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BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260908T080000
DTEND;TZID=America/Detroit:20260908T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907469@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260908T080000
DTEND;TZID=America/Detroit:20260908T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907705@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260909T080000
DTEND;TZID=America/Detroit:20260909T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907470@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260909T080000
DTEND;TZID=America/Detroit:20260909T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907706@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260831T132548
DTSTART;TZID=America/Detroit:20260909T120000
DTEND;TZID=America/Detroit:20260909T132000
SUMMARY:Lecture / Discussion:CREES Noon Lecture. The Origins of the War in Ukraine: A Question of Chronology
DESCRIPTION:Co-sponsored by Kennan Conversations.\n\nThis lecture will propose three separate dates as possible points of origin for the war in Ukraine: 1654\, 1991 and 2021. Professor Kimmage will outline the implications embedded in chronology\, which is fundamental to explaining the origins of this war. He will also take a close look at the difficulty of conducting chronological analysis in the absence of solid empirical evidence — a challenge for those attempting to understand decision-making in Putin's Russia\, whether it be academic researchers or the intelligence community and policymakers.  \n\nMichael Kimmage is the director of the Kennan Institute. From 2014 to 2016\, he served on the Secretary's Policy Planning Staff at the U.S. Department of State\, where he held the Russia/Ukraine portfolio. He is the author\, among other books\, of Collisions: The War in Ukraine and the Origins of the New Global Instability\, which was published with Oxford University Press in 2024 and will be coming out in paperback in 2027.\n\nPhoto credit: Asta Liutkute.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150675-21909887@events.umich.edu
URL:https://events.umich.edu/event/150675
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,ukraine
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260910T080000
DTEND;TZID=America/Detroit:20260910T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907471@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260910T080000
DTEND;TZID=America/Detroit:20260910T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907707@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260911T080000
DTEND;TZID=America/Detroit:20260911T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907472@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260911T080000
DTEND;TZID=America/Detroit:20260911T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907708@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260914T080000
DTEND;TZID=America/Detroit:20260914T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907475@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260914T080000
DTEND;TZID=America/Detroit:20260914T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907711@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260915T080000
DTEND;TZID=America/Detroit:20260915T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907476@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260915T080000
DTEND;TZID=America/Detroit:20260915T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907712@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260916T080000
DTEND;TZID=America/Detroit:20260916T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907477@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260916T080000
DTEND;TZID=America/Detroit:20260916T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907713@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260917T080000
DTEND;TZID=America/Detroit:20260917T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907478@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260917T080000
DTEND;TZID=America/Detroit:20260917T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907714@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260918T080000
DTEND;TZID=America/Detroit:20260918T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907479@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260918T080000
DTEND;TZID=America/Detroit:20260918T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907715@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260921T080000
DTEND;TZID=America/Detroit:20260921T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907482@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260921T080000
DTEND;TZID=America/Detroit:20260921T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907718@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260922T080000
DTEND;TZID=America/Detroit:20260922T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907483@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260922T080000
DTEND;TZID=America/Detroit:20260922T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907719@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260923T080000
DTEND;TZID=America/Detroit:20260923T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907484@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260923T080000
DTEND;TZID=America/Detroit:20260923T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907720@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260924T080000
DTEND;TZID=America/Detroit:20260924T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907485@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260924T080000
DTEND;TZID=America/Detroit:20260924T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907721@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260925T080000
DTEND;TZID=America/Detroit:20260925T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907486@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260925T080000
DTEND;TZID=America/Detroit:20260925T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907722@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260928T080000
DTEND;TZID=America/Detroit:20260928T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907489@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260928T080000
DTEND;TZID=America/Detroit:20260928T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907725@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260929T080000
DTEND;TZID=America/Detroit:20260929T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907490@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260929T080000
DTEND;TZID=America/Detroit:20260929T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907726@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260902T101836
DTSTART;TZID=America/Detroit:20260929T190000
DTEND;TZID=America/Detroit:20260929T210000
SUMMARY:Film Screening:CINEFORUM
DESCRIPTION:All screenings will be held in Space2435 North Quad. Movies will be shown in Italian with English subtitles. Free and open to the public. \n\nTuesday September 29th @ 7:00 PM \n*Il Sorpasso *\nOn a deserted Ferragosto in Rome\, a shy young law student is drawn into a spontaneous road trip by a brash\, fast-talking stranger with a sports car. As the two men speed along the coast\, their comic misadventures reveal the pleasures and anxieties of Italy’s economic boom. In Italian with English subtitles. Directed by Dino Risi\,1962.\n\nTuesday October 27th @ 7:00 PM \n*La Signora senza camelie*\nIt’s the story of a shopclerk named Clara who finds a chance casting in a small movie role develop into a full-blown career as screen-siren. Tension erupts when her husband can no longer tolerate watching her frivolous cinema escapades\, and pushes her into a “serious\, artistic” production of the life of Joan of Arc… whereupon she is castigated by the critical establishment. Featuring Lucia Bose\, Gino Cervi\, Alain Cuny. In Italian with English subtitles. Directed by Michelangelo Antonioni\, 1953.\n\nTuesday November 17th @ 7:00 PM\n*Catene *\nIn the first of a series of meladramas directed by Matarazzo\, a husband kills his wife's ex-boyfriend\, who was blackmailing her. He flees to America\, but is sent back to Italy to stand trial. The only way he can be set free is if his wife confesses to adultery—so the murder can be considered a crime of passion—but this estranges her from her family. In Italian with English subtitles. Directed by Raffaello Matarazzo\, 1949.
