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BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260827T070000
DTEND;TZID=America/Detroit:20260827T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907816@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260828T070000
DTEND;TZID=America/Detroit:20260828T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907817@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260829T070000
DTEND;TZID=America/Detroit:20260829T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907818@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260830T070000
DTEND;TZID=America/Detroit:20260830T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907819@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260831T070000
DTEND;TZID=America/Detroit:20260831T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907820@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260831T090000
DTEND;TZID=America/Detroit:20260831T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908763@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260901T070000
DTEND;TZID=America/Detroit:20260901T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907821@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260901T090000
DTEND;TZID=America/Detroit:20260901T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908764@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260902T070000
DTEND;TZID=America/Detroit:20260902T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907822@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260902T090000
DTEND;TZID=America/Detroit:20260902T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908765@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260903T070000
DTEND;TZID=America/Detroit:20260903T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907823@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260903T090000
DTEND;TZID=America/Detroit:20260903T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908766@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260904T070000
DTEND;TZID=America/Detroit:20260904T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907824@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260904T090000
DTEND;TZID=America/Detroit:20260904T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908767@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260905T070000
DTEND;TZID=America/Detroit:20260905T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907825@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260906T070000
DTEND;TZID=America/Detroit:20260906T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907826@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260907T070000
DTEND;TZID=America/Detroit:20260907T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907827@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260907T090000
DTEND;TZID=America/Detroit:20260907T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908770@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260908T070000
DTEND;TZID=America/Detroit:20260908T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907828@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260908T090000
DTEND;TZID=America/Detroit:20260908T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908771@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260909T070000
DTEND;TZID=America/Detroit:20260909T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907829@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260909T090000
DTEND;TZID=America/Detroit:20260909T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908772@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260910T070000
DTEND;TZID=America/Detroit:20260910T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907830@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260910T090000
DTEND;TZID=America/Detroit:20260910T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908773@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260911T070000
DTEND;TZID=America/Detroit:20260911T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907831@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260911T090000
DTEND;TZID=America/Detroit:20260911T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908774@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260911T110000
DTEND;TZID=America/Detroit:20260911T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881327@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260911T120000
DTEND;TZID=America/Detroit:20260911T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906594@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260912T070000
DTEND;TZID=America/Detroit:20260912T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907832@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260912T110000
DTEND;TZID=America/Detroit:20260912T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881328@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260912T120000
DTEND;TZID=America/Detroit:20260912T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906595@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260913T070000
DTEND;TZID=America/Detroit:20260913T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907833@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260914T070000
DTEND;TZID=America/Detroit:20260914T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907834@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260914T090000
DTEND;TZID=America/Detroit:20260914T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908777@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260915T070000
DTEND;TZID=America/Detroit:20260915T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907835@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260915T090000
DTEND;TZID=America/Detroit:20260915T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908778@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260915T120000
DTEND;TZID=America/Detroit:20260915T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906596@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260813T061510
DTSTART;TZID=America/Detroit:20260915T170000
DTEND;TZID=America/Detroit:20260915T190000
SUMMARY:Presentation:Meet the MFA Students!
DESCRIPTION:\n\nPlease join us for short presentations by all first- and second-year University of Michigan Stamps School of Art & Design MFA students. It’s a welcome (and welcome back) event for students\, staff\, and faculty and an opportunity to learn a little bit about the practices of all the students in our MFA program. All are welcome.\n\nSeptember 15\, 2026\n5-7 p.m. in Art & Architecture Building Auditorium (Room 2104)\n\nFeaturing:\n\nJames Asava\nDavariz Broaden\nBert Cook\nIsa Estrada\nWilliam Hohe\nJuniper Jones\nNavjeet Kaur\nAmanda D. King\nJack Liu\nAlyssa Lizzini\nJulianna Sanromán Rojas\nCharlie Schön\nLucy Weaver
UID:150214-21908402@events.umich.edu
URL:https://events.umich.edu/event/150214
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260826T103946
DTSTART;TZID=America/Detroit:20260915T173000
DTEND;TZID=America/Detroit:20260915T193000
SUMMARY:Workshop / Seminar:Reaching the People: Visual Storytelling for Access & Action
DESCRIPTION:Edward Ginsberg Center and The Stamps School of Art + Design's Roman J. Witt Short Term Visiting artist program present a special event with Ariel Aberg-Riger\, Director of Creative Strategy & Design for the City of Buffalo\, NY and author of the award-winning book America Redux: Visual Stories from our Dynamic History. \n\nWe live in a visual world where people increasingly access information through images and video. How do we turn narratives and data into clear\, compelling visuals that move people to participate in civic life and work for social change? Join us for a special Democracy Week event with designer and author Ariel Aberg-Riger\, exploring how visual storytelling can make information more accessible and actionable. At this hands-on event\, participants will learn how images\, design choices\, data\, narrative and context all work together to communicate ideas to broad public audiences. We’ll look at examples of visual storytelling and data visualization that deepen public understanding of complex issues while opening pathways for action. We’ll also practice creating our own visual stories as a way to bring information to life for the public! All materials provided\, no specific expertise necessary. This event is designed for students\, faculty\, researchers\, artists\, designers\, communicators\, and anyone interested in civic engagement and public scholarship.\n\nDinner is provided and available at 5:30pm. Program begins at 6pm. Space is limited and registration is required. \n\nThis event is made possible through generous support from our sponsors: U-M’s Initiative for Democracy & Civic Empowerment.\n\nREGISTER: https://sessions.studentlife.umich.edu/track/event/session/112037
UID:149974-21907461@events.umich.edu
URL:https://events.umich.edu/event/149974
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Civic Engagement,Community Engagement,Community-based Learning,Democracy Week,Design,Faculty,Free,Storytelling,Students,Visual Arts
LOCATION:Ginsberg Center for Community Service and Learning
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260916T070000
DTEND;TZID=America/Detroit:20260916T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907836@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260916T090000
DTEND;TZID=America/Detroit:20260916T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908779@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260916T110000
DTEND;TZID=America/Detroit:20260916T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881329@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260916T120000
DTEND;TZID=America/Detroit:20260916T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906597@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260917T070000
DTEND;TZID=America/Detroit:20260917T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907837@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260917T090000
DTEND;TZID=America/Detroit:20260917T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908780@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260917T110000
DTEND;TZID=America/Detroit:20260917T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881330@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260917T120000
DTEND;TZID=America/Detroit:20260917T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906598@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T152828
DTSTART;TZID=America/Detroit:20260917T173000
DTEND;TZID=America/Detroit:20260917T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Holly Bass
DESCRIPTION:\n\nSince 1776\, Americans have used major anniversaries of the nation’s founding to celebrate\, debate\, revise\, and perform the story of the United States. For We Hold These Truths\, her new exhibition opening at UMMA in October 2026\, artist Holly Bass looks to three of those anniversary years—1876\, 1976\, and 2026 to explore how national ideals are staged in public\, preserved in private\, and passed down through generations. \n\nIn this talk\, Bass will discuss the ideas behind We Hold These Truths\, her process of transforming UMMA’s iconic Apse into an environment\, and the role art plays in helping communities consider these varied histories. Drawing from her practice across performance\, visual art\, theater\, writing\, and engagement\, Bass will offer a preview of the exhibition and explain how historic home museums inspired this new body of work.\n\nBass is the 2026 Roman J. Witt Artist In Residence and an award-winning artist and cultural worker based in Washington\, DC. Her work—held in the collections of the National Gallery of Art and the Smithsonian National Portrait Gallery—frequently engages communities through workshops\, devised theater\, and participatory installations and explores themes of American history\, generational labor\, and liberation. \n\nBass has been recognized with awards for multiple art forms. She received a 2024 Washington Award for art and social justice. She is a 2022 MAP Fund recipient for theater\, a 2020 Live Feed Resident Artist at New York Live Arts for choreography and dance and a 2021–22 Smithsonian Artist Research Fellow. She performed at the 2022 Venice Biennale as part of Loophole of Retreat\, Simone Leigh’s special project for the U.S. Pavilion. She regularly contributes book reviews to the New York Times and was the first journalist to put the term “hip hop theater” into print in a 1999 article for American Theatre magazine. Bass directed an arts program for adjudicated teens in DC’s Department of Youth Rehabilitation Services from 2014 to 2019. From 2019 to 2025\, she served as national director of Turnaround Arts at the Kennedy Center\, a program that increases access to the arts in under-resourced elementary and middle schools. She studied modern dance under Viola Farber and creative writing at Sarah Lawrence College before earning her Master’s degree from Columbia University’s Graduate School of Journalism. In fall 2026\, Bass will also be a Towsley Policymaker in Residence at the U-M Ford School of Public Policy.\n\nWe Hold These Truths opens at UMMA on October 3\, 2026. The exhibition and Bass’ Penny Stamps Speaker Series program are presented in partnership with the Roman J. Witt Residency Program and the University of Michigan Museum of Art.\n\nAbout the University of Michigan Roman J. Witt Residency\n\nThe Roman J. Witt Residency Program\, developed with the support of University of Michigan alumna Penny W. Stamps and named in honor of her father\, is an annual international competition that awards one residency per academic year to a visiting artist/designer who proposes to develop a new work in collaboration with University of Michigan students and faculty.\n\nLead support for the exhibition is provided by the Benedek Endowment Fund for the Humanities\, the Richard and Rosann Noel Endowment\, the Greg Hodes and Heidi Hertel Hodes Partners in the Arts Endowment Fund\, the Herbert W. and Susan L. Johe Endowment Fund\, and Stamps School of Art & Design.\n\nPresented in partnership with the U-M Museum of Art\, with support from U.S. at 250\, U-M Ford School of Public Policy\, and the U-M Initiative for Democracy & Civic Empowerment. \n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150475-21909498@events.umich.edu
