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        "event_title":"WCEE Distinguished Lecture. Europe's Coalition of the Willing, Ukraine, and the Future of NATO",
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        "combined_title":"WCEE Distinguished Lecture. Europe's Coalition of the Willing, Ukraine, and the Future of NATO: Fran\u00e7ois Heisbourg, Senior Advisor for Europe, International Institute for Strategic Studies",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS\/Slavic Event. Student Symposium \u2013 Experiences in Poland",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CREES Noon Lecture. When Everyday Life Becomes an Event: Mobility in the Georgia-Abkhazia Conflict Zone",
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        "combined_title":"CREES Noon Lecture. When Everyday Life Becomes an Event: Mobility in the Georgia-Abkhazia Conflict Zone: G\u00f6rkem Aydemir-Kundakci, Fonds Wetenschappelijk Onderzoek (FWO) Postdoctoral Fellow in Anthropology, Katholieke Universiteit Leuven, Belgium",
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        "description":"What does it take to sustain an ordinary life in a place shaped by decades of unresolved conflict and political uncertainty? Drawing on long-term ethnographic research in the de facto Georgia-Abkhazia borderland, this talk examines how displaced Georgians with constructed lives across an unrecognized but highly militarized border learn to navigate a landscape in which mobility is continually subject to political, material, and documentary contingencies. Rather than approaching protracted conflict primarily through rupture, destruction, or spectacular violence, Aydemir-Kundakci focuses on everyday eventfulness: how ordinary journeys to attend a wedding, shop, visit family, or go to a hospital can unexpectedly become consequential\u2014when rising waters turn a familiar river crossing into a life-threatening swim, a document check evolves into harassment or extortion, or a passport stamp creates the risk of punishment on the other side.\n\nAydemir-Kundakci develops the concept of manageable eventfulness to describe the practical and anticipatory work through which people seek not necessarily to eliminate such contingencies altogether, but to keep their consequences within manageable limits. Following these practices across changing border regimes, landscapes, documents, and generations, she shows how people continually recalibrate their movements and anticipations as they strive for uneventful, ordinary lives amid prolonged conflict.\n\nDr. G\u00f6rkem Aydemir-Kundakci is an FWO Postdoctoral Fellow in Anthropology at KU Leuven. Her research examines long-term displacement, conflict, mobility, environmental change, and precarity in Georgia\u2019s de facto borderland with Abkhazia.\u202fShe holds a PhD in Anthropology from George Washington University and held a postdoctoral fellowship at the University of Calgary. Her writing has appeared in journals such as\u202fthe Journal of Refugee Studies, History and Anthropology, and Anthropology News. Aydemir-Kundakci\u2019s research has been funded by the National Science Foundation (NSF), American Council of Learned Societies (ACLS), and Research Foundation Flanders (FWO).\n\nPlease note this event will be held virtually on Zoom. Please register at this link: https:\/\/myumi.ch\/mVV9g\n\nIf there is anything we can do to make this event accessible to you, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_subtitle":"Anna Liminowicz, Photographer",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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    {
        "datetime_modified":"20260901T092147",
        "datetime_start":"20261110T173000",
        "datetime_end":"20261110T190000",
        "has_end_time":1,
        "date_start":"2026-11-10",
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        "event_title":"CREES Annual Borka Tomljenovi\u0107 Lecture. Reading through the Double Archival Grain: Yugoslav Socialist Humanitarianism and its Whiteness",
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        "combined_title":"CREES Annual Borka Tomljenovi\u0107 Lecture. Reading through the Double Archival Grain: Yugoslav Socialist Humanitarianism and its Whiteness: \u010carna Brkovi\u0107, professor of cultural studies and European ethnology, University of Mainz",
        "event_subtitle":"\u010carna Brkovi\u0107, professor of cultural studies and European ethnology, University of Mainz",
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        "description":"For the 2026 Annual Borka Tomljenovi\u0107 Lecture, Professor \u010carna Brkovi\u0107 will consider different forms of affective engagement with humanitarian activities in socialist Yugoslavia, including irony and nostalgia. Ironic engagement assumes that Yugoslav solidarity with formerly colonized populations during the Cold War was empty rhetoric, driven by a pragmatic desire to establish the country as a significant player on the geopolitical stage. Nostalgic engagement, by contrast, is shaped by the belief that Yugoslavs were motivated by an honest ideological commitment to solidarity and anti-racism that ultimately placed them on the \u201cright side\u201d of history. Both ironic and nostalgic engagements with socialist humanitarianism evaluate the past through contemporary ideas about solidarity, socialism, capitalism, and their interrelations.