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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CSEAS Friday Lecture Series | Translation as Jungle Warfare: How Zhang Guixing\u2019s novel The Crossing of the Boars Crossed into English",
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        "combined_title":"CSEAS Friday Lecture Series | Translation as Jungle Warfare: How Zhang Guixing\u2019s novel The Crossing of the Boars Crossed into English: Christopher Rea, University of British Columbia",
        "event_subtitle":"Christopher Rea, University of British Columbia",
        "event_type":"Lecture \/ Discussion",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/E7rRM\n\nMalaysian-Taiwanese novelist Chang Kuei-hsing (b. 1956, publishes as Zhang Guixing) has spent\ndecades doing for tropical Asia what Gabriel Garc\u00eda M\u00e1rquez did for Latin America: enchanting\na land with a violent history. Set in wartime Sarawak, *The Crossing of the Boars* (Ye zhu du he,\n2018, rev. 2024), released in English this year, dazzles with a wartime mystery enmeshed in an\necological fantasia: ghostly colonists mating like guppies, macaques mirroring Japanese war\ncriminals, bomber storks, ominous urinating porcupines, wildfire-igniting squirrels, monstrous\nquagmires, vengeful flying she-vampires, and herd upon herd of insatiable bearded pigs.\n\nChristopher Rea discusses how he and Julie M. Wang rendered this award-winning novel into\nEnglish, including the process of researching a historical epic whose architectonic sentences\nteem with flora and fauna found only in Borneo. In doing so, he offers answers to a more\ngeneral question: When faced with a challenging text, how can a translator get out alive?\n\nChristopher Rea is professor of modern Chinese literature at the University of British Columbia.\nHis book-length translations from Chinese into English include *China\u2019s Chaplin: Comic Stories\nand Farces by Xu Zhuodai* (Cornell, open access), *The Book of Swindles and More Swindles from\nthe Late Ming* (both with Bruce Rusk, Columbia), *Humans, Beasts, and Ghosts by Qian Zhongshu*\n(Columbia), and Zhang Guixing\u2019s *The Crossing of the Boars: A Novel* (with Julie M. Wang,\nColumbia, 2026). He is also the founding director and lead translator of the Chinese Film\nClassics Project, the world\u2019s largest free online collection of early Chinese films with English\nsubtitles.\n\nhttps:\/\/cup.columbia.edu\/book\/the-crossing-of-the-boars\/9780231217668\/\n\nhttps:\/\/asia.ubc.ca\/profile\/christopher-rea\/\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "tags":["Asian Languages And Cultures","Books","center for chinese studies","center for southeast asian studies","China","Ecology","Languages","Literature"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "permalink":"http:\/\/events.umich.edu\/event\/149978",
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        "description":"How do states project power beyond military cooperation? This talk examines the role of educational films, institutional networks, and audiovisual media in shaping the US\u2013Turkey alliance before and during the Cold War. Drawing on *Film Diplomacy: A Media History of Turkey\u2013US Relations *(Columbia University Press, 2026), Etem argues that film was central to the projection of power through international alliances and institution building. Bringing together archival research from Turkey and the United States, the talk traces how governments, universities, philanthropic foundations, and international organizations collaborated to produce, circulate, and exhibit films that supported political, educational, and developmental agendas. By examining film as a technology of governance, the talk offers a new perspective on how media shaped international relations and the making of Cold War alliances in the Middle East.\n\nAy\u015fehan J\u00fclide Etem is Assistant Professor of Media Studies and Director of the Film Studies concentration at the University of Virginia. She is a media historian and documentary film scholar whose research examines how media infrastructures and cultural institutions shape international relations, public life, and systems of power. Her work focuses on global film cultures, public diplomacy, documentary, and the politics of media. She is the author of *Film Diplomacy: A Media History of Turkey\u2013US Relations* (Columbia University Press, 2026), which identifies and examines how institutional networks, educational films and audiovisual media helped construct the US\u2013Turkey alliance before and during the Cold War. Her current research investigates documentary film and gun violence, as well as the history of population control films and reproductive governance. Her work has appeared in journals including *Communication, Culture & Critique*, *Global Perspectives*, the *Historical Journal of Film, Radio and Television*, the* Journal of e-Media Studies*, and *NECSUS: European Journal of Media Studies*, and is forthcoming in Film History.\n\nJoin on Zoom: https:\/\/myumi.ch\/8Jqy2\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
        "occurrence_notes":null,
                "guid":"150313-21909004@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150313",
        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 555",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Area Studies","center for middle eastern and north african studies","cmenas","Cmenas Colloquium Series","Discussion","Lecture","turkey"],
        "website":"https:\/\/myumi.ch\/8Jqy2",
        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260714T145704",
        "datetime_start":"20260916T160000",
        "datetime_end":"20260916T180000",
        "has_end_time":1,
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        "date_end":"2026-09-16",
        "time_start":"16:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Democracy Against Workers?",
        "occurrence_title":"",
        "combined_title":"Democracy Against Workers?: Noam Lupu (Vanderbilt University), Nicholas Carnes (Duke University), Adam Dean (George Washington University)",
        "event_subtitle":"Noam Lupu (Vanderbilt University), Nicholas Carnes (Duke University), Adam Dean (George Washington University)",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Webinar Link: https:\/\/myumi.ch\/ww7q9\n\nIf there is anything we can do to make this event accessible to you, please contact us at emergingdemocracies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149378-21906293@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149378",