URL:https://events.umich.edu/event/150475
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260918T070000
DTEND;TZID=America/Detroit:20260918T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907838@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260918T090000
DTEND;TZID=America/Detroit:20260918T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908781@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260918T110000
DTEND;TZID=America/Detroit:20260918T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881331@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260918T120000
DTEND;TZID=America/Detroit:20260918T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906599@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260919T070000
DTEND;TZID=America/Detroit:20260919T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907839@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260919T110000
DTEND;TZID=America/Detroit:20260919T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881332@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260919T120000
DTEND;TZID=America/Detroit:20260919T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906600@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260920T070000
DTEND;TZID=America/Detroit:20260920T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907840@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260921T070000
DTEND;TZID=America/Detroit:20260921T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907841@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260921T090000
DTEND;TZID=America/Detroit:20260921T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908784@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260922T070000
DTEND;TZID=America/Detroit:20260922T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907842@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260922T090000
DTEND;TZID=America/Detroit:20260922T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908785@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260922T120000
DTEND;TZID=America/Detroit:20260922T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906601@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T153029
DTSTART;TZID=America/Detroit:20260922T173000
DTEND;TZID=America/Detroit:20260922T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Olayami Dabls
DESCRIPTION:\n\nFor decades\, Detroit artist Olayami Dabls has explored the intersections of art\, history\, identity\, community\, and healing through sculpture\, storytelling\, and material culture. Founder of the MBAD African Bead Museum\, Dabls presents commentary on the past\, present\, and future from African and African American perspectives\, drawing upon traditions in which materials convey identity and serve as messages for healing and protection. In 2022\, he received the prestigious Kresge Artist Award for his innovative practice and enduring legacy within his community and beyond. \n\nJoining Dabls in conversation is Nichole Christian\, a writer\, editor\, and native Detroiter. Since 2019\, she’s worked as the independent creative director\, editor\, and lead writer of the Kresge Eminent Artists monograph series\, produced annually by the Kresge Foundation. The series includes The Culture Keeper\, which in 2022 chronicled the ongoing legacy of Olayami Dabls and his African Bead Museum. Christian is the co-author of the award-winning public art book\, Canvas Detroit. Previously\, she has worked as a staff writer for publications including The New York Times\, The Wall Street Journal\, Time magazine\, and the Detroit Free Press. She is currently the managing editor for Outlier Media. \n\nCoinciding with his Penny Stamps Speaker Series appearance\, the Institute for the Humanities Gallery will present Olayami Dabls: Grand Vision from September 22–October 28\, 2026. The exhibition features Dabls’work in visual conversation with African beads and artifacts from the MBAD African Bead Museum and his collections. The project also includes the installation of his iconic outdoor sculpture\, Iron Teaching Rocks Table Manners\, on the University of Michigan campus from September 22–October 12\, 2026.\n\nPresented in partnership with the U-M Institute for the Humanities.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n\n
UID:150476-21909499@events.umich.edu
URL:https://events.umich.edu/event/150476
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African,African American,Art,Detroit
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260923T070000
DTEND;TZID=America/Detroit:20260923T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907843@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260923T090000
DTEND;TZID=America/Detroit:20260923T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908786@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260923T110000
DTEND;TZID=America/Detroit:20260923T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881333@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260923T120000
DTEND;TZID=America/Detroit:20260923T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906602@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260924T070000
DTEND;TZID=America/Detroit:20260924T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907844@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260924T090000
DTEND;TZID=America/Detroit:20260924T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908787@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260924T110000
DTEND;TZID=America/Detroit:20260924T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881334@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260924T120000
DTEND;TZID=America/Detroit:20260924T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906603@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T181521
DTSTART;TZID=America/Detroit:20260924T173000
DTEND;TZID=America/Detroit:20260924T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Cosmo Whyte
DESCRIPTION:\n\nCosmo Whyte is an interdisciplinary artist working across drawing\, installation\, photography\, and sculpture. His research-driven practice examines interstitial subjectivity through intimate and public archives\, Black spatiality\, and practices of resistance. His work is organized around two interconnected approaches: The Archive as Threshold / Site of Disturbance and Migration as Refuge / Refusal. The first considers the archive not as a fixed repository but as a constrained structure shaped by embedded histories\, asking how its limits might be unsettled and reactivated. The second frames migration as an open-ended\, unfinished process that disrupts stable notions of identity and belonging.\n\nBeginning with an interrogation of his own racialized and gendered body and the personal memories embedded within it\, Whyte uses the intimate archive as an entry point into broader collective and political questions. His work challenges the archive as a force that seeks to fix and preserve history\, instead exploring how its boundaries might be breached to reveal the complexities\, contradictions\, and lived experiences contained within. Through this process\, he considers migration not simply as movement from one place to another\, but as an ongoing condition of refuge\, refusal\, and transformation.\n\n Whyte’s work has been presented in solo exhibitions at The Arts Club of Chicago\, Anat Ebgi (Los Angeles)\, Lux Art Institute\, MOCA GA\, and Johnson Lowe Gallery\, among others. His work has also been featured in group exhibitions at the Museum of Contemporary Art Chicago\, El Museo del Barrio’s LA TRIENAL\, Prospect.5 New Orleans\, The Drawing Center\, the 13th Havana Biennial\, and the High Museum of Art. His honors include awards from the Pollock-Krasner Foundation\, the Harpo Foundation\, Artadia\, Art Matters\, the Louis Comfort Tiffany Foundation\, the MOCA GA Working Artist Program Award\, the Edge Award\, and the Dartmouth College Artist-in-Residence Award. Whyte is the area head of painting/ drawing and an associate professor in UCLA’s Department of Art. He earned an MFA from the University of Michigan’s Penny W. Stamps School of Art & Design.\n\nCoinciding with his Penny Stamps Speaker Series appearance\, Stamps Gallery will present Cosmo Whyte: Under the Quiet\, Beyond the Eye\, an ambitious\, mid-career survey exhibition\, from September 11–December 12\, 2026. Directly after Whyte’s September 24 presentation\, an artist Q&A and exhibition reception will take place at Stamps Gallery (201 S. Division St.) from 6:30-8:30 p.m. \n\nPresented in partnership with the U-M Stamps Gallery.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n\n
UID:150477-21909500@events.umich.edu
URL:https://events.umich.edu/event/150477
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260826T173918
DTSTART;TZID=America/Detroit:20260924T183000
DTEND;TZID=America/Detroit:20260924T203000
SUMMARY:Reception / Open House:Opening Reception and Artist Q&A - Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nDirectly following Cosmo Whyte’s Penny Stamps Speaker Series presentation at the Michigan Theater\, join us at Stamps Gallery for a reception celebrating the opening of Cosmo Whyte: Under the Quiet\, Beyond the Eye. Listen in on a Q&A with artist\, Cosmo Whyte\, and exhibition curator\, Srimoyee Mitra. Light refreshments will be served.\n
UID:150413-21909427@events.umich.edu
URL:https://events.umich.edu/event/150413
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Caribbean,Diaspora,Migration,Reception
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260925T070000
DTEND;TZID=America/Detroit:20260925T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907845@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260925T090000
DTEND;TZID=America/Detroit:20260925T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908788@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260925T110000
DTEND;TZID=America/Detroit:20260925T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881335@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260925T120000
DTEND;TZID=America/Detroit:20260925T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906604@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260926T070000
DTEND;TZID=America/Detroit:20260926T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907846@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260926T110000
DTEND;TZID=America/Detroit:20260926T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881336@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260926T120000
DTEND;TZID=America/Detroit:20260926T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906605@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260811T061508
DTSTART;TZID=America/Detroit:20260926T130000
DTEND;TZID=America/Detroit:20260926T170000
SUMMARY:Other:Graduate Portfolio Day - Online
DESCRIPTION:\n\nPlease join us for a virtual Graduate Portfolio Day event on Saturday\, September 26\, 2026\, from 1-5 p.m. EDT.\n\nVisit with counselors\, admissions team members\, and faculty from art and design schools for a portfolio review before applying to colleges or universities. National Portfolio Day events are free and open to the public.