UID:151374-21911426@events.umich.edu
URL:https://events.umich.edu/event/151374
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Italian Studies,Romance Language
LOCATION:North Quad - Space 2435
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20260930T080000
DTEND;TZID=America/Detroit:20260930T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907491@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20260930T080000
DTEND;TZID=America/Detroit:20260930T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907727@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907492@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261001T080000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907728@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260902T142727
DTSTART;TZID=America/Detroit:20261001T163000
DTEND;TZID=America/Detroit:20261001T180000
SUMMARY:Lecture / Discussion:The Last Free Women: A Daring Escape from Afghanistan & Coming of Age in America
DESCRIPTION:When the Taliban took control of Afghanistan in 2021\, Rebecca Blumenstein\, then a top editor at The New York Times\, was deeply involved in the company’s effort to evacuate more than 200 Afghan colleagues and family members\, eventually resettling 124 people in the United States. Among them were four young Afghan women who had been on the path to careers as doctors and lawyers.\n\nJoin co-authors Rebecca Blumenstein and Diana Kapp in conversation with Mursal Rahim\, one of the women profiled in The Last Free Women: A Daring Escape from Afghanistan and Coming of Age in America\, and journalist and novelist Anna Quindlen. Together they will discuss the extraordinary evacuation and the journey of Mursal\, Marwa\, Maryam and Samira as they build new lives in America.
UID:150726-21910013@events.umich.edu
URL:https://events.umich.edu/event/150726
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Afghanistan,Diaspora,focus on women,human rights,immigration,International Law,international policy,Journalism,Muslim
LOCATION:Rackham Graduate School (Horace H.) - Amphitheatre, Fourth Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261002T080000
DTEND;TZID=America/Detroit:20261002T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907493@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261002T080000
DTEND;TZID=America/Detroit:20261002T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907729@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261005T080000
DTEND;TZID=America/Detroit:20261005T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907496@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261005T080000
DTEND;TZID=America/Detroit:20261005T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907732@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260728T143415
DTSTART;TZID=America/Detroit:20261005T170000
DTEND;TZID=America/Detroit:20261005T183000
SUMMARY:Lecture / Discussion:WCEE Distinguished Lecture. Europe's Coalition of the Willing\, Ukraine\, and the Future of NATO
DESCRIPTION:What is Europe’s strategic future as transatlantic ties unravel? What are its options as US priorities and capabilities change over in a world in which the distribution of power is changing rapidly? Europe has to chart its new course beyond the immediate impact of the second Trump presidency.\n\nFrançois Heisbourg is a senior advisor on Europe of the London-based International Institute for Strategic Studies (IISS) and special adviser of the Paris-based Fondation pour la Recherche Stratégique (FRS). He has served in government (French mission to the UN in New York\, policy planning at the Ministry of Foreign Affairs\, international security adviser to the Minister of Defense)\, industry (Thomson-CSF\, today’s Thales\; Matra\, now in Airbus)\, academia (professor of the world politics course at Sciences-Po Paris)\, and the think-tank world (as director of the IISS and subsequently the FRS). He has sat on blue-ribbon bodies\, notably the French government’s White Paper on terrorism (2006) and the Defense and National Security White Papers (under President Sarkozy in 2007-2018 and President Hollande in 2012-2013)\; the International Commission on Nuclear Non-Proliferation and Disarmament\; and the International Commission on the Balkans. He chaired the council of the Geneva Centre for Security Policy (GCSP) from 1998 to 2018\, and of the IISS (2001-2018)\, and was a Richard von Weizsäcker Fellow at the Bosch Academy in Berlin (2015-2017). He dealt with defense and national security issues as part of Emmanuel Macron’s first presidential campaign (2016-17).Since the beginning of 2022\, he has been focusing on French and European military assistance to Ukraine.\n   \nIf there is anything we can do to make this event accessible to you\, please contact us at gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149133-21905804@events.umich.edu
URL:https://events.umich.edu/event/149133
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:europe,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907497@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261006T080000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907733@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T082340
DTSTART;TZID=America/Detroit:20261006T180000
DTEND;TZID=America/Detroit:20261006T193000
SUMMARY:Lecture / Discussion:CCPS/Slavic Event. Student Symposium – Experiences in Poland
DESCRIPTION:What is it really like to study\, work\, and live in Poland? Come hear firsthand from students who turned the experience into unforgettable memories. From learning Polish at leading universities to completing internships and exploring Polish culture\, our presenters will share the stories\, challenges\, discoveries\, and connections that shaped their journeys. Be inspired\, ask questions\, and discover where your own Poland experience could begin!\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149977-21907697@events.umich.edu
URL:https://events.umich.edu/event/149977
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:poland
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907498@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907734@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260831T141646
DTSTART;TZID=America/Detroit:20261007T120000
DTEND;TZID=America/Detroit:20261007T132000
SUMMARY:Livestream / Virtual:CREES Noon Lecture. When Everyday Life Becomes an Event: Mobility in the Georgia-Abkhazia Conflict Zone
DESCRIPTION:What does it take to sustain an ordinary life in a place shaped by decades of unresolved conflict and political uncertainty? Drawing on long-term ethnographic research in the de facto Georgia-Abkhazia borderland\, this talk examines how displaced Georgians with constructed lives across an unrecognized but highly militarized border learn to navigate a landscape in which mobility is continually subject to political\, material\, and documentary contingencies. Rather than approaching protracted conflict primarily through rupture\, destruction\, or spectacular violence\, Aydemir-Kundakci focuses on everyday eventfulness: how ordinary journeys to attend a wedding\, shop\, visit family\, or go to a hospital can unexpectedly become consequential—when rising waters turn a familiar river crossing into a life-threatening swim\, a document check evolves into harassment or extortion\, or a passport stamp creates the risk of punishment on the other side.\n\nAydemir-Kundakci develops the concept of manageable eventfulness to describe the practical and anticipatory work through which people seek not necessarily to eliminate such contingencies altogether\, but to keep their consequences within manageable limits. Following these practices across changing border regimes\, landscapes\, documents\, and generations\, she shows how people continually recalibrate their movements and anticipations as they strive for uneventful\, ordinary lives amid prolonged conflict.\n\nDr. Görkem Aydemir-Kundakci is an FWO Postdoctoral Fellow in Anthropology at KU Leuven. Her research examines long-term displacement\, conflict\, mobility\, environmental change\, and precarity in Georgia’s de facto borderland with Abkhazia. She holds a PhD in Anthropology from George Washington University and held a postdoctoral fellowship at the University of Calgary. Her writing has appeared in journals such as the Journal of Refugee Studies\, History and Anthropology\, and Anthropology News. Aydemir-Kundakci’s research has been funded by the National Science Foundation (NSF)\, American Council of Learned Societies (ACLS)\, and Research Foundation Flanders (FWO).\n\nPlease note this event will be held virtually on Zoom. Please register at this link: https://myumi.ch/mVV9g\n\nIf there is anything we can do to make this event accessible to you\, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151245-21911142@events.umich.edu
