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        "event_title":"CSEAS Friday Lecture Series | Translation as Jungle Warfare: How Zhang Guixing\u2019s novel The Crossing of the Boars Crossed into English",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/E7rRM\n\nMalaysian-Taiwanese novelist Chang Kuei-hsing (b. 1956, publishes as Zhang Guixing) has spent\ndecades doing for tropical Asia what Gabriel Garc\u00eda M\u00e1rquez did for Latin America: enchanting\na land with a violent history. Set in wartime Sarawak, *The Crossing of the Boars* (Ye zhu du he,\n2018, rev. 2024), released in English this year, dazzles with a wartime mystery enmeshed in an\necological fantasia: ghostly colonists mating like guppies, macaques mirroring Japanese war\ncriminals, bomber storks, ominous urinating porcupines, wildfire-igniting squirrels, monstrous\nquagmires, vengeful flying she-vampires, and herd upon herd of insatiable bearded pigs.\n\nChristopher Rea discusses how he and Julie M. Wang rendered this award-winning novel into\nEnglish, including the process of researching a historical epic whose architectonic sentences\nteem with flora and fauna found only in Borneo. In doing so, he offers answers to a more\ngeneral question: When faced with a challenging text, how can a translator get out alive?\n\nChristopher Rea is professor of modern Chinese literature at the University of British Columbia.\nHis book-length translations from Chinese into English include *China\u2019s Chaplin: Comic Stories\nand Farces by Xu Zhuodai* (Cornell, open access), *The Book of Swindles and More Swindles from\nthe Late Ming* (both with Bruce Rusk, Columbia), *Humans, Beasts, and Ghosts by Qian Zhongshu*\n(Columbia), and Zhang Guixing\u2019s *The Crossing of the Boars: A Novel* (with Julie M. Wang,\nColumbia, 2026). He is also the founding director and lead translator of the Chinese Film\nClassics Project, the world\u2019s largest free online collection of early Chinese films with English\nsubtitles.\n\nhttps:\/\/cup.columbia.edu\/book\/the-crossing-of-the-boars\/9780231217668\/\n\nhttps:\/\/asia.ubc.ca\/profile\/christopher-rea\/\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "tags":["Asian Languages And Cultures","Books","center for chinese studies","center for southeast asian studies","China","Ecology","Languages","Literature"],
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        "description":"Please note: This information session will be held in person. The session is free and open to all interested students, and registration is encouraged.\n\nStudents considering a major or minor in International Studies are strongly encouraged to attend an International Studies Information Session and Q&A. The International Studies program coordinator will discuss:\n\n\u2022 Prerequisites\n\u2022 Major and minor requirements\n\u2022 Sub-plans\n\u2022 How to declare\n\u2022 Additional majors and minors offered at the International Institute\n\u2022 Study abroad, grants, and internships\n\u2022 Relevance of an International Studies major or minor\n\nUndeclared students should plan to attend an International Studies Information Session and Q&A. A half-hour presentation will be followed by questions and discussion. For dates of all upcoming sessions, please review the PICS event calendar. If you have questions, please email is-michigan@umich.edu.\n\nParents and prospective students are welcome. For more information, please email is-michigan@umich.edu. Prospective students who would like to receive correspondence about International Studies related orientations, events, and special announcements should sign up for the International Studies Prospective Student email list: https:\/\/myumi.ch\/29DWZ\n\nIf there is anything we can do to make this event accessible to you, please contact us at is-michigan@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"151288-21911321@events.umich.edu",
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        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"355",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["international","Majors","Undergraduate Students"],
        "website":"",
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                "group_id":"1968",
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    }    ,    "151199-21911059":
    {
        "datetime_modified":"20260908T140022",
        "datetime_start":"20260915T160000",
        "datetime_end":"20260915T173000",
        "has_end_time":1,
        "date_start":"2026-09-15",
        "date_end":"2026-09-15",
        "time_start":"16:00:00",
        "time_end":"17:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"CSAS Lecture Series | Cultivating a Global Radical Imagination at the Grassroots: Communist Women\u2019s Mobilization in Mid-20th-c. Assam\/Eastern Bengal",
        "occurrence_title":"",
        "combined_title":"CSAS Lecture Series | Cultivating a Global Radical Imagination at the Grassroots: Communist Women\u2019s Mobilization in Mid-20th-c. Assam\/Eastern Bengal: Elora Shehabuddin, University of California, Berkeley",
        "event_subtitle":"Elora Shehabuddin, University of California, Berkeley",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/2jjGN\n\nThis talk examines the lives and political projects of young women activists in 1930s\u201340s Sylhet who were drawn to join the Communist Party. Among them was Hena (Dutt) Das, who remained in (East) Pakistan after Partition, and who would be politically and socially engaged in Bangladesh until her death in 2009. In this talk, Shehabuddin will focus on the revolutionary education and experiences that first brought Hena Dutt and her teenage classmates to the Communist Party, how they understood and inhabited communism in their daily lives, and how their personal and political histories complicate ideas about religious and national belonging, about the much-described tug between communism and feminism, and about the relationship between the personal and the political.\n\nElora Shehabuddin is professor of gender & women's studies, director of global studies, and director of the Subir and Malini Chowdhury Center for Bangladesh Studies at UC Berkeley. Her last book, *Sisters in the Mirror: A History of Muslim Women and the Global Politics of Feminism* was selected as a 2022 Choice Outstanding Academic Title by the American Library Association and awarded the 2023 Ananda Kentish Coomaraswamy Book Prize from the Association for Asian Studies. She currently serves as co-editor of the *Journal of Bangladesh Studies* (Brill), on the editorial board of the Cambridge University Press book series, *Muslim South Asia* and as president of the Association for Asian Studies.\n\n*Image Credit: Waseka Nahar\/HerStories*\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"151199-21911059@events.umich.edu",
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        "tags":["Activism","Asian Languages And Cultures","Feminism","Gender","gender studies","Muslim","Politics","South Asia"],
        "website":"https:\/\/myumi.ch\/2jjGN",
        "sponsors":[
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260916T080000",
        "datetime_end":"20260916T170000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907477@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149975",
        "building_id":"1000165",
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        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
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    }    ,    "149978-21907713":
    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260916T080000",
        "datetime_end":"20260916T170000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907713@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["russia","Ukraine"],
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        "sponsors":[
             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260816T221357",
        "datetime_start":"20260916T140000",
        "datetime_end":"20260916T160000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"14:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CMENAS 2026 Fall Colloquium Series | Projecting Power: Film Diplomacy and the Making of the Turkey-US Alliance",
        "occurrence_title":"",
        "combined_title":"CMENAS 2026 Fall Colloquium Series | Projecting Power: Film Diplomacy and the Making of the Turkey-US Alliance: Ay\u015fehan J\u00fclide Etem, University of Virginia",
        "event_subtitle":"Ay\u015fehan J\u00fclide Etem, University of Virginia",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"How do states project power beyond military cooperation? This talk examines the role of educational films, institutional networks, and audiovisual media in shaping the US\u2013Turkey alliance before and during the Cold War. Drawing on *Film Diplomacy: A Media History of Turkey\u2013US Relations *(Columbia University Press, 2026), Etem argues that film was central to the projection of power through international alliances and institution building. Bringing together archival research from Turkey and the United States, the talk traces how governments, universities, philanthropic foundations, and international organizations collaborated to produce, circulate, and exhibit films that supported political, educational, and developmental agendas. By examining film as a technology of governance, the talk offers a new perspective on how media shaped international relations and the making of Cold War alliances in the Middle East.\n\nAy\u015fehan J\u00fclide Etem is Assistant Professor of Media Studies and Director of the Film Studies concentration at the University of Virginia. She is a media historian and documentary film scholar whose research examines how media infrastructures and cultural institutions shape international relations, public life, and systems of power. Her work focuses on global film cultures, public diplomacy, documentary, and the politics of media. She is the author of *Film Diplomacy: A Media History of Turkey\u2013US Relations* (Columbia University Press, 2026), which identifies and examines how institutional networks, educational films and audiovisual media helped construct the US\u2013Turkey alliance before and during the Cold War. Her current research investigates documentary film and gun violence, as well as the history of population control films and reproductive governance. Her work has appeared in journals including *Communication, Culture & Critique*, *Global Perspectives*, the *Historical Journal of Film, Radio and Television*, the* Journal of e-Media Studies*, and *NECSUS: European Journal of Media Studies*, and is forthcoming in Film History.\n\nJoin on Zoom: https:\/\/myumi.ch\/8Jqy2\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
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                "guid":"150313-21909004@events.umich.edu",
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        "cost":"",
        "tags":["Area Studies","center for middle eastern and north african studies","cmenas","Cmenas Colloquium Series","Discussion","Lecture","turkey"],
        "website":"https:\/\/myumi.ch\/8Jqy2",
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
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        "event_title":"Democracy Against Workers?",
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        "combined_title":"Democracy Against Workers?: Noam Lupu (Vanderbilt University), Nicholas Carnes (Duke University), Adam Dean (George Washington University)",
        "event_subtitle":"Noam Lupu (Vanderbilt University), Nicholas Carnes (Duke University), Adam Dean (George Washington University)",
        "event_type":"Lecture \/ Discussion",
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        "description":"Webinar Link: https:\/\/myumi.ch\/ww7q9\n\nCanonical models of democracy expect working-class people to be the main beneficiaries -- even the natural beneficiaries -- of democratization. Yet not all democratic systems deliver economic gains to average citizens. Even after they gain the right to vote, very rarely do they become candidates for office and get to serve as the people's representatives. When is \"democracy against workers\" and how might we make it work better for working people? In this Democracy Week roundtable, Nick Carnes, Adam Dean, and Noam Lupu discuss their book projects on these themes, with Ann Heffernan serving as respondent.\n\nIf there is anything we can do to make this event accessible to you, please contact us at emergingdemocracies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"2026 Dr. Berj H. Haidostian Annual Distinguished Lecture | Poetry, Traumatic History, Memory: Thinking about the Armenian Genocide",
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        "combined_title":"2026 Dr. Berj H. Haidostian Annual Distinguished Lecture | Poetry, Traumatic History, Memory: Thinking about the Armenian Genocide: Peter Balakian (Colgate University)",
        "event_subtitle":"Peter Balakian (Colgate University)",
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        "description":"How can a past historical event be transformed by literature that comes after? Pulitzer Prize winning poet Peter Balakian will discuss the impact of the Armenian Genocide on his work. He will explore the transmission of trauma across generations and how poetry\u2019s resources can ingest the past. Balakian examines how his ancestors have provided a grounding for his work, ancestors like  his great-great uncle, Krikoris Balakian (Bishop in the Armenian Church), one of the 250 cultural leaders arrested on April 24, 1915, and his grandmother, Nafina Shekerlemdjian who along with her two young daughters survived the Genocide enduring a harrowing death march into the Syrian desert.\n\nPeter Balakian is an award winning poet, author and translator. His *Ozone Journal* was awarded the 2016 Pulitzer Prize for poetry. Most recently he has published a  book of poems, *New York Trilogy* (2025), that moves between decades of tumultuous life in New York City and the politics of the Middle East. Balakian\u2019s poems have appeared widely in leading magazines and journals including, *The New Yorker: 100 Years of Poetry*.  His prose books range from *Vice and Shadow: Essays on the Lyric Imagination*, poetry, art and culture, to *Black Dog of Fate: A Memoir*, \u2014 winner of the 1998 PEN\/Martha Albrand Prize for the Art of the Memoir (a best book of the year for the New York Times, the LA Times, and Publisher\u2019s Weekly). Balakian is the recipient of many awards and prizes amongst them: the Pulitzer Prize, The Presidential Medal and the Movses Khorenatsi Medal from the Republic of Armenia,  a Guggenheim Fellowship,  and a National Endowment for the Arts Fellowship.  He is the Rebar Professor of the Humanities, Professor of English at Colgate University.\n\nhttps:\/\/umich.zoom.us\/j\/99080532632\n\nCosponsors: Center for Middle Eastern & North African Studies, Department of Middle East Studies, Department of English Language and Literature, Residential College, and National Association for Armenian Studies and Research (NAASR)\n\n\u2013\u2013\u2013\u2013\u2013\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: armenianstudies@umich.edu",
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        "datetime_modified":"20260806T162236",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_modified":"20260807T081915",
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        "datetime_end":"20260917T170000",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_modified":"20260908T143717",
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        "event_title":"CJS Noon Lecture Series | Gathering Fading Voices: Endangered Dialect Research in Japan Today",
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        "combined_title":"CJS Noon Lecture Series | Gathering Fading Voices: Endangered Dialect Research in Japan Today: Joy Taniguchi, Shizuoka Institute of Science and Technology",
        "event_subtitle":"Joy Taniguchi, Shizuoka Institute of Science and Technology",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person in East Hall 4448 and virtually on Zoom. If you are attending in person, we recommend entering East Hall using the Church Street entrance and taking the elevator to the 4th floor. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/VDMnJ.\n\nMany of Japan's regional dialects are now critically endangered, as intergenerational transmission breaks down in aging and depopulating communities. This lecture surveys the current state of endangered dialects in Japan and introduces a range of efforts to document and pass them on to future generations. In particular, it focuses on Professor Taniguchi\u2019s fieldwork in Ikawa, a remote mountain community in northern Shizuoka Prefecture, and presents the various revitalization activities she has carried out in collaboration with local residents.\n\nJoy Taniguchi (Ph.D., The University of Tokyo) is a professor in the faculty of informatics at Shizuoka Institute of Science and Technology and a collaborating researcher on a joint project at the National Institute for Japanese Language and Linguistics (NINJAL). A sociolinguist, she leads efforts to document, preserve, and revitalize the endangered dialect of Ikawa, a mountain community in northern Shizuoka Prefecture. She also conducts large-scale surveys of language variation and change across Shizuoka.\n\nThis talk is cosponsored by the Department of Linguistics: https:\/\/lsa.umich.edu\/linguistics. \n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"149996-21907794@events.umich.edu",
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        "room":"Room 4448",
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        "tags":["Asian Languages And Cultures","center for japanese studies","japan","Japanese Studies","Language","Languages"],
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    {
        "datetime_modified":"20260903T151628",
        "datetime_start":"20260917T130000",
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        "date_start":"2026-09-17",
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        "time_start":"13:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy",
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        "combined_title":"For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy: Juhn Ahn, Thierry Bonzon, Ji Yeon (Jean) Hong, Sohl Lee, Hayana Kim, David Dolinger, Na Kyung-taek",