UID:150106-21908016@events.umich.edu
URL:https://events.umich.edu/event/150106
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121516
DTSTART;TZID=America/Detroit:20260926T140000
DTEND;TZID=America/Detroit:20260926T160000
SUMMARY:Workshop / Seminar:Be Curious: Making Art with Stamps MFAs
DESCRIPTION:\n\nJoin Master of Fine Arts (MFA) candidates from the Penny W. Stamps School of Art & Design at the University of Michigan as they lead creative workshops exploring voice\, process\, and practice. In partnership with the U-M Arts Initiative\, this series is an opportunity for second-year Stamps MFA students to engage the community in their creative and iterative processes through hands-on art making activities. \n\n\nPrior experience not required\, all supplies provided. Individual themes to be announced. Each program is presented individually\; participation in all of the programs is not required. Limited space available\, reservations are required.\n
UID:150342-21909051@events.umich.edu
URL:https://events.umich.edu/event/150342
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260927T070000
DTEND;TZID=America/Detroit:20260927T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907847@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260928T070000
DTEND;TZID=America/Detroit:20260928T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907848@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260928T090000
DTEND;TZID=America/Detroit:20260928T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908791@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260929T070000
DTEND;TZID=America/Detroit:20260929T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907849@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260929T090000
DTEND;TZID=America/Detroit:20260929T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908792@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260929T120000
DTEND;TZID=America/Detroit:20260929T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906606@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20260930T070000
DTEND;TZID=America/Detroit:20260930T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907850@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20260930T090000
DTEND;TZID=America/Detroit:20260930T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908793@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20260930T110000
DTEND;TZID=America/Detroit:20260930T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881337@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20260930T120000
DTEND;TZID=America/Detroit:20260930T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906607@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261001T070000
DTEND;TZID=America/Detroit:20261001T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907851@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260827T142116
DTSTART;TZID=America/Detroit:20261001T090000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Ballad for Rodney
DESCRIPTION:The Institute for the Humanities’ presentation of Cosmo Whyte’s* Ballad for Rodney* (2024) is organized as part of Whyte’s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet\, Beyond the Eye*.\n\nThis “curtain painting” operates simultaneously as painting and sculpture\, inviting the viewer to physically engage with the surface\, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982\, St. Andrew\, Jamaica) is an interdisciplinary artist who employs drawing\, installation\, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives\, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022\, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte’s work has been exhibited nationally and internationally\, including at MOCA Georgia\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; The High Museum of Art\, Atlanta\, GA\; The Drawing Center\, New York\, NY\; Atlanta Contemporary\, Atlanta\, GA\; Centre Georges Pompidou\, Paris\, France\; and the National Gallery of Jamaica\, Kingston\, Jamaica\, among others. His work is in public museum collections including the High Museum\, Atlanta\, GA\; Museum of Contemporary Art\, Chicago\, IL\; International African American Museum\, Charlotte\, NC\; MOCA Georgia\, Atlanta\, GA\; National Gallery of Jamaica\; Pérez Art Museum Miami\, among others. Whyte lives and works between Montego Bay\, Jamaica and Los Angeles\, CA.
UID:150287-21908794@events.umich.edu
URL:https://events.umich.edu/event/150287
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Humanities,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room, #1022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261001T110000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881338@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261001T120000
DTEND;TZID=America/Detroit:20261001T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906608@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181509
DTSTART;TZID=America/Detroit:20261001T130000
DTEND;TZID=America/Detroit:20261001T143000
SUMMARY:Reception / Open House:Opening Reception: 2026 Second Year Studio Exhibition
DESCRIPTION:\n\nThe 2026 Second Year Studio Exhibition features work created by Stamps students enrolled in Second Year Studio\, showcasing our rising third-year and transfer students. With work in a variety of media installed throughout the Art & Architecture building\, the exhibition invites first-year students and other newcomers to explore both their surroundings and the creative possibilities ahead. \n\nOn Thursday\, October 1\, join us for an exhibition reception from 1-2:30 p.m. at the Art & Architecture building’s Street Gallery. 
UID:150016-21907869@events.umich.edu
URL:https://events.umich.edu/event/150016
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T153424
DTSTART;TZID=America/Detroit:20261001T173000
DTEND;TZID=America/Detroit:20261001T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Vijay Gupta
DESCRIPTION:\n\nVijay Gupta is a violinist\, curator\, and music director who explores the human condition through music. His performing career has taken him from Carnegie Hall — where he debuted at age eight — to county jails\, Skid Row shelters\, and state psychiatric hospitals\, finding in each the same essential questions about what music is for\, and who it is for. At eleven\, he made his international solo debut with the Israel Philharmonic under Zubin Mehta. At nineteen\, he became the youngest violinist ever to join the Los Angeles Philharmonic\, where he performed for eleven seasons. The Los Angeles Times has called his playing \"brilliant\, bold and gripping\,\" and Publishers Weekly praised his memoir Restrung as a \"a virtuoso performance” that illustrates how music \"reaches the broken places within us and the broken places between us.\"\n\nA recipient of the MacArthur Fellowship and honoree on the Time 100 Next list\, Gupta is the founder and artistic director of Street Symphony\, a nonprofit that brings live music into shelters\, clinics\, county jails\, state hospitals\, and reentry programs across Los Angeles. Over fifteen years\, Street Symphony has delivered more than 3\,000 performances and workshops. The New Yorker called it \"a formidable new model for how musical institutions should engage with the world around them.\" \n\nIn addition to his work with Street Symphony\, Gupta performs as a soloist and as a founding member of the Darshan Piano Trio. He holds degrees in biology and violin performance and completed graduate study at the Yale School of Music. He has addressed audiences at the Aspen Institute\, Mayo Clinic\, Harvard Business School\, the American Medical Association\, and the U.S. Psychiatric Congress\, among others. Restrung\, his memoir\, was published by Grand Central / Da Capo in 2026. \n\nPresented in partnership with the U-M Arts Initiative\, the Michigan Arts Festival\, and the Ann Arbor Symphony.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150478-21909501@events.umich.edu
URL:https://events.umich.edu/event/150478
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Classical Music,Michigan Arts Festival,Music,Violin
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261002T070000
DTEND;TZID=America/Detroit:20261002T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907852@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T181523
DTSTART;TZID=America/Detroit:20261002T093000
DTEND;TZID=America/Detroit:20261002T110000
SUMMARY:Lecture / Discussion:Willow Weaving Wellness: Talk
DESCRIPTION:\n\nTalk: 9:30-11 a.m.\nWorkshop: 11:30 a.m. - 2:30 p.m.\n\nExplore the connections between nature\, creativity and well-being through the living language of willow. Join artist and farmer Howard Peller\, U-M botanist and professor Selena Smith Ph.D.\, and invited Indigenous and campus voices for a conversation on willow’s cultural history\, ecological importance and role in fostering resilience and human well-being. \n\nThe event will also unveil the vision for the \"Living Willow Structures\" campus project\, followed by a hands-on willow weaving workshop where participants can experience the mindful\, restorative process of creating with this remarkable material.\n\nThis workshop is presented in conjunction with the University of Michigan Climate Week Initiative.\n\n\n\nPrior experience is not required. Free and open to the public. \nAttendance at both events is not required. Limited space available.\nRegistration opens soon. Please check back for updates.
UID:150747-21910064@events.umich.edu
URL:https://events.umich.edu/event/150747
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261002T110000
DTEND;TZID=America/Detroit:20261002T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881339@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T181526
DTSTART;TZID=America/Detroit:20261002T113000
DTEND;TZID=America/Detroit:20261002T143000
SUMMARY:Workshop / Seminar:Willow Weaving Wellness: Workshop
DESCRIPTION:\n\nTalk: 9:30-11 a.m.\nWorkshop: 11:30 a.m. - 2:30 p.m.\n\nExplore the connections between nature\, creativity and well-being through the living language of willow. Join artist and farmer Howard Peller\, U-M botanist and professor Selena Smith Ph.D.\, and invited Indigenous and campus voices for a conversation on willow’s cultural history\, ecological importance and role in fostering resilience and human well-being. \n\nThe event will also unveil the vision for the \"Living Willow Structures\" campus project\, followed by a hands-on willow weaving workshop where participants can experience the mindful\, restorative process of creating with this remarkable material.\n\nThis workshop is presented in conjunction with the University of Michigan Climate Week Initiative.\n\n\n\nPrior experience is not required. Free and open to the public. \nAttendance at both events is not required. Limited space available.\nRegistration opens soon. Please check back for updates.