URL:https://events.umich.edu/event/151245
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:central asia
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261008T080000
DTEND;TZID=America/Detroit:20261008T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907499@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261008T080000
DTEND;TZID=America/Detroit:20261008T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907735@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261009T080000
DTEND;TZID=America/Detroit:20261009T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907500@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261009T080000
DTEND;TZID=America/Detroit:20261009T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907736@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261012T080000
DTEND;TZID=America/Detroit:20261012T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907503@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261012T080000
DTEND;TZID=America/Detroit:20261012T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907739@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261013T080000
DTEND;TZID=America/Detroit:20261013T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907504@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261013T080000
DTEND;TZID=America/Detroit:20261013T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907740@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260825T102647
DTSTART;TZID=America/Detroit:20261013T160000
DTEND;TZID=America/Detroit:20261013T173000
SUMMARY:Film Screening:WCEE Film Screening. (Un)known Holocaust
DESCRIPTION:This documentary explores the history of World War II and the Holocaust in Ukraine.While rooted in a regional perspective\, the film addresses a much broader phenomenon of mass violence and its legacy.\n\n2026\, Ukrainian with English subtitles.\n\nDirected by Les Kasyanov and Yurii Kaparulin\, U-M Wallnberg Fellow and former WCEE Ukrainian Fellow.\nScreening time: 42 minutes.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at 	gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150869-21910343@events.umich.edu
URL:https://events.umich.edu/event/150869
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Poland
LOCATION:Weiser Hall - Room 555
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261014T080000
DTEND;TZID=America/Detroit:20261014T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907505@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261014T080000
DTEND;TZID=America/Detroit:20261014T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907741@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261015T080000
DTEND;TZID=America/Detroit:20261015T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907506@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261015T080000
DTEND;TZID=America/Detroit:20261015T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907742@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261016T080000
DTEND;TZID=America/Detroit:20261016T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907507@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261016T080000
DTEND;TZID=America/Detroit:20261016T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907743@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261019T080000
DTEND;TZID=America/Detroit:20261019T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907510@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261019T080000
DTEND;TZID=America/Detroit:20261019T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907746@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261020T080000
DTEND;TZID=America/Detroit:20261020T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907511@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261020T080000
DTEND;TZID=America/Detroit:20261020T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907747@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261021T080000
DTEND;TZID=America/Detroit:20261021T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907512@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261021T080000
DTEND;TZID=America/Detroit:20261021T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907748@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261022T080000
DTEND;TZID=America/Detroit:20261022T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907513@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261022T080000
DTEND;TZID=America/Detroit:20261022T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907749@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261023T080000
DTEND;TZID=America/Detroit:20261023T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907514@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261023T080000
DTEND;TZID=America/Detroit:20261023T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907750@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261026T080000
DTEND;TZID=America/Detroit:20261026T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907517@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261026T080000
DTEND;TZID=America/Detroit:20261026T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907753@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261027T080000
DTEND;TZID=America/Detroit:20261027T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907518@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261027T080000
DTEND;TZID=America/Detroit:20261027T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907754@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260902T101836
DTSTART;TZID=America/Detroit:20261027T190000
DTEND;TZID=America/Detroit:20261027T210000
SUMMARY:Film Screening:CINEFORUM
DESCRIPTION:All screenings will be held in Space2435 North Quad. Movies will be shown in Italian with English subtitles. Free and open to the public. \n\nTuesday September 29th @ 7:00 PM \n*Il Sorpasso *\nOn a deserted Ferragosto in Rome\, a shy young law student is drawn into a spontaneous road trip by a brash\, fast-talking stranger with a sports car. As the two men speed along the coast\, their comic misadventures reveal the pleasures and anxieties of Italy’s economic boom. In Italian with English subtitles. Directed by Dino Risi\,1962.\n\nTuesday October 27th @ 7:00 PM \n*La Signora senza camelie*\nIt’s the story of a shopclerk named Clara who finds a chance casting in a small movie role develop into a full-blown career as screen-siren. Tension erupts when her husband can no longer tolerate watching her frivolous cinema escapades\, and pushes her into a “serious\, artistic” production of the life of Joan of Arc… whereupon she is castigated by the critical establishment. Featuring Lucia Bose\, Gino Cervi\, Alain Cuny. In Italian with English subtitles. Directed by Michelangelo Antonioni\, 1953.\n\nTuesday November 17th @ 7:00 PM\n*Catene *\nIn the first of a series of meladramas directed by Matarazzo\, a husband kills his wife's ex-boyfriend\, who was blackmailing her. He flees to America\, but is sent back to Italy to stand trial. The only way he can be set free is if his wife confesses to adultery—so the murder can be considered a crime of passion—but this estranges her from her family. In Italian with English subtitles. Directed by Raffaello Matarazzo\, 1949.