        "event_subtitle":"Juhn Ahn, Thierry Bonzon, Ji Yeon (Jean) Hong, Sohl Lee, Hayana Kim, David Dolinger, Na Kyung-taek",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Description:\nPresented as part of the University of Michigan\u2019s Democracy Week, this symposium explores the enduring legacy of the May 18, 1980 Gwangju Democratization Movement and the role of visual media in shaping South Korea\u2019s democratic consciousness. Organized in conjunction with an exhibition of 90 curated images from the Gwangju 5\u00b718 Archives on campus, the event bridges historical analysis with living memory. Survivors and eyewitnesses will share their reflections alongside scholars to examine how images and personal testimony break through censorship and serve as vital tools for historical justice\u2014connecting Gwangju\u2019s struggle to global conversations on human rights.\n\nThis event is organized by Nam Center for Korean Studies and co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, the Donia Human Rights Center, and Asia Library.\n\nOfficial event poster: https:\/\/myumi.ch\/G7Ge1\n\nParking information: https:\/\/myumi.ch\/WDpNd \n\nProgram\n1:00 - 1:05 \/ Opening Remarks \nJuhn Ahn \/ University of Michigan \n\n1:05 - 1:15 \/ May 18 Gwangju: Brief Historical Overview \nJi Yeon Hong \/ University of Michigan \n\n1:15 - 2:15 \/ Witnessing and Documenting Gwangju \nDavid Dolinger \/ Former Peace Corps Volunteer \n\u201cCalled by Another Name \u2013 Gwangju\u2019s Impact on a Life\u201d\n\nNa Kyung-taek \/ Former Jeonnam Daily Photojournalist \n\u201cA Reporter's Eyewitness Account of the Command to Open Fire\u201d \n\nQ & A\n\n2:30 - 3:10 \/ O-IL-PAL: South Korean Democracy as Performance and Event\nHayana Kim \/ Ohio State University \n\"The Gwangju Uprising and the Performativity of South Korean Democracy\" \n\nSohl Lee \/ Stony Brook University \n\"The Photographs of Gwangju in 1980: Uneven Disseminations and Reactivated Events\" \n\n3:10 - 3:25 \/ Gwangju in the World \nThierry Bonzon \/ Universit\u00e9 Gustave Eiffel \n\n3:25 - 4:00 \/ Q & A\n\n\nSpeakers: \nJuhn Ahn \/ University of Michigan\nDirector of the Nam Center for Korean Studies and associate professor of Buddhist and Korean studies, Juhn Y. Ahn earned his B.A. in Asian studies and religion from the University of Michigan, Ann Arbor, and his Ph.D. in Buddhist Studies from UC Berkeley. He taught East Asian religions at the University of Toronto from 2006 to 2011. After a year researching religion and Kory\u014f history at the Institute for Advanced Study in Princeton, NJ, he joined U-M's Department of Asian Languages and Cultures in 2011. His research covers East Asian religions, Buddhism, Chan and Zen, traditional medicine, and premodern Korean cultural and economic histories. He has published widely on Japanese Zen, Zen master Hakuin Ekaku, traditional medicine in Japan, Korean Buddhism and S\u014fn monasticism, and Korean film. Major publications include *Buddhas and Ancestors: Religion and Wealth in Fourteenth-Century Korea* (2018), *Transgression in Korea* (2018), and translations like *The Orthodox Path of Seon* (2023) and *Gongan Collections I* (2012). He is currently co-editing a volume on Kory\u014f and contributing to the Cambridge Histories Series, and is the recipient of awards including the Puri Award, Andrew W. Mellon Fellowship, and Kyujanggak Fellowship.\n\nJi Yeon Hong \/ University of Michigan\nJi Yeon Hong is an associate professor of political science and the Korea Foundation Chair Professor of Korean Politics at the University of Michigan. Her research focuses on authoritarian politics, democratization, political violence, and elite behavior under dictatorship in East Asia. Her scholarship has been widely published in leading field publications, including *the American Journal of Political Science*, *British Journal of Political Science*, and *Journal of Politics*. \n\nHer academic path is deeply rooted in the historic political movements she witnessed firsthand. Raised in Seoul, South Korea, her experience observing the country's democratization during the 1980s and 1990s inspired her to pursue political science. After earning her Bachelor\u2019s and Master\u2019s degrees from Seoul National University and her Ph.D. from New York University, she served on the faculty at the Hong Kong University of Science and Technology (HKUST) from 2014 to 2022, where she observed another defining wave of pro-democracy activism before joining U-M.\n\nDavid Dolinger \/ Former Peace Corps Volunteer\nDavid L. Dolinger is a scientist and global health professional currently working in India. He has played key roles in the development and commercialization of diagnostic solutions with a focus on their practical implementation and use in low- and middle-income countries. His work sits at the intersection of laboratory science, regulatory rigor, and a long-standing commitment to social justice and patient-centered care. Over the years he has also taken on advisory and collaborative roles with diagnostic manufacturers and global health partners focused on expanding access to high-quality testing in low- and middle-income countries. \n\nHowever, this passion and drive would not have fermented to the level if it had not been for his life-forming experiences as a Peace corps volunteer in the Republic of Korea. At the young age of 22, he travelled for the first time outside of the United States, landing in south Jeolla province in the small county of Yeongam. He worked in the local health center focusing on tuberculosis control. It was there that he started to understand how diagnostic tests are the foundation of good health care. It was his experiences in and participation in the May 18 Democratization Movement, in Gwangju that grounded him and has driven him through his life to utilize his talents and understanding of diagnostics to focus on those that are marginalized and ignored.\n\nNa Kyung-taek \/ Former Photojournalist\nNa Kyung-taek, former head of the Yonhap News Bureau for Gwangju and Jeonnam, began his career in journalism in 1967. As a pioneering photojournalist, he captured the frontlines of the May 18 Democratization Movement, exposing the truth to the world through his lens. His unwavering journalistic integrity earned him both the Courageous Journalist Award and the Korea Journalist Award.\n\nFollowing his retirement, Mr. Na continued to serve the public through university lectures and welfare foundation work. He has remained dedicated to sharing the historical significance of May 18 globally, authoring books such as *When That Day in May Comes Again and We Saw*, and hosting photo exhibitions across South Korea and internationally, including in Germany and the United States.\n\nSohl Lee \/ Stony Brook University\nSohl Lee is associate professor of art history at Stony Brook University (SUNY), specializing in modern and contemporary Asian art, decolonial visual culture, socially engaged art, and ecological art history, with a particular interest in oceanic and transpacific frameworks. Her first book, *The Minjung Art Movement: Decolonization and Democracy in South Korea* (Duke University Press, 2026), historicizes an influential movement of activist art from the 1970s and 1980s. Her current book project, *Seaweed as Method: Art History with Oceans, Multispecies Life, and Empire* examines the global visual cultures of seaweeds through the intertwined lenses of ecology, decolonization, food sovereignty, and Indigenous onto-epistemologies. She is a recipient of the SUNY Chancellor\u2019s Award for Excellence in Teaching (2020) and has received grants and fellowships from the Social Sciences Research Council (SSRC), the Korea Foundation, the Korean Ministry of Culture, the Academy of Korean Studies, the Getty Research Institute, and the Andy Warhol Foundation, among others.\n\nHayana Kim \/ Ohio State University\nHayana Kim is an assistant professor in the Department of East Asian Languages and Literatures at the Ohio State University. As an interdisciplinary performance and media historian of twentieth- and twenty-first-century South Korea, her research centers on cultures of democracy in contemporary South Korea. Her teaching is at the intersections of Korean studies, Asian diasporic studies, and theatre, performance, and media studies. Kim is currently working on her book manuscript entitled *Making P\u2019an for a New World: The Kwangju Uprising, Women, and the Performativity of South Korean Democracy*. This project, based on extensive archival and ethnographic research, investigates the role of the body and affect in advancing democracy in South Korea by illuminating various forms of performances that women in Kwangju and in broader Ch\u014flla Province created to bring out insurgent cultural spaces where deaths disavowed by the state and concealed from the public eye emerge into communal memories. Her work has appeared or is forthcoming in *Journal of Asian Studies*, *Asian Theatre Journal*, and in edited collections published by Cambridge University Press, Chonnam National University, among others. She received her Ph.D. from the Interdisciplinary Ph.D. Program in Theatre and Drama at Northwestern University.\n\nThierry Bonzon \/ Universit\u00e9 Gustave Eiffel\nThierry Bonzon, associate professor (Ma\u00eetre de conf\u00e9rences) in contemporary history at Universit\u00e9 Gustave Eiffel, conducts research at the intersection of First World War history and the historical analysis of photography as a primary source. His first line of inquiry examines the local dynamics of wartime sacrifice, social policy, and pacifist movements\u2014notably explored through the \"La France p\u00e9titionne\" project and the co-organization of the international conference Les d\u00e9fenseurs de la paix, 1899\u20131917, which integrated Peace Studies into French historiography. His second field explores photojournalism and image-based history through two distinct geographical and temporal contexts: a collective project analyzing over 2,000 photographer-correspondents for l'Humanit\u00e9 documenting social and urban changes in the Paris region (1950s\u20131990s), and a current investigation into the photographic archives of the May 1980 Gwangju Uprising in South Korea. Together, these projects bridge archival discovery, public history, and the study of visual media as a fundamental tool for constructing historical memory.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "building_id":"1000181",
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        "tags":["Activism","Art","Asian Languages And Cultures","Democracy","International","Korea","Korean Studies","Politics"],
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260918T080000",
        "datetime_end":"20260918T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149975-21907479@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
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        "tags":["Art","russia","ukraine"],
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        "sponsors":[
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                "group_id":"1968",
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        "datetime_modified":"20260807T081915",
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        "date_start":"2026-09-18",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149978-21907715@events.umich.edu",
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        "building_id":"1000165",
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        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
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        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. 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State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150763-21910123@events.umich.edu",
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        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
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        "sponsors":[
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                "group_name":"International Institute",
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        "event_title":"CSAS Lecture Series | Rummana Hussain's Feminist Cosmopolitics",
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        "combined_title":"CSAS Lecture Series | Rummana Hussain's Feminist Cosmopolitics: Rattanamol Johal, University of Michigan",
        "event_subtitle":"Rattanamol Johal, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In her relatively brief career, the Indian artist Rummana Hussain (1952-1999) straddled painting, drawing, performance, video, and installation. She turned to the latter three modes in the mid-nineties, following the demolition of the Babri Masjid in Ayodhya and the ensuing anti-Muslim violence in her adopted city of Bombay. This talk will analyze Hussain\u2019s shifting approach to her artistic practice during this period, as her postmodernist allegories in paint gave way to feminist interrogations of identity, representation and signification using objects, language and the body.\n\nRattanamol Singh Johal is the Shireen and Afzal Ahmad Assistant Professor in history of art at the University of Michigan, Ann Arbor. His current book project, *Forms of Despair*, offers an account of experimental, lens and time-based art emerging in India in the final decades of the twentieth century as metropolitan artists were confronted with the limitations and failings of their postcolonial, cosmopolitan imaginaries.\n\nImage caption: Rummana Hussain, Living on the Margins, 1995. Performance at the National Centre for Performing Arts, Mumbai. Estate of Rummana Hussain. Image courtesy Talwar Gallery New York | New Delhi.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 555",
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        "tags":["Activism","Art","Asian Languages And Cultures","history of art","South Asia","South Asian Studies","Visual Arts"],
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                "group_id":"1968",
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        "datetime_modified":"20260903T094529",
        "datetime_start":"20260920T120000",
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        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
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        "event_type":"Exhibition",
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        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. 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Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. 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Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "datetime_start":"20260921T080000",
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        "datetime_start":"20260922T120000",
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        "time_zone":"America\/Detroit",
        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
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                "group_name":"International Institute",
                "group_id":"1968",
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260923T080000",
        "datetime_end":"20260923T170000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907484@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149975",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260923T080000",
        "datetime_end":"20260923T170000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907720@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149978",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["russia","Ukraine"],
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        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20260923T120000",
        "datetime_end":"20260923T180000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
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        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150763-21910128@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150763",
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        "building_name":"Duderstadt Center",
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        "location_name":"Duderstadt Center",
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        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
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        "sponsors":[
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    {
        "datetime_modified":"20260902T091753",
        "datetime_start":"20260923T140000",
        "datetime_end":"20260923T160000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
        "time_start":"14:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CMENAS 2026 Fall Colloquium Series | Making the \u2018Migrant Crisis?\u2019: Media, Power and Perception",
        "occurrence_title":"",
        "combined_title":"CMENAS 2026 Fall Colloquium Series | Making the \u2018Migrant Crisis?\u2019: Media, Power and Perception: Ismail Einashe, University of Michigan",
        "event_subtitle":"Ismail Einashe, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"More than a decade since the so-called \u2018migrant crisis\u2019 transformed European politics and media, it remains a deeply contested story. From the Syrian civil war to conflicts across Africa and the movement of people from the Indian subcontinent, this moment in 2015-16 came to be framed as the \u2018migrant crisis\u2019. It also became a media crisis, marked by an explosion of alarmist reporting about people on the move. Rather than being treated as a humanitarian emergency requiring search and rescue missions, the movement of vulnerable people across the Mediterranean was increasingly depicted as an attack by \u201cinvaders\u201d from \u201cover there\u201d. The media too often relied on visual tropes of small boats, barbed wire, and faceless masses, stripping people of their dignity and humanity.\n\nDrawing on a decade of his reporting across Europe, the Middle East and Africa, Ismail Einashe will in this lecture examine how the media constructed the figure of the \u201cmigrant\u201d in the global public imagination, reducing complex human movements to extreme binaries: the \u201cvulnerable body\u201d or the \u201cdangerous outsider.\u201d He will consider how, a decade on, this narrative has fueled increasing securitisation across the Mediterranean, even as fewer migrants arrive.\n\nEinashe will explore why this story has become one of the biggest \u2014 and most divisive \u2014 stories in recent history. He will also analyse whether the media simply reported Europe's migration story or helped shape it into a permanent \u2018crisis\u2019 that now threatens European democracy.\n\nIsmail Einashe is an award-winning British-Somali journalist and author whose work on migration and refugee issues has appeared in numerous publications \u2013 including *Foreign Policy*, *The Guardian*, *BBC News*, *The Nation*, *The Sunday Times*, *The New York Times*, *NPR* and *ArtReview*. He is the author of *Strangers* (2023), a book by Tate Publishing that explores migration through the lens of art, and he co-edited *Lost in Media: Migrant Perspectives and the Public Sphere* (2019), a collection of critical essays examining how migrants are represented in European media. He was a 2025\u201326 Knight-Wallace Fellow at the University of Michigan, where he examined migration reporting through the lens of trauma and art. Einashe is also part of a team of journalists working on Lost in Europe, a cross-border journalism collaborative that investigates the disappearance of child migrants. He is currently a lecturer in the Department of Sociology at the University of Michigan.\n\nRegister at: https:\/\/myumi.ch\/qwg1Z\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
        "occurrence_notes":null,
                "guid":"151368-21911416@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/151368",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
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        "room":"Room 555",
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        "tags":["center for middle eastern and north african studies","Cmenas Colloquium Series","Discussion","Lecture","Middle East Studies"],
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    }    ,    "151292-21911325":
    {
        "datetime_modified":"20260901T100135",
        "datetime_start":"20260923T163000",
        "datetime_end":"20260923T183000",
        "has_end_time":1,
        "date_start":"2026-09-23",
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        "time_start":"16:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Mary in the Qur'an - A Book Talk with Younus Y. Mirza",
        "occurrence_title":"",
        "combined_title":"Mary in the Qur'an - A Book Talk with Younus Y. Mirza: Dr. Younus Y. Mirza, Shenandoah University",