        "building_id":"1000120",
        "building_name":"Michigan Union",
        "campus_maps_id":"191",
        "room":"Kuenzel Room",
        "location_name":"Michigan Union",
        "has_livestream":0,
        "cost":"",
        "tags":["democracy"],
        "website":"",
        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260818T130814",
        "datetime_start":"20260916T180000",
        "datetime_end":"20260916T200000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"2026 Dr. Berj H. Haidostian Annual Distinguished Lecture | Poetry, Traumatic History, Memory: Thinking about the Armenian Genocide",
        "occurrence_title":"",
        "combined_title":"2026 Dr. Berj H. Haidostian Annual Distinguished Lecture | Poetry, Traumatic History, Memory: Thinking about the Armenian Genocide: Peter Balakian (Colgate University)",
        "event_subtitle":"Peter Balakian (Colgate University)",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"How can a past historical event be transformed by literature that comes after? Pulitzer Prize winning poet Peter Balakian will discuss the impact of the Armenian Genocide on his work. He will explore the transmission of trauma across generations and how poetry\u2019s resources can ingest the past. Balakian examines how his ancestors have provided a grounding for his work, ancestors like  his great-great uncle, Krikoris Balakian (Bishop in the Armenian Church), one of the 250 cultural leaders arrested on April 24, 1915, and his grandmother, Nafina Shekerlemdjian who along with her two young daughters survived the Genocide enduring a harrowing death march into the Syrian desert.\n\nPeter Balakian is an award winning poet, author and translator. His *Ozone Journal* was awarded the 2016 Pulitzer Prize for poetry. Most recently he has published a  book of poems, *New York Trilogy* (2025), that moves between decades of tumultuous life in New York City and the politics of the Middle East. Balakian\u2019s poems have appeared widely in leading magazines and journals including, *The New Yorker: 100 Years of Poetry*.  His prose books range from *Vice and Shadow: Essays on the Lyric Imagination*, poetry, art and culture, to *Black Dog of Fate: A Memoir*, \u2014 winner of the 1998 PEN\/Martha Albrand Prize for the Art of the Memoir (a best book of the year for the New York Times, the LA Times, and Publisher\u2019s Weekly). Balakian is the recipient of many awards and prizes amongst them: the Pulitzer Prize, The Presidential Medal and the Movses Khorenatsi Medal from the Republic of Armenia,  a Guggenheim Fellowship,  and a National Endowment for the Arts Fellowship.  He is the Rebar Professor of the Humanities, Professor of English at Colgate University.\n\nhttps:\/\/umich.zoom.us\/j\/99080532632\n\nCosponsors: Center for Middle Eastern & North African Studies, Department of Middle East Studies, Department of English Language and Literature, Residential College, and National Association for Armenian Studies and Research (NAASR)\n\n\u2013\u2013\u2013\u2013\u2013\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: armenianstudies@umich.edu",
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        "tags":["armenia","Armenian Studies","Discussion","Lecture","Poetry"],
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260917T080000",
        "datetime_end":"20260917T170000",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149975-21907478@events.umich.edu",
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        "room":"Room 1010",
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        "tags":["Art","russia","ukraine"],
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        "sponsors":[
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    }    ,    "149978-21907714":
    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260917T080000",
        "datetime_end":"20260917T170000",
        "has_end_time":1,
        "date_start":"2026-09-17",
        "date_end":"2026-09-17",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149978-21907714@events.umich.edu",
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        "room":"Room 547",
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        "has_livestream":0,
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        "tags":["russia","Ukraine"],
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        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260811T160439",
        "datetime_start":"20260917T120000",
        "datetime_end":"20260917T133000",
        "has_end_time":1,
        "date_start":"2026-09-17",
        "date_end":"2026-09-17",
        "time_start":"12:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Noon Lecture Series | Gathering Fading Voices: Endangered Dialect Research in Japan Today",
        "occurrence_title":"",
        "combined_title":"CJS Noon Lecture Series | Gathering Fading Voices: Endangered Dialect Research in Japan Today: Joy Taniguchi, Shizuoka Institute of Science and Technology",
        "event_subtitle":"Joy Taniguchi, Shizuoka Institute of Science and Technology",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"LRCCS Noon Lecture Series | How to Fill Out a Circle: Design in Warring States Bronze, Jade, Lacquer, and Silk",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/e7gRJ\n\nNew developments in the lacquer and silk workshops posed significant challenges to other medium, causing a complete change of aesthetic during the Warring States period (5th-3rd century BC). Moreover, because fine examples of lacquer and silk have actually survived from that time, we can see what other materials copied from them. But the only reason we can recognize borrowings is that each material has a character of its own. The lecture will explore this two-sided phenomenon\u2014the individual character of each workshop tradition and the exchanges between workshops\u2014by looking at inlaid bronzes, mirrors, jades, lacquers, and silks, using the problem of designing for a circular space as a case study to infer the thinking of designers working in each medium.\n\nWang Haicheng is Mary and Cheney Cowles Endowed Professor of Chinese art at the University of Washington, Seattle. His research interest focuses on the comparative study of the art and archaeology of early China.  Recent publications include *Art and Artistic Thinking in Ancient China* (co-authored with Robert Bagley, 2025) and a chapter on ancient states and the rise of writing in *The Oxford Handbook of Archaeology & Language* (2025).\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260924T080000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "location_name":"Weiser Hall",