UID:151374-21911427@events.umich.edu
URL:https://events.umich.edu/event/151374
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Italian Studies,Romance Language
LOCATION:North Quad - Space 2435
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261028T080000
DTEND;TZID=America/Detroit:20261028T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907519@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261028T080000
DTEND;TZID=America/Detroit:20261028T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907755@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261029T080000
DTEND;TZID=America/Detroit:20261029T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907520@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261029T080000
DTEND;TZID=America/Detroit:20261029T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907756@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261030T080000
DTEND;TZID=America/Detroit:20261030T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907521@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T081915
DTSTART;TZID=America/Detroit:20261030T080000
DTEND;TZID=America/Detroit:20261030T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907757@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261102T080000
DTEND;TZID=America/Detroit:20261102T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907524@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T163746
DTSTART;TZID=America/Detroit:20261102T170000
DTEND;TZID=America/Detroit:20261102T183000
SUMMARY:Lecture / Discussion:Teresa Poggi Lecture on Italy and the Mediterranean World. “Signor Presidente:\" Giorgia Meloni and the Italian Laboratory
DESCRIPTION:In 2022\, Prime Minister Giorgia Meloni became the first far-right leader of Italy since Fascism and the first woman to ever lead the country. Four years later\, Meloni has proven resilient\, despite challenging economic indicators and after losing a referendum to limit the independence of the judiciary. A skillful politician\, Meloni has deftly navigated between Italy’s commitments to the European Union and the country’s longtime strategic alliance with the United States\, even as the Trump Administration has pushed to scale back NATO in Europe\, causing confusion and distress in Europe’s halls of power.\n\n   From Fascism to the personality-driven phenomenon of Silvio Berlusconi to the anti-system Five Star Movement\, Italy has always been a political laboratory\, a harbinger of political trends to come. With this lens\, what larger lessons can we draw from Meloni’s leadership about the direction of Italy and Europe? Has Meloni normalized the far right or transformed it into a mainstream conservative movement? What are her most concrete accomplishments? As a study in power\, what do we make of this small\, blonde\, fierce woman who insists on using the masculine form of address\, “Signor Presidente”?\n  \nThe annual Teresa Poggi Lecture on Italy and the Mediterranean World focuses on contemporary and historical issues related to the region. It is made possible by a generous gift from Stephanie and Sue Augustyniak in honor of their mother.\n   \nRachel Donadio is a Paris-based writer\, a contributing writer for *The Atlantic*\, and a former Rome Bureau Chief and European Culture Correspondent for *The New York Times*. She regularly publishes textured profiles and features at the intersection of culture and politics\, as well as literary criticism\, and is a frequent contributor to *The New York Review of Books*. Donadio has reported from more than two dozen countries and interviewed heads of state and major cultural figures\, including four Nobel Laureates in literature.\n   \nIn her many years covering Italy\, she has written on Giorgia Meloni’s culture wars\, Curzio Malaparte\, Nicola Gratteri when he was a leading Italian anti-Mafia prosecutor\, former Prime Minister Silvio Berlusconi\, Gina Lollobrigida\, Paolo Sorrentino\, a rare book theft in Naples\, why Italians gesticulate\, Amalfi lemons\, a family of centenarians in Sardinia\, a Bangladeshi Cricket league in Rome\, and the first non-Italian director of the Uffizi. She has also covered the Vatican and led *The New York Times* coverage of the conclave in which Pope Francis was elected.\n   \nIf there is anything we can do to make this event accessible to you\, please contact gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149056-21905367@events.umich.edu
URL:https://events.umich.edu/event/149056
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Europe,italian,Italian Studies,Politics
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261103T080000
DTEND;TZID=America/Detroit:20261103T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907525@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261104T080000
DTEND;TZID=America/Detroit:20261104T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907526@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261105T080000
DTEND;TZID=America/Detroit:20261105T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907527@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261106T080000
DTEND;TZID=America/Detroit:20261106T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907528@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261109T080000
DTEND;TZID=America/Detroit:20261109T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907531@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261110T080000
DTEND;TZID=America/Detroit:20261110T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907532@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260901T092147
DTSTART;TZID=America/Detroit:20261110T173000
DTEND;TZID=America/Detroit:20261110T190000
SUMMARY:Lecture / Discussion:CREES Annual Borka Tomljenović Lecture. Reading through the Double Archival Grain: Yugoslav Socialist Humanitarianism and its Whiteness