        "event_subtitle":"Dr. Younus Y. Mirza, Shenandoah University",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"September 23, 2026, 4:30 PM ET\n555 Weiser Hall (5th floor), University of Michigan, 500 Church St, Ann Arbor\nRSVP: https:\/\/myumi.ch\/2j9QR\n\nJoin the University of Michigan Global Islamic Studies Center (GISC) on Thursday, December 4, 2025 at 4:00PM in 555 Weiser Hall for \"Mary in the Qur'an,\" a book talk on the figure of the Islamic Mary (Maryam) by Dr. Younus Y. Mirza.  \n\n\nDr. Mirza will be discussing his latest book *The Islamic Mary: Maryam Through the Centuries *(Fortress Press, 2025), which examines the appearances of Mary, mother of Jesus (Isa) in various Islamic theological and cultural contexts. Mary has been historically revered throughout the Islamic and Christian traditions. In the Qur\u2019an, she is known by the name \u201cMaryam.\u201d The Islamic Mary discusses Maryam's extended history, from her scriptural mentions in the Qur\u2019an and the traditional biographies (S\u012brah) of the Prophet Muhammad, to her appearances in medieval debates on prophecy, to citations of her model virtue in Sufi discussions of piety, to her representations in art and film, to her role in modern interfaith relations, particularly between Muslims and Christians.\n\nDr. Mirza will be introduced by Abderrahim Er-ragragi, Ph.D. Candidate in the Department of Middle East Studies and Co-organizer, Rackham Interdisciplinary Islamic Studies Seminar (IISS).\n\nThis event is brought to you by the U-M Global Islamic Studies Center and co-sponsored by the Department of American Culture, the Arab and Muslim American Studies Program in American Culture, and the Islamophobia Working Group.\n\n\nThe talk is part of GISC\u2019s ongoing \u201cQahwah & Authors\u201d series, which launches new books and writers in the fields of Muslim and Islamic Studies. For more events from the Global Islamic Studies Center at the University of Michigan, please visit ii.umich.edu\/islamicstudies.\n\n\n\nMeet the speaker:\n\nDr. Younus Y. Mirza is the Founding Director of the Barzinji Institute for Global Virtual Learning at Shenandoah University, Virginia. He defended his dissertation in Arabic and Islamic Studies from Georgetown University, where he is currently a visiting researcher. He has also taught at Millsaps and Allegheny Colleges. His research focuses on the relationship between the Bible and the Qur\u2019an and the shared stories between them. He is the author of the new book *The Islamic Mary: Maryam Through the Centuries*, co-author of the book *The Bible and the Qur\u2019an: Biblical Figures in the Islamic Tradition*, and has published in journals such as the *Journal of the American Academy of Religion (JAAR)*, the *Journal of Qur\u2019anic Studies (JQS) *and *Islam Christian-Muslim Relations (ICMR)*. He has been profiled for his teaching by Interfaith America, and regularly teaches classes on the Qur\u2019an and Bible, and Marriage and Sexuality in Islam. Dr. Mirza was recently Senior Editor of the *Oxford Research Encyclopedia of Religion*, and hosts the *A Common Word and The Islamic Mary *podcasts.",
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                "guid":"151292-21911325@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/151292",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 555",
        "location_name":"Weiser Hall",
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        "tags":["Book Talk","Global Islamic Studies","Lecture","Middle East Studies","Muslim","Religious Studies"],
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    }    ,    "149975-21907485":
    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260924T080000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149975-21907485@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149975",
        "building_id":"1000165",
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        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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        "tags":["Art","russia","ukraine"],
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260924T080000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907721@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149978",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["russia","Ukraine"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260811T160541",
        "datetime_start":"20260924T120000",
        "datetime_end":"20260924T133000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"12:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Noon Lecture Series | Rivers and the Politics of Temporality in Ainu Mosir",
        "occurrence_title":"",
        "combined_title":"CJS Noon Lecture Series | Rivers and the Politics of Temporality in Ainu Mosir: Michael J. Ioannides, Postdoctoral Fellow, Center for Japanese Studies, University of Michigan",
        "event_subtitle":"Michael J. Ioannides, Postdoctoral Fellow, Center for Japanese Studies, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person in East Hall 4448 and virtually on Zoom. If you are attending in person, we recommend entering East Hall using the Church Street entrance and taking the elevator to the 4th floor. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/kVx6z.\n\nBased on fourteen months of ethnographic fieldwork in Ainu Mosir (Hokkaido, Japan), this talk considers the crucial role that rivers play in Indigenous Ainu articulations of sovereignty and futurity. As an important medium through which kin-based, territorial, and cosmological rights and responsibilities continue to be expressed, rivers connect ancestral Ainu lifeways with visions of an Indigenous future. In their struggles for Indigenous rights today, Ainu activists continue to focus on rivers as the central locus of Ainu sovereignty and the origin from which Ainu cultural and territorial rights emerge, envisioning and enacting futures of flourishing and abundance that are rooted in ancestral relationships to their native lands and waters and the more-than-human beings who inhabit them. In so doing, they insist upon a future for the Ainu as an Indigenous people, challenging Japan\u2019s ongoing settler-colonial structure of Ainu dispossession and elimination.\n\nDr. Michael J. Ioannides is a teaching postdoctoral fellow at the University of Michigan Center for Japanese Studies. He received his Ph.D. in cultural anthropology from the University of California Santa Barbara, in June 2026, with an interdisciplinary emphasis on environment and society. His research focuses on Ainu environmental and Indigenous rights activism in rural Hokkaido, Japan. Aside from his research, he is a contributor to the website AinuToday (https:\/\/ainutoday.com\/), as well as a saxophonist and independent music producer who regularly collaborates with Ainu artists.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149998-21907795@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149998",
        "building_id":"1000166",
        "building_name":"East Hall",
        "campus_maps_id":"53",
        "room":"Room 4448",
        "location_name":"East Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","center for japanese studies","Ecology","Environment","japan","Japanese Studies"],
        "website":"https:\/\/myumi.ch\/kVx6z",
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                "group_id":"1968",
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20260924T120000",
        "datetime_end":"20260924T180000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
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        "time_zone":"America\/Detroit",
        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150763-21910129@events.umich.edu",
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        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    }    ,    "149629-21906822":
    {
        "datetime_modified":"20260804T091616",
        "datetime_start":"20260924T130000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"13:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Donia Human Rights Center and Artificial Intelligence Laboratory Workshop | AI & Human Rights Workshop",
        "occurrence_title":"",
        "combined_title":"Donia Human Rights Center and Artificial Intelligence Laboratory Workshop | AI & Human Rights Workshop: Rada Mihalcea, University of Michigan; Peter Railton, University of Michigan; Zhijing Jin, University of Toronto & Max Planck Institute",
        "event_subtitle":"Rada Mihalcea, University of Michigan; Peter Railton, University of Michigan; Zhijing Jin, University of Toronto & Max Planck Institute",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Co-sponsored by the Artificial Intelligence Laboratory: https:\/\/ai.engin.umich.edu\/\n\nLocation: Registration required. Please message ailabadmin@umich.edu with your name, e-mail, faculty or student status, and a brief indication of how your work relates to AI & Human Rights.\n   \n   Presenters\/facilitators:\n   \nRada Mihalcea (Janice M. Jenkins Collegiate Professor of Computer Science and Engineering, Professor and Director, Artificial Intelligence Lab)\n\nPeter Railton (Emeritus Gregory S. Kavka Distinguished University Professor; John Stephenson Perrin Professor; Arthur F. Thurnau Professor, UM LSA Philosophy)\n\nZhijing Jin (Assistant Professor at the University of Toronto, and a Research Scientist at the Max Planck Institute)\n   \n   Human rights are under pressure worldwide, and AI is increasingly part of both the problem and the solution. AI systems can help uncover abuses, expand access to services, support crisis response, and detect harmful patterns at scale. But they can also amplify surveillance, bias, disinformation, and exclusion. To develop solutions that are genuinely helpful and safe, we need collaboration among AI researchers, human rights practitioners, domain experts, and impacted communities.\n   \n   In this workshop, we\u2019ll explore the points of interaction between AI and human rights challenges, and discuss how existing obstacles in human right solutions can inform new research directions in artificial intelligence. U(M) researchers will briefly present on current topics in AI and in human rights, followed by table discussions with domain experts in both human right related issues and AI. You are encouraged to bring your own topics, problems, and innovations to share with the group.\n   \n   Discussion topics brought up in this workshop will be used as the basis for a whitepaper on the intersection of AI & Human Rights.\n   \n   Program\n   1:00-1:30 pm\n   Introduction (goals and directions) and Keynote Talk\n   \n   1:30-1:50 pm\n   Human Rights Talk\n   \n   1:50-1:55 pm\n   Q & A\n   \n   1:55-2:15 pm\n   AI Talk\n   \n   2:15-2:20 pm\n   Q & A\n   \n   2:20-2:25 pm\n   TBA\n   \n   2:25-2:40 pm\n   Break\n   \n   2:40-2:55 pm\n   Introduction to the Roundtable discussion format\n   \n   2:55-4:50 pm\n   Roundtables with 1 lead and 1 note-taker (7 tables)\n   \n   2:55-3:10 pm: (15 min) Brief introductions (\u201cI am X, from Dept Y, I\u2019m interested in the aspects of Z on Climate and\/or AI\u201d)\n   3:10-3:15 pm: (5 min) Individual thinking and notes on stickies for (i) Challenges that (could) intersect with AI\n   3:15-3:40 pm: (25 min) Group discussions\n   3:40-4:00 pm: (20 min) Report back\n   4:00-4:05 pm: (5 min) (ii) Potential Solutions, e.g., conversation and user interviews to set up the -solution, new task formulation for research, dataset building, and study design\n   4:05-4:30 pm: (25 min) Group discussions\n   4:30-4:50 pm: (20 min) Report back\n   With this roundtable conversations, we aim to:\n   \n   (1) identify list of challenges and potential paths to solutions\n   \n   (2) facilitate new collaborations\n   \n   (3) work together on a white paper identifying a roadmap for this space (pending interest)\n   \n   4:50-5:00 pm\n   Wrap-up\n\nIf there is anything we can do to make this event accessible to you, please contact us at umichhumanrights@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
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        "location_name":"Registrants will be informed of the location after they sign up.",
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        "tags":["human rights","Technology"],
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    }    ,    "149975-21907486":
    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260925T080000",
        "datetime_end":"20260925T170000",
        "has_end_time":1,
        "date_start":"2026-09-25",
        "date_end":"2026-09-25",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907486@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149975",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260925T080000",
        "datetime_end":"20260925T170000",
        "has_end_time":1,
        "date_start":"2026-09-25",
        "date_end":"2026-09-25",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907722@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149978",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["russia","Ukraine"],
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        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20260925T120000",
        "datetime_end":"20260925T180000",
        "has_end_time":1,
        "date_start":"2026-09-25",
        "date_end":"2026-09-25",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150763-21910130@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150763",
        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
        "website":"",
        "sponsors":[
             {
                "group_name":"International Institute",
                "group_id":"1968",
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    }    ,    "151745-21912084":
    {
        "datetime_modified":"20260908T143117",
        "datetime_start":"20260925T173000",
        "datetime_end":"20260925T200000",
        "has_end_time":1,
        "date_start":"2026-09-25",
        "date_end":"2026-09-25",
        "time_start":"17:30:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CSEAS 2026 Fall Potluck Reception",
        "occurrence_title":"",
        "combined_title":"CSEAS 2026 Fall Potluck Reception",
        "event_subtitle":"",
        "event_type":"Reception \/ Open House",
        "event_type_id":"17",
        "description":"Join the Center for Southeast Asian Studies for the 2026 Fall Potluck Reception.\n\nCSEAS will provide appetizers, drinks, and utensils.\n\nWe ask that you share your favorite dish (Southeast Asian or non-Southeast Asian) dish that can feed 8-10 people.\n\nRSVP Link - https:\/\/myumi.ch\/G7GNJ\n\nContact us at cseas@umich.edu for any questions\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"151745-21912084@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/151745",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Fourth Floor",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","Culture","Food","Free","International Students","international studies","Southeast Asia","Southeast Asian Studies"],
        "website":"https:\/\/myumi.ch\/G7GNJ",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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        "datetime_modified":"20260909T170422",
        "datetime_start":"20260925T200000",
        "datetime_end":"20260925T230000",
        "has_end_time":1,
        "date_start":"2026-09-25",
        "date_end":"2026-09-25",
        "time_start":"20:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Full Moon Festival",
        "occurrence_title":"",
        "combined_title":"Full Moon Festival",
        "event_subtitle":"",
        "event_type":"Reception \/ Open House",
        "event_type_id":"17",
        "description":"For many cultures across East Asia, family and friends come together for the mid-autumn Full Moon with festivities, delicious food, and good company. The Lieberthal-Rogel Center for Chinese Studies, U-M Astronomy, the Nam Center for Korean Studies, and the Center Japanese Studies invite you to the Judy & Stanley Frankel Detroit Observatory for a celebration of the Mid-Autumn Full Moon. \n\nThis drop-in program includes activities in the observatory classroom, exploration of the historic observatory, and telescope viewing of the Moon! Families are welcome! Free and open to the public.",
        "occurrence_notes":null,
                "guid":"150281-21908578@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150281",
        "building_id":"1000198",
        "building_name":"Detroit Observatory",
        "campus_maps_id":"189",
        "room":"",
        "location_name":"Detroit Observatory",
        "has_livestream":0,
        "cost":"",
        "tags":["Chinese Studies","free","Humanities","Japanese Studies","Korean Studies","Museum","museums","observing","Science","Storytelling"],
        "website":"https:\/\/detroitobservatory.umich.edu\/",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20260927T120000",
        "datetime_end":"20260927T180000",
        "has_end_time":1,
        "date_start":"2026-09-27",
        "date_end":"2026-09-27",
        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150763-21910132@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150763",
        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    }    ,    "148633-21904549":
    {
        "datetime_modified":"20260831T181650",
        "datetime_start":"20260927T160000",
        "datetime_end":"20260927T180000",
        "has_end_time":1,
        "date_start":"2026-09-27",
        "date_end":"2026-09-27",
        "time_start":"16:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":" The SeAH Korean Art Song Gala",
        "occurrence_title":"",
        "combined_title":" The SeAH Korean Art Song Gala",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"The SeAH Korean Art Song Gala is a high-profile Korean Performing Arts Initiative event. The first half of the concert will feature student performances of Korean song, interwoven with historical and cultural narration by SMTD\u2019s Dr. Matthew Thompson, and will end with a performance by SMTD\u2019s alum Jack Morin (\u201925), whose Korean song performances have garnered millions of views online. The second half of the concert will showcase the world-renowned Korean soprano Sumi Jo, joined by Thompson at the piano. \n\nThe concert marks the first time that Korean song performance has been taught at U-M and is generously supported by the SeAH corporation and numerous campus entities: the Arts Initiative, the Jessye Norman Fund, the School of Music, Theatre & Dance, the Nam Center for Korean Studies, and the Office of the President. Concert proceeds will be used to support future Korean Performing Arts Initiative events.  \n\nMatthew Thompson, artistic director\n\nNot eligible for the Flex Series discount.\n\n\u2013\u2013\u2013\n*Parking \/ Traffic alert for attendees:*\nhttps:\/\/smtd.umich.edu\/2026-construction",
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                "guid":"148633-21904549@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/148633",
        "building_id":"1000177",
        "building_name":"Hill Auditorium",
        "campus_maps_id":"69",
        "room":"",
        "location_name":"Hill Auditorium",
        "has_livestream":0,
        "cost":"General Admission by Floor $25 \/ $20 \/ $11 (fees included)",
        "tags":["Concert","Music"],
        "website":"https:\/\/tickets.smtd.umich.edu\/7050",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    }    ,    "149975-21907489":
    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260928T080000",
        "datetime_end":"20260928T170000",
        "has_end_time":1,
        "date_start":"2026-09-28",
        "date_end":"2026-09-28",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149975-21907489@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149975",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
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    }    ,    "149978-21907725":
    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260928T080000",
        "datetime_end":"20260928T170000",
        "has_end_time":1,
        "date_start":"2026-09-28",
        "date_end":"2026-09-28",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
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        "tags":["russia","Ukraine"],
