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        "event_title":"2026 Second Year Studio Exhibition",
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        "event_title":"Ballad for Rodney",
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        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
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        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20260911T070000",
        "datetime_end":"20260911T220000",
        "has_end_time":1,
        "date_start":"2026-09-11",
        "date_end":"2026-09-11",
        "time_start":"07:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition-2026",
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    {
        "datetime_modified":"20260827T142116",
        "datetime_start":"20260911T090000",
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        "has_end_time":1,
        "date_start":"2026-09-11",
        "date_end":"2026-09-11",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
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        "tags":["Art","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20260911T110000",
        "datetime_end":"20260911T170000",
        "has_end_time":1,
        "date_start":"2026-09-11",
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        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    }    ,    "149541-21906594":
    {
        "datetime_modified":"20260824T181519",
        "datetime_start":"20260911T120000",
        "datetime_end":"20260911T170000",
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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    {
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        "datetime_start":"20260912T110000",
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        "date_start":"2026-09-12",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260824T181519",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260807T181508",
        "datetime_start":"20260913T070000",
        "datetime_end":"20260913T220000",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "datetime_modified":"20260824T181519",
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        "date_start":"2026-09-15",
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        "time_start":"12:00:00",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Meet the MFA Students!",
        "occurrence_title":"",
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        "description":"\n\nPlease join us for short presentations by all first- and second-year University of Michigan Stamps School of Art & Design MFA students. It\u2019s a welcome (and welcome back) event for students, staff, and faculty and an opportunity to learn a little bit about the practices of all the students in our MFA program. All are welcome.\n\nSeptember 15, 2026\n5-7 p.m. in Art & Architecture Building Auditorium (Room 2104)\n\nFeaturing:\n\nJames Asava\nDavariz Broaden\nBert Cook\nIsa Estrada\nWilliam Hohe\nJuniper Jones\nNavjeet Kaur\nAmanda D. King\nJack Liu\nAlyssa Lizzini\nJulianna Sanrom\u00e1n Rojas\nCharlie Sch\u00f6n\nLucy Weaver",
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        "datetime_modified":"20260826T103946",
        "datetime_start":"20260915T173000",
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        "date_start":"2026-09-15",
        "date_end":"2026-09-15",
        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Reaching the People: Visual Storytelling for Access & Action",
        "occurrence_title":"",
        "combined_title":"Reaching the People: Visual Storytelling for Access & Action: An Evening with Ariel Aberg-Riger",
        "event_subtitle":"An Evening with Ariel Aberg-Riger",
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        "event_type_id":"21",
        "description":"Edward Ginsberg Center and The Stamps School of Art + Design's Roman J. Witt Short Term Visiting artist program present a special event with Ariel Aberg-Riger, Director of Creative Strategy & Design for the City of Buffalo, NY and author of the award-winning book America Redux: Visual Stories from our Dynamic History. \n\nWe live in a visual world where people increasingly access information through images and video. How do we turn narratives and data into clear, compelling visuals that move people to participate in civic life and work for social change? Join us for a special Democracy Week event with designer and author Ariel Aberg-Riger, exploring how visual storytelling can make information more accessible and actionable. At this hands-on event, participants will learn how images, design choices, data, narrative and context all work together to communicate ideas to broad public audiences. We\u2019ll look at examples of visual storytelling and data visualization that deepen public understanding of complex issues while opening pathways for action. We\u2019ll also practice creating our own visual stories as a way to bring information to life for the public! All materials provided, no specific expertise necessary. This event is designed for students, faculty, researchers, artists, designers, communicators, and anyone interested in civic engagement and public scholarship.\n\nDinner is provided and available at 5:30pm. Program begins at 6pm. Space is limited and registration is required. \n\nThis event is made possible through generous support from our sponsors: U-M\u2019s Initiative for Democracy & Civic Empowerment.\n\nREGISTER: https:\/\/sessions.studentlife.umich.edu\/track\/event\/session\/112037",
