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    "150015-21907858":
    {
        "datetime_modified":"20260921T181519",
        "datetime_start":"20261008T070000",
        "datetime_end":"20261008T220000",
        "has_end_time":1,
        "date_start":"2026-10-08",
        "date_end":"2026-10-08",
        "time_start":"07:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition-2026",
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        "datetime_modified":"20260915T161734",
        "datetime_start":"20261008T090000",
        "datetime_end":"20261008T163000",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Art Exhibit: Hands on Fire",
        "occurrence_title":"",
        "combined_title":"Art Exhibit: Hands on Fire: Jim Cogswell: Hands on Fire",
        "event_subtitle":"Jim Cogswell: Hands on Fire",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Jim Cogswell: Hands on Fire\n\n**August 31 to October 9, 2026**\n**Public Reception: Friday, September 18, 4:30 to 6:30 pm**\n\nJim Cogswell\u2019s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis\u2019 cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962), The Trojan Women (1971), and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022), Cogswell\u2019s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens, Greece, which also responded to the cinematic trilogy. By following Cacoyannis\u2019 adaptations, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war, imperial overreach, and abuse of power; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason, to count and to indicate. They give us agency, as creators but also as destroyers. They give form to our willingness to act in the world, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies, College of Literature, Science, and the Arts at the University of Michigan, for their ongoing support for my research and the dissemination of this project.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "permalink":"http:\/\/events.umich.edu\/event\/152223",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["art","art and design","Art History","artists","artists and curators","arts","arts at michigan","Arts Initiative","Classical Studies","Exhibition","free","History","Visual Arts"],
        "website":"http:\/\/lsa.umich.edu\/rc",
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    }    ,    "138033-21881342":
    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20261008T110000",
        "datetime_end":"20261008T170000",
        "has_end_time":1,
        "date_start":"2026-10-08",
        "date_end":"2026-10-08",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    }    ,    "149541-21906613":
    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261008T120000",
        "datetime_end":"20261008T170000",
        "has_end_time":1,
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260821T153627",
        "datetime_start":"20261008T173000",
        "datetime_end":"20261008T190000",
        "has_end_time":1,
        "date_start":"2026-10-08",
        "date_end":"2026-10-08",
        "time_start":"17:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Amy Franceschini \/ Futurefarmers",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Amy Franceschini \/ Futurefarmers: Presence as Practice",
        "event_subtitle":"Presence as Practice",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nAmy Franceschini is an artist and designer whose work facilitates encounter, exchange, and tactile forms of inquiry by calling into question the \"certainties\" of a given time or place where a work is situated. An overarching theme in her work is a perceived conflict between \"humans\" and \"nature\". Her projects reveal the history and currents of contradictions related to this divide by challenging systems of exchange and the tools we use to \"hunt\" and \"gather\". Using this as a starting point, she creates relational objects that invoke action and inquiry; not only to imagine, but also to participate in and initiate change in the places we live.\n\nIn 1995, Franceschini founded Futurefarmers as a collaborative platform to consider the social, political, and environmental organization of space. Futurefarmers use various media to deconstruct systems to visualize and understand their intrinsic logics; food systems, public transportation, education. Through this disassembly, they find new narratives and reconfigurations that form alternatives to the principles that once dominated these systems.\n\nFuturefarmers work is based in enmeshed acts of wandering and material processes. In the context of public art works, they cultivate public life in place, rather than inserting pre-determined forms and concepts into public space. They do so through a process-led approach,inviting materials and communities to arrive and intersect at a specific site or situation. Through time and the practiced presence of Futurefarmers, the meeting place of people and materials transform from provisional arrangements into durable forms and functions of their work\n\nFranceschini is a 2009 Guggenheim Fellow, a 2019 Rome Prize Fellow and a 2017 recipient of the Herb Alpert Award for Visual Arts. She is the author of A Variation on the Powers of Ten, For Want of a Nail, and, most recently, Silicon Forest in 2026. Franceschini received a BFA in Photography from San Francisco State University and an MFA from Stanford University. She has taught in the visual arts graduate programs at California College of the Arts in San Francisco and Stanford University, and in the Master of Eco-Social Design at the Free University in Bolzano, Italy. \n\nWith support from Design Core Detroit, Detroit UNESCO City of Design, and U-M Student Life Sustainability. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
        "occurrence_notes":null,
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        "building_id":"null",
        "building_name":"Off Campus Location",
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        "room":"",
        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
        "has_livestream":0,
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        "tags":["Art","Collaboration","Collectivism","Design","Detroit Design Festival","Public Art","Sustainability","Systems Thinking"],
        "website":"https:\/\/stamps.umich.edu\/events\/amy-franceschini-futurefarmers",
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        "datetime_modified":"20260921T181519",
        "datetime_start":"20261009T070000",
        "datetime_end":"20261009T220000",
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        "date_start":"2026-10-09",
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        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "location_name":"Art &amp; Architecture Building, 2000 Bonisteel Blvd, Ann Arbor MI 48109-2069",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition-2026",
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    }    ,    "152223-21913397":
    {
        "datetime_modified":"20260915T161734",
        "datetime_start":"20261009T090000",
        "datetime_end":"20261009T163000",
        "has_end_time":1,
        "date_start":"2026-10-09",
        "date_end":"2026-10-09",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Art Exhibit: Hands on Fire",
        "occurrence_title":"",
        "combined_title":"Art Exhibit: Hands on Fire: Jim Cogswell: Hands on Fire",
        "event_subtitle":"Jim Cogswell: Hands on Fire",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Jim Cogswell: Hands on Fire\n\n**August 31 to October 9, 2026**\n**Public Reception: Friday, September 18, 4:30 to 6:30 pm**\n\nJim Cogswell\u2019s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis\u2019 cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962), The Trojan Women (1971), and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022), Cogswell\u2019s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens, Greece, which also responded to the cinematic trilogy. By following Cacoyannis\u2019 adaptations, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war, imperial overreach, and abuse of power; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason, to count and to indicate. They give us agency, as creators but also as destroyers. They give form to our willingness to act in the world, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies, College of Literature, Science, and the Arts at the University of Michigan, for their ongoing support for my research and the dissemination of this project.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["art","art and design","Art History","artists","artists and curators","arts","arts at michigan","Arts Initiative","Classical Studies","Exhibition","free","History","Visual Arts"],
        "website":"http:\/\/lsa.umich.edu\/rc",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20261009T110000",