\n\nTo understand socialist humanitarianism on its own terms, Brkovi\u0107 proposes reading it through the double grain of state socialism and the end of history. Such an analytical approach illuminates the role of racial socialism\u2014socialist ideologies of \u201crace\u201d and local racial projects\u2014and its interactions with global racial hierarchies, showing how these ideologies were shaped by particular value constellations.\n\nBy discussing a 1961 humanitarian initiative of the Yugoslav Red Cross that brought sixty children and young people from the Congo to Tivat, Montenegro, this talk sheds light on the workings of socialist whiteness. This was not a colourist project but rather a normative regime of political value with two key characteristics: it ascribed superiority to Yugoslavs on the basis of their greater socialist experience, and it overlooked present problems in favour of a future in which \u201crace\u201d would no longer matter.\n\n\u010carna Brkovi\u0107 is professor of cultural studies and European ethnology at the University of Mainz. Dr. Brkovi\u0107 has a PhD in Social Anthropology from the University of Manchester and a BA in Ethnology and Anthropology from the University of Belgrade. In her European Research Council (ERC) Consolidator Grant \u201cRacial Socialism\u201d (2026-2031) as well as in her book Realigning Humanitarianism in the Balkans: From Cold War Politics to Neoliberal Ethics (Indiana University Press, 2026), she studies historical projects of integrating the world differently, such as socialist humanitarianism and Europeanization.\n\nIf there is anything we can do to make this event accessible to you, please contact us at CREES@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"Mazurka: Dance of a Polish Soul, Voice of the World",
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        "combined_title":"Mazurka: Dance of a Polish Soul, Voice of the World: A recital celebrating Poland\u2019s Independence Day",
        "event_subtitle":"A recital celebrating Poland\u2019s Independence Day",
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        "description":"The mazurka, one of Poland\u2019s most distinctive musical  dance forms, continues to inspire composers far beyond its traditional origins. While often associated with Fr\u00e9d\u00e9ric Chopin, this recital explores the broader and evolving story of the mazurka through the voices of both celebrated and lesser-known composers from Poland and around the world.\n\nThe program presents a diverse collection of works that reveal how composers have transformed this Polish dance into a vehicle for artistic expression, cultural identity, and contemporary creativity. It includes mazurkas by Karol Szymanowski, whose innovative language expanded the genre in the twentieth century, as well as works by composers inspired by Chopin\u2019s legacy, including Zygmunt Stojowski, Julian and Nathalie Janotha. The program also features mazurkas by lesser-known Polish composers such as Wojciech Kilar and Miko\u0142aj Piotr G\u00f3recki, whose individual musical voices offer new perspectives on the evolution of the genre. Special attention is given to the contributions of female composers, whose works enrich the mazurka\u2019s continuing legacy.\n\nAlongside these historical works, the program features newly commissioned mazurkas created for the international 21st Mazurkas project\u2014a visionary artistic initiative conceived, developed, and realized by pianist Anna Kijanowska. Bringing together composers from Poland, Europe, North America, South America, and New Zealand, the project presents the mazurka as a living international form. These contemporary works demonstrate the remarkable adaptability of the genre, blending elements of folk tradition, personal expression, modern compositional techniques, and diverse cultural influences. Each composer offers a unique perspective, transforming the mazurka into a global musical language while maintaining its connection to its Polish roots. Among the contributors is Matthew Bengtson, Associate Professor of Piano Literature at the University of Michigan, whose commissioned mazurka forms part of this international collection.\n\nAll  of these new works were written especially for pianist Anna Kijanowska and recorded on the award-winning DUX album 21st Mazurkas (DUX 2149). The recording received the Platinum Prize at the Golden European Piano Awards 2025, together with the Special Regional Representative Award (Cieszyn, Poland) and the Artist of the Month distinction.\n\nThrough a dialogue between historical voices and contemporary creators, *Mazurka: Dance of a Polish Soul, Voice of the World* celebrates the mazurka as a living art form\u2014one that continues to evolve across generations, cultures, and continents, while remaining deeply connected to Poland\u2019s rich musical heritage.\n\n*This event is supported in part by the Weiser Center for Europe and Eurasia, and partially funded by a scholarship from the Ministry of Culture and National Heritage, Republic of Poland.*",
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        "datetime_modified":"20260806T162236",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "date_start":"2027-04-21",
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        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
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        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "website":"http:\/\/www.ii.umich.edu\/wcee"                }                    ],
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