UID:150748-21910065@events.umich.edu
URL:https://events.umich.edu/event/150748
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261002T120000
DTEND;TZID=America/Detroit:20261002T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906609@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261003T070000
DTEND;TZID=America/Detroit:20261003T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907853@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261003T110000
DTEND;TZID=America/Detroit:20261003T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881340@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261003T120000
DTEND;TZID=America/Detroit:20261003T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906610@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261004T070000
DTEND;TZID=America/Detroit:20261004T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907854@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261005T070000
DTEND;TZID=America/Detroit:20261005T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907855@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261006T070000
DTEND;TZID=America/Detroit:20261006T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907856@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261006T120000
DTEND;TZID=America/Detroit:20261006T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906611@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261007T070000
DTEND;TZID=America/Detroit:20261007T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907857@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261007T110000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881341@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261007T120000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906612@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261008T070000
DTEND;TZID=America/Detroit:20261008T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907858@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261008T110000
DTEND;TZID=America/Detroit:20261008T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881342@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261008T120000
DTEND;TZID=America/Detroit:20261008T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906613@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T153627
DTSTART;TZID=America/Detroit:20261008T173000
DTEND;TZID=America/Detroit:20261008T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Amy Franceschini / Futurefarmers
DESCRIPTION:\n\nAmy Franceschini is an artist and designer whose work facilitates encounter\, exchange\, and tactile forms of inquiry by calling into question the \"certainties\" of a given time or place where a work is situated. An overarching theme in her work is a perceived conflict between \"humans\" and \"nature\". Her projects reveal the history and currents of contradictions related to this divide by challenging systems of exchange and the tools we use to \"hunt\" and \"gather\". Using this as a starting point\, she creates relational objects that invoke action and inquiry\; not only to imagine\, but also to participate in and initiate change in the places we live.\n\nIn 1995\, Franceschini founded Futurefarmers as a collaborative platform to consider the social\, political\, and environmental organization of space. Futurefarmers use various media to deconstruct systems to visualize and understand their intrinsic logics\; food systems\, public transportation\, education. Through this disassembly\, they find new narratives and reconfigurations that form alternatives to the principles that once dominated these systems.\n\nFuturefarmers work is based in enmeshed acts of wandering and material processes. In the context of public art works\, they cultivate public life in place\, rather than inserting pre-determined forms and concepts into public space. They do so through a process-led approach\,inviting materials and communities to arrive and intersect at a specific site or situation. Through time and the practiced presence of Futurefarmers\, the meeting place of people and materials transform from provisional arrangements into durable forms and functions of their work\n\nFranceschini is a 2009 Guggenheim Fellow\, a 2019 Rome Prize Fellow and a 2017 recipient of the Herb Alpert Award for Visual Arts. She is the author of A Variation on the Powers of Ten\, For Want of a Nail\, and\, most recently\, Silicon Forest in 2026. Franceschini received a BFA in Photography from San Francisco State University and an MFA from Stanford University. She has taught in the visual arts graduate programs at California College of the Arts in San Francisco and Stanford University\, and in the Master of Eco-Social Design at the Free University in Bolzano\, Italy. \n\nWith support from Design Core Detroit\, Detroit UNESCO City of Design\, and U-M Student Life Sustainability. \n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150479-21909502@events.umich.edu
URL:https://events.umich.edu/event/150479
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Collaboration,Collectivism,Design,Detroit Design Festival,Public Art,Sustainability,Systems Thinking
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261009T070000
DTEND;TZID=America/Detroit:20261009T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907859@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261009T110000
DTEND;TZID=America/Detroit:20261009T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881343@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261009T120000
DTEND;TZID=America/Detroit:20261009T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906614@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261010T070000
DTEND;TZID=America/Detroit:20261010T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907860@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261010T110000
DTEND;TZID=America/Detroit:20261010T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881344@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261010T120000
DTEND;TZID=America/Detroit:20261010T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906615@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261011T070000
DTEND;TZID=America/Detroit:20261011T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907861@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181524
DTSTART;TZID=America/Detroit:20261011T120000
DTEND;TZID=America/Detroit:20261011T160000
SUMMARY:Other:National Portfolio Day - Online
DESCRIPTION:\n\nExplore the nation’s best col­leges of art and design and meet with Stamps Admissions rep­re­sen­ta­tives\, who can pro­vide informal port­fo­lio reviews\, dis­cuss our unique cur­ricu­lum\, and answer ques­tions about pro­fes­sional careers in art. Show­ing your work early can help you acquire impor­tant infor­ma­tion about orga­niz­ing and pre­sent­ing your port­fo­lio for future admis­sion con­sid­er­a­tion. High school stu­dents\, par­ents\, teach­ers\, guid­ance coun­selors\, and col­lege trans­fer stu­dents are encour­aged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event’s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone\, and register through the official National Portfolio Day website.
UID:150663-21909866@events.umich.edu
URL:https://events.umich.edu/event/150663
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261012T070000
DTEND;TZID=America/Detroit:20261012T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907862@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181524
DTSTART;TZID=America/Detroit:20261012T173000
DTEND;TZID=America/Detroit:20261012T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Aanikoobijigan
DESCRIPTION:\n\nTrapped in museum archives\, Ancestors bend time and space to find their way home. History\, spirituality\, and the law collide as tribal repatriation specialists fight to return and rebury Indigenous human remains\, offering a revealing look at the still-pervasive worldviews that justified collecting them in the first place.\nThe film Aanikoobijigan [ancestor/great-grandparent/great-grandchild] documents the emotional and vital work of MACPRA (Michigan Anishinaabek Cultural Preservation and Repatriation Alliance). This alliance\, made up of repatriation specialists representing all Michigan tribes\, fights to bring their Ancestors and funerary objects home from settler colonial institutions like museums\, libraries\, and archives. Adam and Zack Khalil’s monumental and formally daring film follows the pressing struggle to rebury Indigenous human remains that have been held in sterile storage\, laying bare the history of Indigenous collections and the battle to recognize and enforce the laws intended to facilitate their repatriation to the communities they were originally stolen from. Using an essayistic approach alongside vérité portraits\, the film celebrates the courageous individuals who carry out this hard and emotionally draining labor of return. \n\n—Sundance Film Festival\n\nAanikoobijigan [ancestor/great-grandparent/great-grandchild] directors Adam and Zack Khalil are members of the Sault Ste. Marie Tribe of Chippewa Indians. They are co-directors and co-editors of the feature documentary INAATE/SE/ [it shines a certain way. to a certain place./ it flies. falls./] (2016) which premiered as the closing night film of the Museum of Modern Art’s Doc Fortnight Film Festival\, and the experimental documentary short The Violence of a Civilization without Secrets (2017) which premiered at Sundance. The Khalils are core contributors to New Red Order\, a public-secret society which calls attraction toward indigeneity into question\, yet promotes this desire\, and enjoins potential non-Indigenous accomplices to participate in the co-examination and expansion of Indigenous agency. \n\nAdam Khalil is an artist whose practice attempts to subvert traditional forms of image-making through humor\, relation\, and transgression. A co-founder of COUSINS Collective\, Khalil’s work has been exhibited or screened at the Museum of Modern Art\, Sundance Film Festival\, New York Film Festival\, Tate Modern\, HKW\, Walker Arts Center\, Lincoln Center\, Palais de Tokyo\, Kunsthal Charlottenborg\, Creative Time\, Toronto Biennial 2019\, Whitney Biennial 2019\, Sharjah Biennial 15\, Counterpublic Triennial 2023\, among other institutions. Khalil is the recipient of various fellowships and grants\, including a 2021 Creative Capital Award\, a 2020 Herb Alpert Award\, a Jerome Artist Fellowship\, the Gates Millennium Scholarship\, and honors from Sundance Art of Nonfiction and Cinereach.\n\nZack Khalil is a filmmaker and artist whose work centers Indigenous narratives in the present—and looks towards the future—through the use of innovative nonfiction forms. Khalil also works professionally as a video editor\, most recently co-editing Alison O’Daniels feature film The Tuba Thieves (2023)\, which premiered at Sundance. Khalil’s own work has been shown at the Museum of Modern Art\, Sundance Film Festival\, New York Film Festival\, CPH: DOX\, HKW\, Walker Arts Center\, Kunsthal Charlottenborg\, Creative Time\, Toronto Biennial 2019\, Whitney Biennial 2019\, 59th Venice Biennale\, Sharjah Biennial 15\, and Counterpublic Triennial 2023\, among other institutions and festivals. Khalil is the recipient of various fellowships and grants\, including a Jerome Hill Artist Fellowship\, a Sundance Art of Nonfiction grant\, and the Gates Millennium Scholarship.\n\nFollowing the Penny Stamps Speaker Series screening of Aanikoobijigan at the Michigan Theater on October 12\, a reception and Q&A will take place from 6:30-8:30 p.m. at Stamps Gallery (201 S. Division St.). Filmmakers Zack and Adam Khalil\, with special guests\, will speak in reflection on their film and process.\n\nIn partnership with the U-M Native American Graves Protection and Repatriation Act (NAGPRA) Office\; U-M Museum of Anthropological Archeology\; U-M Matthaei Botanical Gardens & Nichols Arboretum\; U-M Department of Film\, Television\, and Media\; U-M Department of Native American Studies\; the U-M Department of American Culture\; the U-M Inclusive History Project\; the U-M Department of Anthropology\; U-M Museum Studies Program\; and the U-M Stamps Gallery.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.