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        "event_title":"Korea Week | Korean Games & Crafts for Kids",
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        "description":"Play traditional Korean games and create your own paper charye sang to celebrate Chuseok, a mid-autumn harvest holiday.\n\nThis event is part of Korea Week, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information, visit https:\/\/myumi.ch\/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "event_title":"Korea Week | The Beauty of Hanbok: Discovering Korean Culture Through Traditional and Modern Hanbok",
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        "combined_title":"Korea Week | The Beauty of Hanbok: Discovering Korean Culture Through Traditional and Modern Hanbok: Laura Park, Leehwa Wedding",
        "event_subtitle":"Laura Park, Leehwa Wedding",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"LRCCS Noon Lecture Series | Sea as Medium in Early Modern Chinese Fiction",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | Sea as Medium in Early Modern Chinese Fiction: SE Kile, University of Michigan",
        "event_subtitle":"SE Kile, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In this talk, Dr. Kile demonstrates how we might better understand Chinese early modernity through environment and experience, categories that also open up possibilities of geographical comparison. He analyzes how the sea novels *Sanbao taijian xiyang ji* (*Record of the Sanbao Eunuch in the Western Seas*, pub. 1597), *Haiyou ji* \u6d77\u904a\u8a18 (*Record of a Sea Journey*, pub. ca. early nineteenth century), and *Xiyi meng Xiyi meng Haiguo chunqiu* \u5e0c\u5937\u5922 \u6d77\u570b\u6625\u79cb (*A Dream of the Master of Infinitesimal Subtlety, or A Chronicle of the Sea Kingdom*) describe travel by sea \u2013 for example, into a luoji \u843d\u6f08 (whirlpool), or across a ruanshui yang \u8edf\u6c34\u6d0b (\u201csoft water\u201d sea)  \u2013 and how this fictional practice details and elaborates the perceived and imagined qualities of water. Lu Xun famously described Ming and Qing novels that abounded with super-mobile human characters as \u201csupernatural\u201d fiction (shenmo xiaoshuo \u795e\u9b54\u5c0f\u8aaa). Dr. Kile departs from this foundational paradigm to look more precisely: what terms do these novels use for moving through air, and how did that relate to water travel? The depths of the seas and the heights of the skies did not function as media for actually existing humans in the early modern period, but in the fiction of the time, humans could travel through the sea, both across its surfaces and through its depths, as well as through the sky in all its vastness.\n\nSE Kile is a scholar of early modern Chinese literature and cultural history, focusing on the intersections of multimedia practice across a broad range of cultural objects, from poetry to props, from novels to gardens. An associate professor in the Department of Asian Languages and Cultures at the University of Michigan, Kile\u2019s first book, *Towers in the Void: Li Yu and Early Modern Chinese Media* (Columbia, 2023), theorizes early modern mediation and entrepreneurship through Li Yu's cultural production across the areas of playwriting, fiction writing, garden and architectural design, theater direction, and body modification. His current book project argues for the relevance of the \u201cearly modern\u201d to the study of China, exploring how novelists synthesized scientific, religious, and vernacular knowledge about the world.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150163-21908308@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150163",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"10th Floor",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","China","chinese history","Chinese Studies","Literature"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20260929T120000",
        "datetime_end":"20260929T180000",
        "has_end_time":1,
        "date_start":"2026-09-29",
        "date_end":"2026-09-29",
        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150763-21910134@events.umich.edu",
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        "building_name":"Duderstadt Center",
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        "location_name":"Duderstadt Center",
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        "cost":"",
        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    {
        "datetime_modified":"20260831T133452",
        "datetime_start":"20260929T163000",
        "datetime_end":"20260929T181500",
        "has_end_time":1,
        "date_start":"2026-09-29",
        "date_end":"2026-09-29",
        "time_start":"16:30:00",
        "time_end":"18:15:00",
        "time_zone":"America\/Detroit",
        "event_title":"Guerline Jozef | 2026 Wallenberg Medal and Lecture",
        "occurrence_title":"",
        "combined_title":"Guerline Jozef | 2026 Wallenberg Medal and Lecture: \"Written in offices but lived in communities: An immigration system in crisis\"",
        "event_subtitle":"\"Written in offices but lived in communities: An immigration system in crisis\"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Guerline Jozef, the co-founder and executive director of the Haitian Bridge Alliance, will receive the 2026 Wallenberg Medal on Tuesday, September 29th at 4:30PM in Rackham Auditorium. In keeping with the tradition of the Wallenberg Lecture, Jozef will draw on her personal experience to share with the audience her understanding of how one person can make a difference.\n\nGuerline M. Jozef, a servant leader rooted in faith, is a globally recognized human rights advocate, thought leader, and strategist who has worked to transform the conversation on migration, race, and justice. Jozef is the executive director of the Haitian Bridge Alliance (HBA), a Haitian-American-women-led organization serving immigrants, with a particular focus on Black immigrants at the US-Mexico border and beyond. With the HBA, she has built a movement that centers people of African descent in migration while amplifying the voices of the most marginalized. She is the creator of \u201cTales from the Borderlands and Beyond,\u201d and co-founder of both the Black Immigrants Bail Fund (BIBF) and the Cameroon Advocacy Network.\n\nHer influence has been recognized nationally and internationally. She was named one of the Washingtonian\u2019s 500 Most Influential People of 2025, one of Politico\u2019s 40 Most Influential People on Race, Politics, and Policy of 2021, and one of the BBC\u2019s Top 100 Women of 2024. She was honored with the Afro-Caribbean Diaspora IMPACT Award from the Caribbean Philanthropic Alliance (CariPhil), the 2021 Robert F. Kennedy Human Rights Award, the AFL-CIO\u2019s 2024 GMLK Human Rights Award, the 2024 Haitian Impact Awards, and the 2023 Midwin Charles Legacy Award from the 1804 Haitian Roundtable. She has been recognized by the Women\u2019s Refugee Commission (Voices of Courage Award, 2024), The Haitian Times (Newsmaker of the Year, 2022), the National Haitian-American Elected Officials Network, and the American Immigration Lawyers Association\u2019s Arthur C. Helton Human Rights Award among others.\n\nMs. Jozef has been featured in Forbes, The New York Times, The Washington Post, Time Magazine, The Miami Herald, The Haitian Times, Politico, and DemocracyNow. She has testified before the United Nations, the United States Congress, and the Inter-American Commission on Human Rights (IACHR), and recently brought her advocacy to the international stage during the IV International Forum of Parlamentarians in Barranquilla, Colombia. Guerline went to the border for Haitians\u2014but she stayed for everyone seeking safety and protection. \n\n\u201cGuerline Jozef is a powerful advocate for the dignity and rights of migrants who has linked the experience of migration at the US-Mexico border to global human rights movements. She works tirelessly to give voice to the marginalized and to shape a more just future for all,\u201d said Sioban Harlow, chair of the Wallenberg Medal Executive Committee and Professor Emerita of Epidemiology, Obstetrics and Gynecology, and Global Public Health.\n\nFree and open to the public. Wheelchair and ADA accessible. ASL and CART provided.",
        "occurrence_notes":null,
                "guid":"145865-21897966@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/145865",
        "building_id":"1000172",
        "building_name":"Rackham Graduate School (Horace H.)",
        "campus_maps_id":"71",
        "room":"Auditorium",
        "location_name":"Rackham Graduate School (Horace H.)",
        "has_livestream":0,
        "cost":"",
        "tags":["human rights","Wallenberg Lecture"],
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                "group_name":"International Institute",
                "group_id":"1968",
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    }    ,    "150769-21910147":
    {
        "datetime_modified":"20260825T142033",
        "datetime_start":"20260929T180000",
        "datetime_end":"20260929T190000",
        "has_end_time":1,
        "date_start":"2026-09-29",
        "date_end":"2026-09-29",
        "time_start":"18:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Korea Week | Korean Ink Wash Painting Workshop with Jiyoung Kim When",
        "occurrence_title":"",
        "combined_title":"Korea Week | Korean Ink Wash Painting Workshop with Jiyoung Kim When: Jiyoung Kim",
        "event_subtitle":"Jiyoung Kim",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Discover the beauty and philosophy of traditional Korean painting (Hangukhwa) through an engaging demonstration. Jiyoung Kim will introduce the history, materials, and artistic principles of Korean painting, explaining how natural materials such as ink, brushes, and traditional paper are used to express harmony with nature.\n\nParticipants will watch two live painting demonstrations\u2014one featuring a traditional Korean painting and another focusing on a simple plum blossom composition that is easy to follow. The plum blossom is a meaningful symbol in Korean art, representing resilience, hope, and the arrival of spring.\n\nJiyoung Kim is an award-winning artist and art instructor who studied painting at Hongik University, where she is currently working on an MFA. Her work has been on display in many galleries in South Korea, Los Angeles, New York and in Michigan.\n\nThis event is part of Korea Week, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information, visit https:\/\/myumi.ch\/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150769-21910147@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150769",
        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"1st Floor Lobby",
        "location_name":"Ann Arbor District Library Downtown, 343 S 5th Ave, Ann Arbor, MI 48104",
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        "tags":["Art","Asian Languages And Cultures","Culture","Free","global","In Person","Korea","Korean Studies"],
        "website":"https:\/\/myumi.ch\/9JJ4g",
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                "group_id":"1968",
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260930T080000",
        "datetime_end":"20260930T170000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907491@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149975",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260930T080000",
        "datetime_end":"20260930T170000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907727@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149978",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
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        "cost":"",
        "tags":["russia","Ukraine"],
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        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20260930T120000",
        "datetime_end":"20260930T180000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
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        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150763-21910135@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150763",
        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
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        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    }    ,    "150770-21910148":
    {
        "datetime_modified":"20260825T142104",
        "datetime_start":"20260930T180000",
        "datetime_end":"20260930T190000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Korea Week | Korean Food: Culture, Politics, and Identities",
        "occurrence_title":"",
        "combined_title":"Korea Week | Korean Food: Culture, Politics, and Identities: Rory Walsh, University of Michigan",
        "event_subtitle":"Rory Walsh, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Korean food is having a moment\u2013one that's been decades in the making. Dr. Rory Walsh explores what Korean food is, how it got that way, and how it's changing under our noses. From Ann Arbor to Seoul, this talk explores what food has to do with tradition, identity, international politics, ancient history, family, self, and, of course, the deceptively complicated concept of authenticity.\n\nRory Walsh has been studying the anthropology of Korea since 2012, and has eaten her way across the peninsula (and Jeju!). She has written extensively on Korean archaeology and hosts the UM Nam Center for Korean Studies' podcast, \"Korea in Maize and Blue: How Did You Get Here?\", interviewing Korean scholars and other professionals across disciplines.\n\nThis event is part of Korea Week, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information, visit https:\/\/myumi.ch\/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150770-21910148@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150770",
        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"1st Floor Lobby",
        "location_name":"Ann Arbor District Library Downtown, 343 S 5th Ave, Ann Arbor, MI 48104",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","Cooking","Culture","Food","Free","In Person","Korea","Korean Studies"],
        "website":"https:\/\/myumi.ch\/9JJ4g",
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    }    ,    "149975-21907492":
    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20261001T080000",
        "datetime_end":"20261001T170000",
        "has_end_time":1,
        "date_start":"2026-10-01",
        "date_end":"2026-10-01",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907492@events.umich.edu",
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        "room":"Room 1010",
        "location_name":"Weiser Hall",
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        "tags":["Art","russia","ukraine"],
        "website":"",
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20261001T080000",
        "datetime_end":"20261001T170000",
        "has_end_time":1,
        "date_start":"2026-10-01",
        "date_end":"2026-10-01",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907728@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["russia","Ukraine"],
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        "sponsors":[
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                "group_id":"1968",
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        "datetime_start":"20261001T120000",
        "datetime_end":"20261001T133000",
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        "date_start":"2026-10-01",
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        "time_zone":"America\/Detroit",
        "event_title":"CJS Noon Lecture Series | Living Ainu Art: Community, Nature, and Intergenerational Knowledge through Song and Dance",
        "occurrence_title":"",
        "combined_title":"CJS Noon Lecture Series | Living Ainu Art: Community, Nature, and Intergenerational Knowledge through Song and Dance: Kanako Uzawa; Invited Faculty Member, Hokkaido University; Affiliated Researcher, Historical Museum of Oslo; Guest Curator, University of Michigan Museum of Art",
        "event_subtitle":"Kanako Uzawa; Invited Faculty Member, Hokkaido University; Affiliated Researcher, Historical Museum of Oslo; Guest Curator, University of Michigan Museum of Art",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person in room 1010, Weiser Hall, and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/pg7N9.\n\nThis lecture-performance introduces Ainu culture through the living traditions of art, song, and dance. Participants will learn how Ainu art-making is rooted in community, intergenerational knowledge, and relationships with the natural world, offering a perspective that differs from conventional notions of individual artistic practice. The session concludes with an interactive performance, inviting the audience to experience Ainu culture through shared movement, music, and dialogue.\n\nKanako Uzawa is an Ainu multidisciplinary artist, scholar, and curator whose work bridges artistic practice, academic research, and community engagement. Originally from Japan and based in Norway, she holds a Ph.D. in community planning and cultural understanding from UiT \u2013 The Arctic University of Norway, where her research explored urban Indigenous identity and contemporary Ainu perspectives. Uzawa works across contemporary dance, film, animation, installation, and socially engaged art, and her work has been exhibited and performed internationally. She is currently an invited faculty member at Hokkaido University, an affiliated researcher at the University of Oslo, and a guest curator at the University of Michigan Museum of Art and the J\u00f3zef Pi\u0142sudski Museum. Across her research, exhibitions, performances, and collaborations, Uzawa works to create spaces where Indigenous knowledge, contemporary art, and lived experience meet, fostering dialogue across cultures and generations.\n\nPhoto credit: Susan Dine\n\nThis lecture is co-sponsored by the Department of Dance. To learn more about this department, please visit https:\/\/smtd.umich.edu\/department\/dance\/.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149999-21907796@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149999",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"10th Floor",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["arts","Asian Languages And Cultures","center for japanese studies","japan","Japanese Studies","Music","Performance"],
        "website":"https:\/\/myumi.ch\/pg7N9",
        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20261001T120000",
        "datetime_end":"20261001T180000",
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        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
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        "location_name":"Duderstadt Center",
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        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
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        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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        "datetime_modified":"20260825T142135",
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        "has_end_time":1,
        "date_start":"2026-10-01",
        "date_end":"2026-10-01",
        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Korea Week | Learn About Hangul, the Korean Alphabet",
        "occurrence_title":"",
        "combined_title":"Korea Week | Learn About Hangul, the Korean Alphabet: Korean Language Program Faculty, University of Michigan",
        "event_subtitle":"Korean Language Program Faculty, University of Michigan",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Learn about Hangul (the Korean alphabet) with staff members from the Korean Language Program at the University of Michigan. Then try your hand at writing in Hangul through various activities.\n\nThis event is part of Korea Week, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information, visit https:\/\/myumi.ch\/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "building_name":"Off Campus Location",