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        "building_name":"Ginsberg Center for Community Service and Learning",
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        "tags":["Art","Civic Engagement","Community Engagement","Community-based Learning","Democracy Week","Design","Faculty","Free","Storytelling","Students","Visual Arts"],
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20260916T070000",
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        "date_start":"2026-09-16",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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    {
        "datetime_modified":"20260827T142116",
        "datetime_start":"20260916T090000",
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        "date_end":"2026-09-16",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
        "event_type":"Exhibition",
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        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "permalink":"http:\/\/events.umich.edu\/event\/150287",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
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        "tags":["Art","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20260916T110000",
        "datetime_end":"20260916T170000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260824T181519",
        "datetime_start":"20260916T120000",
        "datetime_end":"20260916T170000",
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        "date_start":"2026-09-16",
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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    {
        "datetime_modified":"20260807T181508",
        "datetime_start":"20260917T070000",
        "datetime_end":"20260917T220000",
        "has_end_time":1,
        "date_start":"2026-09-17",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
        "occurrence_notes":null,
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        "permalink":"http:\/\/events.umich.edu\/event\/150287",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
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        "tags":["Art","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20260917T110000",
        "datetime_end":"20260917T170000",
        "has_end_time":1,
        "date_start":"2026-09-17",
        "date_end":"2026-09-17",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    }    ,    "149541-21906598":
    {
        "datetime_modified":"20260824T181519",
        "datetime_start":"20260917T120000",
        "datetime_end":"20260917T170000",
        "has_end_time":1,
        "date_start":"2026-09-17",
        "date_end":"2026-09-17",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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    {
        "datetime_modified":"20260821T152828",
        "datetime_start":"20260917T173000",
        "datetime_end":"20260917T190000",
        "has_end_time":1,
        "date_start":"2026-09-17",
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        "event_title":"Penny Stamps Speaker Series - Holly Bass",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Holly Bass: We Hold These Truths",
        "event_subtitle":"We Hold These Truths",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nSince 1776, Americans have used major anniversaries of the nation\u2019s founding to celebrate, debate, revise, and perform the story of the United States. For We Hold These Truths, her new exhibition opening at UMMA in October 2026, artist Holly Bass looks to three of those anniversary years\u20141876, 1976, and 2026 to explore how national ideals are staged in public, preserved in private, and passed down through generations. \n\nIn this talk, Bass will discuss the ideas behind We Hold These Truths, her process of transforming UMMA\u2019s iconic Apse into an environment, and the role art plays in helping communities consider these varied histories. Drawing from her practice across performance, visual art, theater, writing, and engagement, Bass will offer a preview of the exhibition and explain how historic home museums inspired this new body of work.\n\nBass is the 2026 Roman J. Witt Artist In Residence and an award-winning artist and cultural worker based in Washington, DC. Her work\u2014held in the collections of the National Gallery of Art and the Smithsonian National Portrait Gallery\u2014frequently engages communities through workshops, devised theater, and participatory installations and explores themes of American history, generational labor, and liberation. \n\nBass has been recognized with awards for multiple art forms. She received a 2024 Washington Award for art and social justice. She is a 2022 MAP Fund recipient for theater, a 2020 Live Feed Resident Artist at New York Live Arts for choreography and dance and a 2021\u201322 Smithsonian Artist Research Fellow. She performed at the 2022 Venice Biennale as part of Loophole of Retreat, Simone Leigh\u2019s special project for the U.S. Pavilion. She regularly contributes book reviews to the New York Times and was the first journalist to put the term \u201chip hop theater\u201d into print in a 1999 article for American Theatre magazine. Bass directed an arts program for adjudicated teens in DC\u2019s Department of Youth Rehabilitation Services from 2014 to 2019. From 2019 to 2025, she served as national director of Turnaround Arts at the Kennedy Center, a program that increases access to the arts in under-resourced elementary and middle schools. She studied modern dance under Viola Farber and creative writing at Sarah Lawrence College before earning her Master\u2019s degree from Columbia University\u2019s Graduate School of Journalism. In fall 2026, Bass will also be a Towsley Policymaker in Residence at the U-M Ford School of Public Policy.