UID:150480-21909503@events.umich.edu
URL:https://events.umich.edu/event/150480
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T181529
DTSTART;TZID=America/Detroit:20261012T183000
DTEND;TZID=America/Detroit:20261012T203000
SUMMARY:Film Screening:Public Reception and Film Talkback: Aanikoobijigan
DESCRIPTION:\n\nFollowing the screening of Aanikoobijigan at Michigan Theater\, a reception and Q&A will take place at Stamps Gallery where filmmakers Zack and Adam Khalil will speak in reflection on their film and process. Filmmakers and special guests will be in attendance. Light refreshments will be served.\n\nAbout the Film\nIn the sterile storage of museums and archives our ancestor’s remains struggle to find their way home. Aanikoobijigan follows eleven indigenous repatriation specialists that make up MACPRA (Michigan Anishinaabek Cultural Preservation & Repatriation Alliance) fighting to rebury and return ancestors from settler-colonial libraries\, archives\, and museums. Through an essayistic approach the film lays bare the history of indigenous collections\, the laws passed to ensure return of human remains and funerary objects\, and vérité portraits of the righteous and courageous individuals doing the hard and emotionally draining work of bringing our ancestors back home.\n\nPresented in partnership with the U-M Native American Graves Protection and Repatriation Act (NAGPRA) Office\; U-M Museum of Anthropological Archeology\; U-M Matthaei Botanical Gardens & Nichols Arboretum\; U-M Department of Film\, Television\, and Media\; the U-M Department of American Culture\; the U-M Inclusive History Project\; the U-M Department of Anthropology\; U-M Museum Studies Program\; and the U-M Stamps Gallery.\n
UID:150343-21909052@events.umich.edu
URL:https://events.umich.edu/event/150343
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261013T070000
DTEND;TZID=America/Detroit:20261013T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907863@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261013T120000
DTEND;TZID=America/Detroit:20261013T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906616@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261014T070000
DTEND;TZID=America/Detroit:20261014T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907864@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261014T110000
DTEND;TZID=America/Detroit:20261014T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881345@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261014T120000
DTEND;TZID=America/Detroit:20261014T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906617@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261015T070000
DTEND;TZID=America/Detroit:20261015T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907865@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261015T110000
DTEND;TZID=America/Detroit:20261015T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881346@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261015T120000
DTEND;TZID=America/Detroit:20261015T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906618@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T153754
DTSTART;TZID=America/Detroit:20261015T173000
DTEND;TZID=America/Detroit:20261015T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Shane Ward
DESCRIPTION:\n\nRaised on Detroit’s west side as one of seven children\, Shane Ward’s path to global design leadership was anything but conventional. A full academic scholarship to the University of Michigan opened doors that introduced him to the transformative power of imagination\, creativity\, and design. What began as a passion for drawing\, storytelling\, and community evolved into a career spanning more than three decades in the footwear industry\, ultimately leading to design leadership roles with some of the world’s most influential brands.\n\nAfter graduating from the University of Michigan\, Ward began his career with Adidas in Portland\, Oregon\, where he also developed a lifelong appreciation for the outdoors. Over the years\, he has designed footwear for brands including Puma\, Converse\, Keen/Fila\, Rockport\, and G.H. Bass.\n\nTogether with his identical twin brother\, Ward co-founded DETNY by Shane & Shawn\, serving as creative director for the men’s and women’s footwear line. The collection was carried by Nordstrom and Macy’s and featured in its own boutique in New York City’s Nolita neighborhood. Beyond footwear\, Ward has expanded his creative practice through large-scale paintings that reflect his love of sneaker culture and the natural world. His ongoing Metamorphosis series explores the intersection of fashion\, identity\, and impermanence through iconic sneaker silhouettes layered with cherry blossoms and butterflies. The paintings contrast the fleeting nature of sneaker trends with the enduring cultural legacy of classic designs\, using these instantly recognizable forms to examine themes of time\, memory\, social status\, and our shared perceptions of style and performance. Like the blossoms and butterflies that drift beyond our control\, the works suggest that while fashion and life are transient\, a rare few ideas and objects leave an indelible mark across generations.\n\nToday\, Ward serves as design director of footwear at Adidas\, where he leads the design team for Originals Running. His journey continues to shape his belief that design is fundamentally about optimism\, possibility\, and expanding what individuals believe is achievable for themselves and their communities.\n\nWith support from Design Core Detroit and Detroit Unesco City of Design. \n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150481-21909504@events.umich.edu
URL:https://events.umich.edu/event/150481
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Design,Entrepreneurship,Fashion,Product Design,Shoes
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261016T070000
DTEND;TZID=America/Detroit:20261016T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907866@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261016T110000
DTEND;TZID=America/Detroit:20261016T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881347@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261016T110000
DTEND;TZID=America/Detroit:20261016T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909053@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261016T120000
DTEND;TZID=America/Detroit:20261016T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906619@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T181513
DTSTART;TZID=America/Detroit:20261016T180000
DTEND;TZID=America/Detroit:20261016T200000
SUMMARY:Reception / Open House:Opening Reception: Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us on Friday\, October 16 from 6 – 8 p.m. for the opening receptions of Fore-Site (Phase 3): The Stamps Gallery Pillar Project and the Stamps Student-led Exhibition Committee (SEC) Fall Exhibition at Stamps Gallery.\n\nThis innovative exhibition and installation is organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.\n
UID:150345-21909063@events.umich.edu
URL:https://events.umich.edu/event/150345
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T181531
DTSTART;TZID=America/Detroit:20261016T180000
DTEND;TZID=America/Detroit:20261016T200000
SUMMARY:Reception / Open House:Opening Reception - Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nJoin us on Friday\, October 16 from 6 – 8 p.m. for the opening receptions of Fore-Site (Phase 3): The Stamps Gallery Pillar Project and the Stamps Student-led Exhibition Committee (SEC) Fall Exhibition at Stamps Gallery.\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)
UID:150379-21909148@events.umich.edu
URL:https://events.umich.edu/event/150379
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261017T070000
DTEND;TZID=America/Detroit:20261017T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907867@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261017T110000
DTEND;TZID=America/Detroit:20261017T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881348@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261017T110000
DTEND;TZID=America/Detroit:20261017T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909054@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261017T120000
DTEND;TZID=America/Detroit:20261017T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906620@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260807T181508
DTSTART;TZID=America/Detroit:20261018T070000
DTEND;TZID=America/Detroit:20261018T220000
SUMMARY:Exhibition:2026 Second Year Studio Exhibition
DESCRIPTION:\n\nAugust 24 - October 18\, 2026\nExhibition Reception: October 1\, 1-2:30 p.m.\n\nIn their second year\, Stamps students complete a major milestone: Second Year Studio (SYS). It’s a course where\, per the syllabus\, students \"develop the capacity to work independently by identifying\, exploring\, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path\, encountering questions that can shape the direction of their creative practice. At the end of the semester\, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building\, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students\, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate\, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year’s exhibition engage a wide range of questions and concerns. Students investigate memory\, identity\, materiality\, ecology\, technology\, labor\, social relationships\, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition\, what stands out most is not a dominant thematic direction\, but a shared commitment to sustained inquiry.\n\n–Sally Clegg\, Lecturer & Student Exhibitions Coordinator & Pedram Baldari\, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hernández\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n
UID:150015-21907868@events.umich.edu
URL:https://events.umich.edu/event/150015
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260723T181511
DTSTART;TZID=America/Detroit:20261018T120000
DTEND;TZID=America/Detroit:20261018T160000
SUMMARY:Other:National Portfolio Day - Grand Rapids\, MI
DESCRIPTION:\n\nGrand Rapids National Portfolio Day (In-Person)\nSunday\, October 18\, 2025 from 12-4 pm EDT\nFerris State University’s Kendall College of Art and Design\nN. Ferris Building\, 17 Pearl Street Northwest\nGrand Rapids\, Michigan\, 49503\n\nExplore the nation’s best col­leges of art and design and meet with Stamps Undergraduate Admissions rep­re­sen­ta­tives\, who can pro­vide informal port­fo­lio reviews\, dis­cuss our unique cur­ricu­lum\, and answer ques­tions about pro­fes­sional careers in art. Show­ing your work early can help you acquire impor­tant infor­ma­tion about orga­niz­ing and pre­sent­ing your port­fo­lio for future admis­sion con­sid­er­a­tion. High school stu­dents\, par­ents\, teach­ers\, guid­ance coun­selors\, and col­lege trans­fer stu­dents are encour­aged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event’s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone\, and register through the official National Portfolio Day website.