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        "room":"1st Floor Lobby",
        "location_name":"Ann Arbor District Library Downtown, 343 S 5th Ave, Ann Arbor, MI 48104",
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        "tags":["Asian Languages And Cultures","Free","In Person","Korea","korean cinema","Korean Studies","Language","Languages"],
        "website":"https:\/\/myumi.ch\/9JJ4g",
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        "datetime_modified":"20260806T162236",
        "datetime_start":"20261002T080000",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149975-21907493@events.umich.edu",
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        "room":"Room 1010",
        "location_name":"Weiser Hall",
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        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149978-21907729@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
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        "room":"Room 547",
        "location_name":"Weiser Hall",
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        "tags":["russia","Ukraine"],
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                "group_id":"1968",
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20261002T120000",
        "datetime_end":"20261002T180000",
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        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "building_name":"Duderstadt Center",
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        "location_name":"Duderstadt Center",
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        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
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        "date_start":"2026-10-02",
        "date_end":"2026-10-02",
        "time_start":"16:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CSAS 2026 Kavita Datla Memorial Lecture | Minor Cosmopolitanisms: Islam, Urdu, and Secularism in Postcolonial India",
        "occurrence_title":"",
        "combined_title":"CSAS 2026 Kavita Datla Memorial Lecture | Minor Cosmopolitanisms: Islam, Urdu, and Secularism in Postcolonial India: Dr. Razak Khan; Senior Research Fellow in Global History, Department of History, Free University, Berlin",
        "event_subtitle":"Dr. Razak Khan; Senior Research Fellow in Global History, Department of History, Free University, Berlin",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom: https:\/\/myumi.ch\/e73ZQ\n\nThis lecture seeks to build upon Kavita Datla\u2019s work by exploring Urdu as a secular language of Islam. It does so by examining the life and intellectual biography of Syed Abid Husain (1896\u20131978), drawing upon his extensive corpus of works \u2013 including translations from German into Urdu, creative literary writings, and educational and political activism at Jamia Millia Islamia \u2013 to paint a portrait of a nationalist Indian Muslim in colonial and postcolonial India. Moving beyond the framework of nationalist history and adopting a global intellectual history approach, my lecture aims to expand our geographical and conceptual understanding of ideas by mapping what I call the minor cosmopolitanisms of Husain\u2019s intellectual journeys. I argue that Husain\u2019s engagement with both German majoritarian and minority thought worlds offer valuable insights into the minority not merely as a political category but also as an intellectual and ethical one. Ultimately, I contend that Husain\u2019s life and writings provide unique insight on both the crises facing democracy and the potential for critical secularism and minority thought in an era dominated by majoritarian nationalism.\n\nDr. Razak Khan is a senior research fellow in global history at the Department of History, Free University, Berlin. He is part of the European Research Council funded project \u201cUnfamiliar: Family, Law, and Democracy in South Asia.\u201d It looks at the intersection of religion, gender and sexual minorities, and family law on the issues of marriage, adoption, and inheritance. His monograph *Minority Pasts: Locality, Emotions, and Belonging in Rampur* was published by (Oxford University Press, 2022). He also edited the English translation edition of *The Incomparable Festival* (Penguin Random House India, 2021) and co-edited *Nodes of Translation: Intellectual History between Modern India and Germany* (De Gruyter, 2024). His second monograph is an intellectual biography of Syed Abid Husain and will be published by Routledge in 2027.\n\nThe lecture is made possible through the generosity of Dr. Kavita Datla's family and friends.\n\nFree and open to the public\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
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        "building_id":"1000120",
        "building_name":"Michigan Union",
        "campus_maps_id":"191",
        "room":"Pendleton Room",
        "location_name":"Michigan Union",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","Center For South Asian Studies","German","History","India","International","Islam","islamic studies","Politics","Religion"],
        "website":"https:\/\/myumi.ch\/e73ZQ",
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        "datetime_modified":"20260825T142223",
        "datetime_start":"20261002T180000",
        "datetime_end":"20261002T193000",
        "has_end_time":1,
        "date_start":"2026-10-02",
        "date_end":"2026-10-02",
        "time_start":"18:00:00",
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        "event_title":"Korea Week | Traditional Korean Drumming with Sinaboro",
        "occurrence_title":"",
        "combined_title":"Korea Week | Traditional Korean Drumming with Sinaboro: Sinaboro, University of Michigan",
        "event_subtitle":"Sinaboro, University of Michigan",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Learn about samul nori and pungmul nori (traditional Korean drumming) with Sinaboro, the Korean percussion ensemble at the University of Michigan.  We'll learn about the four traditional Korean percussive instruments and listen to a short performance by Sinaboro.\n\nThis event is part of Korea Week, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information, visit https:\/\/myumi.ch\/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150772-21910154@events.umich.edu",
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        "building_name":"Off Campus Location",
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        "room":"Lower Level Program Room",
        "location_name":"Ann Arbor District Library Downtown, 343 S 5th Ave, Ann Arbor, MI 48104",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","Concert","Free","In Person","Korea","Korean Studies","Music","Performance"],
        "website":"https:\/\/myumi.ch\/9JJ4g",
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                "group_id":"1968",
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    {
        "datetime_modified":"20260825T142253",
        "datetime_start":"20261003T130000",
        "datetime_end":"20261003T140000",
        "has_end_time":1,
        "date_start":"2026-10-03",
        "date_end":"2026-10-03",
        "time_start":"13:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Korea Week | Korean Storytime",
        "occurrence_title":"",
        "combined_title":"Korea Week | Korean Storytime: Eunjae Cheon, Andrea Yun",
        "event_subtitle":"Eunjae Cheon, Andrea Yun",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Hear stories told by Eunjae Cheon and sing songs led by Andrea Yun! All activities will be led in Korean. After storytime, stay for a craft!\n\nThis event is part of Korea Week, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information, visit https:\/\/myumi.ch\/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150773-21910156@events.umich.edu",
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        "room":"Program Room",
        "location_name":"3333 Traverwood Dr, Ann Arbor, MI 48105",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","Children","Family","Free","In Person","Kids","Korea","Korean Studies","Music"],
        "website":"https:\/\/myumi.ch\/9JJ4g",
        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20261004T120000",
        "datetime_end":"20261004T180000",
        "has_end_time":1,
        "date_start":"2026-10-04",
        "date_end":"2026-10-04",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150763-21910139@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150763",
        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    {
        "datetime_modified":"20260825T142326",
        "datetime_start":"20261004T130000",
        "datetime_end":"20261004T140000",
        "has_end_time":1,
        "date_start":"2026-10-04",
        "date_end":"2026-10-04",
        "time_start":"13:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Korea Week | Learn about Gangdong-gu!",
        "occurrence_title":"",
        "combined_title":"Korea Week | Learn about Gangdong-gu!",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Learn about AADL's partnership with Gangdong-gu in Seoul while enjoying simple crafts!\n\nThis event is part of Korea Week, and is held in partnership with the Ann Arbor District Library and the Korean Cultural Center of Washington D.C. For more information, visit https:\/\/myumi.ch\/9JJ4g.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150776-21910158@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150776",
        "building_id":"null",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "date_end":"2026-10-06",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907733@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149978",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["russia","Ukraine"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260812T143310",
        "datetime_start":"20261006T120000",
        "datetime_end":"20261006T130000",
        "has_end_time":1,
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        "date_end":"2026-10-06",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"LRCCS Noon Lecture Series | Bad Romance in Southeast Asia: China-Linked Cyber-Scamming, Variegated Govotolerance, and the Geopolitics of Criminality along China's Belt and Road",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | Bad Romance in Southeast Asia: China-Linked Cyber-Scamming, Variegated Govotolerance, and the Geopolitics of Criminality along China's Belt and Road: Tom Narins, University at Albany",
        "event_subtitle":"Tom Narins, University at Albany",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/7JPzN\n\nThe rise of Chinese-linked criminal actors in Southeast Asia \u2013 including cyber scammers running fake online romance schemes for financial extortion \u2013 has disrupted traditional narratives of China's Belt and Road Initiative (BRI) infrastructure investment strategy. Counter to the \"romantic\" Silk Road imagery the BRI commonly draws on, these activities are forcing a reconfiguration of political and economic realities across the region, shifting attention toward changing practices of digital economy and governance along the BRI. This paper introduces the concept of 'variegated govotolerance' to explain why governments and citizens have (to varying degrees) come to tolerate, regional cybercriminal activity linked to Chinese actors.\n\nTom Narins is an associate professor of geography, planning, and sustainability at the University at Albany with research interests in the critical geopolitics of China's growing engagement with the global economy.\nHis current research examines the political and economic tensions associated with \u201cGlobal China\u201d in terms of both traditional and digital infrastructure, with a special focus on China\u2019s digital expansion across the Global South. As a political and economic geographer, Tom has published on sovereignty issues relating to China's Belt and Road Initiative (BRI) as well as on official Chinese lending to BRI-participant countries after the coronavirus pandemic. His work has been published in peer-reviewed journals such as: *Geopolitics; Human Geography*; *Territory, Politics, Governance*; *The Professional Geographer*; *Asian Perspective; Area*; and *The Extractive Industries and Society*.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150164-21908309@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150164",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
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        "room":"Room 555",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","center for chinese studies","China","Chinese Studies","Economics","Politics"],
        "website":"https:\/\/myumi.ch\/7JPzN",
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                "group_id":"1968",
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20261006T120000",
        "datetime_end":"20261006T180000",
        "has_end_time":1,
        "date_start":"2026-10-06",
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        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150763-21910141@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150763",
        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    {
        "datetime_modified":"20260807T082340",
        "datetime_start":"20261006T180000",
        "datetime_end":"20261006T193000",
        "has_end_time":1,
        "date_start":"2026-10-06",
        "date_end":"2026-10-06",
        "time_start":"18:00:00",
        "time_end":"19:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS\/Slavic Event. Student Symposium \u2013 Experiences in Poland",
        "occurrence_title":"",
        "combined_title":"CCPS\/Slavic Event. Student Symposium \u2013 Experiences in Poland",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"What is it really like to study, work, and live in Poland? Come hear firsthand from students who turned the experience into unforgettable memories. From learning Polish at leading universities to completing internships and exploring Polish culture, our presenters will share the stories, challenges, discoveries, and connections that shaped their journeys. Be inspired, ask questions, and discover where your own Poland experience could begin!\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149977-21907697@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149977",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 555",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["poland"],
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        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20261007T080000",
        "datetime_end":"20261007T170000",
        "has_end_time":1,
        "date_start":"2026-10-07",
        "date_end":"2026-10-07",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907498@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149975",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20261007T080000",
        "datetime_end":"20261007T170000",
        "has_end_time":1,
        "date_start":"2026-10-07",
        "date_end":"2026-10-07",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907734@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149978",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["russia","Ukraine"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    {
        "datetime_modified":"20260903T094529",
        "datetime_start":"20261007T120000",
        "datetime_end":"20261007T180000",
        "has_end_time":1,
        "date_start":"2026-10-07",
        "date_end":"2026-10-07",
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        "event_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "occurrence_title":"",
        "combined_title":"Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5\u00b718 Democratization Movement - A Photographic Archive of the May 1980 People\u2019s Uprising in Korea",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Link to the official event poster: \nhttps:\/\/myumi.ch\/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18\u201327, 1980 democratization uprising in Gwangju, South Korea, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5\u201316, 1980): \nFollowing the collapse of Park Chung-hee\u2019s military dictatorship in October, 1979, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18\u201319, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government\u2019s decision. State violence escalated as paratroopers, who were deployed to Gwangju, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20\u201321, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju\u2019s main thoroughfare, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22\u201326, 1980): \nWhile isolated and cut off from communications, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity\u2014sharing food and donating blood\u2014rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins, portraits, and silent vigils represent a collective ethical gaze. During this period, mourning was more than a display of grief; it was a communal act used to redefine the city\u2019s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe, French correspondents Patrick Chauvel and Fran\u00e7ois Lochon, and German cinematographer J\u00fcrgen Hinzpeter. Their images transcend simple reporting, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence, the exhibition reinterprets them through a lens of photographic history\u2014examining their context, distribution, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980, four American Peace Corps volunteers\u2014Tim Warnberg, David Lee Dolinger, Judi Chamberlin, and Paul Courtright\u2014refused to leave, choosing instead to assist the wounded, aid foreign journalists, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights, inspiring decades of memoirs, academic writings, and testimonies. Through photographs, video footage, and personal records, this section traces their journey from eyewitnesses to active defenders of human dignity, inviting us to reflect on what it truly means to take a stand in the face of another\u2019s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n\u201cFor Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy\u201d\nhttps:\/\/myumi.ch\/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps:\/\/myumi.ch\/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement, including graphic depictions of violence, state military suppression, injuries, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives, Center for Democracy & Civic Empowerment, Department of Political Science, Center for Emerging Democracies, Donia Human Rights Center, Asia Library, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
        "occurrence_notes":null,
                "guid":"150763-21910142@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150763",
        "building_id":"1000396",
        "building_name":"Duderstadt Center",
        "campus_maps_id":"181",
        "room":"",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Activism","Art","Asia","Asian Languages And Cultures","Exhibition","History","Korea","Korean Studies"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    }    ,    "151245-21911142":
    {
        "datetime_modified":"20260831T141646",
        "datetime_start":"20261007T120000",
        "datetime_end":"20261007T132000",
        "has_end_time":1,
        "date_start":"2026-10-07",
        "date_end":"2026-10-07",
        "time_start":"12:00:00",
        "time_end":"13:20:00",
        "time_zone":"America\/Detroit",
        "event_title":"CREES Noon Lecture. When Everyday Life Becomes an Event: Mobility in the Georgia-Abkhazia Conflict Zone",
        "occurrence_title":"",