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        "tags":["Art","russia","ukraine"],
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260924T080000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
        "date_end":"2026-09-24",
        "time_start":"08:00:00",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_id":"1000165",
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        "campus_maps_id":"47",
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        "tags":["russia","Ukraine"],
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        "sponsors":[
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                "group_id":"1968",
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    {
        "datetime_modified":"20260811T160541",
        "datetime_start":"20260924T120000",
        "datetime_end":"20260924T133000",
        "has_end_time":1,
        "date_start":"2026-09-24",
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        "time_zone":"America\/Detroit",
        "event_title":"CJS Noon Lecture Series | Rivers and the Politics of Temporality in Ainu Mosir",
        "occurrence_title":"",
        "combined_title":"CJS Noon Lecture Series | Rivers and the Politics of Temporality in Ainu Mosir: Michael J. Ioannides, Postdoctoral Fellow, Center for Japanese Studies, University of Michigan",
        "event_subtitle":"Michael J. Ioannides, Postdoctoral Fellow, Center for Japanese Studies, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person in East Hall 4448 and virtually on Zoom. If you are attending in person, we recommend entering East Hall using the Church Street entrance and taking the elevator to the 4th floor. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/kVx6z.\n\nBased on fourteen months of ethnographic fieldwork in Ainu Mosir (Hokkaido, Japan), this talk considers the crucial role that rivers play in Indigenous Ainu articulations of sovereignty and futurity. As an important medium through which kin-based, territorial, and cosmological rights and responsibilities continue to be expressed, rivers connect ancestral Ainu lifeways with visions of an Indigenous future. In their struggles for Indigenous rights today, Ainu activists continue to focus on rivers as the central locus of Ainu sovereignty and the origin from which Ainu cultural and territorial rights emerge, envisioning and enacting futures of flourishing and abundance that are rooted in ancestral relationships to their native lands and waters and the more-than-human beings who inhabit them. In so doing, they insist upon a future for the Ainu as an Indigenous people, challenging Japan\u2019s ongoing settler-colonial structure of Ainu dispossession and elimination.\n\nDr. Michael J. Ioannides is a teaching postdoctoral fellow at the University of Michigan Center for Japanese Studies. He received his Ph.D. in cultural anthropology from the University of California Santa Barbara, in June 2026, with an interdisciplinary emphasis on environment and society. His research focuses on Ainu environmental and Indigenous rights activism in rural Hokkaido, Japan. Aside from his research, he is a contributor to the website AinuToday (https:\/\/ainutoday.com\/), as well as a saxophonist and independent music producer who regularly collaborates with Ainu artists.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Asian Languages And Cultures","center for japanese studies","Ecology","Environment","japan","Japanese Studies"],
        "website":"https:\/\/myumi.ch\/kVx6z",
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    {
        "datetime_modified":"20260804T091616",
        "datetime_start":"20260924T130000",
        "datetime_end":"20260924T170000",
        "has_end_time":1,
        "date_start":"2026-09-24",
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        "event_title":"Donia Human Rights Center and Artificial Intelligence Laboratory Workshop | AI & Human Rights Workshop",
        "occurrence_title":"",
        "combined_title":"Donia Human Rights Center and Artificial Intelligence Laboratory Workshop | AI & Human Rights Workshop: Rada Mihalcea, University of Michigan; Peter Railton, University of Michigan; Zhijing Jin, University of Toronto & Max Planck Institute",
        "event_subtitle":"Rada Mihalcea, University of Michigan; Peter Railton, University of Michigan; Zhijing Jin, University of Toronto & Max Planck Institute",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Co-sponsored by the Artificial Intelligence Laboratory: https:\/\/ai.engin.umich.edu\/\n\nLocation: Registration required. Please message ailabadmin@umich.edu with your name, e-mail, faculty or student status, and a brief indication of how your work relates to AI & Human Rights.\n   \n   Presenters\/facilitators:\n   \nRada Mihalcea (Janice M. Jenkins Collegiate Professor of Computer Science and Engineering, Professor and Director, Artificial Intelligence Lab)\n\nPeter Railton (Emeritus Gregory S. Kavka Distinguished University Professor; John Stephenson Perrin Professor; Arthur F. Thurnau Professor, UM LSA Philosophy)\n\nZhijing Jin (Assistant Professor at the University of Toronto, and a Research Scientist at the Max Planck Institute)\n   \n   Human rights are under pressure worldwide, and AI is increasingly part of both the problem and the solution. AI systems can help uncover abuses, expand access to services, support crisis response, and detect harmful patterns at scale. But they can also amplify surveillance, bias, disinformation, and exclusion. To develop solutions that are genuinely helpful and safe, we need collaboration among AI researchers, human rights practitioners, domain experts, and impacted communities.\n   \n   In this workshop, we\u2019ll explore the points of interaction between AI and human rights challenges, and discuss how existing obstacles in human right solutions can inform new research directions in artificial intelligence. U(M) researchers will briefly present on current topics in AI and in human rights, followed by table discussions with domain experts in both human right related issues and AI. You are encouraged to bring your own topics, problems, and innovations to share with the group.\n   \n   Discussion topics brought up in this workshop will be used as the basis for a whitepaper on the intersection of AI & Human Rights.