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    "152872-21914636":
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        "datetime_modified":"20261021T094427",
        "datetime_start":"20261028T090000",
        "datetime_end":"20261028T163000",
        "has_end_time":1,
        "date_start":"2026-10-28",
        "date_end":"2026-10-28",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "occurrence_title":"",
        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"152872-21914636@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/152872",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
        "has_livestream":0,
        "cost":"",
        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
        "website":"https:\/\/www.instagram.com\/umichrc",
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    {
        "datetime_modified":"20261012T121522",
        "datetime_start":"20261028T110000",
        "datetime_end":"20261028T170000",
        "has_end_time":1,
        "date_start":"2026-10-28",
        "date_end":"2026-10-28",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-three",
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    }    ,    "150344-21909059":
    {
        "datetime_modified":"20260930T181533",
        "datetime_start":"20261028T110000",
        "datetime_end":"20261028T170000",
        "has_end_time":1,
        "date_start":"2026-10-28",
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        "time_zone":"America\/Detroit",
        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
        "occurrence_title":"",
        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
        "occurrence_notes":null,
                "guid":"150344-21909059@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150344",
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        "building_name":"Off Campus Location",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/stamps-student-led-exhibition-committee-fall-exhibition",
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    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261028T120000",
        "datetime_end":"20261028T170000",
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        "date_start":"2026-10-28",
        "date_end":"2026-10-28",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
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    {
        "datetime_modified":"20261021T094427",
        "datetime_start":"20261029T090000",
        "datetime_end":"20261029T163000",
        "has_end_time":1,
        "date_start":"2026-10-29",
        "date_end":"2026-10-29",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "occurrence_title":"",
        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "permalink":"http:\/\/events.umich.edu\/event\/152872",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
        "website":"https:\/\/www.instagram.com\/umichrc",
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    {
        "datetime_modified":"20261012T121522",
        "datetime_start":"20261029T110000",
        "datetime_end":"20261029T170000",
        "has_end_time":1,
        "date_start":"2026-10-29",
        "date_end":"2026-10-29",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    }    ,    "150344-21909060":
    {
        "datetime_modified":"20260930T181533",
        "datetime_start":"20261029T110000",
        "datetime_end":"20261029T170000",
        "has_end_time":1,
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
        "occurrence_title":"",
        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
        "event_subtitle":"",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "tags":["Art"],
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    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261029T120000",
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        "date_start":"2026-10-29",
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        "time_start":"12:00:00",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
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        "datetime_modified":"20261026T102258",
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        "datetime_end":"20261029T184500",
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        "event_title":"Staff Explorer Pass | Meet & Greet with Penny Stamps Speaker James Baxter",
        "occurrence_title":"",
        "combined_title":"Staff Explorer Pass | Meet & Greet with Penny Stamps Speaker James Baxter: Meet & greet for U-M Staff! (Waitlist)",
        "event_subtitle":"Meet & greet for U-M Staff! (Waitlist)",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Join fellow staff members for a special U-M Staff backstage Meet & Greet with Penny Stamps Distinguished Speaker James Baxter, followed by his public lecture at 5:30 p.m.\n\nEvent Details:\nMeet in the lobby of the Michigan Theatre at 4:45PM\nLook for staff members with teal Michigan Arts Fest t-shirts!\nReceive Michigan Arts Fest swag!\n\nPlease Note:\nBackstage Meet & Greet is limited to U-M staff members.\nCan't make it? Let us know so your spot may be released.\n\nStaff Art Meetups are staff-led excursions designed to explore the arts on campus and connect with colleagues who share similar interests. These meetups are being organized throughout October as part of the Michigan Arts Festival.\n\nQuestions? Contact your staff hosts: Meaghan Blanchard (mblanch@umich.edu) and Clarissa Santana (cmsantan@umich.edu)\n\nAbout the Speaker:\nJames Baxter is an award-winning character animator whose work has shaped some of the most beloved animated films and television series of the past four decades. Renowned for his expressive draftsmanship and mastery of performance through movement, Baxter has animated some of animation\u2019s most iconic characters, including Belle in Beauty and the Beast, Rafiki in The Lion King, Quasimodo in The Hunchback of Notre Dame, and the title character in Spirit: Stallion of the Cimarron. His work has also appeared in films including The Prince of Egypt, Kung Fu Panda, How to Train Your Dragon, and Enchanted, among many others.\n\nThroughout his career, Baxter has held creative and leadership roles at Walt Disney Feature Animation, DreamWorks Animation, and Netflix Animation, where he currently serves as vice president of animation. Working across both hand-drawn and computer animation, he has helped shape performances in some of the medium\u2019s most recognizable films while also teaching and mentoring artists throughout the industry. His contributions to animation can also be seen in Adventure Time, where the recurring character James Baxter the Horse was created as a tribute to the animator.