        "combined_title":"CREES Noon Lecture. When Everyday Life Becomes an Event: Mobility in the Georgia-Abkhazia Conflict Zone: G\u00f6rkem Aydemir-Kundakci, Fonds Wetenschappelijk Onderzoek (FWO) Postdoctoral Fellow in Anthropology, Katholieke Universiteit Leuven, Belgium",
        "event_subtitle":"G\u00f6rkem Aydemir-Kundakci, Fonds Wetenschappelijk Onderzoek (FWO) Postdoctoral Fellow in Anthropology, Katholieke Universiteit Leuven, Belgium",
        "event_type":"Livestream \/ Virtual",
        "event_type_id":"24",
        "description":"What does it take to sustain an ordinary life in a place shaped by decades of unresolved conflict and political uncertainty? Drawing on long-term ethnographic research in the de facto Georgia-Abkhazia borderland, this talk examines how displaced Georgians with constructed lives across an unrecognized but highly militarized border learn to navigate a landscape in which mobility is continually subject to political, material, and documentary contingencies. Rather than approaching protracted conflict primarily through rupture, destruction, or spectacular violence, Aydemir-Kundakci focuses on everyday eventfulness: how ordinary journeys to attend a wedding, shop, visit family, or go to a hospital can unexpectedly become consequential\u2014when rising waters turn a familiar river crossing into a life-threatening swim, a document check evolves into harassment or extortion, or a passport stamp creates the risk of punishment on the other side.\n\nAydemir-Kundakci develops the concept of manageable eventfulness to describe the practical and anticipatory work through which people seek not necessarily to eliminate such contingencies altogether, but to keep their consequences within manageable limits. Following these practices across changing border regimes, landscapes, documents, and generations, she shows how people continually recalibrate their movements and anticipations as they strive for uneventful, ordinary lives amid prolonged conflict.\n\nDr. G\u00f6rkem Aydemir-Kundakci is an FWO Postdoctoral Fellow in Anthropology at KU Leuven. Her research examines long-term displacement, conflict, mobility, environmental change, and precarity in Georgia\u2019s de facto borderland with Abkhazia.\u202fShe holds a PhD in Anthropology from George Washington University and held a postdoctoral fellowship at the University of Calgary. Her writing has appeared in journals such as\u202fthe Journal of Refugee Studies, History and Anthropology, and Anthropology News. Aydemir-Kundakci\u2019s research has been funded by the National Science Foundation (NSF), American Council of Learned Societies (ACLS), and Research Foundation Flanders (FWO).\n\nPlease note this event will be held virtually on Zoom. Please register at this link: https:\/\/myumi.ch\/mVV9g\n\nIf there is anything we can do to make this event accessible to you, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Off Campus Location",
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    {
        "datetime_modified":"20260811T163745",
        "datetime_start":"20261007T163000",
        "datetime_end":"20261007T180000",
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        "date_start":"2026-10-07",
        "date_end":"2026-10-07",
        "time_start":"16:30:00",
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        "datetime_modified":"20260810T164813",
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        "has_end_time":1,
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        "time_start":"12:00:00",
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        "event_title":"CSEAS Friday Lecture Series | Lee Kuan Yew Goes Global?",
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        "combined_title":"CSEAS Friday Lecture Series | Lee Kuan Yew Goes Global?: Say Jye Quah, Cornell University",
        "event_subtitle":"Say Jye Quah, Cornell University",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: http:\/\/myumi.ch\/PbkD4\n\nThere is little that connects the Chinese Communist Party, British Conservative Party, Kenyan leadership, Silicon Valley right-wing, and elites in post-Soviet states. But they all exhibit an acute fascination with founding Singaporean Prime Minister Lee Kuan Yew, invoking select strands of his political thought and practice to legitimate their own political projects or imaginaries. Yet, while interest in Lee outside of Singapore is consistently growing, within Singaporean society there is a growing sense of exhaustion and indifference in appealing to his figure \u2013 especially when it is perceived as a cynical means to derive political profit for his long-ruling People\u2019s Action Party (PAP). Using this observation as a launching pad, this lecture explores the contradictions of Lee\u2019s legacy and develops rudiments to pursue a global history of Lee Kuan Yew, bringing his international reception and footprints within a single frame. This entails treating Lee as a global figure of world-historical importance, situating his political thought, movements, and interventions within global trends and networks. While this global approach magnifies Lee\u2019s stature, it also amplifies the less comfortable aspects of his legacy: his \u201coriginal sin\u201d is no longer the detention without trial, but his role in legitimizing the bloody Vietnam War. A global history of Lee thereby presents intensified contradictions to grapple with.\n\nQuah Say Jye is a Klarman Postdoctoral Fellow at Cornell University. He is a political theorist of postcolonial modernity, with a focus on Southeast Asia. His writing is forthcoming or can be found at the *American Journal of Political Science*, *Review of International Studies*, *Journal of Contemporary Asia*, *Critical Asian Studies*, *International Affairs*, and *Perspectives on Politics*. For more, see https:\/\/quahsayjye.wordpress.com\/about\/.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "tags":["Asian Languages And Cultures","center for southeast asian studies","international policy","Politics","Southeast Asia"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"Africa Conference | Shifting Tides: The U.S.-Africa Relationship Amid Global Competition",
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        "combined_title":"Africa Conference | Shifting Tides: The U.S.-Africa Relationship Amid Global Competition",
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        "description":"\u201cShifting Tides: The U.S.-Africa Relationship Amid Global Competition\u201d is a two-day conference examining how African states, regional institutions, and global powers are navigating rapidly evolving geopolitical, economic, and legal landscapes. Bringing together scholars, policymakers, legal experts, investors, and diplomats, the conference will explore African perspectives on global governance reform, climate and innovation challenges, great power competition, peace and security, and emerging economic growth trajectories\u2014including trade integration, industrial policy, and Africa-to-Africa investment. With a blend of legal and policy perspectives across five thematic panels, the conference seeks to analyze the strategic choices facing African governments, assess implications for U.S. diplomatic and economic engagement, and highlight the African Union\u2019s growing influence in global diplomacy, trade, and law. Through a private expert roundtable and public panel discussions, the conference will foster critical dialogue and produce actionable policy recommendations aimed at strengthening U.S.\u2013Africa engagement in a more multipolar and economically dynamic world.\n\nSpeakers:\n+Hajer Gueldich, African Union and University of Carthage+\n+Ebenezer Obadare, Council on Foreign Relations+\n+Susan D. Page, University of Michigan+\n+Boubacar Bocoum, World Bank+\n+Eghosa Ekhator, University of Derby+\n+Olanrewaju Suraju, HEDA Resource Centre+\n+Bilal Butt, University of Michigan+\n+Benedito Machava, Yale University+\n+Kamissa Camara, University of Michigan+\n+Shakirah Hudani, University of North Carolina at Chapel Hill+\n+Omotade Akin Aina, Carnegie Corporation of New York+\n+Murithi Mutiga, International Crisis Group+\n+Chidi Blyden, Culturally Bound and Georgetown University+\n+Olufunmilayo Arewa, George Mason University+\n+Anita Plummer, Howard University+\n+Laura Beny, University of Michigan+\n\nPlease RSVP: https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSd_7vqvXpfabMWFssspB47cq0UNdRcVGnm7TjujLNy43lXLHw\/viewform",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "time_start":"08:00:00",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149978-21907740@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
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        "room":"Room 547",
        "location_name":"Weiser Hall",
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        "tags":["russia","Ukraine"],
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        "sponsors":[
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        "event_title":"Africa Conference | Shifting Tides: The U.S.-Africa Relationship Amid Global Competition",
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        "combined_title":"Africa Conference | Shifting Tides: The U.S.-Africa Relationship Amid Global Competition",
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        "event_type":"Conference \/ Symposium",
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        "description":"\u201cShifting Tides: The U.S.-Africa Relationship Amid Global Competition\u201d is a two-day conference examining how African states, regional institutions, and global powers are navigating rapidly evolving geopolitical, economic, and legal landscapes. Bringing together scholars, policymakers, legal experts, investors, and diplomats, the conference will explore African perspectives on global governance reform, climate and innovation challenges, great power competition, peace and security, and emerging economic growth trajectories\u2014including trade integration, industrial policy, and Africa-to-Africa investment. With a blend of legal and policy perspectives across five thematic panels, the conference seeks to analyze the strategic choices facing African governments, assess implications for U.S. diplomatic and economic engagement, and highlight the African Union\u2019s growing influence in global diplomacy, trade, and law. Through a private expert roundtable and public panel discussions, the conference will foster critical dialogue and produce actionable policy recommendations aimed at strengthening U.S.\u2013Africa engagement in a more multipolar and economically dynamic world.\n\nSpeakers:\n+Hajer Gueldich, African Union and University of Carthage+\n+Ebenezer Obadare, Council on Foreign Relations+\n+Susan D. Page, University of Michigan+\n+Boubacar Bocoum, World Bank+\n+Eghosa Ekhator, University of Derby+\n+Olanrewaju Suraju, HEDA Resource Centre+\n+Bilal Butt, University of Michigan+\n+Benedito Machava, Yale University+\n+Kamissa Camara, University of Michigan+\n+Shakirah Hudani, University of North Carolina at Chapel Hill+\n+Omotade Akin Aina, Carnegie Corporation of New York+\n+Murithi Mutiga, International Crisis Group+\n+Chidi Blyden, Culturally Bound and Georgetown University+\n+Olufunmilayo Arewa, George Mason University+\n+Anita Plummer, Howard University+\n+Laura Beny, University of Michigan+\n\nPlease RSVP: https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSd_7vqvXpfabMWFssspB47cq0UNdRcVGnm7TjujLNy43lXLHw\/viewform",
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        "tags":["African Studies","African Studies Center","Conference","Global Affairs"],
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        "datetime_modified":"20260812T101202",
        "datetime_start":"20261013T120000",
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        "time_zone":"America\/Detroit",
        "event_title":"LRCCS Noon Lecture Series | Haunted Modernities: Gender, Memory, and Place-Making in Postindustrial Taiwan",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | Haunted Modernities: Gender, Memory, and Place-Making in Postindustrial Taiwan: Anru Lee, The City University of New York",
        "event_subtitle":"Anru Lee, The City University of New York",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/VDGR3\n\nThis talk interrogates the nature of shared expressions of history, sentiments, and memory as it investigates the role of women workers in the shifting public narrative surrounding the Memorial Park for Women Laborers in Kaohsiung, Taiwan.  As a heritage site, the Memorial Park for Women Laborers elucidates how \u201chistory\u201d and \u201cmemory\u201d are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.\n\nA cultural anthropologist, Anru Lee's research focuses on the Asian Pacific region and issues of capitalism, modernity, gender and sexuality, and urban anthropology. She is the author of *In the Name of Harmony and Prosperity: Labor and Gender Politics in Taiwan's Economic Restructuring* and *Haunted Modernities: Gender, Memory, and Placemaking in Postindustrial Taiwan* and is co-editor of *Women in the New Taiwan: Gender Roles and Gender Consciousness in a Changing Society*, *Why Taiwan? Anthropological Perspectives*, and *Brill Encyclopedia of Taiwan Studies* (The Gender and Women's Studies Section). She is currently working on a book manuscript that investigates mass rapid transit systems as related to issues of technology, governance, and citizenship. She is professor of anthropology at the City University of New York.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "tags":["Anthropology","Asian Languages And Cultures","China","Chinese Studies","Gender","Politics","taiwan","Women's Studies"],
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        "time_start":"16:00:00",
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        "event_title":"WCEE Film Screening. (Un)known Holocaust",
        "occurrence_title":"",
        "combined_title":"WCEE Film Screening. (Un)known Holocaust: 2026, 42 min, dir. Les Kasyanov and Yurii Kaparulin",
        "event_subtitle":"2026, 42 min, dir. Les Kasyanov and Yurii Kaparulin",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"This documentary explores the history of World War II and the Holocaust in Ukraine.While rooted in a regional perspective, the film addresses a much broader phenomenon of mass violence and its legacy.\n\n2026, Ukrainian with English subtitles.\n\nDirected by Les Kasyanov and Yurii Kaparulin, U-M Wallnberg Fellow and former WCEE Ukrainian Fellow.\nScreening time: 42 minutes.\n\nIf there is anything we can do to make this event accessible to you, please contact us at \tgosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 555",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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        "tags":["Film","Poland"],
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20261014T080000",
        "datetime_end":"20261014T170000",
        "has_end_time":1,
        "date_start":"2026-10-14",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_modified":"20260812T104000",
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        "event_title":"LRCCS Noon Lecture Series | Metricracy: The Data and Symbolic Politics of a Chinese Social Credit System",
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        "combined_title":"LRCCS Noon Lecture Series | Metricracy: The Data and Symbolic Politics of a Chinese Social Credit System: Chuncheng Liu, Northeastern University",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/kVZXk\n\nBased on fieldwork inside one of China's most celebrated social credit systems, this talk shows what actually happens when a state tries to score the moral lives of its citizens. Far from the all-seeing surveillance machine, the system runs on data that are selectively collected and routinely fabricated\u2014and even then, the state struggles to make the score mean anything, facing constant contestation and reinterpretation. This notorious system, Dr. Liu will suggest, is less an authoritarian anomaly than a sharp lens on the contradictions of governing by numbers anywhere.\n\nChuncheng Liu is a sociologist of knowledge and technology who studies the politics of data and classification. An assistant professor of communication and sociology at Northeastern University, he earned his Ph.D. in sociology and science studies at the University of California, San Diego, and was a postdoctoral researcher at Microsoft Research New England. His current research examines the politics of sociotechnical systems that surveil and classify citizens. His work has appeared in journals including *Big Data & Society*; *Information, Communication & Society*; *Social Science & Medicine*; and *Science, Technology & Human Values*, and has been featured in outlets such as The Guardian, Bloomberg, and Rest of World.",
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        "tags":["Asian Languages And Cultures","China","chinese","Chinese Studies","Data","Politics","Sociology"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "date_end":"2026-10-28",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CMENAS 2026 Fall Colloquium Series | Chokepoints: Temporalities of Navigation in the Red Sea",
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        "combined_title":"CMENAS 2026 Fall Colloquium Series | Chokepoints: Temporalities of Navigation in the Red Sea: Jatin Dua, University of Michigan",
        "event_subtitle":"Jatin Dua, University of Michigan",
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        "description":"The story of shipping and of global trade is often narrated as one of ever-increasing efficiency and speed, of transitions from sail to steam to cargo and futures of automation\u2014of making straight lines. But, for as long as there has been trade (and ships) there have been delays and interruptions\u2014rerouters and rerouting. I argue that disruptions and moments when things appear to be stuck or rerouted are neither aberrations nor failures. Rerouting, far from being an exception, is both the norm and, at times, such as this contemporary moment of wars, sanctions, and tariffs, is a condition desired by many as a mode of profit and possibility.\n\nTo showcase the productive possibilities of rerouting, I focus on one sea route\u2014the Bab-el-Mandeb, a key chokepoint for global trade connecting Europe to Asia and the Red Sea to the Indian Ocean. In 2023, in response to Houthi attacks on merchant ships, this shipping route briefly disappeared, as cargo ships were rerouted through the Cape of Good Hope. I tell this story of this rerouting and its consequences both ephemeral and long-lasting from the perspective of a mobile set of actors in the Red Sea. Locating them within longer histories and wider geographies, I argue for the centrality of interruptions within our understandings of circulation and crossings in the Indian Ocean and beyond.\n\nJatin Dua is an associate professor of anthropology at the University of Michigan (U-M). He also directs the Oceans Lab at U-M, dedicated to collaborative and multimodal ways of engaging oceans as anthropological interlocutors. His research explores maritime mobility, and its perils and possibilities, in the Indian Ocean, focusing on processes and projects of governance, law, and economy. His book, *Captured at Sea: Piracy and Protection in the Indian Ocean, published with the University of California Press* (December 2019) [winner of the 2020 Elliot P. Skinner Book Award; shortlisted for the 2024 Monsoon Book Prize and translated into Italian and Greek] is a multi-sited ethnographic and archival engagement with Somali piracy and contestations over legitimate and illegitimate commerce in the Western Indian Ocean. In addition, he has published several articles on maritime anthropology, captivity, political economy, and sovereignty in *Public Culture*, *American Ethnologist*, *Cultural Anthropology,* *Ethnos*, *Annual Review of Anthropology*, *History and Anthropology* and *Comparative Studies in Society and History*. He is currently the editor-in-chief of *Comparative Studies in Society and History*.\n\nRSVP: https:\/\/myumi.ch\/PbbAb\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