        "datetime_end":"20261009T170000",
        "has_end_time":1,
        "date_start":"2026-10-09",
        "date_end":"2026-10-09",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
        "occurrence_notes":null,
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-three",
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        "datetime_start":"20261009T120000",
        "datetime_end":"20261009T170000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260921T181519",
        "datetime_start":"20261010T070000",
        "datetime_end":"20261010T220000",
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        "date_start":"2026-10-10",
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        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "location_name":"Art &amp; Architecture Building, 2000 Bonisteel Blvd, Ann Arbor MI 48109-2069",
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261010T110000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "time_start":"14:00:00",
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        "event_title":"Between Gold and Indigo: Cosmo Whyte in Motion",
        "occurrence_title":"",
        "combined_title":"Between Gold and Indigo: Cosmo Whyte in Motion: Guided Tour of <em>Cosmo Whyte: Under the Quiet Beyond the Eye<\/em>",
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        "description":"\n\nExperience Cosmo Whyte\u2019s exhibition Under the Quiet, Beyond the Eye through a guided tour at Stamps Gallery. The tour will lead participants through Whyte\u2019s personal narrative, creative process, and engagement with historical archives, attending to the relationships he composes between memory, migration, and making.\n\nMore broadly, the exhibition considers how geographic boundaries, cultural identities, and inherited histories remain fluid and contested, tracing the ways race, class, migration, and displacement shape belonging across generations.\n\nTours are guided by Amanda D. King, a visual artist working across image-making, social practice, and curation, and an MFA candidate at the Stamps School of Art & Design.\n\nFree and open to the public. Registration requested.\n\nProgram will repeat on October 10 and October 24.",
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        "datetime_modified":"20260921T181519",
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        "date_start":"2026-10-11",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"National Portfolio Day - Online",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Aanikoobijigan",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Aanikoobijigan: [ancestor\/great-grandparent\/great-grandchild]",
        "event_subtitle":"[ancestor\/great-grandparent\/great-grandchild]",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nTrapped in museum archives, Ancestors bend time and space to find their way home. History, spirituality, and the law collide as tribal repatriation specialists fight to return and rebury Indigenous human remains, offering a revealing look at the still-pervasive worldviews that justified collecting them in the first place.\nThe film Aanikoobijigan [ancestor\/great-grandparent\/great-grandchild] documents the emotional and vital work of MACPRA (Michigan Anishinaabek Cultural Preservation and Repatriation Alliance). This alliance, made up of repatriation specialists representing all Michigan tribes, fights to bring their Ancestors and funerary objects home from settler colonial institutions like museums, libraries, and archives. Adam and Zack Khalil\u2019s monumental and formally daring film follows the pressing struggle to rebury Indigenous human remains that have been held in sterile storage, laying bare the history of Indigenous collections and the battle to recognize and enforce the laws intended to facilitate their repatriation to the communities they were originally stolen from. Using an essayistic approach alongside v\u00e9rit\u00e9 portraits, the film celebrates the courageous individuals who carry out this hard and emotionally draining labor of return. \n\n\u2014Sundance Film Festival\n\nAanikoobijigan [ancestor\/great-grandparent\/great-grandchild] directors Adam and Zack Khalil are members of the Sault Ste. Marie Tribe of Chippewa Indians. They are co-directors and co-editors of the feature documentary INAATE\/SE\/ [it shines a certain way. to a certain place.\/ it flies. falls.\/] (2016) which premiered as the closing night film of the Museum of Modern Art\u2019s Doc Fortnight Film Festival, and the experimental documentary short The Violence of a Civilization without Secrets (2017) which premiered at Sundance. The Khalils are core contributors to New Red Order, a public-secret society which calls attraction toward indigeneity into question, yet promotes this desire, and enjoins potential non-Indigenous accomplices to participate in the co-examination and expansion of Indigenous agency. \n\nAdam Khalil is an artist whose practice attempts to subvert traditional forms of image-making through humor, relation, and transgression. A co-founder of COUSINS Collective, Khalil\u2019s work has been exhibited or screened at the Museum of Modern Art, Sundance Film Festival, New York Film Festival, Tate Modern, HKW, Walker Arts Center, Lincoln Center, Palais de Tokyo, Kunsthal Charlottenborg, Creative Time, Toronto Biennial 2019, Whitney Biennial 2019, Sharjah Biennial 15, Counterpublic Triennial 2023, among other institutions. Khalil is the recipient of various fellowships and grants, including a 2021 Creative Capital Award, a 2020 Herb Alpert Award, a Jerome Artist Fellowship, the Gates Millennium Scholarship, and honors from Sundance Art of Nonfiction and Cinereach.\n\nZack Khalil is a filmmaker and artist whose work centers Indigenous narratives in the present\u2014and looks towards the future\u2014through the use of innovative nonfiction forms. Khalil also works professionally as a video editor, most recently co-editing Alison O\u2019Daniels feature film The Tuba Thieves (2023), which premiered at Sundance. Khalil\u2019s own work has been shown at the Museum of Modern Art, Sundance Film Festival, New York Film Festival, CPH: DOX, HKW, Walker Arts Center, Kunsthal Charlottenborg, Creative Time, Toronto Biennial 2019, Whitney Biennial 2019, 59th Venice Biennale, Sharjah Biennial 15, and Counterpublic Triennial 2023, among other institutions and festivals. Khalil is the recipient of various fellowships and grants, including a Jerome Hill Artist Fellowship, a Sundance Art of Nonfiction grant, and the Gates Millennium Scholarship.\n\nFollowing the Penny Stamps Speaker Series screening of Aanikoobijigan at the Michigan Theater on October 12, a reception and Q&A will take place from 7-8:30 p.m. at Stamps Gallery (201 S. Division St.). Filmmakers Zack and Adam Khalil, with special guests, will speak in reflection on their film and process.\n\nIn partnership with the U-M Native American Graves Protection and Repatriation Act (NAGPRA) Office; U-M Museum of Anthropological Archeology; U-M Matthaei Botanical Gardens & Nichols Arboretum; U-M Department of Film, Television, and Media; U-M Department of Native American Studies; the U-M Department of American Culture; the U-M Inclusive History Project; the U-M Department of Anthropology; U-M Museum Studies Program; and the U-M Stamps Gallery.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.",
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        "event_title":"Public Reception and Film Talkback: Aanikoobijigan",
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        "description":"\n\nFollowing the screening of Aanikoobijigan at Michigan Theater, a reception and Q&A will take place at Stamps Gallery where filmmakers Zack and Adam Khalil will speak in reflection on their film and process. Filmmakers and special guests will be in attendance. Light refreshments will be served.\n\nAbout the Film\nIn the sterile storage of museums and archives our ancestor\u2019s remains struggle to find their way home. Aanikoobijigan follows eleven indigenous repatriation specialists that make up MACPRA (Michigan Anishinaabek Cultural Preservation & Repatriation Alliance) fighting to rebury and return ancestors from settler-colonial libraries, archives, and museums. Through an essayistic approach the film lays bare the history of indigenous collections, the laws passed to ensure return of human remains and funerary objects, and v\u00e9rit\u00e9 portraits of the righteous and courageous individuals doing the hard and emotionally draining work of bringing our ancestors back home.\n\nPresented in partnership with the U-M Native American Graves Protection and Repatriation Act (NAGPRA) Office; U-M Museum of Anthropological Archeology; U-M Matthaei Botanical Gardens & Nichols Arboretum; U-M Department of Film, Television, and Media; the U-M Department of American Culture; the U-M Inclusive History Project; the U-M Department of Anthropology; U-M Museum Studies Program; and the U-M Stamps Gallery.\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/public-reception-and-film-talkback-aanikoobijigan",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