\n\nBaxter will share stories from his four decades in animation and discuss the craft of character performance, offering a behind-the-scenes look at how movement, emotion, and storytelling come together to create memorable animated characters.\n\n+Backstage Meet & Greet is limited to U-M staff members.+ \n+Availability is extremely limited.+ \n+Register for yourself only.+\n+Can't make it? Let us know so your space may be released.+\n+Wayfinding & logistical info will be shared with registrants prior to event.+ \n\n\u2022\u2022\u2022\u2022\u2022\u2022\n*This program is part of the Michigan Arts Festival Staff Explorer Pass. In partnership with Voices of the Staff, the U-M Arts Initiative is offering limited complimentary tickets for select campus events and extra special experiences for U-M staff members all throughout October!*\n+For a list of all Staff Explorer Pass events, visit umarts.info\/staffpass+",
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        "tags":["Lecture","Michigan Arts Festival","Staff","Staff Explorer Pass","Voices Of The Staff"],
        "website":"https:\/\/sessions.studentlife.umich.edu\/track\/event\/session\/114177",
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        "datetime_start":"20261029T173000",
        "datetime_end":"20261029T190000",
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        "date_start":"2026-10-29",
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        "time_start":"17:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - James Baxter",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - James Baxter: Animation, It\u2019s Alive!",
        "event_subtitle":"Animation, It\u2019s Alive!",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nJames Baxter is an award-winning character animator whose work has shaped some of the most beloved animated films and television series of the past four decades. Renowned for his expressive draftsmanship and mastery of performance through movement, Baxter has animated some of animation\u2019s most iconic characters, including Belle in Beauty and the Beast, Rafiki in The Lion King, Quasimodo in The Hunchback of Notre Dame, and the title character in Spirit: Stallion of the Cimarron. His work has also appeared in films including The Prince of Egypt, Kung Fu Panda, How to Train Your Dragon, and Enchanted, among many others.\n\nThroughout his career, Baxter has held creative and leadership roles at Walt Disney Feature Animation, DreamWorks Animation, and Netflix Animation, where he currently serves as vice president of animation. Working across both hand-drawn and computer animation, he has helped shape performances in some of the medium\u2019s most recognizable films while also teaching and mentoring artists throughout the industry. His contributions to animation can also be seen in Adventure Time, where the recurring character James Baxter the Horse was created as a tribute to the animator.\n\nBaxter will share stories from his four decades in animation and discuss the craft of character performance, offering a behind-the-scenes look at how movement, emotion, and storytelling come together to create memorable animated characters.\n\nWith support from the Ann Arbor District Library.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "tags":["Animation","Art","Cartoons","Disney","Film","Storytelling"],
        "website":"https:\/\/stamps.umich.edu\/events\/james-baxter",
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        "datetime_start":"20261030T090000",
        "datetime_end":"20261030T163000",
        "has_end_time":1,
        "date_start":"2026-10-30",
        "date_end":"2026-10-30",
        "time_start":"09:00:00",
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        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
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        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
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        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"152872-21914638@events.umich.edu",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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    {
        "datetime_modified":"20261012T121522",
        "datetime_start":"20261030T110000",
        "datetime_end":"20261030T170000",
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        "date_start":"2026-10-30",
        "date_end":"2026-10-30",
        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "datetime_modified":"20260930T181533",
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        "time_start":"11:00:00",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
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        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
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        "datetime_modified":"20261012T121522",
        "datetime_start":"20261104T110000",
        "datetime_end":"20261104T170000",
        "has_end_time":1,
        "date_start":"2026-11-04",
        "date_end":"2026-11-04",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    {
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        "datetime_start":"20261104T120000",
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        "time_start":"12:00:00",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
        "occurrence_notes":null,
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    {
        "datetime_modified":"20261016T181521",
        "datetime_start":"20261104T180000",
        "datetime_end":"20261104T193000",
        "has_end_time":1,
        "date_start":"2026-11-04",
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        "event_title":"From Studio to Museum Wall: Artist, Collector, and the Life of an Artwork",
        "occurrence_title":"",
        "combined_title":"From Studio to Museum Wall: Artist, Collector, and the Life of an Artwork: A Conversation",
