continued presence of Christians in the Middle East is perceived as at risk due to demographic change\, adverse socio-economic conditions\, political instability\, conflict\, and migration. Indeed\, from making up 12.7% of the population in the Middle East in 1900\, the Christian presence has dwindled to 4% by 2020\, with a notable decline in countries with a considerable Christian population but affected by conflict\, such as Iraq and Syria. Indigenous to the region\, Christians are proud of their contributions to the education\, society\, and politics of the Middle East. Yet\, they struggle to translate these forms of soft power into political actions that address legislation\, practices\, and violence that infringe their rights as citizens. Relationships with powerful Western actors campaigning against the persecution of Christians have led to international visibility but also accusations of undermining national unity from political and societal actors in the region. This paper explores the different strategies pursued by Middle East Christians in the region and diaspora to be recognized as Christians and claim their rights as citizens.\n\nFiona McCallum Guiney is Professor and Head of the School of International Relations at the University of St Andrews in Scotland. Her research on Middle Eastern Christians focuses on group identity\, the connection between legitimacy and religious leadership\, and group interactions at the state-community and society-community levels\, both in the Middle East and diaspora. Professor Guiney was the Project Leader of the EU funded study ‘Defining and Identifying Middle Eastern Christian Communities in Europe’. She is a former Director of the Institute of Middle East\, Central Asia and Caucasus Studies at the University of St Andrews.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu
UID:150316-21909007@events.umich.edu
URL:https://events.umich.edu/event/150316
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:center for middle eastern and north african studies,Cmenas Colloquium Series,Discussion,Lecture,Middle East Studies
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261210T080000
DTEND;TZID=America/Detroit:20261210T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907562@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261210T080000
DTEND;TZID=America/Detroit:20261210T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913113@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261211T080000
DTEND;TZID=America/Detroit:20261211T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907563@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T165014
DTSTART;TZID=America/Detroit:20261211T080000
DTEND;TZID=America/Detroit:20261211T170000
SUMMARY:Lecture / Discussion:Dancing with the Dragon Exhibit
DESCRIPTION:Experience a curated experience of the imaginary\, featuring a lightly sci-fi\, magnificent work of art--the LRCCS Fortune and Longevity Dragon\, a 25-ft long\, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\"  crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel\, artist Jeri Rosenberg\, students\,  and volunteers   The exhibition highlights the story of the dragon's fabrication and its impact on community..  An iconic symbol of inclusivity\, strength\, and courage\, this newly imagined U-M dragon\, with its futuristic flair\, technological creativity and sustainable materials\, invites students and the entire community to re-envision a classic cultural symbol for contemporary times.\n\nPresented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost\, Global Engagement.\n\nAdditional funding was provided by ArtsEngine\, Center for World Performance Studies\, Stearns Collection of Musical Instruments\, and U.S. Department of Education.\n\nWith support from Asian Languages and Cultures\, International Institute\, James and Anne Duderstadt Center\, Nam Center for Korean Studies\, Residential College\, School of Kinesiology\, School of Music\, Theatre & Dance\, Taubman College\, University of Michigan Library\, University of Michigan Museum of Art\, and Women’s and Gender Studies Department.\n\n*If there is anything we can do to make this event accessible to you\, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*
UID:152125-21913114@events.umich.edu
URL:https://events.umich.edu/event/152125
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Arts Initiative,Asian Languages And Cultures,Chinese Studies,Dance,Exhibition,Free,International,Multidisciplinary Design,Performance Art,Visual Arts
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261214T080000
DTEND;TZID=America/Detroit:20261214T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907566@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261215T080000
DTEND;TZID=America/Detroit:20261215T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907567@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261216T080000
DTEND;TZID=America/Detroit:20261216T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907568@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261217T080000
DTEND;TZID=America/Detroit:20261217T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907569@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261218T080000
DTEND;TZID=America/Detroit:20261218T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907570@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261221T080000
DTEND;TZID=America/Detroit:20261221T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907573@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261222T080000
DTEND;TZID=America/Detroit:20261222T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907574@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261223T080000
DTEND;TZID=America/Detroit:20261223T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907575@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261224T080000
DTEND;TZID=America/Detroit:20261224T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907576@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261225T080000
DTEND;TZID=America/Detroit:20261225T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907577@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261228T080000
DTEND;TZID=America/Detroit:20261228T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907580@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261229T080000
DTEND;TZID=America/Detroit:20261229T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907581@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261230T080000
DTEND;TZID=America/Detroit:20261230T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907582@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261231T080000
DTEND;TZID=America/Detroit:20261231T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907583@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270101T080000