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        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "occurrence_notes":null,
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        "event_title":"Stamps MDes Online Info Session",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-three",
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        "datetime_start":"20261014T120000",
        "datetime_end":"20261014T170000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260921T181519",
        "datetime_start":"20261015T070000",
        "datetime_end":"20261015T220000",
        "has_end_time":1,
        "date_start":"2026-10-15",
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        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "location_name":"Art &amp; Architecture Building, 2000 Bonisteel Blvd, Ann Arbor MI 48109-2069",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-three",
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    }    ,    "149541-21906618":
    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261015T120000",
        "datetime_end":"20261015T170000",
        "has_end_time":1,
        "date_start":"2026-10-15",
        "date_end":"2026-10-15",
        "time_start":"12:00:00",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Penny Stamps Speaker Series - Shane Ward",
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        "combined_title":"Penny Stamps Speaker Series - Shane Ward: Fearless by Design",
        "event_subtitle":"Fearless by Design",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nRaised on Detroit\u2019s west side as one of seven children, Shane Ward\u2019s path to global design leadership was anything but conventional. A full academic scholarship to the University of Michigan opened doors that introduced him to the transformative power of imagination, creativity, and design. What began as a passion for drawing, storytelling, and community evolved into a career spanning more than three decades in the footwear industry, ultimately leading to design leadership roles with some of the world\u2019s most influential brands.\n\nAfter graduating from the University of Michigan, Ward began his career with Adidas in Portland, Oregon, where he also developed a lifelong appreciation for the outdoors. Over the years, he has designed footwear for brands including Puma, Converse, Keen\/Fila, Rockport, and G.H. Bass.\n\nTogether with his identical twin brother, Ward co-founded DETNY by Shane & Shawn, serving as creative director for the men\u2019s and women\u2019s footwear line. The collection was carried by Nordstrom and Macy\u2019s and featured in its own boutique in New York City\u2019s Nolita neighborhood. Beyond footwear, Ward has expanded his creative practice through large-scale paintings that reflect his love of sneaker culture and the natural world. His ongoing Metamorphosis series explores the intersection of fashion, identity, and impermanence through iconic sneaker silhouettes layered with cherry blossoms and butterflies. The paintings contrast the fleeting nature of sneaker trends with the enduring cultural legacy of classic designs, using these instantly recognizable forms to examine themes of time, memory, social status, and our shared perceptions of style and performance. Like the blossoms and butterflies that drift beyond our control, the works suggest that while fashion and life are transient, a rare few ideas and objects leave an indelible mark across generations.\n\nToday, Ward serves as design director of footwear at Adidas, where he leads the design team for Originals Running. His journey continues to shape his belief that design is fundamentally about optimism, possibility, and expanding what individuals believe is achievable for themselves and their communities.\n\nWith support from Design Core Detroit and Detroit Unesco City of Design. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Art","Design","Entrepreneurship","Fashion","Product Design","Shoes"],
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        "datetime_modified":"20260921T181519",
        "datetime_start":"20261016T070000",
        "datetime_end":"20261016T220000",
        "has_end_time":1,
        "date_start":"2026-10-16",
        "date_end":"2026-10-16",
        "time_start":"07:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261016T110000",
        "datetime_end":"20261016T170000",
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        "date_start":"2026-10-16",
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        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Opening Reception - Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\nJoin us on Friday, October 16 from 6\u2009\u2013\u20098 p.m. for the opening receptions of Fore-Site (Phase 3): The Stamps Gallery Pillar Project and Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition at Stamps Gallery.\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC) and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.\n",
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        "event_title":"Opening Reception - Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "datetime_modified":"20260921T181519",
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        "date_start":"2026-10-17",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "datetime_modified":"20260924T121524",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260921T181519",
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        "datetime_end":"20261018T220000",
        "has_end_time":1,
        "date_start":"2026-10-18",
        "date_end":"2026-10-18",
        "time_start":"07:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
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        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "datetime_modified":"20260915T181526",
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        "event_title":"National Portfolio Day - Grand Rapids, MI",
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        "description":"\n\nGrand Rapids National Portfolio Day (In-Person)\nSunday, October 18, 2026 from 12-4 pm EDT\nFerris State University\u2019s Kendall College of Art and Design\nN. Ferris Building, 17 Pearl Street Northwest\nGrand Rapids, Michigan, 49503\n\nExplore the nation\u2019s best col\u00adleges of art and design and meet with Stamps Undergraduate Admissions rep\u00adre\u00adsen\u00adta\u00adtives, who can pro\u00advide informal port\u00adfo\u00adlio reviews, dis\u00adcuss our unique cur\u00adricu\u00adlum, and answer ques\u00adtions about pro\u00adfes\u00adsional careers in art. Show\u00ading your work early can help you acquire impor\u00adtant infor\u00adma\u00adtion about orga\u00adniz\u00ading and pre\u00adsent\u00ading your port\u00adfo\u00adlio for future admis\u00adsion con\u00adsid\u00ader\u00ada\u00adtion. High school stu\u00addents, par\u00adents, teach\u00aders, guid\u00adance coun\u00adselors, and col\u00adlege trans\u00adfer stu\u00addents are encour\u00adaged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event\u2019s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone, and register through the official National Portfolio Day website.",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260925T144439",
        "datetime_start":"20261021T090000",
        "datetime_end":"20261021T163000",
        "has_end_time":1,
        "date_start":"2026-10-21",
        "date_end":"2026-10-21",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"152872-21914629@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/152872",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
        "website":"https:\/\/www.instagram.com\/umichrc",
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261021T110000",
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        "date_start":"2026-10-21",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_start":"20261021T110000",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "tags":["Art"],
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        "datetime_modified":"20260924T121524",
        "datetime_start":"20261021T120000",
        "datetime_end":"20261021T170000",
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        "date_start":"2026-10-21",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
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        "datetime_modified":"20260925T144439",
        "datetime_start":"20261022T090000",
        "datetime_end":"20261022T163000",