        "event_subtitle":"A Conversation",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nWhat is the relationship between an artist and a collector? How does a work of art travel from the studio to an exhibition, and eventually onto loan at a museum? Behind every object on a gallery wall is a chain of relationships, decisions, and logistics that rarely gets discussed in art school, yet shapes the careers of artists and the afterlife of their work.\n\nIn this conversation, artist Cosmo Whyte, collector JoAnn Gonzalez Hickey, and collection manager Elizabeth Tenenbaum pull back the curtain on that journey. Each brings a distinct vantage point: the artist who makes the work and sets its terms, the collector who lives with it, supports it, and makes it available to the public, and the manager who handles the practical details of cataloguing, care, documentation, shipping, and loan agreements that keep a collection in good order.\n\nWhether you\u2019re a practicing artist navigating the collecting world, a student artist looking at career paths ahead, or an emerging collector, join us for an insightful conversation with professionals to strengthen your roadmap. An audience Q&A will follow the conversation.\n\nFree and open to the public. Registration requested.\n\nAbout the Speakers\n\nCosmo Whyte\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) received a BFA from Bennington College, a post-baccalaureate at Maryland Institute College of Art, and a MFA from University of Michigan. In 2020 he had solo exhibitions at MOCA Georgia and ICA San Diego. Whyte has exhibited in biennial exhibitions including Prospect.5 New Orleans (2022) 13th Havana Biennial, the Jamaica Biennial (2017), and the Atlanta Biennial (2016). His work has been included in exhibitions at Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; The Somerset House, London, UK; Museum of Latin American Art, Los Angeles, CA; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica. His work is in public museum collections including the High Museum, Atlanta; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; Museum of Contemporary Art Georgia; National Gallery of Jamaica; and the P\u00e9rez Art Museum Miami. In 2022 he joined the UCLA School of the Arts and Architecture as an assistant professor. Whyte lives and works in Los Angeles, CA.\n\nJoAnn Gonzalez Hickey\nJoAnn Gonzalez Hickey has spent much of her adult life engaged in the visual arts as practitioner, patron, friend and advocate.\n\nUpon abandoning the art studio and any potential advancement as a young practicing artist, her mentor and teacher wisely advised her to continue on by \u201cenjoying an art experience every day.\u201d Reading, museums, galleries, studio visits, board work and philanthropic engagements became the artistic playground where her eye and individual sensibilities continued to develop.\n\nA move to New York City in 2002 prompted JoAnn to think more formally about collecting. Certainly, living in New York City, a major international center for contemporary art, offered opportunities for a direct and targeted exploration. She spent the next couple of years visiting private collections, seeking perspective on the various approaches employed by collectors. During this period of time she realized her eye was most often drawn to works on paper. In 2005, having gained clarity and vision, she set out to formally build a collection focused entirely on unique contemporary abstract works on paper. In 2012 JoAnn created the Syzygy platform. Syzygy offers her collection for study by college and graduate academic institutions to engage in a multitude of interdisciplinary projects. \n\nJoAn was a speaker at the Vail Symposium, \u201cArt, a Matter of Mind,\u201d in 2018 and has lectured at the University of Minnesota, Colorado State University, the Pennsylvania Academy of the Fine Arts (PAFA), and numerous other colleges and universities across the US. Internationally, she participated in a panel on collecting at Vienna Art Week in Austria and featured in a video interview with Joana P.R. Neves, a London-based independent curator and Artistic Director of the Drawing Now Art Fair.\n\nThe collection has expanded considerably over a 20 year history. It offers the fullest expression of what a drawing can be while articulating the range of language employed by individual artists. JoAnn Gonzalez Hickey believes there is value in connecting with the artist in order to gain an understanding of the underlying forces central to the artist\u2019s work. \n\nJoAnn currently resides in the mountains of Colorado. When she isn\u2019t looking at art, her time is spent enjoying other cultural arts activities, fly fishing and two young grandchildren. \n\nAbout the Collection \nThe JoAnn Gonzalez Hickey Collection is a significant collection of unique contemporary works on paper by over 450 early to mid-career contemporary artists from around the world. While the collection can largely be characterized as abstract, there are exceptions yielding to figuration and the narrative. Paper is the essential element of the collection. Ms. Gonzalez Hickey established SYZYGY, a curatorial and study platform to promote a deeper understanding of the nature of works on paper. \n\nElizabeth Tenenbaum\nElizabeth Tenenbaum is an art advisor, private curator, collection manager and a qualified accredited USPAP appraiser who lives in Brooklyn, New York. Elizabeth is also the Director of Syzygy, a curatorial study platform focused on unique contemporary works on paper. Elizabeth attended Syracuse University, graduating with a BFA in 1998. She received her Certificate from NYU in Appraisal Studies in Fine and Decorative Arts. Her career began at Art in General, a nonprofit organization that assisted artists with the production and presentation of new work. She has been active in the New York City art world for over 25 years working with galleries, assisting other artists in residency programs, working as the art director for a nationwide publication and as the assistant director at an art foundation.\n\nIn 2013 she founded her art collection advisory and appraisal firm, Art Wise, Inc. She was a visiting critic in 2014 for ABUBUYA KM0 2014 an International Workshop involving visual artists, cultural managers, curators, interacting with the moxe\u00f1o community El Rosario in Beni \u2013 Bolivia, accessible by the River Mamor\u00e9 only; in 2015 visiting critic at the Wassaic Project Residency in Amenia, NY; and in 2021 studio visits with NARS foundation residents. Her writing was published in the 2015 book Abubuya. She has presented and lectured about contemporary art collections to students in various Masters of Fine Arts Programs including: Sotheby\u2019s Institute, New York; School of Visual Arts; New York, University of San Francisco, CA; Colorado State University, Ft. Collins, CO; Pennsylvania Academy of Fine Art, Philadelphia; and University of Minnesota, Minneapolis, MN. She lectures annually at Artist in the Marketplace, at the Bronx Museum of Art.",
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    {