UID:149542-21906661@events.umich.edu
URL:https://events.umich.edu/event/149542
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261020T120000
DTEND;TZID=America/Detroit:20261020T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906621@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261021T110000
DTEND;TZID=America/Detroit:20261021T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881349@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261021T110000
DTEND;TZID=America/Detroit:20261021T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909055@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261021T120000
DTEND;TZID=America/Detroit:20261021T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906622@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261022T110000
DTEND;TZID=America/Detroit:20261022T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881350@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261022T110000
DTEND;TZID=America/Detroit:20261022T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909056@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261022T120000
DTEND;TZID=America/Detroit:20261022T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906623@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T154223
DTSTART;TZID=America/Detroit:20261022T173000
DTEND;TZID=America/Detroit:20261022T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Holly Herndon
DESCRIPTION:\n\nBerlin-based artist Holly Herndon is known for her pioneering work in music\, machine learning\, and protocol development. Her practice creates precedent-setting projects where technical systems are artworks unto themselves.\n\nHerndon co-runs a studio in Berlin with her partner Mathew Dryhurst. Their major exhibitions include The Call at Serpentine Gallery in London\, Starmirror at Kunstwerke Berlin and K21 in Duesseldorf\, xhairymutantx in the 2024 Whitney Biennial\, and Strange Rules at Palazzo Diedo in Venice. They released the book All Media is Training Data in 2024 through Buchhandlung Walther König. In 2022\, Herndon co-founded Spawning\, an organization building an open consent-and-compliance protocol for AI data\, creating tools for artists such as haveibeentrained.com and the Do Not Train protocol covering 2 billion+ works.\n\nHerndon’s critically acclaimed musical works include Platform (RVNG-4AD/2015) and PROTO (4AD/2019). Awards include the 2022 Ars Electronica STARTS prize\, Austria’s first Digital Human Rights Award (2024)\, the Kairos Prize (2025)\, and the Deutschen KI Prize (2025). \n\nHerndon holds a doctorate in Computer Music from Stanford University.\n\nWith support from Mary Ellen Coe and Elizabeth Laraki.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150482-21909505@events.umich.edu
URL:https://events.umich.edu/event/150482
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Electronic Music,Machine Learning,Music
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261023T110000
DTEND;TZID=America/Detroit:20261023T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881351@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261023T110000
DTEND;TZID=America/Detroit:20261023T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909057@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261023T120000
DTEND;TZID=America/Detroit:20261023T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906624@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261024T110000
DTEND;TZID=America/Detroit:20261024T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881352@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261024T110000
DTEND;TZID=America/Detroit:20261024T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909058@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261024T120000
DTEND;TZID=America/Detroit:20261024T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906625@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261027T120000
DTEND;TZID=America/Detroit:20261027T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906626@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261028T110000
DTEND;TZID=America/Detroit:20261028T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881353@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261028T110000
DTEND;TZID=America/Detroit:20261028T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909059@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261028T120000
DTEND;TZID=America/Detroit:20261028T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906627@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261029T110000
DTEND;TZID=America/Detroit:20261029T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881354@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261029T110000
DTEND;TZID=America/Detroit:20261029T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909060@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261029T120000
DTEND;TZID=America/Detroit:20261029T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906628@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T154323
DTSTART;TZID=America/Detroit:20261029T173000
DTEND;TZID=America/Detroit:20261029T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - James Baxter
DESCRIPTION:\n\nJames Baxter is an award-winning character animator whose work has shaped some of the most beloved animated films and television series of the past four decades. Renowned for his expressive draftsmanship and mastery of performance through movement\, Baxter has animated some of animation’s most iconic characters\, including Belle in Beauty and the Beast\, Rafiki in The Lion King\, Quasimodo in The Hunchback of Notre Dame\, and the title character in Spirit: Stallion of the Cimarron. His work has also appeared in films including The Prince of Egypt\, Kung Fu Panda\, How to Train Your Dragon\, and Enchanted\, among many others.\n\nThroughout his career\, Baxter has held creative and leadership roles at Walt Disney Feature Animation\, DreamWorks Animation\, and Netflix Animation\, where he currently serves as vice president of animation. Working across both hand-drawn and computer animation\, he has helped shape performances in some of the medium’s most recognizable films while also teaching and mentoring artists throughout the industry. His contributions to animation can also be seen in Adventure Time\, where the recurring character James Baxter the Horse was created as a tribute to the animator.\n\nBaxter will share stories from his four decades in animation and discuss the craft of character performance\, offering a behind-the-scenes look at how movement\, emotion\, and storytelling come together to create memorable animated characters.\n\nWith support from the Ann Arbor District Library.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150483-21909506@events.umich.edu
URL:https://events.umich.edu/event/150483
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Animation,Art,Cartoons,Disney,Film,Storytelling
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261030T110000
DTEND;TZID=America/Detroit:20261030T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881355@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261030T110000
DTEND;TZID=America/Detroit:20261030T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909061@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261030T120000
DTEND;TZID=America/Detroit:20261030T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906629@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261031T110000
DTEND;TZID=America/Detroit:20261031T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881356@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261031T110000
DTEND;TZID=America/Detroit:20261031T170000
SUMMARY:Exhibition:Stamps Student-led Exhibition Committee Fall Exhibition
DESCRIPTION:\n\nJoin us for an innovative exhibition and installation organized by the Stamps School’s Student-led Exhibition Committee (SEC) and composed of work by Stamps students. The SEC aims to create new and exciting opportunities for undergrads to develop their skills in exhibition-making and installations.
UID:150344-21909062@events.umich.edu
URL:https://events.umich.edu/event/150344
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261031T120000
DTEND;TZID=America/Detroit:20261031T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906630@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261103T120000
DTEND;TZID=America/Detroit:20261103T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906631@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261104T110000
DTEND;TZID=America/Detroit:20261104T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881357@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261104T120000
DTEND;TZID=America/Detroit:20261104T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906632@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261105T110000
DTEND;TZID=America/Detroit:20261105T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881358@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261105T120000
DTEND;TZID=America/Detroit:20261105T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906633@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T154423
DTSTART;TZID=America/Detroit:20261105T173000
DTEND;TZID=America/Detroit:20261105T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Danielle Brathwaite-Shirley
DESCRIPTION:\n\nDanielle Brathwaite-Shirley is a London- and Berlin-based artist and game designer whose practice prioritizes active engagement. Working predominantly in animation\, sound\, performance\, and video game development\, the artist’s practice focuses on intertwining lived experience with fiction to imaginatively retell and archive the stories of Black Trans people\, creating participatory spaces to envision more inclusive futures.\n\nTheir projects often take the form of immersive video games\, where players navigate choices that confront their assumptions and biases\, fostering deeper conversations about identity\, privilege\, and systemic oppression. Through their innovative use of digital media\, the artist not only preserves histories but also envisions inclusive futures where the voices of those that are often ignored or erased become central. Their work is both “archive and insurgency\,” a catalyst for dialogue\, inviting audiences to reflect on their roles within broader societal structures\n\nDanielle Brathwaite-Shirley has presented solo exhibitions at Serpentine North\, London (2025)\; LAS Foundation\, Halle am Berghain\, Berlin (2024)\; Fundació Joan Miró\, Barcelona (2024)\; Studio Voltaire\, London (2024)\; Centre d’Art Contemporain Genève (2024)\; SCAD Museum of Art\, Savannah (2023)\; Villa Arson\, Nice (2023)\; HAU Hebbel am Ufer\, Berlin (2023)\; FACT\, Liverpool (2022)\; Project Arts Centre\, Dublin (2022)\; Skänes konstförening\, Malmö (2022)\; Arebyte Gallery\, London (2021)\; QUAD\, Derby (2021)\; and Focal Point Gallery\, Southend-on-Sea (2020). Their work has been included in group exhibitions at institutions such as Art Museum at the University of Toronto (2024)\; National Museum of Modern and Contemporary Art Seoul (2023)\; Leslie-Lohman Museum of Art\, New York (2023)\; Das Centre Pompidou\, Metz (2023)\; Julia Stoschek Foundation\, Berlin (2022)\; Albright-Knox Art Gallery\, Buffalo (2021)\; Les Urbaines\, Lausanne (2019)\; and Barbican\, London (2018). Their work has been the subject of screenings and performances at institutions including Tate Modern\, London (2024\, 2020)\; MoMA\, New York (2023)\; DePaul Art Museum\, Chicago (2023)\; Serpentine\, London (2022)\; Spike Island\, Bristol (2022)\; and South London Gallery (2022). Permanent collections include the Arts Council Collection (UK) and Victoria and Albert Museum (London).\n\nWith support from Design Core Detroit and Detroit Unesco City of Design.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150484-21909507@events.umich.edu
URL:https://events.umich.edu/event/150484
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Design,Detroit Art,Installation
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261106T110000
DTEND;TZID=America/Detroit:20261106T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881359@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261106T120000
DTEND;TZID=America/Detroit:20261106T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906634@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121518
DTSTART;TZID=America/Detroit:20261106T180000
DTEND;TZID=America/Detroit:20261106T200000
SUMMARY:Exhibition:Queer Art Showcase
DESCRIPTION:\n\nCalling all U-M student artists: submit your artwork in celebration of queer and trans experiences! Selected work will be featured in the Queer Art Showcase on Friday\, November 6\, from 6-8 p.m. at Stamps Gallery.\n\n\nStudents of all genders and sexualities are welcome to submit. Submissions close on Wednesday\, September 23\, 2026 at 11:59 p.m. Click here for more information and to submit your artwork.\n\nQueer Art Showcase and Panel Discussion\n\nFriday\, November 6\, 6-8 p.m. at Stamps Gallery\n\nJoin Spectrum Center Programming Board and Stamps Gallery for an incredible showcase of queer and trans art from U-M students of all genders and sexualities. Enjoy a variety of mediums showcasing queer joy while engaging in a panel discussion with the artists. Light refreshments will be provided.\n\nThis event is open to all members of the U-M community. Presented in partnership with the U-M Spectrum Center.\n
UID:150346-21909064@events.umich.edu
URL:https://events.umich.edu/event/150346
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181528
DTSTART;TZID=America/Detroit:20261107T100000
DTEND;TZID=America/Detroit:20261107T140000
SUMMARY:Other:National Portfolio Day - Online
DESCRIPTION:\n\nExplore the nation’s best col­leges of art and design and meet with Stamps Admissions rep­re­sen­ta­tives\, who can pro­vide informal port­fo­lio reviews\, dis­cuss our unique cur­ricu­lum\, and answer ques­tions about pro­fes­sional careers in art. Show­ing your work early can help you acquire impor­tant infor­ma­tion about orga­niz­ing and pre­sent­ing your port­fo­lio for future admis­sion con­sid­er­a­tion. High school stu­dents\, par­ents\, teach­ers\, guid­ance coun­selors\, and col­lege trans­fer stu­dents are encour­aged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event’s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone\, and register through the official National Portfolio Day website.