DTEND;TZID=America/Detroit:20270101T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907584@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270104T080000
DTEND;TZID=America/Detroit:20270104T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907587@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270105T080000
DTEND;TZID=America/Detroit:20270105T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907588@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270106T080000
DTEND;TZID=America/Detroit:20270106T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907589@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270107T080000
DTEND;TZID=America/Detroit:20270107T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907590@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270108T080000
DTEND;TZID=America/Detroit:20270108T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907591@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270111T080000
DTEND;TZID=America/Detroit:20270111T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907594@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270112T080000
DTEND;TZID=America/Detroit:20270112T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907595@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270113T080000
DTEND;TZID=America/Detroit:20270113T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907596@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270114T080000
DTEND;TZID=America/Detroit:20270114T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907597@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270115T080000
DTEND;TZID=America/Detroit:20270115T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907598@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270118T080000
DTEND;TZID=America/Detroit:20270118T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907601@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270119T080000
DTEND;TZID=America/Detroit:20270119T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907602@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270120T080000
DTEND;TZID=America/Detroit:20270120T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907603@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270121T080000
DTEND;TZID=America/Detroit:20270121T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907604@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270122T080000
DTEND;TZID=America/Detroit:20270122T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907605@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260908T140153
DTSTART;TZID=America/Detroit:20270122T160000
DTEND;TZID=America/Detroit:20270122T173000
SUMMARY:Lecture / Discussion:CSAS Lecture Series | Annihilation of Caste: Dr. B.R. Ambedkar and the Making of a Radical Dalit Humanism
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/Mpp5R\n\nThis talk focuses on the intellectual and formidable anti-caste leader Dr. B. R. Ambedkar’s (1891–1956) multi-pronged – social\, cultural and political – strategies of creating manuski (human dignity)\, dharmantar (religious conversion) and respectable samaj (community) in a doubly colonial – British and brahmanical context. To Ambedkar\, the larger Indian society denied manuski to Dalits. The caste mechanism restricted Dalits claims to personhood as Dalit humanity itself was constituted as a state of injury and punishment. The consequences were particularly dangerous for Dalit women lacking even minimal security. As a result\, Ambedkar and his associates focused on both—external and internal—changes to cultivate manuski. Ambedkar constituted a new Dalit woman through these inner resources and interrelated ideas of an intrinsically caring and civilized humanity. He along with his associates robustly worked on a multi-pronged strategy—social\, educational\, political\, legal\, and religious\, to regenerate Dalits and not merely reform them like in the case of elite touchable reformers.\n\nShailaja Paik is Charles Phelps Taft Distinguished Professor of History and affiliate faculty in women’s\, Gender\, and sexuality studies\, sociology\, and Asian studies at the University of Cincinnati. She is a 2024 MacArthur Foundation “genius” Fellow. Paik is also the founding executive director of the Institute for Just Futures. Her work analyzes the politics of caste\, gender\, class\, and sexuality\, by focusing on the ideas\, actions\, and lives of Dalits (“Untouchables”). She is the author of the prestigious awards-winning book *The Vulgarity of Caste: Dalits\, Sexuality\, and Humanity* (Stanford University Press\, 2022) and *Dalit Women's Education in Modern India: Double Discrimination* (Routledge\, 2014). Paik is co-editing the *Cambridge Companion to Dr. B.R. Ambedkar* (forthcoming) and *Caste\, Race\, and Indigeneity in South Asia and Beyond* (Forthcoming Routledge). Her research is funded by the MacArthur Foundation\, the American Council of Learned Societies\, the Stanford Humanities Center\, the National Endowment for the Humanities\, the American Institute of Indian Studies\, Yale University\, Emory University\, the Ford Foundation\, and the Charles Phelps Taft Research Center\, among others. Paik has published several articles on a variety of themes\, including kissing and nationalism\, the politics of naming\, Dalit and African American women’s solidarity\, Dalit women’s education\, and new Dalit womanhood in colonial India. Her scholarship and research interests are concerned with contributing to and furthering the dialogue in anti-race\, anti-caste\, and anti-patriarchy\, human rights\, anti-colonial struggles\, transnational women’s history\, and women-of-color feminisms.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151116-21910882@events.umich.edu
URL:https://events.umich.edu/event/151116
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,Center For South Asian Studies,Gender,History,Sociology
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270125T080000
DTEND;TZID=America/Detroit:20270125T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907608@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270126T080000
DTEND;TZID=America/Detroit:20270126T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907609@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270127T080000
DTEND;TZID=America/Detroit:20270127T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907610@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270128T080000
DTEND;TZID=America/Detroit:20270128T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907611@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270129T080000
DTEND;TZID=America/Detroit:20270129T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907612@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260908T140249
DTSTART;TZID=America/Detroit:20270129T160000
DTEND;TZID=America/Detroit:20270129T173000