        "datetime_modified":"20261021T094427",
        "datetime_start":"20261105T090000",
        "datetime_end":"20261105T163000",
        "has_end_time":1,
        "date_start":"2026-11-05",
        "date_end":"2026-11-05",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "occurrence_title":"",
        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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    {
        "datetime_modified":"20261012T121522",
        "datetime_start":"20261105T110000",
        "datetime_end":"20261105T170000",
        "has_end_time":1,
        "date_start":"2026-11-05",
        "date_end":"2026-11-05",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260924T121524",
        "datetime_start":"20261105T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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    }    ,    "150484-21909507":
    {
        "datetime_modified":"20260821T154423",
        "datetime_start":"20261105T173000",
        "datetime_end":"20261105T190000",
        "has_end_time":1,
        "date_start":"2026-11-05",
        "date_end":"2026-11-05",
        "time_start":"17:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Danielle Brathwaite-Shirley",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Danielle Brathwaite-Shirley",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nDanielle Brathwaite-Shirley is a London- and Berlin-based artist and game designer whose practice prioritizes active engagement. Working predominantly in animation, sound, performance, and video game development, the artist\u2019s practice focuses on intertwining lived experience with fiction to imaginatively retell and archive the stories of Black Trans people, creating participatory spaces to envision more inclusive futures.\n\nTheir projects often take the form of immersive video games, where players navigate choices that confront their assumptions and biases, fostering deeper conversations about identity, privilege, and systemic oppression. Through their innovative use of digital media, the artist not only preserves histories but also envisions inclusive futures where the voices of those that are often ignored or erased become central. Their work is both \u201carchive and insurgency,\u201d a catalyst for dialogue, inviting audiences to reflect on their roles within broader societal structures\n\nDanielle Brathwaite-Shirley has presented solo exhibitions at Serpentine North, London (2025); LAS Foundation, Halle am Berghain, Berlin (2024); Fundaci\u00f3 Joan Mir\u00f3, Barcelona (2024); Studio Voltaire, London (2024); Centre d\u2019Art Contemporain Gen\u00e8ve (2024); SCAD Museum of Art, Savannah (2023); Villa Arson, Nice (2023); HAU Hebbel am Ufer, Berlin (2023); FACT, Liverpool (2022); Project Arts Centre, Dublin (2022); Sk\u00e4nes konstf\u00f6rening, Malm\u00f6 (2022); Arebyte Gallery, London (2021); QUAD, Derby (2021); and Focal Point Gallery, Southend-on-Sea (2020). Their work has been included in group exhibitions at institutions such as Art Museum at the University of Toronto (2024); National Museum of Modern and Contemporary Art Seoul (2023); Leslie-Lohman Museum of Art, New York (2023); Das Centre Pompidou, Metz (2023); Julia Stoschek Foundation, Berlin (2022); Albright-Knox Art Gallery, Buffalo (2021); Les Urbaines, Lausanne (2019); and Barbican, London (2018). Their work has been the subject of screenings and performances at institutions including Tate Modern, London (2024, 2020); MoMA, New York (2023); DePaul Art Museum, Chicago (2023); Serpentine, London (2022); Spike Island, Bristol (2022); and South London Gallery (2022). Permanent collections include the Arts Council Collection (UK) and Victoria and Albert Museum (London).\n\nWith support from Design Core Detroit and Detroit Unesco City of Design.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Art","Design","Detroit Art","Installation"],
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        "datetime_modified":"20261021T094427",
        "datetime_start":"20261106T090000",
        "datetime_end":"20261106T163000",
        "has_end_time":1,
        "date_start":"2026-11-06",
        "date_end":"2026-11-06",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "occurrence_title":"",
        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260817T121518",
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        "event_title":"Queer Art Showcase",
        "occurrence_title":"",
        "combined_title":"Queer Art Showcase",
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        "description":"\n\nCalling all U-M student artists: submit your artwork in celebration of queer and trans experiences! Selected work will be featured in the Queer Art Showcase on Friday, November 6, from 6-8 p.m. at Stamps Gallery.\n\n\nStudents of all genders and sexualities are welcome to submit. Submissions close on Wednesday, September 23, 2026 at 11:59 p.m. Click here for more information and to submit your artwork.\n\nQueer Art Showcase and Panel Discussion\n\nFriday, November 6, 6-8 p.m. at Stamps Gallery\n\nJoin Spectrum Center Programming Board and Stamps Gallery for an incredible showcase of queer and trans art from U-M students of all genders and sexualities. Enjoy a variety of mediums showcasing queer joy while engaging in a panel discussion with the artists. Light refreshments will be provided.\n\nThis event is open to all members of the U-M community. Presented in partnership with the U-M Spectrum Center.\n",
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        "event_title":"National Portfolio Day - Online",
        "occurrence_title":"",
        "combined_title":"National Portfolio Day - Online",
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        "event_type_id":"22",
        "description":"\n\nExplore the nation\u2019s best col\u00adleges of art and design and meet with Stamps Admissions rep\u00adre\u00adsen\u00adta\u00adtives, who can pro\u00advide informal port\u00adfo\u00adlio reviews, dis\u00adcuss our unique cur\u00adricu\u00adlum, and answer ques\u00adtions about pro\u00adfes\u00adsional careers in art. Show\u00ading your work early can help you acquire impor\u00adtant infor\u00adma\u00adtion about orga\u00adniz\u00ading and pre\u00adsent\u00ading your port\u00adfo\u00adlio for future admis\u00adsion con\u00adsid\u00ader\u00ada\u00adtion. High school stu\u00addents, par\u00adents, teach\u00aders, guid\u00adance coun\u00adselors, and col\u00adlege trans\u00adfer stu\u00addents are encour\u00adaged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event\u2019s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone, and register through the official National Portfolio Day website.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