DESCRIPTION:For the 2026 Annual Borka Tomljenović Lecture\, Professor Čarna Brković will consider different forms of affective engagement with humanitarian activities in socialist Yugoslavia\, including irony and nostalgia. Ironic engagement assumes that Yugoslav solidarity with formerly colonized populations during the Cold War was empty rhetoric\, driven by a pragmatic desire to establish the country as a significant player on the geopolitical stage. Nostalgic engagement\, by contrast\, is shaped by the belief that Yugoslavs were motivated by an honest ideological commitment to solidarity and anti-racism that ultimately placed them on the “right side” of history. Both ironic and nostalgic engagements with socialist humanitarianism evaluate the past through contemporary ideas about solidarity\, socialism\, capitalism\, and their interrelations.\n\nTo understand socialist humanitarianism on its own terms\, Brković proposes reading it through the double grain of state socialism and the end of history. Such an analytical approach illuminates the role of racial socialism—socialist ideologies of “race” and local racial projects—and its interactions with global racial hierarchies\, showing how these ideologies were shaped by particular value constellations.\n\nBy discussing a 1961 humanitarian initiative of the Yugoslav Red Cross that brought sixty children and young people from the Congo to Tivat\, Montenegro\, this talk sheds light on the workings of socialist whiteness. This was not a colourist project but rather a normative regime of political value with two key characteristics: it ascribed superiority to Yugoslavs on the basis of their greater socialist experience\, and it overlooked present problems in favour of a future in which “race” would no longer matter.\n\nČarna Brković is professor of cultural studies and European ethnology at the University of Mainz. Dr. Brković has a PhD in Social Anthropology from the University of Manchester and a BA in Ethnology and Anthropology from the University of Belgrade. In her European Research Council (ERC) Consolidator Grant “Racial Socialism” (2026-2031) as well as in her book Realigning Humanitarianism in the Balkans: From Cold War Politics to Neoliberal Ethics (Indiana University Press\, 2026)\, she studies historical projects of integrating the world differently\, such as socialist humanitarianism and Europeanization.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:151290-21911323@events.umich.edu
URL:https://events.umich.edu/event/151290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:eastern europe,yugoslavia
LOCATION:Michigan League - Vandenberg Room (2nd floor)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260902T181718
DTSTART;TZID=America/Detroit:20261110T193000
DTEND;TZID=America/Detroit:20261110T210000
SUMMARY:Performance:Mazurka: Dance of a Polish Soul\, Voice of the World
DESCRIPTION:The mazurka\, one of Poland’s most distinctive musical  dance forms\, continues to inspire composers far beyond its traditional origins. While often associated with Frédéric Chopin\, this recital explores the broader and evolving story of the mazurka through the voices of both celebrated and lesser-known composers from Poland and around the world.\n\nThe program presents a diverse collection of works that reveal how composers have transformed this Polish dance into a vehicle for artistic expression\, cultural identity\, and contemporary creativity. It includes mazurkas by Karol Szymanowski\, whose innovative language expanded the genre in the twentieth century\, as well as works by composers inspired by Chopin’s legacy\, including Zygmunt Stojowski\, Julian and Nathalie Janotha. The program also features mazurkas by lesser-known Polish composers such as Wojciech Kilar and Mikołaj Piotr Górecki\, whose individual musical voices offer new perspectives on the evolution of the genre. Special attention is given to the contributions of female composers\, whose works enrich the mazurka’s continuing legacy.\n\nAlongside these historical works\, the program features newly commissioned mazurkas created for the international 21st Mazurkas project—a visionary artistic initiative conceived\, developed\, and realized by pianist Anna Kijanowska. Bringing together composers from Poland\, Europe\, North America\, South America\, and New Zealand\, the project presents the mazurka as a living international form. These contemporary works demonstrate the remarkable adaptability of the genre\, blending elements of folk tradition\, personal expression\, modern compositional techniques\, and diverse cultural influences. Each composer offers a unique perspective\, transforming the mazurka into a global musical language while maintaining its connection to its Polish roots. Among the contributors is Matthew Bengtson\, Associate Professor of Piano Literature at the University of Michigan\, whose commissioned mazurka forms part of this international collection.\n\nAll  of these new works were written especially for pianist Anna Kijanowska and recorded on the award-winning DUX album 21st Mazurkas (DUX 2149). The recording received the Platinum Prize at the Golden European Piano Awards 2025\, together with the Special Regional Representative Award (Cieszyn\, Poland) and the Artist of the Month distinction.\n\nThrough a dialogue between historical voices and contemporary creators\, *Mazurka: Dance of a Polish Soul\, Voice of the World* celebrates the mazurka as a living art form—one that continues to evolve across generations\, cultures\, and continents\, while remaining deeply connected to Poland’s rich musical heritage.\n\n*This event is supported in part by the Weiser Center for Europe and Eurasia\, and partially funded by a scholarship from the Ministry of Culture and National Heritage\, Republic of Poland.*
UID:150308-21908999@events.umich.edu
URL:https://events.umich.edu/event/150308
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Concert,Culture,Free,Music,North Campus
LOCATION:Earl V. Moore Building - Britton Recital Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261111T080000
DTEND;TZID=America/Detroit:20261111T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907533@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261112T080000