SUMMARY:Lecture / Discussion:CSAS Lecture Series | What is the Private Life of Caste in India? The caste economies of India's success story
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/399y2\n\nIn this talk Thiranagama will draw from her book *The Monster in Your Path: The Private Life of Caste in India* on the situated histories of caste and enslavement in the South Indian state of Kerala\, most often understood as India's success story. Thiranagama will discuss how new forms of caste disparities\, as well as caste formations\, have become sedimented not in the “public\,” the center of most contemporary work\, but rather in the new kinds of private spaces and private lives that arose after Kerala’s land reforms and communist transformation. Thiranagama suggests new ways to think about contemporary inequalities within historical economies of humiliation and subordination\, as well discussing the dignity projects embarked upon by Kerala’s Dalit communities.\n\nSharika Thiranagama is professor of anthropology at Stanford University. Her research explores violence\, inequality\, and intense political mobilization through a focus on intimacy\, gender and generation. She has been the author of multiple works on Sri Lanka including *In My Mother’s House: Civil War in Sri Lanka* (University of Pennsylvania Press\, 2011). Her most recent book *The Monster in Your Path* (University of California 2026) focuses on Dalit communities in Kerala\, South India examining the gendered inheritance and life of enslavement\, caste and work.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151126-21910900@events.umich.edu
URL:https://events.umich.edu/event/151126
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Anthropology,Asian Languages And Cultures,Center For South Asian Studies,History,India,South Asia,South Asian Studies
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270201T080000
DTEND;TZID=America/Detroit:20270201T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907615@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270202T080000
DTEND;TZID=America/Detroit:20270202T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907616@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270203T080000
DTEND;TZID=America/Detroit:20270203T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907617@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270204T080000
DTEND;TZID=America/Detroit:20270204T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907618@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270205T080000
DTEND;TZID=America/Detroit:20270205T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907619@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270208T080000
DTEND;TZID=America/Detroit:20270208T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907622@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270209T080000
DTEND;TZID=America/Detroit:20270209T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907623@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270210T080000
DTEND;TZID=America/Detroit:20270210T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907624@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270211T080000
DTEND;TZID=America/Detroit:20270211T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907625@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270212T080000
DTEND;TZID=America/Detroit:20270212T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907626@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260908T140315
DTSTART;TZID=America/Detroit:20270212T160000
DTEND;TZID=America/Detroit:20270212T173000
SUMMARY:Lecture / Discussion:CSAS Lecture Series | Thinking in English\, Speaking in Hindi: Translation\, Creativity\, and Value in Bollywood and Beyond
DESCRIPTION:Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom\, registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/4xmz3\n \nThis talk offers a preview of  Ganti’s forthcoming book\, *Thinking in English\, Speaking in Hindi* (Duke 2027)\, centered on Bollywood and the dubbing industry based in Mumbai. Ganti illustrates the essential role played by translation in the political economy of media industries through an examination of screenwriting and dubbing practices in Mumbai. Investigating the translation practices\, linguistic ideologies\, and regimes of value structuring mainstream media production\, she argues that translation is not merely a linguistic bridge but a constitutive and material force in media production. Foregrounding the symbiotic relationship between Hindi and English within Mumbai’s media industries\, Ganti demonstrates that translation operates beyond notions of linguistic purity or inherent hierarchy and is a dynamic and multimodal process of creating social\, aesthetic\, and economic value.\n\nTejaswini Ganti is professor of anthropology and core faculty in the Program in Culture & Media at New York University. A media anthropologist specializing in South Asia\, her research and teaching interests include Indian cinema\, media industries\, production cultures\, translation studies\, visual culture\, cultural policy\, elites\, political economy\, and theories of development and globalization. She has been conducting research about the social world and filmmaking practices of the Hindi film industry since 1996 and is the author of *Producing Bollywood: Inside the Contemporary Hindi Film Industry* (Duke 2012) *Bollywood: A Guidebook to Popular Hindi Cinema* (Routledge 2004\; 2nd ed. 2013\; 3rd ed. 2027) and *Thinking in English\, Speaking in Hindi: Translation\, Creativity\, and Value in Bollywood and Beyond* (Duke 2027).\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151121-21910890@events.umich.edu
URL:https://events.umich.edu/event/151121
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Asian Languages And Cultures,Center For South Asian Studies,Film,India,Language,Languages,South Asia,South Asian Studies
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270215T080000
DTEND;TZID=America/Detroit:20270215T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907629@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270216T080000
DTEND;TZID=America/Detroit:20270216T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907630@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270217T080000
DTEND;TZID=America/Detroit:20270217T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907631@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270218T080000
DTEND;TZID=America/Detroit:20270218T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907632@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270219T080000
DTEND;TZID=America/Detroit:20270219T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907633@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270222T080000
DTEND;TZID=America/Detroit:20270222T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907636@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270223T080000