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        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20261009T121524",
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        "event_title":"Carried Images: Photobooks, Archives, and Memory",
        "occurrence_title":"",
        "combined_title":"Carried Images: Photobooks, Archives, and Memory: Be Curious: Making Art with Stamps MFAs",
        "event_subtitle":"Be Curious: Making Art with Stamps MFAs",
        "event_type":"Workshop \/ Seminar",
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        "description":"\n\nLed by Stamps MFA candidate William Hohe and inspired by Cosmo Whyte\u2019s exhibition Under the Quiet, Beyond the Eye, this workshop asks how the photographs we keep, inherit, and carry with us become stories about where we come from. Participants will move through a rotating book circle, sharing photobooks and personal images in small conversations about memory, place, and belonging. Everyone will then build their own eight page mini photobook, layering photographs with translucent sheets to create a personal archive to take home. No photography experience is needed; just bring your curiosity and, if you like, a few printed photos that matter to you.\n\nMore about the artist:\n\nWilliam Hohe is a photographer and installation artist from Glen Ellyn, Illinois, now based in Michigan. They are an MFA candidate in Visual Arts at the Penny W. Stamps School of Art and Design at the University of Michigan, where they also serve as Instructor of Record for Digital Photography for Non Majors. Hohe holds a BFA in Photography and a BS in Advertising from the University of Illinois (UIUC).\n\nHohe combines photography, performance, assemblage, and found and inherited archives to examine identity, family, and queer space. Working within a framework they call Existential Maximalism, that ask: as queer people, what does it mean to exist within spaces that are continually contested, politicized, and transformed between the expected and the imagined? Their work has been exhibited in Momentum, the Society for Photographic Education Midwest exhibition, and in DIFFA Chicago\u2019s Three for Life 2026. They are the coauthor, with designer Charlotte Watson, of the independently published photobook INTERSTATES (2025). Their photobook In An Erotic City, made in Berlin, is forthcoming in winter 2026, and their thesis project Father Figure[d] opens at the University of Michigan in March 2027. Hohe works professionally as WILLIAMSLENSES. Learn more about William Hohe\u2019s work.",
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        "datetime_modified":"20261021T092213",
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        "has_end_time":1,
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        "event_title":"Be Curious: Making Art with Stamps MFAs - Carried Images: Photobooks, Archives, and Memory",
        "occurrence_title":"",
        "combined_title":"Be Curious: Making Art with Stamps MFAs - Carried Images: Photobooks, Archives, and Memory: William Hohe",
        "event_subtitle":"William Hohe",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Inspired by Cosmo Whyte's exhibition Under the Quiet, Beyond the Eye, this workshop asks how the photographs we keep, inherit, and carry with us become stories about where we come from. Participants will move through a rotating book circle, sharing photobooks and personal images in small conversations about memory, place, and belonging. Everyone will then build their own eight-page mini photobook, layering photographs with translucent sheets to create a personal archive to take home. No photography experience is needed; just bring your curiosity and, if you like, a few printed photos that matter to you.\n\n\nArtist Bio\n\nWilliam Hohe is a photographer and installation artist from Glen Ellyn, Illinois, now based in Michigan. They are an MFA candidate in Visual Arts at the Penny W. Stamps School of Art and Design at the University of Michigan, where they also serve as Instructor of Record for Digital Photography for Non Majors. Hohe holds a BFA in Photography and a BS in Advertising from the University of Illinois (UIUC).\n\nHohe combines photography, performance, assemblage, and found and inherited archives to examine identity, family, and queer space. Working within a framework they call Existential Maximalism, that ask: as queer people, what does it mean to exist within spaces that are continually contested, politicized, and transformed between the expected and the imagined? Their work has been exhibited in Momentum, the Society for Photographic Education Midwest exhibition, and in DIFFA Chicago's Three for Life 2026. They are the coauthor, with designer Charlotte Watson, of the independently published photobook INTERSTATES (2025). Their photobook In An Erotic City, made in Berlin, is forthcoming in winter 2026, and their thesis project Father Figure[d] opens at the University of Michigan in March 2027. Hohe works professionally as WILLIAMSLENSES.",
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        "tags":["Ann Arbor","Archives","Art","art and design","Art Workshop","arts","Arts For All","Arts Initiative","Artsrx","Photography","Stamps School Of Art And Design"],
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        "datetime_modified":"20260819T181522",
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        "event_title":"Graduate Portfolio Day - New York, NY",
        "occurrence_title":"",
        "combined_title":"Graduate Portfolio Day - New York, NY",
        "event_subtitle":"",
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        "description":"\n\nProspective graduate students: Join us for an in-person Graduate National Portfolio Day event on Sunday, November 8! You\u2019ll meet one-on-one with a Stamps representative and receive valuable feedback and guidance on your portfolio prior to submitting your application.\n\nNational Portfolio Day events are free for students to attend from anywhere around the world. Meet with counselors, admission team members, and faculty from accredited art and design schools across the nation for free portfolio reviews.\n\nNovember 8, 2026, 12-4 pm EDT\nParsons School of Design, The New School\n63 5th Ave, New York, NY, 10003\n",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    {