\n\nWe Hold These Truths opens at UMMA on October 3, 2026. The exhibition and Bass\u2019 Penny Stamps Speaker Series program are presented in partnership with the Roman J. Witt Residency Program and the University of Michigan Museum of Art.\n\nAbout the University of Michigan Roman J. Witt Residency\n\nThe Roman J. Witt Residency Program, developed with the support of University of Michigan alumna Penny W. Stamps and named in honor of her father, is an annual international competition that awards one residency per academic year to a visiting artist\/designer who proposes to develop a new work in collaboration with University of Michigan students and faculty.\n\nLead support for the exhibition is provided by the Benedek Endowment Fund for the Humanities, the Richard and Rosann Noel Endowment, the Greg Hodes and Heidi Hertel Hodes Partners in the Arts Endowment Fund, the Herbert W. and Susan L. Johe Endowment Fund, and Stamps School of Art & Design.\n\nPresented in partnership with the U-M Museum of Art, with support from U.S. at 250, U-M Ford School of Public Policy, and the U-M Initiative for Democracy & Civic Empowerment. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20260918T070000",
        "datetime_end":"20260918T220000",
        "has_end_time":1,
        "date_start":"2026-09-18",
        "date_end":"2026-09-18",
        "time_start":"07:00:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition-2026",
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    {
        "datetime_modified":"20260827T142116",
        "datetime_start":"20260918T090000",
        "datetime_end":"20260918T170000",
        "has_end_time":1,
        "date_start":"2026-09-18",
        "date_end":"2026-09-18",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20260918T110000",
        "datetime_end":"20260918T170000",
        "has_end_time":1,
        "date_start":"2026-09-18",
        "date_end":"2026-09-18",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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    }    ,    "149541-21906599":
    {
        "datetime_modified":"20260824T181519",
        "datetime_start":"20260918T120000",
        "datetime_end":"20260918T170000",
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        "date_start":"2026-09-18",
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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    {
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        "datetime_start":"20260919T110000",
        "datetime_end":"20260919T170000",
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        "date_start":"2026-09-19",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260807T181508",
        "datetime_start":"20260920T070000",
        "datetime_end":"20260920T220000",
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        "date_start":"2026-09-20",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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    {
        "datetime_modified":"20260824T181519",
        "datetime_start":"20260922T120000",
        "datetime_end":"20260922T170000",
        "has_end_time":1,
        "date_start":"2026-09-22",
        "date_end":"2026-09-22",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_end":"20260922T190000",
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        "date_end":"2026-09-22",
        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Olayami Dabls",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Olayami Dabls: Culture Keeper",
        "event_subtitle":"Culture Keeper",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nFor decades, Detroit artist Olayami Dabls has explored the intersections of art, history, identity, community, and healing through sculpture, storytelling, and material culture. Founder of the MBAD African Bead Museum, Dabls presents commentary on the past, present, and future from African and African American perspectives, drawing upon traditions in which materials convey identity and serve as messages for healing and protection. In 2022, he received the prestigious Kresge Artist Award for his innovative practice and enduring legacy within his community and beyond. \n\nJoining Dabls in conversation is Nichole Christian, a writer, editor, and native Detroiter. Since 2019, she\u2019s worked as the independent creative director, editor, and lead writer of the Kresge Eminent Artists monograph series, produced annually by the Kresge Foundation. The series includes The Culture Keeper, which in 2022 chronicled the ongoing legacy of Olayami Dabls and his African Bead Museum. Christian is the co-author of the award-winning public art book, Canvas Detroit. Previously, she has worked as a staff writer for publications including The New York Times, The Wall Street Journal, Time magazine, and the Detroit Free Press. She is currently the managing editor for Outlier Media. \n\nCoinciding with his Penny Stamps Speaker Series appearance, the Institute for the Humanities Gallery will present Olayami Dabls: Grand Vision from September 22\u2013October 28, 2026. The exhibition features Dabls\u2019work in visual conversation with African beads and artifacts from the MBAD African Bead Museum and his collections. The project also includes the installation of his iconic outdoor sculpture, Iron Teaching Rocks Table Manners, on the University of Michigan campus from September 22\u2013October 12, 2026.