\n   \n   Program\n   1:00-1:30 pm\n   Introduction (goals and directions) and Keynote Talk\n   \n   1:30-1:50 pm\n   Human Rights Talk\n   \n   1:50-1:55 pm\n   Q & A\n   \n   1:55-2:15 pm\n   AI Talk\n   \n   2:15-2:20 pm\n   Q & A\n   \n   2:20-2:25 pm\n   TBA\n   \n   2:25-2:40 pm\n   Break\n   \n   2:40-2:55 pm\n   Introduction to the Roundtable discussion format\n   \n   2:55-4:50 pm\n   Roundtables with 1 lead and 1 note-taker (7 tables)\n   \n   2:55-3:10 pm: (15 min) Brief introductions (\u201cI am X, from Dept Y, I\u2019m interested in the aspects of Z on Climate and\/or AI\u201d)\n   3:10-3:15 pm: (5 min) Individual thinking and notes on stickies for (i) Challenges that (could) intersect with AI\n   3:15-3:40 pm: (25 min) Group discussions\n   3:40-4:00 pm: (20 min) Report back\n   4:00-4:05 pm: (5 min) (ii) Potential Solutions, e.g., conversation and user interviews to set up the -solution, new task formulation for research, dataset building, and study design\n   4:05-4:30 pm: (25 min) Group discussions\n   4:30-4:50 pm: (20 min) Report back\n   With this roundtable conversations, we aim to:\n   \n   (1) identify list of challenges and potential paths to solutions\n   \n   (2) facilitate new collaborations\n   \n   (3) work together on a white paper identifying a roadmap for this space (pending interest)\n   \n   4:50-5:00 pm\n   Wrap-up\n\nIf there is anything we can do to make this event accessible to you, please contact us at umichhumanrights@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149629-21906822@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/149629",
        "building_id":"null",
        "building_name":"Off Campus Location",
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        "location_name":"Registrants will be informed of the location after they sign up.",
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        "tags":["human rights","Technology"],
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        "room":"Room 1010",
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        "tags":["Art","russia","ukraine"],
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    {
        "datetime_modified":"20260807T081915",
        "datetime_start":"20260929T080000",
        "datetime_end":"20260929T170000",
        "has_end_time":1,
        "date_start":"2026-09-29",
        "date_end":"2026-09-29",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907726@events.umich.edu",
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        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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        "tags":["russia","Ukraine"],
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    {
        "datetime_modified":"20260812T143226",
        "datetime_start":"20260929T120000",
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        "date_start":"2026-09-29",
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        "event_title":"LRCCS Noon Lecture Series | The Sea as a Medium in Early Modern Chinese Fiction",
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        "combined_title":"LRCCS Noon Lecture Series | The Sea as a Medium in Early Modern Chinese Fiction: SE Kile, University of Michigan",
        "event_subtitle":"SE Kile, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In this talk, Dr. Kile demonstrates how we might better understand Chinese early modernity through environment and experience, categories that also open up possibilities of geographical comparison. He analyzes how the sea novels *Sanbao taijian xiyang ji* (*Record of the Sanbao Eunuch in the Western Seas*, pub. 1597), *Haiyou ji* \u6d77\u904a\u8a18 (*Record of a Sea Journey*, pub. ca. early nineteenth century), and *Xiyi meng Xiyi meng Haiguo chunqiu* \u5e0c\u5937\u5922 \u6d77\u570b\u6625\u79cb (*A Dream of the Master of Infinitesimal Subtlety, or A Chronicle of the Sea Kingdom*) describe travel by sea \u2013 for example, into a luoji \u843d\u6f08 (whirlpool), or across a ruanshui yang \u8edf\u6c34\u6d0b (\u201csoft water\u201d sea)  \u2013 and how this fictional practice details and elaborates the perceived and imagined qualities of water. Lu Xun famously described Ming and Qing novels that abounded with super-mobile human characters as \u201csupernatural\u201d fiction (shenmo xiaoshuo \u795e\u9b54\u5c0f\u8aaa). Dr. Kile departs from this foundational paradigm to look more precisely: what terms do these novels use for moving through air, and how did that relate to water travel? The depths of the seas and the heights of the skies did not function as media for actually existing humans in the early modern period, but in the fiction of the time, humans could travel through the sea, both across its surfaces and through its depths, as well as through the sky in all its vastness.\n\nSE Kile is a scholar of early modern Chinese literature and cultural history, focusing on the intersections of multimedia practice across a broad range of cultural objects, from poetry to props, from novels to gardens. An associate professor in the Department of Asian Languages and Cultures at the University of Michigan, Kile\u2019s first book, *Towers in the Void: Li Yu and Early Modern Chinese Media* (Columbia, 2023), theorizes early modern mediation and entrepreneurship through Li Yu's cultural production across the areas of playwriting, fiction writing, garden and architectural design, theater direction, and body modification. His current book project argues for the relevance of the \u201cearly modern\u201d to the study of China, exploring how novelists synthesized scientific, religious, and vernacular knowledge about the world.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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                "guid":"150163-21908308@events.umich.edu",
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        "datetime_modified":"20260728T121059",
        "datetime_start":"20260929T163000",
        "datetime_end":"20260929T181500",
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        "date_start":"2026-09-29",
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        "event_title":"Guerline Jozef | 2026 Wallenberg Medal and Lecture",
        "occurrence_title":"",
        "combined_title":"Guerline Jozef | 2026 Wallenberg Medal and Lecture: \"Written in offices but lived in communities: An immigration system in crisis\"",