        "has_end_time":1,
        "date_start":"2026-10-22",
        "date_end":"2026-10-22",
        "time_start":"09:00:00",
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        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_name":"East Quadrangle",
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        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "datetime_modified":"20260820T181520",
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        "date_start":"2026-10-22",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261022T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260821T154223",
        "datetime_start":"20261022T173000",
        "datetime_end":"20261022T190000",
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        "event_title":"Penny Stamps Speaker Series - Holly Herndon",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Holly Herndon: Protocol",
        "event_subtitle":"Protocol",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nBerlin-based artist Holly Herndon is known for her pioneering work in music, machine learning, and protocol development. Her practice creates precedent-setting projects where technical systems are artworks unto themselves.\n\nHerndon co-runs a studio in Berlin with her partner Mathew Dryhurst. Their major exhibitions include The Call at Serpentine Gallery in London, Starmirror at Kunstwerke Berlin and K21 in Duesseldorf, xhairymutantx in the 2024 Whitney Biennial, and Strange Rules at Palazzo Diedo in Venice. They released the book All Media is Training Data in 2024 through Buchhandlung Walther K\u00f6nig. In 2022, Herndon co-founded Spawning, an organization building an open consent-and-compliance protocol for AI data, creating tools for artists such as haveibeentrained.com and the Do Not Train protocol covering 2 billion+ works.\n\nHerndon\u2019s critically acclaimed musical works include Platform (RVNG-4AD\/2015) and PROTO (4AD\/2019). Awards include the 2022 Ars Electronica STARTS prize, Austria\u2019s first Digital Human Rights Award (2024), the Kairos Prize (2025), and the Deutschen KI Prize (2025). \n\nHerndon holds a doctorate in Computer Music from Stanford University.\n\nWith support from Mary Ellen Coe and Elizabeth Laraki.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Art","Electronic Music","Machine Learning","Music"],
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        "datetime_modified":"20260925T144439",
        "datetime_start":"20261023T090000",
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        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
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        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "datetime_start":"20261023T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
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        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260915T181527",
        "datetime_start":"20261024T120000",
        "datetime_end":"20261024T160000",
        "has_end_time":1,
        "date_start":"2026-10-24",
        "date_end":"2026-10-24",
        "time_start":"12:00:00",
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        "event_title":"National Portfolio Day - New York, NY",
        "occurrence_title":"",
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        "description":"\n\nNew York National Portfolio Day (In-Person)\nSaturday, October 24, 2026 from 12-4 pm EDT\nJacob K. Javits Convention Center\n429 11th Avenue, New York, New York, 10001\n\nExplore the nation\u2019s best col\u00adleges of art and design and meet with Stamps Undergraduate Admissions rep\u00adre\u00adsen\u00adta\u00adtives, who can pro\u00advide informal port\u00adfo\u00adlio reviews, dis\u00adcuss our unique cur\u00adricu\u00adlum, and answer ques\u00adtions about pro\u00adfes\u00adsional careers in art. Show\u00ading your work early can help you acquire impor\u00adtant infor\u00adma\u00adtion about orga\u00adniz\u00ading and pre\u00adsent\u00ading your port\u00adfo\u00adlio for future admis\u00adsion con\u00adsid\u00ader\u00ada\u00adtion. High school stu\u00addents, par\u00adents, teach\u00aders, guid\u00adance coun\u00adselors, and col\u00adlege trans\u00adfer stu\u00addents are encour\u00adaged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event\u2019s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone, and register through the official National Portfolio Day website.",
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        "datetime_modified":"20260922T121530",
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        "time_start":"14:00:00",
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        "event_title":"Between Gold and Indigo: Cosmo Whyte in Motion",
        "occurrence_title":"",
        "combined_title":"Between Gold and Indigo: Cosmo Whyte in Motion: Guided Tour of <em>Cosmo Whyte: Under the Quiet Beyond the Eye<\/em>",
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        "description":"\n\nExperience Cosmo Whyte\u2019s exhibition Under the Quiet, Beyond the Eye through a guided tour at Stamps Gallery. The tour will lead participants through Whyte\u2019s personal narrative, creative process, and engagement with historical archives, attending to the relationships he composes between memory, migration, and making.\n\nMore broadly, the exhibition considers how geographic boundaries, cultural identities, and inherited histories remain fluid and contested, tracing the ways race, class, migration, and displacement shape belonging across generations.\n\nTours are guided by Amanda D. King, a visual artist working across image-making, social practice, and curation, and an MFA candidate at the Stamps School of Art & Design.\n\nFree and open to the public. Registration requested.\n\nProgram will repeat on October 10 and October 24.",
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        "datetime_modified":"20260820T181520",
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        "date_start":"2026-10-28",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/stamps-student-led-exhibition-committee-fall-exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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        "datetime_modified":"20260925T144439",
        "datetime_start":"20261029T090000",
        "datetime_end":"20261029T163000",
        "has_end_time":1,
        "date_start":"2026-10-29",
        "date_end":"2026-10-29",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"152872-21914637@events.umich.edu",
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        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261029T110000",
        "datetime_end":"20261029T170000",
        "has_end_time":1,
        "date_start":"2026-10-29",
        "date_end":"2026-10-29",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    {
        "datetime_modified":"20260930T181533",
        "datetime_start":"20261029T110000",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
        "occurrence_title":"",
        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261029T120000",
        "datetime_end":"20261029T170000",
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        "date_start":"2026-10-29",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20261005T113646",
        "datetime_start":"20261029T163000",
        "datetime_end":"20261029T171500",
        "has_end_time":1,
        "date_start":"2026-10-29",
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        "event_title":"Staff Explorer Pass | Meet & Greet with Penny Stamps Speaker James Baxter",
        "occurrence_title":"",
        "combined_title":"Staff Explorer Pass | Meet & Greet with Penny Stamps Speaker James Baxter: Meet & greet for U-M Staff! (Waitlist)",
        "event_subtitle":"Meet & greet for U-M Staff! (Waitlist)",
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        "event_type_id":"22",