\n\nPresented in partnership with the U-M Institute for the Humanities.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n\n",
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20260923T070000",
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        "date_start":"2026-09-23",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
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        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_start":"20260923T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20260924T070000",
        "datetime_end":"20260924T220000",
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        "date_start":"2026-09-24",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "datetime_modified":"20260827T142116",
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        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
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        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Penny Stamps Speaker Series - Cosmo Whyte",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Cosmo Whyte: <em>Under the Quiet, Beyond the Eye:<\/em> Image, Memory, and the Afterlives of Empire",
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        "event_type":"Lecture \/ Discussion",
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        "description":"\n\nCosmo Whyte is an interdisciplinary artist working across drawing, installation, photography, and sculpture. His research-driven practice examines interstitial subjectivity through intimate and public archives, Black spatiality, and practices of resistance. His work is organized around two interconnected approaches: The Archive as Threshold \/ Site of Disturbance and Migration as Refuge \/ Refusal. The first considers the archive not as a fixed repository but as a constrained structure shaped by embedded histories, asking how its limits might be unsettled and reactivated. The second frames migration as an open-ended, unfinished process that disrupts stable notions of identity and belonging.\n\nBeginning with an interrogation of his own racialized and gendered body and the personal memories embedded within it, Whyte uses the intimate archive as an entry point into broader collective and political questions. His work challenges the archive as a force that seeks to fix and preserve history, instead exploring how its boundaries might be breached to reveal the complexities, contradictions, and lived experiences contained within. Through this process, he considers migration not simply as movement from one place to another, but as an ongoing condition of refuge, refusal, and transformation.\n\n Whyte\u2019s work has been presented in solo exhibitions at The Arts Club of Chicago, Anat Ebgi (Los Angeles), Lux Art Institute, MOCA GA, and Johnson Lowe Gallery, among others. His work has also been featured in group exhibitions at the Museum of Contemporary Art Chicago, El Museo del Barrio\u2019s LA TRIENAL, Prospect.5 New Orleans, The Drawing Center, the 13th Havana Biennial, and the High Museum of Art. His honors include awards from the Pollock-Krasner Foundation, the Harpo Foundation, Artadia, Art Matters, the Louis Comfort Tiffany Foundation, the MOCA GA Working Artist Program Award, the Edge Award, and the Dartmouth College Artist-in-Residence Award. Whyte is the area head of painting\/ drawing and an associate professor in UCLA\u2019s Department of Art. He earned an MFA from the University of Michigan\u2019s Penny W. Stamps School of Art & Design.\n\nCoinciding with his Penny Stamps Speaker Series appearance, Stamps Gallery will present Cosmo Whyte: Under the Quiet, Beyond the Eye, an ambitious, mid-career survey exhibition, from September 11\u2013December 12, 2026. Directly after Whyte\u2019s September 24 presentation, an artist Q&A and exhibition reception will take place at Stamps Gallery (201 S. Division St.) from 6:30-8:30 p.m. \n\nPresented in partnership with the U-M Stamps Gallery.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "event_title":"Opening Reception and Artist Q&A - Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_type":"Reception \/ Open House",
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        "description":"\n\nDirectly following Cosmo Whyte\u2019s Penny Stamps Speaker Series presentation at the Michigan Theater, join us at Stamps Gallery for a reception celebrating the opening of Cosmo Whyte: Under the Quiet, Beyond the Eye. Listen in on a Q&A with artist, Cosmo Whyte, and exhibition curator, Srimoyee Mitra. Light refreshments will be served.\n",
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        "tags":["Art","Caribbean","Diaspora","Migration","Reception"],