DTEND;TZID=America/Detroit:20261112T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907534@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261113T080000
DTEND;TZID=America/Detroit:20261113T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907535@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T151451
DTSTART;TZID=America/Detroit:20261113T180000
DTEND;TZID=America/Detroit:20261113T220000
SUMMARY:Film Screening:33rd Ann Arbor Polish Festival
DESCRIPTION:The Ann Arbor Polish Film Festival is an annual celebration of Polish cinema\, organized by the Polish Cultural Fund in collaboration with the Ann Arbor Polonia Association and the U-M Polish Student Association. Since its inception in 1993\, the festival has brought audiences a vibrant selection of contemporary Polish documentaries\, short films\, and feature-length movies—each offering unique perspectives on Polish culture and global issues alike.\n\nA highlight of the festival is its juried competition\, which recognizes outstanding achievements in three categories: documentary film\, short narrative film\, and film debut.\n\nMichigan Theater\, 603 East Liberty St.\, Ann Arbor\n\nFestival Schedule:\n\nFriday\, November 13\, 2026\n6:00 PM – 10:00 PM\n\nSaturday\, November 14\, 2026\n10:00 AM – 10:00 PM\n\nSunday\, November 15\, 2026\n11:00 AM – 5:00 PM\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150560-21909597@events.umich.edu
URL:https://events.umich.edu/event/150560
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film,poland
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T151451
DTSTART;TZID=America/Detroit:20261114T100000
DTEND;TZID=America/Detroit:20261114T220000
SUMMARY:Film Screening:33rd Ann Arbor Polish Festival
DESCRIPTION:The Ann Arbor Polish Film Festival is an annual celebration of Polish cinema\, organized by the Polish Cultural Fund in collaboration with the Ann Arbor Polonia Association and the U-M Polish Student Association. Since its inception in 1993\, the festival has brought audiences a vibrant selection of contemporary Polish documentaries\, short films\, and feature-length movies—each offering unique perspectives on Polish culture and global issues alike.\n\nA highlight of the festival is its juried competition\, which recognizes outstanding achievements in three categories: documentary film\, short narrative film\, and film debut.\n\nMichigan Theater\, 603 East Liberty St.\, Ann Arbor\n\nFestival Schedule:\n\nFriday\, November 13\, 2026\n6:00 PM – 10:00 PM\n\nSaturday\, November 14\, 2026\n10:00 AM – 10:00 PM\n\nSunday\, November 15\, 2026\n11:00 AM – 5:00 PM\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150560-21909598@events.umich.edu
URL:https://events.umich.edu/event/150560
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film,poland
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T151451
DTSTART;TZID=America/Detroit:20261115T110000
DTEND;TZID=America/Detroit:20261115T170000
SUMMARY:Film Screening:33rd Ann Arbor Polish Festival
DESCRIPTION:The Ann Arbor Polish Film Festival is an annual celebration of Polish cinema\, organized by the Polish Cultural Fund in collaboration with the Ann Arbor Polonia Association and the U-M Polish Student Association. Since its inception in 1993\, the festival has brought audiences a vibrant selection of contemporary Polish documentaries\, short films\, and feature-length movies—each offering unique perspectives on Polish culture and global issues alike.\n\nA highlight of the festival is its juried competition\, which recognizes outstanding achievements in three categories: documentary film\, short narrative film\, and film debut.\n\nMichigan Theater\, 603 East Liberty St.\, Ann Arbor\n\nFestival Schedule:\n\nFriday\, November 13\, 2026\n6:00 PM – 10:00 PM\n\nSaturday\, November 14\, 2026\n10:00 AM – 10:00 PM\n\nSunday\, November 15\, 2026\n11:00 AM – 5:00 PM\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:150560-21909600@events.umich.edu
URL:https://events.umich.edu/event/150560
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:film,poland
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261116T080000
DTEND;TZID=America/Detroit:20261116T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907538@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261117T080000
DTEND;TZID=America/Detroit:20261117T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907539@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260902T101836
DTSTART;TZID=America/Detroit:20261117T190000
DTEND;TZID=America/Detroit:20261117T210000
SUMMARY:Film Screening:CINEFORUM
DESCRIPTION:All screenings will be held in Space2435 North Quad. Movies will be shown in Italian with English subtitles. Free and open to the public. \n\nTuesday September 29th @ 7:00 PM \n*Il Sorpasso *\nOn a deserted Ferragosto in Rome\, a shy young law student is drawn into a spontaneous road trip by a brash\, fast-talking stranger with a sports car. As the two men speed along the coast\, their comic misadventures reveal the pleasures and anxieties of Italy’s economic boom. In Italian with English subtitles. Directed by Dino Risi\,1962.\n\nTuesday October 27th @ 7:00 PM \n*La Signora senza camelie*\nIt’s the story of a shopclerk named Clara who finds a chance casting in a small movie role develop into a full-blown career as screen-siren. Tension erupts when her husband can no longer tolerate watching her frivolous cinema escapades\, and pushes her into a “serious\, artistic” production of the life of Joan of Arc… whereupon she is castigated by the critical establishment. Featuring Lucia Bose\, Gino Cervi\, Alain Cuny. In Italian with English subtitles. Directed by Michelangelo Antonioni\, 1953.\n\nTuesday November 17th @ 7:00 PM\n*Catene *\nIn the first of a series of meladramas directed by Matarazzo\, a husband kills his wife's ex-boyfriend\, who was blackmailing her. He flees to America\, but is sent back to Italy to stand trial. The only way he can be set free is if his wife confesses to adultery—so the murder can be considered a crime of passion—but this estranges her from her family. In Italian with English subtitles. Directed by Raffaello Matarazzo\, 1949.