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        "tags":["center for middle eastern and north african studies","Cmenas Colloquium Series","Discussion","Global Affairs","History","Lecture","Middle East Studies"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907521@events.umich.edu",
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        "room":"Room 1010",
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        "has_livestream":0,
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        "tags":["Art","russia","ukraine"],
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    {
        "datetime_modified":"20260807T081915",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149978-21907757@events.umich.edu",
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        "tags":["russia","Ukraine"],
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        "datetime_modified":"20260908T140059",
        "datetime_start":"20261030T160000",
        "datetime_end":"20261030T173000",
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        "event_title":"CSAS Lecture Series | Beyond the Seas Blue",
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        "combined_title":"CSAS Lecture Series | Beyond the Seas Blue: Asma Kazmi; Berkeley Center for New Media, University of California-Berkeley",
        "event_subtitle":"Asma Kazmi; Berkeley Center for New Media, University of California-Berkeley",
        "event_type":"Lecture \/ Discussion",
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        "description":"In this lecture, Kazmi will discuss *Beyond the Seas Blue* alongside earlier projects that connect contemporary technologies to histories of science, material transformation, and knowledge production in the Middle East and South Asia.\n\nAsma Kazmi is an interdisciplinary artist whose work explores the relationships among art, technology, history, and power. Through installations, video, sculpture, virtual environments, and collaborative research, she examines how contemporary technologies emerge from longer histories of science, extraction, trade, and knowledge production. Her work centers connections between the Middle East, South Asia, and the West, often using archives, material culture, and speculative storytelling. Her newest project, *Beyond the Seas Blue*, traces lapis lazuli from the mines of Badakhshan through histories of pigment making, museums, colonial collecting, and digital infrastructure. Kazmi is associate professor of art practice at the University of California, Berkeley, and teaches at the Berkeley Center for New Media.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Art","Asian Languages And Cultures","Center For South Asian Studies","History","history of art","South Asia","South Asian Studies"],
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        "datetime_modified":"20260806T162236",
        "datetime_start":"20261102T080000",
        "datetime_end":"20261102T170000",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Art","russia","ukraine"],
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        "event_title":"Teresa Poggi Lecture on Italy and the Mediterranean World. \u201cSignor Presidente:\" Giorgia Meloni and the Italian Laboratory",
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        "combined_title":"Teresa Poggi Lecture on Italy and the Mediterranean World. \u201cSignor Presidente:\" Giorgia Meloni and the Italian Laboratory: Rachel Donadio, contributing writer at *The Atlantic*, former *The New York Times* Rome Bureau Chief and European Culture Correspondent",
        "event_subtitle":"Rachel Donadio, contributing writer at *The Atlantic*, former *The New York Times* Rome Bureau Chief and European Culture Correspondent",
        "event_type":"Lecture \/ Discussion",
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        "description":"In 2022, Prime Minister Giorgia Meloni became the first far-right leader of Italy since Fascism and the first woman to ever lead the country. Four years later, Meloni has proven resilient, despite challenging economic indicators and after losing a referendum to limit the independence of the judiciary. A skillful politician, Meloni has deftly navigated between Italy\u2019s commitments to the European Union and the country\u2019s longtime strategic alliance with the United States, even as the Trump Administration has pushed to scale back NATO in Europe, causing confusion and distress in Europe\u2019s halls of power.\n\n   From Fascism to the personality-driven phenomenon of Silvio Berlusconi to the anti-system Five Star Movement, Italy has always been a political laboratory, a harbinger of political trends to come. With this lens, what larger lessons can we draw from Meloni\u2019s leadership about the direction of Italy and Europe? Has Meloni normalized the far right or transformed it into a mainstream conservative movement? What are her most concrete accomplishments? As a study in power, what do we make of this small, blonde, fierce woman who insists on using the masculine form of address, \u201cSignor Presidente\u201d?\n  \nThe annual Teresa Poggi Lecture on Italy and the Mediterranean World focuses on contemporary and historical issues related to the region. It is made possible by a generous gift from Stephanie and Sue Augustyniak in honor of their mother.\n   \nRachel Donadio is a Paris-based writer, a contributing writer for *The Atlantic*, and a former Rome Bureau Chief and European Culture Correspondent for *The New York Times*. She regularly publishes textured profiles and features at the intersection of culture and politics, as well as literary criticism, and is a frequent contributor to *The New York Review of Books*. Donadio has reported from more than two dozen countries and interviewed heads of state and major cultural figures, including four Nobel Laureates in literature.\n   \nIn her many years covering Italy, she has written on Giorgia Meloni\u2019s culture wars, Curzio Malaparte, Nicola Gratteri when he was a leading Italian anti-Mafia prosecutor, former Prime Minister Silvio Berlusconi, Gina Lollobrigida, Paolo Sorrentino, a rare book theft in Naples, why Italians gesticulate, Amalfi lemons, a family of centenarians in Sardinia, a Bangladeshi Cricket league in Rome, and the first non-Italian director of the Uffizi. She has also covered the Vatican and led *The New York Times* coverage of the conclave in which Pope Francis was elected.\n   \nIf there is anything we can do to make this event accessible to you, please contact gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Europe","italian","Italian Studies","Politics"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"LRCCS Noon Lecture Series | From a 'Ton of Steel' to 'Another Province Overseas': Foreign and Diaspora Tourism to Mao-Era China",
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        "description":"What explains the rise and resilience of the Islamist movement in Turkey? Since its founding in 1923, the Turkish republic has periodically reined in Islamist actors. Secular laws denied legitimacy to religious ideas, publications, and civic organizations, while military coups jailed or banned Islamist party leaders from politics. Despite such adversity, Islamists won an unprecedented victory at the 2002 national elections and have continued to rule since. 'Pious Politics' explains how Islamists succeeded by developing a popular, well-organized movement over decades that rallied the masses and built vigorous political parties. But an equally formative-if not more significant-factor was the cultural groundwork Islamists laid through a remarkably robust model of mobilization. Drawing on two years of ethnographic and archival research in Turkey, Zeynep Ozgen explores how social movements leverage cultural production to create sociopolitical change.\n\nWebinar Link: https:\/\/umich.zoom.us\/webinar\/register\/WN_oQqwZXShTuWSZaHhojrtGg\n\nIf there is anything we can do to make this event accessible to you, please contact us at emergingdemocracies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "description":"In the 1890s, a series of anti-missionary riots swept through Hunan province. While the disturbances were promptly quelled and the instigators brought to justice, missionaries found themselves in heated debates about the origins of the riots. One of them was Welshman Griffith John who singled out the Sacred Edict as one root cause of anti-Christian sentiment and argued for its amendment. This talk examines the context behind the debate and what it can tell us about endurance of and contradictions within imperial ideology in late imperial China.\n\nP\u00e4r Cassel is an associate professor of modern Chinese history at the University of Michigan. He is strongly committed to multi-lingual and multi-archival research and is especially interested in historical problems where international relations, jurisprudence, institutional history, and linguistics intersect. He is currently working on a book length project about the Sacred Edict.",
        "occurrence_notes":null,
                "guid":"150196-21908382@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150196",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"10th Floor",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Asian Languages And Cultures","China","chinese history","Chinese Studies","History","Imperialism"],
        "website":"",
        "sponsors":[
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                "group_name":"International Institute",
                "group_id":"1968",
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    {
        "datetime_modified":"20260901T092147",
        "datetime_start":"20261110T173000",
        "datetime_end":"20261110T190000",
        "has_end_time":1,
        "date_start":"2026-11-10",
        "date_end":"2026-11-10",
        "time_start":"17:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CREES Annual Borka Tomljenovi\u0107 Lecture. Reading through the Double Archival Grain: Yugoslav Socialist Humanitarianism and its Whiteness",
        "occurrence_title":"",
        "combined_title":"CREES Annual Borka Tomljenovi\u0107 Lecture. Reading through the Double Archival Grain: Yugoslav Socialist Humanitarianism and its Whiteness: \u010carna Brkovi\u0107, professor of cultural studies and European ethnology, University of Mainz",
        "event_subtitle":"\u010carna Brkovi\u0107, professor of cultural studies and European ethnology, University of Mainz",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"For the 2026 Annual Borka Tomljenovi\u0107 Lecture, Professor \u010carna Brkovi\u0107 will consider different forms of affective engagement with humanitarian activities in socialist Yugoslavia, including irony and nostalgia. Ironic engagement assumes that Yugoslav solidarity with formerly colonized populations during the Cold War was empty rhetoric, driven by a pragmatic desire to establish the country as a significant player on the geopolitical stage. Nostalgic engagement, by contrast, is shaped by the belief that Yugoslavs were motivated by an honest ideological commitment to solidarity and anti-racism that ultimately placed them on the \u201cright side\u201d of history. Both ironic and nostalgic engagements with socialist humanitarianism evaluate the past through contemporary ideas about solidarity, socialism, capitalism, and their interrelations.\n\nTo understand socialist humanitarianism on its own terms, Brkovi\u0107 proposes reading it through the double grain of state socialism and the end of history. Such an analytical approach illuminates the role of racial socialism\u2014socialist ideologies of \u201crace\u201d and local racial projects\u2014and its interactions with global racial hierarchies, showing how these ideologies were shaped by particular value constellations.\n\nBy discussing a 1961 humanitarian initiative of the Yugoslav Red Cross that brought sixty children and young people from the Congo to Tivat, Montenegro, this talk sheds light on the workings of socialist whiteness. This was not a colourist project but rather a normative regime of political value with two key characteristics: it ascribed superiority to Yugoslavs on the basis of their greater socialist experience, and it overlooked present problems in favour of a future in which \u201crace\u201d would no longer matter.\n\n\u010carna Brkovi\u0107 is professor of cultural studies and European ethnology at the University of Mainz. Dr. Brkovi\u0107 has a PhD in Social Anthropology from the University of Manchester and a BA in Ethnology and Anthropology from the University of Belgrade. In her European Research Council (ERC) Consolidator Grant \u201cRacial Socialism\u201d (2026-2031) as well as in her book Realigning Humanitarianism in the Balkans: From Cold War Politics to Neoliberal Ethics (Indiana University Press, 2026), she studies historical projects of integrating the world differently, such as socialist humanitarianism and Europeanization.\n\nIf there is anything we can do to make this event accessible to you, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"151290-21911323@events.umich.edu",
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        "building_id":"1000191",
        "building_name":"Michigan League",
        "campus_maps_id":"108",
        "room":"Vandenberg Room (2nd floor)",
        "location_name":"Michigan League",
        "has_livestream":0,
        "cost":"",
        "tags":["eastern europe","yugoslavia"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
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    }    ,    "149975-21907533":
    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20261111T080000",
        "datetime_end":"20261111T170000",
        "has_end_time":1,
        "date_start":"2026-11-11",
        "date_end":"2026-11-11",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149975-21907533@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","russia","ukraine"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
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    }    ,    "150315-21909006":
    {
        "datetime_modified":"20260816T221446",
        "datetime_start":"20261111T140000",
        "datetime_end":"20261111T160000",
        "has_end_time":1,
        "date_start":"2026-11-11",
        "date_end":"2026-11-11",
        "time_start":"14:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CMENAS 2026 Fall Colloquium Series | Western Sahara: Multi-scalar Struggles, Recognition and Change in a Thawing Conflict",
        "occurrence_title":"",
        "combined_title":"CMENAS 2026 Fall Colloquium Series | Western Sahara: Multi-scalar Struggles, Recognition and Change in a Thawing Conflict: Irene Fern\u00e1ndez-Molina, University of Exeter, United Kingdom",
        "event_subtitle":"Irene Fern\u00e1ndez-Molina, University of Exeter, United Kingdom",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Irene Fern\u00e1ndez-Molina is a senior lecturer in International Relations at the University of Exeter. She is a scholar of international relations of the Global South and across the Euro-Mediterranean space, contested statehood and international recognition politics, and foreign policy and conflicts in the Maghreb. She previously worked as a research fellow at the European Neighbourhood Policy Chair of the College of Europe (Warsaw), Schuman fellow at the Directorate-General for External Policies of the European Parliament (Brussels), and PhD research fellow at Complutense University of Madrid. Her research has been published in journals such as *International Affairs*, *International Studies Review*, *Review of International Studies*, *International Political Sociology*, and the *Journal of Intervention and Statebuilding*. She is the author of *Moroccan Foreign Policy under Mohammed VI, 1999\u20132014 *(2016), and co-editor of *Global, Regional and Local Dimensions of Western Sahara\u2019s Protracted Decolonization* (2017), and* Foreign Policy in North Africa: Navigating Global, Regional and Domestic Transformations* (2021).\n\nJoin on Zoom: https:\/\/myumi.ch\/7J946\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
        "occurrence_notes":null,
                "guid":"150315-21909006@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150315",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 555",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["center for middle eastern and north african studies","Cmenas Colloquium Series","Discussion","Lecture"],
        "website":"https:\/\/myumi.ch\/7J946",
        "sponsors":[
             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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    }    ,    "150145-21908256":
    {
        "datetime_modified":"20260903T110438",
        "datetime_start":"20261111T163000",
        "datetime_end":"20261111T180000",
        "has_end_time":1,
        "date_start":"2026-11-11",
        "date_end":"2026-11-11",
        "time_start":"16:30:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Guest Lecture | Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict",
        "occurrence_title":"",
        "combined_title":"Guest Lecture | Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict: Lori Khatchadourian (Cornell University)",
        "event_subtitle":"Lori Khatchadourian (Cornell University)",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"This talk introduces the concept of heritage forensics, a framework for studying abuses of cultural heritage in contexts of conflict, genocide, and ethnic cleansing. Drawing on the new co-authored volume, *Heritage Forensics: Cultural on the Front Lines of the Armenia-Azerbaijan Conflict*, the presentation examines how cultural sites became entangled in the conflict over Nagorno-Karabakh during the interwar period (1994-2020). The talk considers how satellite-based heritage forensics is being deployed prospectively, to monitor hundreds of Armenian sites in Karabakh following Azerbaijan's 2023 takeover of the region and the displacement of its Armenian population. In doing so, it asks: how can satellite-based monitoring function as a form of \"counter-forensics,\" turning surveillance technologies developed for military purposes back on the state? Can heritage forensics move us beyond retrospective documentation to actively deter erasure and support truth, reconciliation, and accountability wherever cultural heritage is at stake?\n\nLori Khatchadourian is Professor of Near Eastern Studies and Anthropology at Cornell University, and co-founder and co-director of Caucasus Heritage Watch. She currently serves as Director of the Cornell Institute of Archaeology and Material Studies. Khatchadourian\u2019s research spans the fields of archaeology, social anthropology, and heritage studies, with a particular focus on Armenia, the wider South Caucasus, and neighboring regions. Current projects explore the archaeology of modernity, including problems of genocide, deindustrialization, and the entanglements of cultural heritage and war. She is the co-author of *Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict* (Cornell, 2026) and author of Imperial Matter: Ancient Persia and the Archaeology of Empires (UC Press, 2016). She is also co-editor of *Rethinking Empire: Materiality, Metaphysics, and Imperial Politics* (SAR, 2026) and *Fitful Histories and Unruly Publics: The Archaeology of Eurasia *(2017).\n\nhttps:\/\/umich.zoom.us\/j\/99311308952\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: armenianstudies@umich.edu",
        "occurrence_notes":null,
                "guid":"150145-21908256@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150145",