DTEND;TZID=America/Detroit:20270223T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907637@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270224T080000
DTEND;TZID=America/Detroit:20270224T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907638@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270225T080000
DTEND;TZID=America/Detroit:20270225T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907639@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270226T080000
DTEND;TZID=America/Detroit:20270226T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907640@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270301T080000
DTEND;TZID=America/Detroit:20270301T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907644@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270302T080000
DTEND;TZID=America/Detroit:20270302T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907645@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270303T080000
DTEND;TZID=America/Detroit:20270303T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907646@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270304T080000
DTEND;TZID=America/Detroit:20270304T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907647@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270305T080000
DTEND;TZID=America/Detroit:20270305T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907648@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270308T080000
DTEND;TZID=America/Detroit:20270308T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907651@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270309T080000
DTEND;TZID=America/Detroit:20270309T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907652@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270310T080000
DTEND;TZID=America/Detroit:20270310T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907653@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270311T080000
DTEND;TZID=America/Detroit:20270311T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907654@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270312T080000
DTEND;TZID=America/Detroit:20270312T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907655@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270315T080000
DTEND;TZID=America/Detroit:20270315T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907658@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270316T080000
DTEND;TZID=America/Detroit:20270316T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907659@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270317T080000
DTEND;TZID=America/Detroit:20270317T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907660@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270318T080000
DTEND;TZID=America/Detroit:20270318T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907661@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270319T080000
DTEND;TZID=America/Detroit:20270319T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907662@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270322T080000
DTEND;TZID=America/Detroit:20270322T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907665@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270323T080000
DTEND;TZID=America/Detroit:20270323T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907666@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270324T080000
DTEND;TZID=America/Detroit:20270324T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907667@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270325T080000
DTEND;TZID=America/Detroit:20270325T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907668@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270326T080000
DTEND;TZID=America/Detroit:20270326T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907669@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270329T080000
DTEND;TZID=America/Detroit:20270329T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907672@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270330T080000
DTEND;TZID=America/Detroit:20270330T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907673@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270331T080000
DTEND;TZID=America/Detroit:20270331T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907674@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270401T080000
DTEND;TZID=America/Detroit:20270401T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907675@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270402T080000
DTEND;TZID=America/Detroit:20270402T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907676@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270405T080000
DTEND;TZID=America/Detroit:20270405T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907679@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270406T080000
DTEND;TZID=America/Detroit:20270406T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907680@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270407T080000
DTEND;TZID=America/Detroit:20270407T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907681@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270408T080000
DTEND;TZID=America/Detroit:20270408T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907682@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270409T080000
DTEND;TZID=America/Detroit:20270409T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907683@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270412T080000
DTEND;TZID=America/Detroit:20270412T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907686@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270413T080000
DTEND;TZID=America/Detroit:20270413T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907687@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270414T080000
DTEND;TZID=America/Detroit:20270414T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907688@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270415T080000
DTEND;TZID=America/Detroit:20270415T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907689@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270416T080000
DTEND;TZID=America/Detroit:20270416T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907690@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270419T080000
DTEND;TZID=America/Detroit:20270419T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907693@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270420T080000
DTEND;TZID=America/Detroit:20270420T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907694@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270421T080000
DTEND;TZID=America/Detroit:20270421T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907695@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
END:VCALENDAR