        "event_subtitle":"\"Written in offices but lived in communities: An immigration system in crisis\"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Guerline Jozef, the co-founder and executive director of the Haitian Bridge Alliance, will receive the 2026 Wallenberg Medal on Tuesday, September 29th at 4:30PM in Rackham Auditorium. In keeping with the tradition of the Wallenberg Lecture, Jozef will draw on her personal experience to share with the audience her understanding of how one person can make a difference.\n\nGuerline M. Jozef, a servant leader rooted in faith, is a globally recognized human rights advocate, thought leader, and strategist who has worked to transform the conversation on migration, race, and justice. Jozef is the executive director of the Haitian Bridge Alliance (HBA), a Haitian-American-women-led organization serving immigrants, with a particular focus on Black immigrants at the US-Mexico border and beyond. With the HBA, she has built a movement that centers people of African descent in migration while amplifying the voices of the most marginalized. She is the creator of \u201cTales from the Borderlands and Beyond,\u201d and co-founder of both the Black Immigrants Bail Fund (BIBF) and the Cameroon Advocacy Network.\n\nHer influence has been recognized nationally and internationally. She was named one of the Washingtonian\u2019s 500 Most Influential People of 2025, one of Politico\u2019s 40 Most Influential People on Race, Politics, and Policy of 2021, and one of the BBC\u2019s Top 100 Women of 2024. She was honored with the Afro-Caribbean Diaspora IMPACT Award from the Caribbean Philanthropic Alliance (CariPhil), the 2021 Robert F. Kennedy Human Rights Award, the AFL-CIO\u2019s 2024 GMLK Human Rights Award, the 2024 Haitian Impact Awards, and the 2023 Midwin Charles Legacy Award from the 1804 Haitian Roundtable. She has been recognized by the Women\u2019s Refugee Commission (Voices of Courage Award, 2024), The Haitian Times (Newsmaker of the Year, 2022), the National Haitian-American Elected Officials Network, and the American Immigration Lawyers Association\u2019s Arthur C. Helton Human Rights Award among others.\n\nMs. Jozef has been featured in Forbes, The New York Times, The Washington Post, Time Magazine, The Miami Herald, The Haitian Times, Politico, and DemocracyNow. She has testified before the United Nations, the United States Congress, and the Inter-American Commission on Human Rights (IACHR), and recently brought her advocacy to the international stage during the IV International Forum of Parlamentarians in Barranquilla, Colombia. Guerline went to the border for Haitians\u2014but she stayed for everyone seeking safety and protection. \n\n\u201cGuerline Jozef is a powerful advocate for the dignity and rights of migrants who has linked the experience of migration at the US-Mexico border to global human rights movements. She works tirelessly to give voice to the marginalized and to shape a more just future for all,\u201d said Sioban Harlow, chair of the Wallenberg Medal Executive Committee and Professor Emerita of Epidemiology, Obstetrics and Gynecology, and Global Public Health.\n\nFree and open to the public. Wheelchair and ADA accessible. ASL and CART provided.",
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                "guid":"145865-21897966@events.umich.edu",
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        "building_id":"1000172",
        "building_name":"Rackham Graduate School (Horace H.)",
        "campus_maps_id":"71",
        "room":"Auditorium",
        "location_name":"Rackham Graduate School (Horace H.)",
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        "tags":["human rights","Wallenberg Lecture"],
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        "datetime_modified":"20260806T162236",
        "datetime_start":"20260930T080000",
        "datetime_end":"20260930T170000",
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        "date_end":"2026-09-30",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149975-21907491@events.umich.edu",
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        "tags":["Art","russia","ukraine"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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    {
        "datetime_modified":"20260812T143310",
        "datetime_start":"20261006T120000",
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        "event_title":"LRCCS Noon Lecture Series | Bad Romance in Southeast Asia: China-Linked Cyber-Scamming, Variegated Govotolerance, and the Geopolitics of Criminality along China's Belt and Road",
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        "combined_title":"LRCCS Noon Lecture Series | Bad Romance in Southeast Asia: China-Linked Cyber-Scamming, Variegated Govotolerance, and the Geopolitics of Criminality along China's Belt and Road: Tom Narins, University at Albany",
        "event_subtitle":"Tom Narins, University at Albany",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/7JPzN\n\nThe rise of Chinese-linked criminal actors in Southeast Asia \u2013 including cyber scammers running fake online romance schemes for financial extortion \u2013 has disrupted traditional narratives of China's Belt and Road Initiative (BRI) infrastructure investment strategy. Counter to the \"romantic\" Silk Road imagery the BRI commonly draws on, these activities are forcing a reconfiguration of political and economic realities across the region, shifting attention toward changing practices of digital economy and governance along the BRI. This paper introduces the concept of 'variegated govotolerance' to explain why governments and citizens have (to varying degrees) come to tolerate, regional cybercriminal activity linked to Chinese actors.\n\nTom Narins is an associate professor of geography, planning, and sustainability at the University at Albany with research interests in the critical geopolitics of China's growing engagement with the global economy.\nHis current research examines the political and economic tensions associated with \u201cGlobal China\u201d in terms of both traditional and digital infrastructure, with a special focus on China\u2019s digital expansion across the Global South. As a political and economic geographer, Tom has published on sovereignty issues relating to China's Belt and Road Initiative (BRI) as well as on official Chinese lending to BRI-participant countries after the coronavirus pandemic. His work has been published in peer-reviewed journals such as: *Geopolitics; Human Geography*; *Territory, Politics, Governance*; *The Professional Geographer*; *Asian Perspective; Area*; and *The Extractive Industries and Society*.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "tags":["Asian Languages And Cultures","center for chinese studies","China","Chinese Studies","Economics","Politics"],