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        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 555",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Area Studies","armenia","Armenian Studies","Discussion","History","Lecture"],
        "website":"https:\/\/umich.zoom.us\/j\/99311308952",
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                "group_id":"1968",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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    {
        "datetime_modified":"20260811T160816",
        "datetime_start":"20261112T120000",
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        "event_title":"CJS Noon Lecture Series | When Self-Empowerment Goes South (or East, More Precisely): Gender, Neoliberalism, and Romance Fraud in Japan",
        "occurrence_title":"",
        "combined_title":"CJS Noon Lecture Series | When Self-Empowerment Goes South (or East, More Precisely): Gender, Neoliberalism, and Romance Fraud in Japan: Yutaka Yoshida, Lecturer in Social Sciences, Cardiff University",
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        "tags":["Asian Languages And Cultures","center for japanese studies","Gender","gender studies","japan","Japanese Studies"],
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        "date_end":"2026-11-13",
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        "event_title":"International Education Week Celebration (2026)",
        "occurrence_title":"IEW Rock Painting 2026",
        "combined_title":"International Education Week Celebration (2026): IEW Rock Painting 2026",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Join various International Education units on campus to celebrate International Education Week 2026!\n\nNovember 13th, 3-5pm: IEW Rock Painting (George Washington Park Rock)\nNovember 18th, 5-6:30pm: IEW Global Photo Showcase (Weiser Hall 10th floor)\n\nFeel free to register for one or both of these events to join us in celebrating study abroad, international internships, and international students here at the University of Michigan. :)\n\nThese events are organized by the Center for Global & Intercultural Study, Global Engagement \u2014 Office of the Provost, the International Institute, International Programs in Engineering, Ross Global Initiatives, and the International Center.",
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        "location_name":"George Washington Park Rock (Corner of Hill Street & Washtenaw)",
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        "tags":["Abroad","All Majors Welcome","Community","Exhibition","global engagement","Graduate Students","International Education","International Education Week","photography","Sessions","study abroad","Travel","Undergraduate"],
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        "datetime_modified":"20260908T140120",
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        "event_title":"CSAS Lecture Series | Indians and Cowboys: Race, Caste, and Catholic Missionary Priests from India in Rural America",
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        "event_title":"LRCCS Noon Lecture Series | Chinese and Muslim Refugees on the Tibetan Frontier, 1860\u20131965",
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        "combined_title":"LRCCS Noon Lecture Series | Chinese and Muslim Refugees on the Tibetan Frontier, 1860\u20131965: Gyatso Marnyi, University of Michigan",
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        "description":"From 1860 onward, frequent wars and disasters claimed millions of lives in Northwest China. More than one million Chinese and Muslims sought refuge on the northeastern Tibetan Plateau. This talk explores the diverse experiences of these refugees as they crossed multiple ethnocultural and administrative boundaries, lived\nalongside Tibetans, and forged new homelands during China\u2019s transition from empire to nation-state.\n\nGyatso Marnyi is a historian of empires and frontiers in Asia. Combining textual sources with ethnographic fieldwork, his research examines interactions and exchanges between China and surrounding Asian regions from the fourteenth to the twentieth century. He is currently completing a monograph that explores the uneven\nexperiences of Tibetan, Mongol, Chinese, and Muslim communities during China\u2019s transition from empire to nation-state on the Inner Asian frontier.",
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        "tags":["Asian Languages And Cultures","China","chinese history","Chinese Studies","History","Tibet"],
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        "event_title":"International Education Week Celebration (2026)",
        "occurrence_title":"2026 Global Photo Showcase",
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        "event_subtitle":"",
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        "description":"Join various International Education units on campus to celebrate International Education Week 2026!\n\nNovember 13th, 3-5pm: IEW Rock Painting (George Washington Park Rock)\nNovember 18th, 5-6:30pm: IEW Global Photo Showcase (Weiser Hall 10th floor)\n\nFeel free to register for one or both of these events to join us in celebrating study abroad, international internships, and international students here at the University of Michigan. :)\n\nThese events are organized by the Center for Global & Intercultural Study, Global Engagement \u2014 Office of the Provost, the International Institute, International Programs in Engineering, Ross Global Initiatives, and the International Center.",
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        "tags":["Abroad","All Majors Welcome","Community","Exhibition","global engagement","Graduate Students","International Education","International Education Week","photography","Sessions","study abroad","Travel","Undergraduate"],
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        "date_end":"2026-12-01",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"LRCCS Noon Lecture Series | The Forgotten, Gourmet Origins of Your Favorite Chinese Takeout",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | The Forgotten, Gourmet Origins of Your Favorite Chinese Takeout: Miranda Brown, University of Michigan",
        "event_subtitle":"Miranda Brown, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/8Jq1G\n\nPotstickers. Kung Pao Chicken. General Tso's. Americans can't get enough of these dishes, yet food critics and historians often dismiss them as pale imitations of \"authentic\" Chinese cuisine. This lecture reveals the surprising origins of American Chinese takeout in the elite kitchens of the Chinese Nationalist Party in wartime Chongqing and traces its remarkable journey through postwar Taiwan to the United States in the 1970s. Far from being corruptions of Chinese food, these beloved dishes preserve a gourmet culinary tradition that once inspired swoons among China's elite and earned rave reviews from New York Times critics.\n\nMiranda Brown is the Yi-Tsi Mei Feuerwerker Collegiate Professor of Chinese Studies in the Department of Asian Languages and Culture, where she has taught since 2002. A San Franciscan by birth and historian of early China by training, she discovered in her later career her true passion: Chinese food. Her book, *Dumpling Therapy*, will be published by St. Martin's Press in January 2027. Professor Brown spent the 2023-2024 academic year in Taipei, Taiwan on a Fulbright grant, which enabled her to research post-war Taiwanese foodways and to eat way too much.",
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        "tags":["Asian Languages And Cultures","China","Chinese Studies","Cooking","Culture","Food"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Art","russia","ukraine"],
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        "datetime_modified":"20260816T221514",
        "datetime_start":"20261202T140000",
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        "event_title":"CMENAS 2026 Fall Colloquium Series | \u2018Vernacular Sovereignty\u2019 Without a State: Kurdish Studies, Decolonial Thought, and the Making of Online Kurdistan",
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        "combined_title":"CMENAS 2026 Fall Colloquium Series | \u2018Vernacular Sovereignty\u2019 Without a State: Kurdish Studies, Decolonial Thought, and the Making of Online Kurdistan: M. Mashuq Kurt, Royal Holloway University of London, United Kingdom",
        "event_subtitle":"M. Mashuq Kurt, Royal Holloway University of London, United Kingdom",
        "event_type":"Lecture \/ Discussion",
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        "description":"What does it mean to imagine a nation without a state? This talk draws on my broader research in Kurdish studies to examine how Kurdish political life has repeatedly been organized around forms of authority and belonging that do not depend on, or wait for, a state. Taking my recent article \"The Making of Online Kurdistan,\" co-authored with Bar\u0131\u015f \u00d6ktem, as its empirical center, the talk asks how Kurdish Generation Z constructs national belonging through digital platforms \u2014 building a transnational field of community through hashtags, online seminars, and digitally organized movements, even as this same infrastructure exposes Kurdish youth to surveillance and repression across borders. I situate this case within a longer arc of my work on Kurdish politics and within a decolonial reading of Kurdish studies more broadly. Rather than offering a general theory of sovereignty, the talk uses the Kurdish case to think through a live and unresolved question in the study of stateless nations: what forms can political authority, legitimacy, and collective imagination take when territorial statehood is foreclosed, and what is gained and lost when that struggle moves online.\n\nMashuq Kurt is Associate Professor of Sociology in the Department of Law and Criminology at Royal Holloway, University of London. His work sits at the intersection of Middle Eastern studies and the sociology of migration and diaspora, examining how Kurds and other marginalised communities construct political authority and belonging outside the institutions of the nation-state. He is the author of *Kurdish Hizbullah in Turkey: Islamism, Violence and the State* (Pluto Press, 2017), co-editor of the *South Atlantic Quarterly Special Issue: Decolonizing Kurdish Studies *(2024) and the *Contemporary Islam Special Issue: Islam, Critique and the Canon* (2024), and has published in journals including *Current Anthropology*, *Journal of Middle East Women's Studies*, and *Social Research: An International Quarterly*. His recent article \"The Making of Online Kurdistan\" (*Journal of Ethnic and Migration Studies*, 2026), co-authored with Bar\u0131\u015f \u00d6ktem, examines how Kurdish Generation Z constructs national belonging through digital platforms. He was a Marie Curie Global Fellow at the London School of Economics and Yale University, has held visiting positions at Stanford and Sciences Po CERI. A regular contributor to public and policy debates, he has organised panels and given talks at the UK Parliament, Chatham House, and RUSI, and his commentary has appeared in Foreign Policy, Le Monde, and The New Arab, among others. He is also an award-winning filmmaker: his documentary *The Seven Doors *received the Jean Rouch Award from the American Anthropological Association's Society for Visual Anthropology in 2020.\n\nJoin on Zoom: https:\/\/myumi.ch\/pgV2y\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
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        "tags":["center for middle eastern and north african studies","cmenas","Cmenas Colloquium Series","Discussion","Lecture"],
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        "datetime_modified":"20260806T162236",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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    {
        "datetime_modified":"20260619T084541",
        "datetime_start":"20261203T170000",
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        "event_title":"Annual Copernicus Lecture. The Beauty and Significance of Interwar Polish Popular Music",
        "occurrence_title":"",
        "combined_title":"Annual Copernicus Lecture. The Beauty and Significance of Interwar Polish Popular Music: Jan M\u0142ynarski, award-winning Polish musician",
        "event_subtitle":"Jan M\u0142ynarski, award-winning Polish musician",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In this lecture, Jan Emil M\u0142ynarski will offer an immersive exploration of Polish popular music of the interwar period (1918\u20131939), examining Polish tango, the development of the recording industry, and the vibrant world of theatres and cabarets that shaped popular musical culture between the wars. M\u0142ynarski will perform selected works and present archival recordings, guiding the audience through the rich landscape of Polish song, its composers, lyricists and performers, situating their work within the broader cultural context of the era and assessing its artistic value, cultural significance and contemporary reception.\n\nJan Emil M\u0142ynarski is a drummer, street singer and passionate advocate for Polish popular music of the first half of the twentieth century. He holds degrees from the Karol Lipi\u0144ski Academy of Music in Wroc\u0142aw and from the Drummers Collective in New York.\n\nHe hosts *Salon, Ulica, Dancing (Salon, Street, Dance Hall)* \u2014 a weekly radio show on Polskie Radio 3 dedicated to Interwar Polish music, is the founder and leader of the Warszawskie Combo Taneczne *(Warsaw Dance Combo)*, and is a member of the Jazz Band M\u0142ynarski-Masecki. He has released several dozen albums and was awarded multiple Fryderyk , the Polish music industry's most prestigious recording award.\n\nIf there is anything we can do to make this event accessible to you, please contact gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Rackham Graduate School (Horace H.)",
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        "date_end":"2026-12-09",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
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        "tags":["Art","russia","ukraine"],
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        "sponsors":[
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        "event_title":"CREES Noon Lecture. \"Who Defines Central Asia?\" Decolonial Disruptions from Below",
        "occurrence_title":"",
        "combined_title":"CREES Noon Lecture. \"Who Defines Central Asia?\" Decolonial Disruptions from Below: Erica Marat, Adjunct Faculty, Center for Security Studies, Georgetown University",
        "event_subtitle":"Erica Marat, Adjunct Faculty, Center for Security Studies, Georgetown University",
        "event_type":"Lecture \/ Discussion",
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        "description":"A consequential shift is taking place in Central Asian studies today. What started as a slow rejection of the idea that the region benefited from Soviet control has turned into a decentralized, collective effort to revise the region\u2019s relationship to its colonial identity and to search for indigenous interpretations of the self. A recent Cambridge Element publication co-authored by Erica Marat and Aizada Arystanbek explores the current decolonial disruptions in Central Asia \u2013 how the region is being redefined by its inhabitants, both in discourse and in practice. It captures the main areas of activism in memory studies, language activism, art installations, and transnational solidarity networks. Decolonial discussions are gaining traction, challenging political elites\u2019 hegemony over national identity formation. Such changes harbor the potential to profoundly alter Russia\u2019s influence in the areas it once controlled. Decolonial disruptions are reshaping how Central Asians think about their past and imagine their future.\n\nDr. Erica Marat is an adjunct professor at the Center for Security Studies, Georgetown University. Her research focuses on violence, mobilization and security institutions in Europe, Central Asia, India, and Mexico. She is an author of several books, including \"Decolonial Disruptions in Central Asia: Discussion, Practices, and Networks\" (Cambridge Elements 2026) and \"Transformative Violence: When Routine Cruelty Sparks Historic Mobilization\" (Oxford University Press 2024). Her articles have appeared in \"Foreign Affairs,\" \"Foreign Policy,\" \"Just Security,\" and \"Open Democracy.\"\n\nIf there is anything we can do to make this event accessible to you, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"151822-21912231@events.umich.edu",
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        "datetime_modified":"20260816T221327",
        "datetime_start":"20261209T140000",
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        "event_title":"CMENAS 2026 Fall Colloquium Series | Middle Eastern Christians: The Struggle for Recognition and Rights",
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        "combined_title":"CMENAS 2026 Fall Colloquium Series | Middle Eastern Christians: The Struggle for Recognition and Rights: Fiona McCallum Guiney, University of St Andrews, Scotland",
        "event_subtitle":"Fiona McCallum Guiney, University of St Andrews, Scotland",
        "event_type":"Lecture \/ Discussion",
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        "description":"A continued presence of Christians in the Middle East is perceived as at risk due to demographic change, adverse socio-economic conditions, political instability, conflict, and migration. Indeed, from making up 12.7% of the population in the Middle East in 1900, the Christian presence has dwindled to 4% by 2020, with a notable decline in countries with a considerable Christian population but affected by conflict, such as Iraq and Syria. Indigenous to the region, Christians are proud of their contributions to the education, society, and politics of the Middle East. Yet, they struggle to translate these forms of soft power into political actions that address legislation, practices, and violence that infringe their rights as citizens. Relationships with powerful Western actors campaigning against the persecution of Christians have led to international visibility but also accusations of undermining national unity from political and societal actors in the region. This paper explores the different strategies pursued by Middle East Christians in the region and diaspora to be recognized as Christians and claim their rights as citizens.\n\nFiona McCallum Guiney is Professor and Head of the School of International Relations at the University of St Andrews in Scotland. Her research on Middle Eastern Christians focuses on group identity, the connection between legitimacy and religious leadership, and group interactions at the state-community and society-community levels, both in the Middle East and diaspora. Professor Guiney was the Project Leader of the EU funded study \u2018Defining and Identifying Middle Eastern Christian Communities in Europe\u2019. She is a former Director of the Institute of Middle East, Central Asia and Caucasus Studies at the University of St Andrews.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
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        "tags":["center for middle eastern and north african studies","Cmenas Colloquium Series","Discussion","Lecture","Middle East Studies"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "datetime_modified":"20260806T162236",
        "datetime_start":"20261211T080000",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"CSAS Lecture Series | Annihilation of Caste: Dr. B.R. Ambedkar and the Making of a Radical Dalit Humanism",
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