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition-2026",
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    {
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        "datetime_start":"20260925T090000",
        "datetime_end":"20260925T170000",
        "has_end_time":1,
        "date_start":"2026-09-25",
        "date_end":"2026-09-25",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
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        "tags":["Art","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20260925T110000",
        "datetime_end":"20260925T170000",
        "has_end_time":1,
        "date_start":"2026-09-25",
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        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "datetime_modified":"20260824T181519",
        "datetime_start":"20260925T120000",
        "datetime_end":"20260925T170000",
        "has_end_time":1,
        "date_start":"2026-09-25",
        "date_end":"2026-09-25",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "datetime_modified":"20260820T181520",
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        "date_start":"2026-09-26",
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        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260824T181519",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260811T061508",
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        "datetime_end":"20260926T170000",
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        "event_title":"Graduate Portfolio Day - Online",
        "occurrence_title":"",
        "combined_title":"Graduate Portfolio Day - Online",
        "event_subtitle":"",
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        "event_type_id":"22",
        "description":"\n\nPlease join us for a virtual Graduate Portfolio Day event on Saturday, September 26, 2026, from 1-5 p.m. EDT.\n\nVisit with counselors, admissions team members, and faculty from art and design schools for a portfolio review before applying to colleges or universities. National Portfolio Day events are free and open to the public.",
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        "event_title":"Be Curious: Making Art with Stamps MFAs",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "event_title":"Ballad for Rodney",
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        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
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        "event_title":"Ballad for Rodney",
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        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20260930T110000",
        "datetime_end":"20260930T170000",
        "has_end_time":1,
        "date_start":"2026-09-30",
        "date_end":"2026-09-30",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20261001T070000",
        "datetime_end":"20261001T220000",
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        "date_start":"2026-10-01",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "time_zone":"America\/Detroit",
        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
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        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "datetime_modified":"20260820T181520",
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        "date_start":"2026-10-01",
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        "time_start":"11:00:00",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
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        "event_title":"Opening Reception: 2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"Opening Reception: 2026 Second Year Studio Exhibition",
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        "event_type":"Reception \/ Open House",
        "event_type_id":"17",
        "description":"\n\nThe 2026 Second Year Studio Exhibition features work created by Stamps students enrolled in Second Year Studio, showcasing our rising third-year and transfer students. With work in a variety of media installed throughout the Art & Architecture building, the exhibition invites first-year students and other newcomers to explore both their surroundings and the creative possibilities ahead. \n\nOn Thursday, October 1, join us for an exhibition reception from 1-2:30 p.m. at the Art & Architecture building\u2019s Street Gallery. ",
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        "event_title":"Penny Stamps Speaker Series - Vijay Gupta",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Vijay Gupta: Book of Hours",
        "event_subtitle":"Book of Hours",
        "event_type":"Lecture \/ Discussion",