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        "datetime_start":"20261111T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
        "occurrence_notes":null,
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        "tags":["Art"],
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    }    ,    "152872-21914651":
    {
        "datetime_modified":"20261021T094427",
        "datetime_start":"20261112T090000",
        "datetime_end":"20261112T163000",
        "has_end_time":1,
        "date_start":"2026-11-12",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "occurrence_title":"",
        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
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        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "datetime_modified":"20261012T121522",
        "datetime_start":"20261112T110000",
        "datetime_end":"20261112T170000",
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        "date_start":"2026-11-12",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. 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    }    ,    "149541-21906638":
    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261112T120000",
        "datetime_end":"20261112T170000",
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        "date_start":"2026-11-12",
        "date_end":"2026-11-12",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
        "occurrence_notes":null,
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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    {
        "datetime_modified":"20260821T154602",
        "datetime_start":"20261112T173000",
        "datetime_end":"20261112T190000",
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        "date_start":"2026-11-12",
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        "event_title":"Penny Stamps Speaker Series - Voices of Dissent",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Voices of Dissent: Celebrating 250 Years of a People\u2019s History of the United States",
        "event_subtitle":"Celebrating 250 Years of a People\u2019s History of the United States",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nDirected by Anthony Arnove, Voices of Dissent combines dramatic readings with live musical performances to bring the words of ordinary people throughout U.S. history to life. The performance features acclaimed actor David Strathairn, an Academy Award nominee for his portrayal of Edward R. Murrow in Good Night, and Good Luck. and an Emmy Award winner for Temple Grandin; acclaimed singer-songwriter Allison Moorer, an Oscar and Grammy-nominated artist known for her Americana songwriting and powerful storytelling; and Thornetta Davis, the award-winning Detroit vocalist known as the \"Queen of Detroit Blues.\" Drawing from letters, diaries, speeches, and songs, Voices of Dissent includes accounts from Ann Arbor, the University of Michigan, and across the state. Through a collaboration with the University of Michigan\u2019s Inclusive History Project, the production incorporates archival materials and local histories from the University\u2019s archives at Bentley Historical Library and the Labadie Collection that illuminate the experiences of people who have fought for justice, equality, and freedom. \n\nInspired by the work of historian Howard Zinn (1922-2010), the production is based on A People\u2019s History of the United States, which has sold more than five million copies, and Voices of a People\u2019s History of the United States, co-edited by Zinn and Arnove. By connecting these powerful historical voices to the present day, Voices of Dissent reminds audiences that the struggle for justice is ongoing and that democracy depends on the participation of everyday people.\n\nAnthony Arnove is the editor of several books, including Voices of a People\u2019s History of the United States, which he co-edited with Howard Zinn, and Voices of a People\u2019s History of the United States in the 21st Century, which he co-edited with Haley Pessin. He also wrote the introduction to the 35th anniversary edition of Zinn\u2019s classic book A People\u2019s History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People\u2019s History of the United States; co-wrote, co-directed, and co-produced the documentary The People Speak; and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various arts groups, including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He also produced the Academy Award\u2013nominated documentary Dirty Wars.\n\nIn partnership with the Inclusive History Project, with and support from the U-M Ford School of Public Policy, U.S. at 250 and the U-M Initiative for Democracy & Civic Empowerment. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
        "occurrence_notes":null,
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["American History","Art","Dissent","Music"],
        "website":"https:\/\/stamps.umich.edu\/events\/voices-of-dissent",
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        "datetime_modified":"20260924T121533",
        "datetime_start":"20261112T190000",
        "datetime_end":"20261112T200000",
        "has_end_time":1,
        "date_start":"2026-11-12",
        "date_end":"2026-11-12",
        "time_start":"19:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Stamps Student Social Hour",
        "occurrence_title":"",
        "combined_title":"Stamps Student Social Hour",
        "event_subtitle":"",
        "event_type":"Reception \/ Open House",
        "event_type_id":"17",
        "description":"\n\nFollowing the Thursday Penny Stamps Speaker Series presentation at the Michigan Theater, head over to Stamps Gallery for a relaxing and fun social hour just for you! No expectations, just food, games and activities, and time with your friends to view the fall exhibition Cosmo Whyte: Under the Quiet, Beyond the Eye. We hope to see you there!\n\nThis event is open to Stamps and U-M students only.",
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        "room":"",
        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/stamps-student-social-hour-2",
        "sponsors":[
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    {
        "datetime_modified":"20261021T094427",
        "datetime_start":"20261113T090000",
        "datetime_end":"20261113T163000",
        "has_end_time":1,
        "date_start":"2026-11-13",
        "date_end":"2026-11-13",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "occurrence_title":"",
        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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    {