        "website":"https:\/\/myumi.ch\/7JPzN",
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        "event_title":"CCPS\/Slavic Event. Student Symposium \u2013 Experiences in Poland",
        "occurrence_title":"",
        "combined_title":"CCPS\/Slavic Event. Student Symposium \u2013 Experiences in Poland",
        "event_subtitle":"",
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        "description":"What is it really like to study, work, and live in Poland? Come hear firsthand from students who turned the experience into unforgettable memories. From learning Polish at leading universities to completing internships and exploring Polish culture, our presenters will share the stories, challenges, discoveries, and connections that shaped their journeys. Be inspired, ask questions, and discover where your own Poland experience could begin!\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"Manoogian Postdoctoral Lecture | Purist Pursuits: Language, Global Ideas, and the Creation of Western Armenian in the Ottoman Empire",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
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        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["russia","Ukraine"],
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        "datetime_modified":"20260810T164813",
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        "has_end_time":1,
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        "event_title":"CSEAS Friday Lecture Series | Lee Kuan Yew Goes Global?",
        "occurrence_title":"",
        "combined_title":"CSEAS Friday Lecture Series | Lee Kuan Yew Goes Global?: Say Jye Quah, Cornell University",
        "event_subtitle":"Say Jye Quah, Cornell University",
        "event_type":"Lecture \/ Discussion",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: http:\/\/myumi.ch\/PbkD4\n\nThere is little that connects the Chinese Communist Party, British Conservative Party, Kenyan leadership, Silicon Valley right-wing, and elites in post-Soviet states. But they all exhibit an acute fascination with founding Singaporean Prime Minister Lee Kuan Yew, invoking select strands of his political thought and practice to legitimate their own political projects or imaginaries. Yet, while interest in Lee outside of Singapore is consistently growing, within Singaporean society there is a growing sense of exhaustion and indifference in appealing to his figure \u2013 especially when it is perceived as a cynical means to derive political profit for his long-ruling People\u2019s Action Party (PAP). Using this observation as a launching pad, this lecture explores the contradictions of Lee\u2019s legacy and develops rudiments to pursue a global history of Lee Kuan Yew, bringing his international reception and footprints within a single frame. This entails treating Lee as a global figure of world-historical importance, situating his political thought, movements, and interventions within global trends and networks. While this global approach magnifies Lee\u2019s stature, it also amplifies the less comfortable aspects of his legacy: his \u201coriginal sin\u201d is no longer the detention without trial, but his role in legitimizing the bloody Vietnam War. A global history of Lee thereby presents intensified contradictions to grapple with.\n\nQuah Say Jye is a Klarman Postdoctoral Fellow at Cornell University. He is a political theorist of postcolonial modernity, with a focus on Southeast Asia. His writing is forthcoming or can be found at the *American Journal of Political Science*, *Review of International Studies*, *Journal of Contemporary Asia*, *Critical Asian Studies*, *International Affairs*, and *Perspectives on Politics*. For more, see https:\/\/quahsayjye.wordpress.com\/about\/.\n\n*If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*",
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        "tags":["Asian Languages And Cultures","center for southeast asian studies","international policy","Politics","Southeast Asia"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
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        "event_title":"LRCCS Noon Lecture Series | Haunted Modernities: Gender, Memory, and Place-Making in Postindustrial Taiwan",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CJS Noon Lecture Series | A History of Unowned Dance: Bodies in Transmission",
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        "tags":["arts","Asian Languages And Cultures","center for japanese studies","Dance","japan","Japanese Studies","Performance"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"LRCCS Noon Lecture Series | Metricracy: The Data and Symbolic Politics of a Chinese Social Credit System",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "event_title":"LRCCS Noon Lecture Series | From a 'Ton of Steel' to 'Another Province Overseas': Foreign and Diaspora Tourism to Mao-Era China",
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        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"LRCCS Noon Lecture Series | The Sacred Edict as Hate Speech: Griffith John, the Hunan Riots, and  Qing imperial ideology",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | The Sacred Edict as Hate Speech: Griffith John, the Hunan Riots, and  Qing imperial ideology: P\u00e4r Cassel, University of Michigan",
        "event_subtitle":"P\u00e4r Cassel, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In the 1890s, a series of anti-missionary riots swept through Hunan province. While the disturbances were promptly quelled and the instigators brought to justice, missionaries found themselves in heated debates about the origins of the riots. One of them was Welshman Griffith John who singled out the Sacred Edict as one root cause of anti-Christian sentiment and argued for its amendment. This talk examines the context behind the debate and what it can tell us about endurance of and contradictions within imperial ideology in late imperial China.\n\nP\u00e4r Cassel is an associate professor of modern Chinese history at the University of Michigan. He is strongly committed to multi-lingual and multi-archival research and is especially interested in historical problems where international relations, jurisprudence, institutional history, and linguistics intersect. He is currently working on a book length project about the Sacred Edict.",