        "description":"Join fellow staff members for a special U-M Staff backstage Meet & Greet with Penny Stamps Distinguished Speaker James Baxter, followed by his public lecture at 5:30 p.m.\n\nEvent Details:\nMeet in the lobby of the Michigan Theatre at 4:30pm\nLook for staff members with teal Michigan Arts Fest t-shirts!\nReceive Michigan Arts Fest swag!\n\nPlease Note:\nBackstage Meet & Greet is limited to U-M staff members.\nCan't make it? Let us know so your spot may be released.\n\nStaff Art Meetups are staff-led excursions designed to explore the arts on campus and connect with colleagues who share similar interests. These meetups are being organized throughout October as part of the Michigan Arts Festival.\n\nQuestions? Contact your staff hosts: Meaghan Blanchard (mblanch@umich.edu) and Clarissa Santana (cmsantan@umich.edu)\n\nAbout the Speaker:\nJames Baxter is an award-winning character animator whose work has shaped some of the most beloved animated films and television series of the past four decades. Renowned for his expressive draftsmanship and mastery of performance through movement, Baxter has animated some of animation\u2019s most iconic characters, including Belle in Beauty and the Beast, Rafiki in The Lion King, Quasimodo in The Hunchback of Notre Dame, and the title character in Spirit: Stallion of the Cimarron. His work has also appeared in films including The Prince of Egypt, Kung Fu Panda, How to Train Your Dragon, and Enchanted, among many others.\n\nThroughout his career, Baxter has held creative and leadership roles at Walt Disney Feature Animation, DreamWorks Animation, and Netflix Animation, where he currently serves as vice president of animation. Working across both hand-drawn and computer animation, he has helped shape performances in some of the medium\u2019s most recognizable films while also teaching and mentoring artists throughout the industry. His contributions to animation can also be seen in Adventure Time, where the recurring character James Baxter the Horse was created as a tribute to the animator.\n\nBaxter will share stories from his four decades in animation and discuss the craft of character performance, offering a behind-the-scenes look at how movement, emotion, and storytelling come together to create memorable animated characters.\n\n+Backstage Meet & Greet is limited to U-M staff members.+ \n+Availability is extremely limited.+ \n+Register for yourself only.+\n+Can't make it? Let us know so your space may be released.+\n+Wayfinding & logistical info will be shared with registrants prior to event.+ \n\n\u2022\u2022\u2022\u2022\u2022\u2022\n*This program is part of the Michigan Arts Festival Staff Explorer Pass. In partnership with Voices of the Staff, the U-M Arts Initiative is offering limited complimentary tickets for select campus events and extra special experiences for U-M staff members all throughout October!*\n+For a list of all Staff Explorer Pass events, visit umarts.info\/staffpass+",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Lecture","Michigan Arts Festival","Staff","Staff Explorer Pass","Voices Of The Staff"],
        "website":"https:\/\/sessions.studentlife.umich.edu\/track\/event\/session\/114177",
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        "datetime_modified":"20260821T154323",
        "datetime_start":"20261029T173000",
        "datetime_end":"20261029T190000",
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        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - James Baxter",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - James Baxter: Animation, It\u2019s Alive!",
        "event_subtitle":"Animation, It\u2019s Alive!",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nJames Baxter is an award-winning character animator whose work has shaped some of the most beloved animated films and television series of the past four decades. Renowned for his expressive draftsmanship and mastery of performance through movement, Baxter has animated some of animation\u2019s most iconic characters, including Belle in Beauty and the Beast, Rafiki in The Lion King, Quasimodo in The Hunchback of Notre Dame, and the title character in Spirit: Stallion of the Cimarron. His work has also appeared in films including The Prince of Egypt, Kung Fu Panda, How to Train Your Dragon, and Enchanted, among many others.\n\nThroughout his career, Baxter has held creative and leadership roles at Walt Disney Feature Animation, DreamWorks Animation, and Netflix Animation, where he currently serves as vice president of animation. Working across both hand-drawn and computer animation, he has helped shape performances in some of the medium\u2019s most recognizable films while also teaching and mentoring artists throughout the industry. His contributions to animation can also be seen in Adventure Time, where the recurring character James Baxter the Horse was created as a tribute to the animator.\n\nBaxter will share stories from his four decades in animation and discuss the craft of character performance, offering a behind-the-scenes look at how movement, emotion, and storytelling come together to create memorable animated characters.\n\nWith support from the Ann Arbor District Library.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
        "occurrence_notes":null,
                "guid":"150483-21909506@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/150483",
        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"",
        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
        "has_livestream":0,
        "cost":"",
        "tags":["Animation","Art","Cartoons","Disney","Film","Storytelling"],
        "website":"https:\/\/stamps.umich.edu\/events\/james-baxter",
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    {
        "datetime_modified":"20260925T144439",
        "datetime_start":"20261030T090000",
        "datetime_end":"20261030T163000",
        "has_end_time":1,
        "date_start":"2026-10-30",
        "date_end":"2026-10-30",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"152872-21914638@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/152872",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
        "has_livestream":0,
        "cost":"",
        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
        "website":"https:\/\/www.instagram.com\/umichrc",
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    }    ,    "138033-21881355":
    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20261030T110000",
        "datetime_end":"20261030T170000",
        "has_end_time":1,
        "date_start":"2026-10-30",
        "date_end":"2026-10-30",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/the-stamps-gallery-pillar-project-fore-site-phase-three",
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    {
        "datetime_modified":"20260930T181533",
        "datetime_start":"20261030T110000",
        "datetime_end":"20261030T170000",
        "has_end_time":1,
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        "date_end":"2026-10-30",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
        "occurrence_title":"",
        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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                "guid":"150344-21909061@events.umich.edu",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/stamps-student-led-exhibition-committee-fall-exhibition",
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    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261030T120000",
        "datetime_end":"20261030T170000",
        "has_end_time":1,
        "date_start":"2026-10-30",
        "date_end":"2026-10-30",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
        "occurrence_notes":null,
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        "tags":["Art"],
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        "datetime_modified":"20260820T181520",
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        "date_start":"2026-10-31",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "combined_title":"Reverie: The Student-led Exhibition Committee Fall 2026 Exhibition",
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        "description":"\n\n\nA reverie is a state between waking and dreaming, a moment when the mind drifts beyond the immediate. It is a space where memory, imagination, desire, and reality can overlap, distort, and take on new forms. In these moments, the familiar can become strange, and the ordinary can become something unexpected.\n\nReverie brings together student works that explore the space between what is known and what is felt. Across painting, oil pastel, ceramic, digital art, animation, and mixed media, the artists move through imagined landscapes, intimate encounters, memories, figures, and fragments of the everyday. These works blur the boundaries between observation and imagination, allowing emotion and perception to reshape what we recognize.\n\nRather than depicting dreams literally, Reverie considers dreaming as a way of seeing. The works reflect moments of escape, introspection, fantasy, and transformation, where the subconscious can surface and reality becomes open to interpretation. \n\nReverie was conceived and curated by members of the Student-led Exhibition Committee (SEC), and features work by eight SEC members at the Stamps School of Art & Design. The exhibition includes ten works across oil on canvas, oil pastel, ceramic, digital art, digital animation, and mixed media.",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260925T144439",
        "datetime_start":"20261102T090000",
        "datetime_end":"20261102T163000",
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        "date_start":"2026-11-02",