UID:150664-21909867@events.umich.edu
URL:https://events.umich.edu/event/150664
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261107T110000
DTEND;TZID=America/Detroit:20261107T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881360@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261107T120000
DTEND;TZID=America/Detroit:20261107T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906635@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121519
DTSTART;TZID=America/Detroit:20261107T140000
DTEND;TZID=America/Detroit:20261107T160000
SUMMARY:Workshop / Seminar:Be Curious: Making Art with Stamps MFAs
DESCRIPTION:\n\nJoin Master of Fine Arts (MFA) candidates from the Penny W. Stamps School of Art & Design at the University of Michigan as they lead creative workshops exploring voice\, process\, and practice. In partnership with the U-M Arts Initiative\, this series is an opportunity for second-year Stamps MFA students to engage the community in their creative and iterative processes through hands-on art making activities. \n\n\nPrior experience not required\, all supplies provided. Individual themes to be announced. Each program is presented individually\; participation in all of the programs is not required. Limited space available\, reservations are required.\n
UID:150347-21909065@events.umich.edu
URL:https://events.umich.edu/event/150347
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260819T181522
DTSTART;TZID=America/Detroit:20261108T120000
DTEND;TZID=America/Detroit:20261108T160000
SUMMARY:Other:Graduate Portfolio Day - New York\, NY
DESCRIPTION:\n\nProspective graduate students: Join us for an in-person Graduate National Portfolio Day event on Sunday\, November 8! You’ll meet one-on-one with a Stamps representative and receive valuable feedback and guidance on your portfolio prior to submitting your application.\n\nNational Portfolio Day events are free for students to attend from anywhere around the world. Meet with counselors\, admission team members\, and faculty from accredited art and design schools across the nation for free portfolio reviews.\n\nNovember 8\, 2026\, 12-4 pm EDT\nParsons School of Design\, The New School\n63 5th Ave\, New York\, NY\, 10003\n
UID:150571-21909643@events.umich.edu
URL:https://events.umich.edu/event/150571
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261110T120000
DTEND;TZID=America/Detroit:20261110T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906636@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261111T110000
DTEND;TZID=America/Detroit:20261111T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881361@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261111T120000
DTEND;TZID=America/Detroit:20261111T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906637@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261112T110000
DTEND;TZID=America/Detroit:20261112T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881362@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261112T120000
DTEND;TZID=America/Detroit:20261112T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906638@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260821T154602
DTSTART;TZID=America/Detroit:20261112T173000
DTEND;TZID=America/Detroit:20261112T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Voices of Dissent
DESCRIPTION:\n\nDirected by Anthony Arnove\, Voices of Dissent combines dramatic readings with live musical performances to bring the words of ordinary people throughout U.S. history to life. The performance features acclaimed actor David Strathairn\, an Academy Award nominee for his portrayal of Edward R. Murrow in Good Night\, and Good Luck. and an Emmy Award winner for Temple Grandin\; acclaimed singer-songwriter Allison Moorer\, an Oscar and Grammy-nominated artist known for her Americana songwriting and powerful storytelling\; and Thornetta Davis\, the award-winning Detroit vocalist known as the \"Queen of Detroit Blues.\" Drawing from letters\, diaries\, speeches\, and songs\, Voices of Dissent includes accounts from Ann Arbor\, the University of Michigan\, and across the state. Through a collaboration with the University of Michigan’s Inclusive History Project\, the production incorporates archival materials and local histories from the University’s archives at Bentley Historical Library and the Labadie Collection that illuminate the experiences of people who have fought for justice\, equality\, and freedom. \n\nInspired by the work of historian Howard Zinn (1922-2010)\, the production is based on A People’s History of the United States\, which has sold more than five million copies\, and Voices of a People’s History of the United States\, co-edited by Zinn and Arnove. By connecting these powerful historical voices to the present day\, Voices of Dissent reminds audiences that the struggle for justice is ongoing and that democracy depends on the participation of everyday people.\n\nAnthony Arnove is the editor of several books\, including Voices of a People’s History of the United States\, which he co-edited with Howard Zinn\, and Voices of a People’s History of the United States in the 21st Century\, which he co-edited with Haley Pessin. He also wrote the introduction to the 35th anniversary edition of Zinn’s classic book A People’s History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People’s History of the United States\; co-wrote\, co-directed\, and co-produced the documentary The People Speak\; and has directed stage and television versions of The People Speak in Dublin with Stephen Rea\, in London with Colin Firth\, and across the United States with various arts groups\, including Lincoln Center\, the Brooklyn Academy of Music\, and the Sundance Film Festival. He also produced the Academy Award–nominated documentary Dirty Wars.\n\nIn partnership with the Inclusive History Project\, with and support from the U-M Ford School of Public Policy\, U.S. at 250 and the U-M Initiative for Democracy & Civic Empowerment. \n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.\n
UID:150485-21909508@events.umich.edu
URL:https://events.umich.edu/event/150485
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:American History,Art,Dissent,Music
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261113T110000
DTEND;TZID=America/Detroit:20261113T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881363@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261113T120000
DTEND;TZID=America/Detroit:20261113T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906639@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261114T110000
DTEND;TZID=America/Detroit:20261114T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881364@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261114T120000
DTEND;TZID=America/Detroit:20261114T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906640@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260811T061509
DTSTART;TZID=America/Detroit:20261115T120000
DTEND;TZID=America/Detroit:20261115T160000
SUMMARY:Other:Graduate Portfolio Day - Online
DESCRIPTION:\n\nPlease join us for a virtual Graduate Portfolio Day event on Sunday\, November 15\, 2026\, from 12-4 p.m. EST.\n\nVisit with counselors\, admissions team members\, and faculty from art and design schools for a portfolio review before applying to colleges or universities. National Portfolio Day events are free and open to the public.
UID:150107-21908017@events.umich.edu
URL:https://events.umich.edu/event/150107
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261117T120000
DTEND;TZID=America/Detroit:20261117T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906641@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261118T110000
DTEND;TZID=America/Detroit:20261118T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881365@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261118T120000
DTEND;TZID=America/Detroit:20261118T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906642@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261119T110000
DTEND;TZID=America/Detroit:20261119T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881366@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261119T120000
DTEND;TZID=America/Detroit:20261119T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906643@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260818T181537
DTSTART;TZID=America/Detroit:20261119T173000
DTEND;TZID=America/Detroit:20261119T190000
SUMMARY:Lecture / Discussion:Penny Stamps Speaker Series - Jorge Perez
DESCRIPTION:\n\nJorge M. Pérez is a collector\, philanthropist\, and the founder of El Espacio 23\, a contemporary art space in Miami that presents exhibitions\, residencies\, and special projects drawn from the Pérez Collection. Housed in a repurposed 28\,000-square-foot warehouse in the city’s Allapattah neighborhood\, El Espacio 23 reflects Pérez’s commitment to supporting artists\, fostering curatorial practice\, and expanding public access to contemporary art.\n\nAs the Founding Executive Chairman of Related Group\, Pérez has helped shape South Florida’s urban landscape for more than four decades. A lifelong advocate for the arts\, he has championed the integration of museum-quality contemporary art into the built environment while building one of the country’s leading private collections. His philanthropic support includes a landmark gift that led to the naming of Pérez Art Museum Miami (PAMM)\, where he has continued to contribute both funding and works from his collection.\n\nPérez and Related Group have partnered with world-class architects and designers like Arquitectónica\, Robert Stern\, Rem Koolhaas\, Philippe Starck\, David Rockwell Yabu Pushelberg to produce neighborhood-defining projects\, establishing Related’s developments as integral components of Miami’s evolving cityscape. Pérez infuses each development with carefully curated collections\, featuring pieces from master artists such as Frank Stella\, Joan Mitchell\, Willem de Kooning\, Jim Dine and many others. \n\nThrough the Related Philanthropic Foundation and The Jorge M. Pérez Family Foundation\, Pérez has contributed more than $300 million to initiatives supporting education\, economic development\, health and well-being\, the environment\, and arts and culture. A signatory of The Giving Pledge\, he remains committed to using philanthropy to build more equitable\, vibrant communities.\n\nTo lead the conversation\, Pérez will be joined by José Carlos Diaz\, a specialist in modern and contemporary art with extensive experience in exhibition making\, programming\, and public art projects. He is the Senior Director of Curatorial Affairs & Chief Curator at the Pérez Art Museum Miami. \n\nWith support from the U-M Museum of Art.\n\nSeries presenting partners: Detroit PBS\, ALL ARTS\, and PBS Books. Media partner: Michigan Public.