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        "description":"\n\nVijay Gupta is a violinist, curator, and music director who explores the human condition through music. His performing career has taken him from Carnegie Hall \u2014 where he debuted at age eight \u2014 to county jails, Skid Row shelters, and state psychiatric hospitals, finding in each the same essential questions about what music is for, and who it is for. At eleven, he made his international solo debut with the Israel Philharmonic under Zubin Mehta. At nineteen, he became the youngest violinist ever to join the Los Angeles Philharmonic, where he performed for eleven seasons. The Los Angeles Times has called his playing \"brilliant, bold and gripping,\" and Publishers Weekly praised his memoir Restrung as a \"a virtuoso performance\u201d that illustrates how music \"reaches the broken places within us and the broken places between us.\"\n\nA recipient of the MacArthur Fellowship and honoree on the Time 100 Next list, Gupta is the founder and artistic director of Street Symphony, a nonprofit that brings live music into shelters, clinics, county jails, state hospitals, and reentry programs across Los Angeles. Over fifteen years, Street Symphony has delivered more than 3,000 performances and workshops. The New Yorker called it \"a formidable new model for how musical institutions should engage with the world around them.\" \n\nIn addition to his work with Street Symphony, Gupta performs as a soloist and as a founding member of the Darshan Piano Trio. He holds degrees in biology and violin performance and completed graduate study at the Yale School of Music. He has addressed audiences at the Aspen Institute, Mayo Clinic, Harvard Business School, the American Medical Association, and the U.S. Psychiatric Congress, among others. Restrung, his memoir, was published by Grand Central \/ Da Capo in 2026. \n\nPresented in partnership with the U-M Arts Initiative, the Michigan Arts Festival, and the Ann Arbor Symphony.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Art","Classical Music","Michigan Arts Festival","Music","Violin"],
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Willow Weaving Wellness: Talk",
        "occurrence_title":"",
        "combined_title":"Willow Weaving Wellness: Talk: Be Well: Art, Design & Wellness Series",
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        "description":"\n\nTalk: 9:30-11 a.m.\nWorkshop: 11:30 a.m. - 2:30 p.m.\n\nExplore the connections between nature, creativity and well-being through the living language of willow. Join artist and farmer Howard Peller, U-M botanist and professor Selena Smith Ph.D., and invited Indigenous and campus voices for a conversation on willow\u2019s cultural history, ecological importance and role in fostering resilience and human well-being. \n\nThe event will also unveil the vision for the \"Living Willow Structures\" campus project, followed by a hands-on willow weaving workshop where participants can experience the mindful, restorative process of creating with this remarkable material.\n\nThis workshop is presented in conjunction with the University of Michigan Climate Week Initiative.\n\n\n\nPrior experience is not required. Free and open to the public. \nAttendance at both events is not required. Limited space available.\nRegistration opens soon. Please check back for updates.",
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261002T110000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Willow Weaving Wellness: Workshop",
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        "event_subtitle":"Be Well: Art, Design & Wellness Series",
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        "description":"\n\nTalk: 9:30-11 a.m.\nWorkshop: 11:30 a.m. - 2:30 p.m.\n\nExplore the connections between nature, creativity and well-being through the living language of willow. Join artist and farmer Howard Peller, U-M botanist and professor Selena Smith Ph.D., and invited Indigenous and campus voices for a conversation on willow\u2019s cultural history, ecological importance and role in fostering resilience and human well-being. \n\nThe event will also unveil the vision for the \"Living Willow Structures\" campus project, followed by a hands-on willow weaving workshop where participants can experience the mindful, restorative process of creating with this remarkable material.\n\nThis workshop is presented in conjunction with the University of Michigan Climate Week Initiative.\n\n\n\nPrior experience is not required. Free and open to the public. \nAttendance at both events is not required. Limited space available.\nRegistration opens soon. Please check back for updates.",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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    {
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        "datetime_start":"20261007T110000",
        "datetime_end":"20261007T170000",
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        "date_start":"2026-10-07",
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        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "event_subtitle":"",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260807T181508",
        "datetime_start":"20261008T070000",
        "datetime_end":"20261008T220000",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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    {
        "datetime_modified":"20260820T181520",
        "datetime_start":"20261008T110000",
        "datetime_end":"20261008T170000",
        "has_end_time":1,
        "date_start":"2026-10-08",
        "date_end":"2026-10-08",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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    }    ,    "149541-21906613":
    {
        "datetime_modified":"20260824T181519",
        "datetime_start":"20261008T120000",
        "datetime_end":"20261008T170000",
        "has_end_time":1,
        "date_start":"2026-10-08",