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        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
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        "event_type":"Exhibition",
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        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260925T144439",
        "datetime_start":"20261105T090000",
        "datetime_end":"20261105T163000",
        "has_end_time":1,
        "date_start":"2026-11-05",
        "date_end":"2026-11-05",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "permalink":"http:\/\/events.umich.edu\/event\/152872",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "cost":"",
        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261105T110000",
        "datetime_end":"20261105T170000",
        "has_end_time":1,
        "date_start":"2026-11-05",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    {
        "datetime_modified":"20260924T121524",
        "datetime_start":"20261105T120000",
        "datetime_end":"20261105T170000",
        "has_end_time":1,
        "date_start":"2026-11-05",
        "date_end":"2026-11-05",
        "time_start":"12:00:00",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
        "occurrence_notes":null,
                "guid":"149541-21906633@events.umich.edu",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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        "datetime_modified":"20260821T154423",
        "datetime_start":"20261105T173000",
        "datetime_end":"20261105T190000",
        "has_end_time":1,
        "date_start":"2026-11-05",
        "date_end":"2026-11-05",
        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Danielle Brathwaite-Shirley",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Danielle Brathwaite-Shirley",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nDanielle Brathwaite-Shirley is a London- and Berlin-based artist and game designer whose practice prioritizes active engagement. Working predominantly in animation, sound, performance, and video game development, the artist\u2019s practice focuses on intertwining lived experience with fiction to imaginatively retell and archive the stories of Black Trans people, creating participatory spaces to envision more inclusive futures.\n\nTheir projects often take the form of immersive video games, where players navigate choices that confront their assumptions and biases, fostering deeper conversations about identity, privilege, and systemic oppression. Through their innovative use of digital media, the artist not only preserves histories but also envisions inclusive futures where the voices of those that are often ignored or erased become central. Their work is both \u201carchive and insurgency,\u201d a catalyst for dialogue, inviting audiences to reflect on their roles within broader societal structures\n\nDanielle Brathwaite-Shirley has presented solo exhibitions at Serpentine North, London (2025); LAS Foundation, Halle am Berghain, Berlin (2024); Fundaci\u00f3 Joan Mir\u00f3, Barcelona (2024); Studio Voltaire, London (2024); Centre d\u2019Art Contemporain Gen\u00e8ve (2024); SCAD Museum of Art, Savannah (2023); Villa Arson, Nice (2023); HAU Hebbel am Ufer, Berlin (2023); FACT, Liverpool (2022); Project Arts Centre, Dublin (2022); Sk\u00e4nes konstf\u00f6rening, Malm\u00f6 (2022); Arebyte Gallery, London (2021); QUAD, Derby (2021); and Focal Point Gallery, Southend-on-Sea (2020). Their work has been included in group exhibitions at institutions such as Art Museum at the University of Toronto (2024); National Museum of Modern and Contemporary Art Seoul (2023); Leslie-Lohman Museum of Art, New York (2023); Das Centre Pompidou, Metz (2023); Julia Stoschek Foundation, Berlin (2022); Albright-Knox Art Gallery, Buffalo (2021); Les Urbaines, Lausanne (2019); and Barbican, London (2018). Their work has been the subject of screenings and performances at institutions including Tate Modern, London (2024, 2020); MoMA, New York (2023); DePaul Art Museum, Chicago (2023); Serpentine, London (2022); Spike Island, Bristol (2022); and South London Gallery (2022). Permanent collections include the Arts Council Collection (UK) and Victoria and Albert Museum (London).\n\nWith support from Design Core Detroit and Detroit Unesco City of Design.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Art","Design","Detroit Art","Installation"],
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    {
        "datetime_modified":"20260925T144439",
        "datetime_start":"20261106T090000",
        "datetime_end":"20261106T163000",
        "has_end_time":1,
        "date_start":"2026-11-06",
        "date_end":"2026-11-06",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_id":"1000054",
        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261106T110000",
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        "has_end_time":1,
        "date_start":"2026-11-06",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260924T121524",
        "datetime_start":"20261106T120000",
        "datetime_end":"20261106T170000",
        "has_end_time":1,
        "date_start":"2026-11-06",
        "date_end":"2026-11-06",
        "time_start":"12:00:00",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
        "occurrence_notes":null,
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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        "datetime_modified":"20260817T121518",
        "datetime_start":"20261106T180000",
        "datetime_end":"20261106T200000",
        "has_end_time":1,
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        "date_end":"2026-11-06",
        "time_start":"18:00:00",
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        "event_title":"Queer Art Showcase",
        "occurrence_title":"",
        "combined_title":"Queer Art Showcase",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nCalling all U-M student artists: submit your artwork in celebration of queer and trans experiences! Selected work will be featured in the Queer Art Showcase on Friday, November 6, from 6-8 p.m. at Stamps Gallery.\n\n\nStudents of all genders and sexualities are welcome to submit. Submissions close on Wednesday, September 23, 2026 at 11:59 p.m. Click here for more information and to submit your artwork.\n\nQueer Art Showcase and Panel Discussion\n\nFriday, November 6, 6-8 p.m. at Stamps Gallery\n\nJoin Spectrum Center Programming Board and Stamps Gallery for an incredible showcase of queer and trans art from U-M students of all genders and sexualities. Enjoy a variety of mediums showcasing queer joy while engaging in a panel discussion with the artists. Light refreshments will be provided.\n\nThis event is open to all members of the U-M community. Presented in partnership with the U-M Spectrum Center.\n",
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        "tags":["Art"],
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        "datetime_modified":"20260820T181528",
        "datetime_start":"20261107T100000",
        "datetime_end":"20261107T140000",
        "has_end_time":1,
        "date_start":"2026-11-07",
        "date_end":"2026-11-07",
        "time_start":"10:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"National Portfolio Day - Online",
        "occurrence_title":"",
        "combined_title":"National Portfolio Day - Online",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"\n\nExplore the nation\u2019s best col\u00adleges of art and design and meet with Stamps Admissions rep\u00adre\u00adsen\u00adta\u00adtives, who can pro\u00advide informal port\u00adfo\u00adlio reviews, dis\u00adcuss our unique cur\u00adricu\u00adlum, and answer ques\u00adtions about pro\u00adfes\u00adsional careers in art. Show\u00ading your work early can help you acquire impor\u00adtant infor\u00adma\u00adtion about orga\u00adniz\u00ading and pre\u00adsent\u00ading your port\u00adfo\u00adlio for future admis\u00adsion con\u00adsid\u00ader\u00ada\u00adtion. High school stu\u00addents, par\u00adents, teach\u00aders, guid\u00adance coun\u00adselors, and col\u00adlege trans\u00adfer stu\u00addents are encour\u00adaged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event\u2019s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone, and register through the official National Portfolio Day website.",
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        "datetime_modified":"20260820T181520",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20261006T181526",
        "datetime_start":"20261107T140000",
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        "event_title":"Carried Images: Photobooks, Archives, and Memory",
        "occurrence_title":"",
        "combined_title":"Carried Images: Photobooks, Archives, and Memory: Be Curious: Making Art with Stamps MFAs",