UID:150486-21909509@events.umich.edu
URL:https://events.umich.edu/event/150486
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261120T110000
DTEND;TZID=America/Detroit:20261120T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881367@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261120T120000
DTEND;TZID=America/Detroit:20261120T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906644@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261121T110000
DTEND;TZID=America/Detroit:20261121T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881368@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261121T120000
DTEND;TZID=America/Detroit:20261121T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906645@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261124T120000
DTEND;TZID=America/Detroit:20261124T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906646@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261125T110000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881369@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261125T120000
DTEND;TZID=America/Detroit:20261125T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906647@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261126T110000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881370@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261126T120000
DTEND;TZID=America/Detroit:20261126T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906648@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261127T110000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881371@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261127T120000
DTEND;TZID=America/Detroit:20261127T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906649@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261128T110000
DTEND;TZID=America/Detroit:20261128T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881372@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261128T120000
DTEND;TZID=America/Detroit:20261128T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906650@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261201T120000
DTEND;TZID=America/Detroit:20261201T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906651@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261202T110000
DTEND;TZID=America/Detroit:20261202T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881373@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261202T110000
DTEND;TZID=America/Detroit:20261202T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909066@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261202T120000
DTEND;TZID=America/Detroit:20261202T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906652@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261202T180000
DTEND;TZID=America/Detroit:20261202T190000
SUMMARY:Lecture / Discussion:Panel Discussion: Artist-Run Spaces
DESCRIPTION:\n\nNathan Byrne\, Sally Clegg\, and Abhishek Narula join fellow founding directors of local DIY galleries for a panel discussion and Q&A on the importance of community-led project spaces. Attendees will come away with knowledge of contemporary art and design venues across southeast Michigan\, and practical guidance for launching their own initiatives to create opportunities for themselves and others.\n\nLearn more about the project spaces run by Byrne\, Clegg\, and Narula in this article: Creative Ecosystems\, Reimagined.\n
UID:150349-21909077@events.umich.edu
URL:https://events.umich.edu/event/150349
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261203T110000
DTEND;TZID=America/Detroit:20261203T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881374@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261203T110000
DTEND;TZID=America/Detroit:20261203T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909067@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261203T120000
DTEND;TZID=America/Detroit:20261203T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906653@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261204T110000
DTEND;TZID=America/Detroit:20261204T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881375@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261204T110000
DTEND;TZID=America/Detroit:20261204T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909068@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261204T120000
DTEND;TZID=America/Detroit:20261204T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906654@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261204T180000
DTEND;TZID=America/Detroit:20261204T200000
SUMMARY:Reception / Open House:Opening Reception: 2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nOn Friday\, December 4\, join us in celebration of a new exhibition featuring work by students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline.\n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n\n
UID:150350-21909078@events.umich.edu
URL:https://events.umich.edu/event/150350
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261205T110000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881376@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261205T110000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909069@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261205T120000
DTEND;TZID=America/Detroit:20261205T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906655@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181531
DTSTART;TZID=America/Detroit:20261205T120000
DTEND;TZID=America/Detroit:20261205T160000
SUMMARY:Other:National Portfolio Day - Online
DESCRIPTION:\n\nExplore the nation’s best col­leges of art and design and meet with Stamps Admissions rep­re­sen­ta­tives\, who can pro­vide informal port­fo­lio reviews\, dis­cuss our unique cur­ricu­lum\, and answer ques­tions about pro­fes­sional careers in art. Show­ing your work early can help you acquire impor­tant infor­ma­tion about orga­niz­ing and pre­sent­ing your port­fo­lio for future admis­sion con­sid­er­a­tion. High school stu­dents\, par­ents\, teach­ers\, guid­ance coun­selors\, and col­lege trans­fer stu­dents are encour­aged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to theevent’s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone\, and register through the official National Portfolio Day website.
UID:150665-21909868@events.umich.edu
URL:https://events.umich.edu/event/150665
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261206T110000
DTEND;TZID=America/Detroit:20261206T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909070@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261207T110000
DTEND;TZID=America/Detroit:20261207T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909071@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261208T110000
DTEND;TZID=America/Detroit:20261208T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909072@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261208T120000
DTEND;TZID=America/Detroit:20261208T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906656@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261209T110000
DTEND;TZID=America/Detroit:20261209T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881377@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261209T110000
DTEND;TZID=America/Detroit:20261209T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909073@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261209T120000
DTEND;TZID=America/Detroit:20261209T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906657@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261210T110000
DTEND;TZID=America/Detroit:20261210T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881378@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261210T110000
DTEND;TZID=America/Detroit:20261210T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909074@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261210T120000
DTEND;TZID=America/Detroit:20261210T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906658@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181520
DTSTART;TZID=America/Detroit:20261211T110000
DTEND;TZID=America/Detroit:20261211T170000
SUMMARY:Exhibition:Fore-Site (Phase 3): The Stamps Gallery Pillar Project
DESCRIPTION:\n\nFrom September 2025 through December 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they’ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA ’23) and Erin McKenna (MFA ’20)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA ’20) and Kim Karlsrud (MFA ’20)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA ’20) and Nathan Byrne (MFA ’21)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements/Bios\n\nAbhishek Narula\, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties\, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference\, requiring two ties per row to wrap around it\, resulting in 208 rows. The humble zip tie\, typically used to hang and bind other material\, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation\, instead serves as an object of aesthetic possibility\, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell\, to slow down\, and to simply see the pillar.\n\nAbhishek Narula is an artist\, designer\, and educator who works across sculpture\, installation\, sound\, and video. His practice takes the form of interventions\, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry\, exploring themes of labor\, precarity\, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology\, Science Gallery Detroit\, Speculum Artium Media Festival in Slovenia\, New Media Caucus (NMC)\, WaveFarm\, The Boulder Public Library\, The Hyde Park Art Center\, Sector 2337 Art Gallery & Printing Press\, Tangible Embedded Interaction (TEI)\, International Symposium of Electronic Arts (ISEA)\, among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website / Instagram\n\nNathan Byrne\, Equally To Be Loved\nEqually To Be Loved is an image / object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne\, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist’s interest in embodied experience of space\, archival and site responsiveness\, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty\, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist / educator / curator currently based in Detroit\, MI. Through spatial and archive responsive projects\, he reimagines\, and explores within frameworks such as language\, the passage of time\, and contemplation. Intrigued by the potential of conveying phenomenal\, transformative\, and emotive states through materiality\, process\, and placement\, he negotiates the pliability of the viewer’s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center\, I-Park\, KHN Center for the Arts\, Prairie Ronde\, Recology San Francisco A.I.R. Program\, and Rockland Woods. Website / Instagram
UID:138033-21881379@events.umich.edu
URL:https://events.umich.edu/event/138033
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261211T110000
DTEND;TZID=America/Detroit:20261211T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909075@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261211T120000
DTEND;TZID=America/Detroit:20261211T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906659@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121520
DTSTART;TZID=America/Detroit:20261212T110000
DTEND;TZID=America/Detroit:20261212T170000
SUMMARY:Exhibition:2026 BA Senior Studio Exhibition
DESCRIPTION:\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps\, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree\, and focus on creating and exhibiting a culminating\, self-directed project. Students work independently or collaboratively to define a project plan with goals\, benchmarks\, and a timeline. \n\nIn the BA Senior Studio Exhibition\, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work\, as well as the skills and practices associated with producing professional exhibitions.\n
UID:150348-21909076@events.umich.edu
URL:https://events.umich.edu/event/150348
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260824T181519
DTSTART;TZID=America/Detroit:20261212T120000
DTEND;TZID=America/Detroit:20261212T170000
SUMMARY:Exhibition:Cosmo Whyte: Under the Quiet\, Beyond the Eye
DESCRIPTION:\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica\, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture\, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte’s artistic practice: the archive\, both personal and public\, as a site of disturbance\; and migration as a lived experience of refuge\, refusal\, and reinvention. In Whyte’s work\, the archive is never static or neutral. Rather\, it is a contested space where official histories encounter memory\, inheritance\, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain\, between what has been recorded and what has been remembered\, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity\, Whyte’s work offers a timely meditation on memory\, movement\, and belonging.\n\nPresented with support from the U-M Institute for Humanities\, the U-M LSA Center for Latin American and Caribbean Studies\, and the U-M Library.
UID:149541-21906660@events.umich.edu
URL:https://events.umich.edu/event/149541
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T181531
DTSTART;TZID=America/Detroit:20270110T120000
DTEND;TZID=America/Detroit:20270110T160000
SUMMARY:Other:National Portfolio Day - Online
DESCRIPTION:\n\nExplore the nation’s best col­leges of art and design and meet with Stamps Admissions rep­re­sen­ta­tives\, who can pro­vide informal port­fo­lio reviews\, dis­cuss our unique cur­ricu­lum\, and answer ques­tions about pro­fes­sional careers in art. Show­ing your work early can help you acquire impor­tant infor­ma­tion about orga­niz­ing and pre­sent­ing your port­fo­lio for future admis­sion con­sid­er­a­tion. High school stu­dents\, par­ents\, teach­ers\, guid­ance coun­selors\, and col­lege trans­fer stu­dents are encour­aged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to theevent’s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone\, and register through the official National Portfolio Day website.
UID:150666-21909869@events.umich.edu
URL:https://events.umich.edu/event/150666
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121521
DTSTART;TZID=America/Detroit:20270320T140000
DTEND;TZID=America/Detroit:20270320T160000
SUMMARY:Workshop / Seminar:Be Curious: Making Art with Stamps MFAs
DESCRIPTION:\n\nJoin Master of Fine Arts (MFA) candidates from the Penny W. Stamps School of Art & Design at the University of Michigan as they lead creative workshops exploring voice\, process\, and practice. In partnership with the U-M Arts Initiative\, this series is an opportunity for second-year Stamps MFA students to engage the community in their creative and iterative processes through hands-on art making activities. \n\n\nPrior experience not required\, all supplies provided. Individual themes to be announced. Each program is presented individually\; participation in all of the programs is not required. Limited space available\, reservations are required.\n
UID:150351-21909079@events.umich.edu
URL:https://events.umich.edu/event/150351
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260817T121521
DTSTART;TZID=America/Detroit:20270403T140000
DTEND;TZID=America/Detroit:20270403T160000
SUMMARY:Workshop / Seminar:Be Curious: Making Art with Stamps MFAs
DESCRIPTION:\n\nJoin Master of Fine Arts (MFA) candidates from the Penny W. Stamps School of Art & Design at the University of Michigan as they lead creative workshops exploring voice\, process\, and practice. In partnership with the U-M Arts Initiative\, this series is an opportunity for second-year Stamps MFA students to engage the community in their creative and iterative processes through hands-on art making activities. \n\n\nPrior experience not required\, all supplies provided. Individual themes to be announced. Each program is presented individually\; participation in all of the programs is not required. Limited space available\, reservations are required.\n
UID:150352-21909080@events.umich.edu
URL:https://events.umich.edu/event/150352
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
END:VCALENDAR