UID:151374-21911428@events.umich.edu
URL:https://events.umich.edu/event/151374
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Film,Italian Studies,Romance Language
LOCATION:North Quad - Space 2435
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261118T080000
DTEND;TZID=America/Detroit:20261118T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907540@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261119T080000
DTEND;TZID=America/Detroit:20261119T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907541@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261120T080000
DTEND;TZID=America/Detroit:20261120T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907542@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261123T080000
DTEND;TZID=America/Detroit:20261123T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907545@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261124T080000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907546@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261125T080000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907547@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261126T080000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907548@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261127T080000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907549@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261130T080000
DTEND;TZID=America/Detroit:20261130T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907552@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261201T080000
DTEND;TZID=America/Detroit:20261201T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907553@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261202T080000
DTEND;TZID=America/Detroit:20261202T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907554@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261203T080000
DTEND;TZID=America/Detroit:20261203T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907555@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260619T084541
DTSTART;TZID=America/Detroit:20261203T170000
DTEND;TZID=America/Detroit:20261203T183000
SUMMARY:Lecture / Discussion:Annual Copernicus Lecture. The Beauty and Significance of Interwar Polish Popular Music
DESCRIPTION:In this lecture\, Jan Emil Młynarski will offer an immersive exploration of Polish popular music of the interwar period (1918–1939)\, examining Polish tango\, the development of the recording industry\, and the vibrant world of theatres and cabarets that shaped popular musical culture between the wars. Młynarski will perform selected works and present archival recordings\, guiding the audience through the rich landscape of Polish song\, its composers\, lyricists and performers\, situating their work within the broader cultural context of the era and assessing its artistic value\, cultural significance and contemporary reception.\n\nJan Emil Młynarski is a drummer\, street singer and passionate advocate for Polish popular music of the first half of the twentieth century. He holds degrees from the Karol Lipiński Academy of Music in Wrocław and from the Drummers Collective in New York.\n\nHe hosts *Salon\, Ulica\, Dancing (Salon\, Street\, Dance Hall)* — a weekly radio show on Polskie Radio 3 dedicated to Interwar Polish music\, is the founder and leader of the Warszawskie Combo Taneczne *(Warsaw Dance Combo)*\, and is a member of the Jazz Band Młynarski-Masecki. He has released several dozen albums and was awarded multiple Fryderyk \, the Polish music industry's most prestigious recording award.\n\nIf there is anything we can do to make this event accessible to you\, please contact gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149007-21905310@events.umich.edu
URL:https://events.umich.edu/event/149007
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:europe,European,Music,Performance,Poland
LOCATION:Rackham Graduate School (Horace H.) - Amphitheatre
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261204T080000
DTEND;TZID=America/Detroit:20261204T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907556@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261207T080000
DTEND;TZID=America/Detroit:20261207T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907559@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261208T080000
DTEND;TZID=America/Detroit:20261208T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907560@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261209T080000
DTEND;TZID=America/Detroit:20261209T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907561@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261210T080000
DTEND;TZID=America/Detroit:20261210T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907562@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261211T080000
DTEND;TZID=America/Detroit:20261211T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907563@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261214T080000
DTEND;TZID=America/Detroit:20261214T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907566@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261215T080000
DTEND;TZID=America/Detroit:20261215T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907567@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261216T080000
DTEND;TZID=America/Detroit:20261216T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907568@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261217T080000
DTEND;TZID=America/Detroit:20261217T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907569@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261218T080000
DTEND;TZID=America/Detroit:20261218T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907570@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261221T080000
DTEND;TZID=America/Detroit:20261221T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907573@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261222T080000
DTEND;TZID=America/Detroit:20261222T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907574@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261223T080000
DTEND;TZID=America/Detroit:20261223T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907575@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261224T080000
DTEND;TZID=America/Detroit:20261224T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907576@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261225T080000
DTEND;TZID=America/Detroit:20261225T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907577@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261228T080000
DTEND;TZID=America/Detroit:20261228T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907580@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261229T080000
DTEND;TZID=America/Detroit:20261229T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907581@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261230T080000
DTEND;TZID=America/Detroit:20261230T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907582@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261231T080000
DTEND;TZID=America/Detroit:20261231T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907583@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270101T080000
DTEND;TZID=America/Detroit:20270101T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907584@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270104T080000
DTEND;TZID=America/Detroit:20270104T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907587@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270105T080000
DTEND;TZID=America/Detroit:20270105T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907588@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270106T080000
DTEND;TZID=America/Detroit:20270106T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907589@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270107T080000
DTEND;TZID=America/Detroit:20270107T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907590@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270108T080000
DTEND;TZID=America/Detroit:20270108T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907591@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270111T080000
DTEND;TZID=America/Detroit:20270111T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907594@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270112T080000
DTEND;TZID=America/Detroit:20270112T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907595@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270113T080000
DTEND;TZID=America/Detroit:20270113T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907596@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270114T080000
DTEND;TZID=America/Detroit:20270114T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907597@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270115T080000
DTEND;TZID=America/Detroit:20270115T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907598@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270118T080000
DTEND;TZID=America/Detroit:20270118T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907601@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270119T080000
DTEND;TZID=America/Detroit:20270119T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907602@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270120T080000
DTEND;TZID=America/Detroit:20270120T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907603@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270121T080000
DTEND;TZID=America/Detroit:20270121T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907604@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270122T080000
DTEND;TZID=America/Detroit:20270122T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907605@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270125T080000
DTEND;TZID=America/Detroit:20270125T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907608@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270126T080000