        "event_subtitle":"Be Curious: Making Art with Stamps MFAs",
        "event_type":"Workshop \/ Seminar",
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        "description":"\n\nLed by Stamps MFA candidate William Hohe and inspired by Cosmo Whyte\u2019s exhibition Under the Quiet, Beyond the Eye, this workshop asks how the photographs we keep, inherit, and carry with us become stories about where we come from. Participants will move through a rotating book circle, sharing photobooks and personal images in small conversations about memory, place, and belonging. Everyone will then build their own eight page mini photobook, layering photographs with translucent sheets to create a personal archive to take home. No photography experience is needed; just bring your curiosity and, if you like, a few printed photos that matter to you.\n\nMore about the artist:\n\nWilliam Hohe is a photographer and installation artist from Glen Ellyn, Illinois, now based in Michigan. They are an MFA candidate in Visual Arts at the Penny W. Stamps School of Art and Design at the University of Michigan, where they also serve as Instructor of Record for Digital Photography for Non Majors. Hohe holds a BFA in Photography and a BS in Advertising from the University of Illinois (UIUC).\n\nHohe combines photography, performance, assemblage, and found and inherited archives to examine identity, family, and queer space. Working within a framework they call Existential Maximalism, that ask: as queer people, what does it mean to exist within spaces that are continually contested, politicized, and transformed between the expected and the imagined? Their work has been exhibited in Momentum, the Society for Photographic Education Midwest exhibition, and in DIFFA Chicago\u2019s Three for Life 2026. They are the coauthor, with designer Charlotte Watson, of the independently published photobook INTERSTATES (2025). Their photobook In An Erotic City, made in Berlin, is forthcoming in winter 2026, and their thesis project Father Figure[d] opens at the University of Michigan in March 2027. Hohe works professionally as WILLIAMSLENSES. Learn more about William Hohe\u2019s work.",
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        "event_title":"Graduate Portfolio Day - New York, NY",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20261111T110000",
        "datetime_end":"20261111T170000",
        "has_end_time":1,
        "date_start":"2026-11-11",
        "date_end":"2026-11-11",
        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Penny Stamps Speaker Series - Voices of Dissent",
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        "combined_title":"Penny Stamps Speaker Series - Voices of Dissent: Celebrating 250 Years of a People\u2019s History of the United States",
        "event_subtitle":"Celebrating 250 Years of a People\u2019s History of the United States",
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        "description":"\n\nDirected by Anthony Arnove, Voices of Dissent combines dramatic readings with live musical performances to bring the words of ordinary people throughout U.S. history to life. The performance features acclaimed actor David Strathairn, an Academy Award nominee for his portrayal of Edward R. Murrow in Good Night, and Good Luck. and an Emmy Award winner for Temple Grandin; acclaimed singer-songwriter Allison Moorer, an Oscar and Grammy-nominated artist known for her Americana songwriting and powerful storytelling; and Thornetta Davis, the award-winning Detroit vocalist known as the \"Queen of Detroit Blues.\" Drawing from letters, diaries, speeches, and songs, Voices of Dissent includes accounts from Ann Arbor, the University of Michigan, and across the state. Through a collaboration with the University of Michigan\u2019s Inclusive History Project, the production incorporates archival materials and local histories from the University\u2019s archives at Bentley Historical Library and the Labadie Collection that illuminate the experiences of people who have fought for justice, equality, and freedom. \n\nInspired by the work of historian Howard Zinn (1922-2010), the production is based on A People\u2019s History of the United States, which has sold more than five million copies, and Voices of a People\u2019s History of the United States, co-edited by Zinn and Arnove. By connecting these powerful historical voices to the present day, Voices of Dissent reminds audiences that the struggle for justice is ongoing and that democracy depends on the participation of everyday people.\n\nAnthony Arnove is the editor of several books, including Voices of a People\u2019s History of the United States, which he co-edited with Howard Zinn, and Voices of a People\u2019s History of the United States in the 21st Century, which he co-edited with Haley Pessin. He also wrote the introduction to the 35th anniversary edition of Zinn\u2019s classic book A People\u2019s History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People\u2019s History of the United States; co-wrote, co-directed, and co-produced the documentary The People Speak; and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various arts groups, including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He also produced the Academy Award\u2013nominated documentary Dirty Wars.\n\nIn partnership with the Inclusive History Project, with and support from the U-M Ford School of Public Policy, U.S. at 250 and the U-M Initiative for Democracy & Civic Empowerment. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "building_id":"null",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["American History","Art","Dissent","Music"],
        "website":"https:\/\/stamps.umich.edu\/events\/voices-of-dissent",
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        "time_start":"19:00:00",
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        "event_title":"Stamps Student Social Hour",
        "occurrence_title":"",
        "combined_title":"Stamps Student Social Hour",
        "event_subtitle":"",
        "event_type":"Reception \/ Open House",
        "event_type_id":"17",
        "description":"\n\nFollowing the Thursday Penny Stamps Speaker Series presentation at the Michigan Theater, head over to Stamps Gallery for a relaxing and fun social hour just for you! No expectations, just food, games and activities, and time with your friends to view the fall exhibition Cosmo Whyte: Under the Quiet, Beyond the Eye. We hope to see you there!\n\nThis event is open to Stamps and U-M students only.",
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        "datetime_start":"20261113T090000",
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        "event_title":"Small Works",
        "occurrence_title":"",
        "combined_title":"Small Works",
        "event_subtitle":"",
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        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "location_name":"East Quadrangle",
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        "tags":["Ann Arbor","Art","art and design","artists","artists and curators","arts","Arts And Ideas In The Humanities","arts at michigan","Arts Initiative","Book","book discussion","book event","Detroit","Exhibition","Michigan Arts","Michigan Arts Festival"],
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261113T110000",
        "datetime_end":"20261113T170000",
        "has_end_time":1,
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"Graduate Portfolio Day - Online",
        "occurrence_title":"",
        "combined_title":"Graduate Portfolio Day - Online",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"\n\nPlease join us for a virtual Graduate Portfolio Day event on Sunday, November 15, 2026, from 12-4 p.m. EST.\n\nVisit with counselors, admissions team members, and faculty from art and design schools for a portfolio review before applying to colleges or universities. National Portfolio Day events are free and open to the public.",
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        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
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        "date_start":"2026-11-16",
        "date_end":"2026-11-16",
        "time_start":"17:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Stamps MDes Virtual Info Session",
        "occurrence_title":"",
        "combined_title":"Stamps MDes Virtual Info Session",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"\n\nTuesday, November 16, 2026 from 5-7 p.m. EST\n\nJoin Stamps MDes director Sara Dean for a webinar-style virtual open house about the Master of Design (MDes) program at the U-M Stamps School of Art & Design. You\u2019ll see images of our facilities and current work happening at Stamps. The presentation will be followed by a Q&A. The presentation portion will be recorded and shared with all registrants.",