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        "tags":["Asian Languages And Cultures","China","chinese history","Chinese Studies","History","Imperialism"],
        "website":"",
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20261111T080000",
        "datetime_end":"20261111T170000",
        "has_end_time":1,
        "date_start":"2026-11-11",
        "date_end":"2026-11-11",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 1010",
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        "has_livestream":0,
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        "tags":["Art","russia","ukraine"],
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    }    ,    "150315-21909006":
    {
        "datetime_modified":"20260816T221446",
        "datetime_start":"20261111T140000",
        "datetime_end":"20261111T160000",
        "has_end_time":1,
        "date_start":"2026-11-11",
        "date_end":"2026-11-11",
        "time_start":"14:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CMENAS 2026 Fall Colloquium Series | Western Sahara: Multi-scalar Struggles, Recognition and Change in a Thawing Conflict",
        "occurrence_title":"",
        "combined_title":"CMENAS 2026 Fall Colloquium Series | Western Sahara: Multi-scalar Struggles, Recognition and Change in a Thawing Conflict: Irene Fern\u00e1ndez-Molina, University of Exeter, United Kingdom",
        "event_subtitle":"Irene Fern\u00e1ndez-Molina, University of Exeter, United Kingdom",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Irene Fern\u00e1ndez-Molina is a senior lecturer in International Relations at the University of Exeter. She is a scholar of international relations of the Global South and across the Euro-Mediterranean space, contested statehood and international recognition politics, and foreign policy and conflicts in the Maghreb. She previously worked as a research fellow at the European Neighbourhood Policy Chair of the College of Europe (Warsaw), Schuman fellow at the Directorate-General for External Policies of the European Parliament (Brussels), and PhD research fellow at Complutense University of Madrid. Her research has been published in journals such as *International Affairs*, *International Studies Review*, *Review of International Studies*, *International Political Sociology*, and the *Journal of Intervention and Statebuilding*. She is the author of *Moroccan Foreign Policy under Mohammed VI, 1999\u20132014 *(2016), and co-editor of *Global, Regional and Local Dimensions of Western Sahara\u2019s Protracted Decolonization* (2017), and* Foreign Policy in North Africa: Navigating Global, Regional and Domestic Transformations* (2021).\n\nJoin on Zoom: https:\/\/myumi.ch\/7J946\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
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        "room":"Room 555",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["center for middle eastern and north african studies","Cmenas Colloquium Series","Discussion","Lecture"],
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        "datetime_modified":"20260811T161617",
        "datetime_start":"20261111T163000",
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        "time_zone":"America\/Detroit",
        "event_title":"Guest Lecture | Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict",
        "occurrence_title":"",
        "combined_title":"Guest Lecture | Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict: Lori Khatchadourian (Cornell University)",
        "event_subtitle":"Lori Khatchadourian (Cornell University)",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"This talk introduces the concept of heritage forensics, a framework for studying abuses of cultural heritage in contexts of conflict, genocide, and ethnic cleansing. Drawing on the new co-authored volume, *Heritage Forensics: Cultural on the Front Lines of the Armenia-Azerbaijan Conflict*, the presentation examines how cultural sites became entangled in the conflict over Nagorno-Karabakh during the interwar period (1994-2020). The talk considers how satellite-based heritage forensics is being deployed prospectively, to monitor hundreds of Armenian sites in Karabakh following Azerbaijan's 2023 takeover of the region and the displacement of its Armenian population. In doing so, it asks: how can satellite-based monitoring function as a form of \"counter-forensics,\" turning surveillance technologies developed for military purposes back on the state? Can heritage forensics move us beyond retrospective documentation to actively deter erasure and support truth, reconciliation, and accountability wherever cultural heritage is at stake?\n\nLori Khatchadourian is Professor of Near Eastern Studies and Anthropology at Cornell University, and co-founder and co-director of Caucasus Heritage Watch. She currently serves as Director of the Cornell Institute of Archaeology and Material Studies. Khatchadourian\u2019s research spans the fields of archaeology, social anthropology, and heritage studies, with a particular focus on Armenia, the wider South Caucasus, and neighboring regions. Current projects explore the archaeology of modernity, including problems of genocide, deindustrialization, and the entanglements of cultural heritage and war. She is the co-author of *Heritage Forensics: Culture on the Front Lines of the Armenia-Azerbaijan Conflict* (Cornell, 2026) and author of Imperial Matter: Ancient Persia and the Archaeology of Empires (UC Press, 2016). She is also co-editor of *Rethinking Empire: Materiality, Metaphysics, and Imperial Politics* (SAR, 2026) and *Fitful Histories and Unruly Publics: The Archaeology of Eurasia *(2017).\n\nhttps:\/\/umich.zoom.us\/j\/99311308952\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: armenianstudies@umich.edu",
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        "tags":["Area Studies","armenia","Armenian Studies","Discussion","History","Lecture"],
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        "datetime_modified":"20260806T162236",
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        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"149975-21907534@events.umich.edu",
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        "datetime_modified":"20260811T160816",
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        "event_title":"CJS Noon Lecture Series | When Self-Empowerment Goes South (or East, More Precisely): Gender, Neoliberalism, and Romance Fraud in Japan",