        "datetime_modified":"20261012T121522",
        "datetime_start":"20261113T110000",
        "datetime_end":"20261113T170000",
        "has_end_time":1,
        "date_start":"2026-11-13",
        "date_end":"2026-11-13",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. 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In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. 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        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
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        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "date_start":"2026-11-18",
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        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
        "occurrence_notes":null,
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
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    }    ,    "152872-21914658":
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        "datetime_modified":"20261021T094427",
        "datetime_start":"20261119T090000",
        "datetime_end":"20261119T163000",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "occurrence_title":"",
        "combined_title":"Small Works: Prints & Book Objects from Detroit, 2020\u20132026",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Small Works\nPrints & Book Objects from Detroit 2020\u20132026\n\nOctober 27 - November 19 \nPublic Reception: Friday, November 13 from 4:30-6pm.\n\nSmall Works was a print shop ran by Li Chen & Gerald Schulze, in Detroit, MI, from 2020\u20132026. Mariana Matos joined as the studio assistant, and later studio manager, in 2024. Over those six years, the business grew from an extension of their design practice to a community space that hosts more than 70 classes a year, open studio for the public, and year long funded fellowships that investigate practice in art and design related to the Book Arts. In 2026, they decided to expand community programming, and to accommodate this expansion closed Small Works, and formed Center for the Book Arts Detroit (BAD) which operates in the same space.\n\nThis exhibition is a eulogy for the former Small Works shop, and a celebration of all the people who made work here. It also serves to show what is possible as a community, when they share space and create work together. \n\nThe work featured is a collection of things printed by Small Works, by their studiomates Diskette Press, the publisher Maamoul Press, and by the community that uses the space.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "datetime_modified":"20261012T121522",
        "datetime_start":"20261119T110000",
        "datetime_end":"20261119T170000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_start":"20261119T120000",
        "datetime_end":"20261119T170000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260818T181537",
        "datetime_start":"20261119T173000",
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        "event_title":"Penny Stamps Speaker Series - Jorge Perez",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Jorge Perez: A Conversation",
        "event_subtitle":"A Conversation",
        "event_type":"Lecture \/ Discussion",
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        "description":"\n\nJorge M. P\u00e9rez is a collector, philanthropist, and the founder of El Espacio 23, a contemporary art space in Miami that presents exhibitions, residencies, and special projects drawn from the P\u00e9rez Collection. Housed in a repurposed 28,000-square-foot warehouse in the city\u2019s Allapattah neighborhood, El Espacio 23 reflects P\u00e9rez\u2019s commitment to supporting artists, fostering curatorial practice, and expanding public access to contemporary art.\n\nAs the Founding Executive Chairman of Related Group, P\u00e9rez has helped shape South Florida\u2019s urban landscape for more than four decades. A lifelong advocate for the arts, he has championed the integration of museum-quality contemporary art into the built environment while building one of the country\u2019s leading private collections. His philanthropic support includes a landmark gift that led to the naming of P\u00e9rez Art Museum Miami (PAMM), where he has continued to contribute both funding and works from his collection.\n\nP\u00e9rez and Related Group have partnered with world-class architects and designers like Arquitect\u00f3nica, Robert Stern, Rem Koolhaas, Philippe Starck, David Rockwell Yabu Pushelberg to produce neighborhood-defining projects, establishing Related\u2019s developments as integral components of Miami\u2019s evolving cityscape. P\u00e9rez infuses each development with carefully curated collections, featuring pieces from master artists such as Frank Stella, Joan Mitchell, Willem de Kooning, Jim Dine and many others. \n\nThrough the Related Philanthropic Foundation and The Jorge M. P\u00e9rez Family Foundation, P\u00e9rez has contributed more than $300 million to initiatives supporting education, economic development, health and well-being, the environment, and arts and culture. A signatory of The Giving Pledge, he remains committed to using philanthropy to build more equitable, vibrant communities.\n\nTo lead the conversation, P\u00e9rez will be joined by Jos\u00e9 Carlos Diaz, a specialist in modern and contemporary art with extensive experience in exhibition making, programming, and public art projects. He is the Senior Director of Curatorial Affairs & Chief Curator at the P\u00e9rez Art Museum Miami. \n\nWith support from the U-M Museum of Art.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.",
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        "datetime_modified":"20261012T121522",
        "datetime_start":"20261120T110000",
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        "date_start":"2026-11-20",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Stamps Graduate and Faculty Open Studios",