        "occurrence_notes":null,
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        "location_name":"Virtual",
        "has_livestream":0,
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/stamps-mdes-virtual-info-session-2",
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        "event_title":"Small Works",
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        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Small Works",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20261118T110000",
        "datetime_end":"20261118T170000",
        "has_end_time":1,
        "date_start":"2026-11-18",
        "date_end":"2026-11-18",
        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"The RC Art Gallery is pleased to announce its upcoming exhibition, Small Works.\n\nOctober 21 - November 19, 2026\n\nJoin us for a reception on Friday, November 13, from 4:30-6:00 PM.\n\nMore details about the exhibition and participating artists will be available soon.",
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        "datetime_start":"20261119T110000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260818T181537",
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        "date_start":"2026-11-19",
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        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Jorge Perez",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Jorge Perez: A Conversation",
        "event_subtitle":"A Conversation",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nJorge M. P\u00e9rez is a collector, philanthropist, and the founder of El Espacio 23, a contemporary art space in Miami that presents exhibitions, residencies, and special projects drawn from the P\u00e9rez Collection. Housed in a repurposed 28,000-square-foot warehouse in the city\u2019s Allapattah neighborhood, El Espacio 23 reflects P\u00e9rez\u2019s commitment to supporting artists, fostering curatorial practice, and expanding public access to contemporary art.\n\nAs the Founding Executive Chairman of Related Group, P\u00e9rez has helped shape South Florida\u2019s urban landscape for more than four decades. A lifelong advocate for the arts, he has championed the integration of museum-quality contemporary art into the built environment while building one of the country\u2019s leading private collections. His philanthropic support includes a landmark gift that led to the naming of P\u00e9rez Art Museum Miami (PAMM), where he has continued to contribute both funding and works from his collection.\n\nP\u00e9rez and Related Group have partnered with world-class architects and designers like Arquitect\u00f3nica, Robert Stern, Rem Koolhaas, Philippe Starck, David Rockwell Yabu Pushelberg to produce neighborhood-defining projects, establishing Related\u2019s developments as integral components of Miami\u2019s evolving cityscape. P\u00e9rez infuses each development with carefully curated collections, featuring pieces from master artists such as Frank Stella, Joan Mitchell, Willem de Kooning, Jim Dine and many others. \n\nThrough the Related Philanthropic Foundation and The Jorge M. P\u00e9rez Family Foundation, P\u00e9rez has contributed more than $300 million to initiatives supporting education, economic development, health and well-being, the environment, and arts and culture. A signatory of The Giving Pledge, he remains committed to using philanthropy to build more equitable, vibrant communities.\n\nTo lead the conversation, P\u00e9rez will be joined by Jos\u00e9 Carlos Diaz, a specialist in modern and contemporary art with extensive experience in exhibition making, programming, and public art projects. He is the Senior Director of Curatorial Affairs & Chief Curator at the P\u00e9rez Art Museum Miami. \n\nWith support from the U-M Museum of Art.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.",
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        "datetime_modified":"20260820T181520",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260924T121524",
        "datetime_start":"20261120T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260921T181527",
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        "event_title":"Stamps Graduate and Faculty Open Studios",
        "occurrence_title":"",
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        "event_type":"Reception \/ Open House",
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        "description":"\n\nYou\u2019re Invited: Stamps Graduate and Faculty Open Studios\n\nJoin us from 5-8 PM on Friday, November 20, 2026 at the Stamps Graduate and Faculty Studios for a celebratory evening of art, conversation, and community. Graduate students and faculty with studios at Green Road will open their doors and welcome visitors in for casual conversations about their creative process, artistic practice, and research. In addition to opening individual artist studios to the public, graduate students and faculty will present screenings, performances, music, art editions and more, with refreshments available.\n\n Celebrate the exciting art-making happening at the studios! RSVP is optional, but will help us to plan for the event.\n\nMDes Students\nDaniela Ruiz Barajas, Nicole Hu, Rae Nawrocki, Faezeh Salamat, and Jake Stucker\n\nMFA Students\nJames Asava, Davariz Broaden, Bert Cook, Isa Estrada, William Hohe, Juniper Jones, Navjeet Kaur, Amanda D. King, Jack Liu, Alyssa Lizzini, Julianna Sanrom\u00e1n Rojas, Charlie Dov Sch\u00f6n, Celia Shaheen, and Lucy Weaver\n\nFaculty Studios at Green Road\nPedram Baldari, Sophia Brueckner, Deepa Butoliya, Jim Cogswell, David Chung, Sara Dean, Roland Graf, Quinn Alexandria Hunter, Nooshin Hakim Javadi, Carlos Francisco Jackson, Osman Khan, Heidi Kumao, Rebecca Strzelec, Dylan AT Miner, Nicole Marroquin, Rebekah Modrak, Kelly Murdoch-Kitt, Tim Parsons, Endi Poskovic, Jesse Stiles, Nick Tobier, Aaron Turner, Angela Washko, Ricky Weaver, and Emilia Yang\n",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"2026 BA Senior Studio Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Panel Discussion: Artist-Run Spaces",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
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        "event_subtitle":"",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Opening Reception: 2026 BA Senior Studio Exhibition",
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        "combined_title":"Opening Reception: 2026 BA Senior Studio Exhibition",
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        "event_type":"Reception \/ Open House",
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        "description":"\n\nOn Friday, December 4, join us in celebration of a new exhibition featuring work by students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree, and focus on creating and exhibiting a culminating, self-directed project. Students work independently or collaboratively to define a project plan with goals, benchmarks, and a timeline.\n\nIn the BA Senior Studio Exhibition, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work, as well as the skills and practices associated with producing professional exhibitions.\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"2026 BA Senior Studio Exhibition",
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        "datetime_start":"20261205T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"National Portfolio Day - Online",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"2026 BA Senior Studio Exhibition",
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        "description":"\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree, and focus on creating and exhibiting a culminating, self-directed project. Students work independently or collaboratively to define a project plan with goals, benchmarks, and a timeline. \n\nIn the BA Senior Studio Exhibition, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work, as well as the skills and practices associated with producing professional exhibitions.\n",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "time_start":"19:00:00",
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        "event_title":"Stamps Student Social Hour",
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        "description":"\n\nFollowing the Thursday Penny Stamps Speaker Series presentation at the Michigan Theater, head over to Stamps Gallery for a relaxing and fun social hour just for you! No expectations, just food, games and activities, and time with your friends to view the fall exhibition Cosmo Whyte: Under the Quiet, Beyond the Eye. We hope to see you there!\n\nThis event is open to Stamps and U-M students only.",
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In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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