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        "tags":["Asian Languages And Cultures","center for japanese studies","Gender","gender studies","japan","Japanese Studies"],
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        "event_title":"33rd Ann Arbor Polish Festival",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"LRCCS Noon Lecture Series | The Forgotten, Gourmet Origins of Your Favorite Chinese Takeout",
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        "combined_title":"LRCCS Noon Lecture Series | The Forgotten, Gourmet Origins of Your Favorite Chinese Takeout: Miranda Brown, University of Michigan",
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        "description":"Please note: This lecture will be held in person and virtually on Zoom. If you would like to attend via Zoom, registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/8Jq1G\n\nPotstickers. Kung Pao Chicken. General Tso's. Americans can't get enough of these dishes, yet food critics and historians often dismiss them as pale imitations of \"authentic\" Chinese cuisine. This lecture reveals the surprising origins of American Chinese takeout in the elite kitchens of the Chinese Nationalist Party in wartime Chongqing and traces its remarkable journey through postwar Taiwan to the United States in the 1970s. Far from being corruptions of Chinese food, these beloved dishes preserve a gourmet culinary tradition that once inspired swoons among China's elite and earned rave reviews from New York Times critics.\n\nMiranda Brown is the Yi-Tsi Mei Feuerwerker Collegiate Professor of Chinese Studies in the Department of Asian Languages and Culture, where she has taught since 2002. A San Franciscan by birth and historian of early China by training, she discovered in her later career her true passion: Chinese food. Her book, *Dumpling Therapy*, will be published by St. Martin's Press in January 2027. Professor Brown spent the 2023-2024 academic year in Taipei, Taiwan on a Fulbright grant, which enabled her to research post-war Taiwanese foodways and to eat way too much.",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "datetime_modified":"20260816T221514",
        "datetime_start":"20261202T140000",
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        "event_title":"CMENAS 2026 Fall Colloquium Series | \u2018Vernacular Sovereignty\u2019 Without a State: Kurdish Studies, Decolonial Thought, and the Making of Online Kurdistan",
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        "combined_title":"CMENAS 2026 Fall Colloquium Series | \u2018Vernacular Sovereignty\u2019 Without a State: Kurdish Studies, Decolonial Thought, and the Making of Online Kurdistan: M. Mashuq Kurt, Royal Holloway University of London, United Kingdom",
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        "description":"What does it mean to imagine a nation without a state? This talk draws on my broader research in Kurdish studies to examine how Kurdish political life has repeatedly been organized around forms of authority and belonging that do not depend on, or wait for, a state. Taking my recent article \"The Making of Online Kurdistan,\" co-authored with Bar\u0131\u015f \u00d6ktem, as its empirical center, the talk asks how Kurdish Generation Z constructs national belonging through digital platforms \u2014 building a transnational field of community through hashtags, online seminars, and digitally organized movements, even as this same infrastructure exposes Kurdish youth to surveillance and repression across borders. I situate this case within a longer arc of my work on Kurdish politics and within a decolonial reading of Kurdish studies more broadly. Rather than offering a general theory of sovereignty, the talk uses the Kurdish case to think through a live and unresolved question in the study of stateless nations: what forms can political authority, legitimacy, and collective imagination take when territorial statehood is foreclosed, and what is gained and lost when that struggle moves online.\n\nMashuq Kurt is Associate Professor of Sociology in the Department of Law and Criminology at Royal Holloway, University of London. His work sits at the intersection of Middle Eastern studies and the sociology of migration and diaspora, examining how Kurds and other marginalised communities construct political authority and belonging outside the institutions of the nation-state. He is the author of *Kurdish Hizbullah in Turkey: Islamism, Violence and the State* (Pluto Press, 2017), co-editor of the *South Atlantic Quarterly Special Issue: Decolonizing Kurdish Studies *(2024) and the *Contemporary Islam Special Issue: Islam, Critique and the Canon* (2024), and has published in journals including *Current Anthropology*, *Journal of Middle East Women's Studies*, and *Social Research: An International Quarterly*. His recent article \"The Making of Online Kurdistan\" (*Journal of Ethnic and Migration Studies*, 2026), co-authored with Bar\u0131\u015f \u00d6ktem, examines how Kurdish Generation Z constructs national belonging through digital platforms. He was a Marie Curie Global Fellow at the London School of Economics and Yale University, has held visiting positions at Stanford and Sciences Po CERI. A regular contributor to public and policy debates, he has organised panels and given talks at the UK Parliament, Chatham House, and RUSI, and his commentary has appeared in Foreign Policy, Le Monde, and The New Arab, among others. He is also an award-winning filmmaker: his documentary *The Seven Doors *received the Jean Rouch Award from the American Anthropological Association's Society for Visual Anthropology in 2020.\n\nJoin on Zoom: https:\/\/myumi.ch\/pgV2y\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Contact: warsansa@umich.edu",
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        "tags":["center for middle eastern and north african studies","cmenas","Cmenas Colloquium Series","Discussion","Lecture"],
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        "event_title":"CMENAS 2026 Fall Colloquium Series | Middle Eastern Christians: The Struggle for Recognition and Rights",
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        "tags":["center for middle eastern and north african studies","Cmenas Colloquium Series","Discussion","Lecture","Middle East Studies"],
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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