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        "description":"\n\nYou\u2019re Invited: Stamps Graduate and Faculty Open Studios\n\nJoin us from 5-8 PM on Friday, November 20, 2026 at the Stamps Graduate and Faculty Studios for a celebratory evening of art, conversation, and community. Graduate students and faculty with studios at Green Road will open their doors and welcome visitors in for casual conversations about their creative process, artistic practice, and research. In addition to opening individual artist studios to the public, graduate students and faculty will present screenings, performances, music, art editions and more, with refreshments available.\n\n Celebrate the exciting art-making happening at the studios! RSVP is optional, but will help us to plan for the event.\n\nMDes Students\nDaniela Ruiz Barajas, Nicole Hu, Rae Nawrocki, Faezeh Salamat, and Jake Stucker\n\nMFA Students\nJames Asava, Davariz Broaden, Bert Cook, Isa Estrada, William Hohe, Juniper Jones, Navjeet Kaur, Amanda D. King, Jack Liu, Alyssa Lizzini, Julianna Sanrom\u00e1n Rojas, Charlie Dov Sch\u00f6n, Celia Shaheen, and Lucy Weaver\n\nFaculty Studios at Green Road\nPedram Baldari, Sophia Brueckner, Deepa Butoliya, Jim Cogswell, David Chung, Sara Dean, Roland Graf, Quinn Alexandria Hunter, Nooshin Hakim Javadi, Carlos Francisco Jackson, Osman Khan, Heidi Kumao, Rebecca Strzelec, Dylan AT Miner, Nicole Marroquin, Rebekah Modrak, Kelly Murdoch-Kitt, Tim Parsons, Endi Poskovic, Jesse Stiles, Nick Tobier, Aaron Turner, Angela Washko, Ricky Weaver, and Emilia Yang\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Panel Discussion: Artist-Run Spaces",
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        "description":"\n\nNathan Byrne, Sally Clegg, and Abhishek Narula join fellow founding directors of local DIY galleries for a panel discussion and Q&A on the importance of community-led project spaces. Attendees will come away with knowledge of contemporary art and design venues across southeast Michigan, and practical guidance for launching their own initiatives to create opportunities for themselves and others.\n\nLearn more about the project spaces run by Byrne, Clegg, and Narula in this article: Creative Ecosystems, Reimagined.\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"2026 BA Senior Studio Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"2026 BA Senior Studio Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Opening Reception: 2026 BA Senior Studio Exhibition",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. 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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"2026 BA Senior Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 BA Senior Studio Exhibition",
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        "description":"\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree, and focus on creating and exhibiting a culminating, self-directed project. Students work independently or collaboratively to define a project plan with goals, benchmarks, and a timeline. \n\nIn the BA Senior Studio Exhibition, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work, as well as the skills and practices associated with producing professional exhibitions.\n",
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        "datetime_start":"20261209T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"2026 BA Senior Studio Exhibition",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "time_start":"11:00:00",
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        "event_title":"Envision: The Michigan Artist Initiative 2027",
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        "combined_title":"Envision: The Michigan Artist Initiative 2027",
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        "description":"\n\nIn the summer 2026, Stamps Gallery announced an open call for artwork, inviting emerging and mid-career contemporary artists from Michigan working in all types of media to apply.\n\nA shortlist of three artists were selected by a prominent national panel of jurors: Rehema Barber, Chief Curator, Kalamazoo Institute of Art; Laura Mott, Chief Curator, Cranbrook Art Museum; and artist Sara Nickleson, winner of the 2025 Envision: Michigan Artist Initiative Award.\n\nMeet the shortlisted finalist artists for Envision: The Michigan Artist Initiative 2027:\n\nMandy Cano Villalobos is a visual artist whose work spans installation, textiles, sculpture, and performance, influenced by her migrant upbringing which engages notions of home, death, belonging, and cultural identity. Self-dubbed a \u201ccultural scrapper\u201d, she mainly works with castoff objects \u2013 broken jewelry, orphaned toys, stained clothing, etc. \u2013 to craft opulent works that harness material memories steeped in human touch. Cano Villalobos has exhibited internationally, including with drj (Berlin, Germany), Proyecto H (Mexico City), Marisa Newman Projects (New York, NY), Bridge Projects (Los Angeles, CA), Modern Art Gallery (Veszpr\u00e9m, Hungary), Casa Pauly (Puerto Montt, Chile), among others. She received her MFA from The George Washington University in Washington, DC. and currently lives and works in Grand Rapids, MI.\n\nAbhishek Narula is an artist working across sculpture, installation, sound, and video with a creative practice that takes the form of interventions, working with what is already present by reorienting and disrupting familiar objects and sites to open formal and poetic possibilities within them. Narula\u2019s work has been exhibited at venues including the Science Gallery Detroit, Ammerman Center for Arts and Technology (New London, CT), the Hyde Park Art Center (Chicago, IL), and the International Symposium on Electronic Art (Vancouver, B.C., Canada). A Lecturer and Robotics Designer in the University of Michigan\u2019s Robotics Department in Ann Arbor, Narula received his MFA in Studio Art from the Stamps School of Art and Design at the University of Michigan, and his MS and BS in Electrical Engineering from the Georgia Institute of Technology.\nJoey Qui\u00f1ones is a fiber artist, ceramicist, and mixed media sculptor with work focused on African American and Caribbean history, particularly the development of queer Afro-Latine identity. Their work has been shown nationally and internationally at venues such as the Palais de Tokyo (Paris, France), the Akron Art Museum, the Shepherd (Detroit, MI), and The Sculpture Center (Cleveland, OH). Joey has an MFA in Studio Art from Indiana University, Bloomington and a Ph.D. in English from the University of Iowa. They are currently the Artist-in-Residence\/Head of the Fiber Department at Cranbrook Academy of Art in Bloomfield Hills, MI.\n\n\n\nThe artists will exhibit their work at Stamps Gallery from June 10 to July 31, 2027, receiving logistical and curatorial support from the professional staff at Stamps Gallery, as well as an artist fee and stipend to produce new work. \n\nThe jury will select a winner, who will be announced at the exhibition\u2019s opening reception and awarded a $5,000 cash prize.\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/envision-2027",
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