DTEND;TZID=America/Detroit:20270126T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907609@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270127T080000
DTEND;TZID=America/Detroit:20270127T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907610@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270128T080000
DTEND;TZID=America/Detroit:20270128T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907611@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270129T080000
DTEND;TZID=America/Detroit:20270129T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907612@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270201T080000
DTEND;TZID=America/Detroit:20270201T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907615@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270202T080000
DTEND;TZID=America/Detroit:20270202T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907616@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270203T080000
DTEND;TZID=America/Detroit:20270203T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907617@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270204T080000
DTEND;TZID=America/Detroit:20270204T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907618@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270205T080000
DTEND;TZID=America/Detroit:20270205T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907619@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270208T080000
DTEND;TZID=America/Detroit:20270208T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907622@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270209T080000
DTEND;TZID=America/Detroit:20270209T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907623@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270210T080000
DTEND;TZID=America/Detroit:20270210T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907624@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270211T080000
DTEND;TZID=America/Detroit:20270211T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907625@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270212T080000
DTEND;TZID=America/Detroit:20270212T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907626@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270215T080000
DTEND;TZID=America/Detroit:20270215T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907629@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270216T080000
DTEND;TZID=America/Detroit:20270216T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907630@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270217T080000
DTEND;TZID=America/Detroit:20270217T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907631@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270218T080000
DTEND;TZID=America/Detroit:20270218T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907632@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270219T080000
DTEND;TZID=America/Detroit:20270219T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907633@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270222T080000
DTEND;TZID=America/Detroit:20270222T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907636@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270223T080000
DTEND;TZID=America/Detroit:20270223T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907637@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270224T080000
DTEND;TZID=America/Detroit:20270224T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907638@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270225T080000
DTEND;TZID=America/Detroit:20270225T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907639@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270226T080000
DTEND;TZID=America/Detroit:20270226T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907640@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270301T080000
DTEND;TZID=America/Detroit:20270301T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907644@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270302T080000
DTEND;TZID=America/Detroit:20270302T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907645@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270303T080000
DTEND;TZID=America/Detroit:20270303T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907646@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270304T080000
DTEND;TZID=America/Detroit:20270304T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907647@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270305T080000
DTEND;TZID=America/Detroit:20270305T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907648@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270308T080000
DTEND;TZID=America/Detroit:20270308T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907651@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270309T080000
DTEND;TZID=America/Detroit:20270309T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907652@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270310T080000
DTEND;TZID=America/Detroit:20270310T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907653@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270311T080000
DTEND;TZID=America/Detroit:20270311T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907654@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270312T080000
DTEND;TZID=America/Detroit:20270312T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907655@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270315T080000
DTEND;TZID=America/Detroit:20270315T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907658@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270316T080000
DTEND;TZID=America/Detroit:20270316T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907659@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270317T080000
DTEND;TZID=America/Detroit:20270317T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907660@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270318T080000
DTEND;TZID=America/Detroit:20270318T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907661@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270319T080000
DTEND;TZID=America/Detroit:20270319T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907662@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270322T080000
DTEND;TZID=America/Detroit:20270322T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907665@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270323T080000
DTEND;TZID=America/Detroit:20270323T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907666@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270324T080000
DTEND;TZID=America/Detroit:20270324T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907667@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270325T080000
DTEND;TZID=America/Detroit:20270325T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907668@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270326T080000
DTEND;TZID=America/Detroit:20270326T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907669@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270329T080000
DTEND;TZID=America/Detroit:20270329T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907672@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270330T080000
DTEND;TZID=America/Detroit:20270330T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907673@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270331T080000
DTEND;TZID=America/Detroit:20270331T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907674@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270401T080000
DTEND;TZID=America/Detroit:20270401T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907675@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270402T080000
DTEND;TZID=America/Detroit:20270402T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907676@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270405T080000
DTEND;TZID=America/Detroit:20270405T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907679@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270406T080000
DTEND;TZID=America/Detroit:20270406T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907680@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270407T080000
DTEND;TZID=America/Detroit:20270407T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907681@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270408T080000
DTEND;TZID=America/Detroit:20270408T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907682@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270409T080000
DTEND;TZID=America/Detroit:20270409T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907683@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270412T080000
DTEND;TZID=America/Detroit:20270412T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907686@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270413T080000
DTEND;TZID=America/Detroit:20270413T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907687@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270414T080000
DTEND;TZID=America/Detroit:20270414T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907688@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270415T080000
DTEND;TZID=America/Detroit:20270415T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907689@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270416T080000
DTEND;TZID=America/Detroit:20270416T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907690@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270419T080000
DTEND;TZID=America/Detroit:20270419T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907693@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270420T080000
DTEND;TZID=America/Detroit:20270420T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907694@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20270421T080000
DTEND;TZID=America/Detroit:20270421T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907695@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
END:VEVENT
END:VCALENDAR