        "date_end":"2026-10-08",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/cosmo-whyte-under-the-quiet-beyond-the-eye",
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    }    ,    "150479-21909502":
    {
        "datetime_modified":"20260821T153627",
        "datetime_start":"20261008T173000",
        "datetime_end":"20261008T190000",
        "has_end_time":1,
        "date_start":"2026-10-08",
        "date_end":"2026-10-08",
        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Amy Franceschini \/ Futurefarmers",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Amy Franceschini \/ Futurefarmers: Presence as Practice",
        "event_subtitle":"Presence as Practice",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nAmy Franceschini is an artist and designer whose work facilitates encounter, exchange, and tactile forms of inquiry by calling into question the \"certainties\" of a given time or place where a work is situated. An overarching theme in her work is a perceived conflict between \"humans\" and \"nature\". Her projects reveal the history and currents of contradictions related to this divide by challenging systems of exchange and the tools we use to \"hunt\" and \"gather\". Using this as a starting point, she creates relational objects that invoke action and inquiry; not only to imagine, but also to participate in and initiate change in the places we live.\n\nIn 1995, Franceschini founded Futurefarmers as a collaborative platform to consider the social, political, and environmental organization of space. Futurefarmers use various media to deconstruct systems to visualize and understand their intrinsic logics; food systems, public transportation, education. Through this disassembly, they find new narratives and reconfigurations that form alternatives to the principles that once dominated these systems.\n\nFuturefarmers work is based in enmeshed acts of wandering and material processes. In the context of public art works, they cultivate public life in place, rather than inserting pre-determined forms and concepts into public space. They do so through a process-led approach,inviting materials and communities to arrive and intersect at a specific site or situation. Through time and the practiced presence of Futurefarmers, the meeting place of people and materials transform from provisional arrangements into durable forms and functions of their work\n\nFranceschini is a 2009 Guggenheim Fellow, a 2019 Rome Prize Fellow and a 2017 recipient of the Herb Alpert Award for Visual Arts. She is the author of A Variation on the Powers of Ten, For Want of a Nail, and, most recently, Silicon Forest in 2026. Franceschini received a BFA in Photography from San Francisco State University and an MFA from Stanford University. She has taught in the visual arts graduate programs at California College of the Arts in San Francisco and Stanford University, and in the Master of Eco-Social Design at the Free University in Bolzano, Italy. \n\nWith support from Design Core Detroit, Detroit UNESCO City of Design, and U-M Student Life Sustainability. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Art","Collaboration","Collectivism","Design","Detroit Design Festival","Public Art","Sustainability","Systems Thinking"],
        "website":"https:\/\/stamps.umich.edu\/events\/amy-franceschini-futurefarmers",
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20261009T070000",
        "datetime_end":"20261009T220000",
        "has_end_time":1,
        "date_start":"2026-10-09",
        "date_end":"2026-10-09",
        "time_start":"07:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260807T181508",
        "datetime_start":"20261010T070000",
        "datetime_end":"20261010T220000",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261010T110000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"National Portfolio Day - Online",
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        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition-2026",
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    {
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        "datetime_start":"20261012T173000",
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        "date_start":"2026-10-12",
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        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Aanikoobijigan",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Aanikoobijigan: [ancestor\/great-grandparent\/great-grandchild]",
        "event_subtitle":"[ancestor\/great-grandparent\/great-grandchild]",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nTrapped in museum archives, Ancestors bend time and space to find their way home. History, spirituality, and the law collide as tribal repatriation specialists fight to return and rebury Indigenous human remains, offering a revealing look at the still-pervasive worldviews that justified collecting them in the first place.\nThe film Aanikoobijigan [ancestor\/great-grandparent\/great-grandchild] documents the emotional and vital work of MACPRA (Michigan Anishinaabek Cultural Preservation and Repatriation Alliance). This alliance, made up of repatriation specialists representing all Michigan tribes, fights to bring their Ancestors and funerary objects home from settler colonial institutions like museums, libraries, and archives. Adam and Zack Khalil\u2019s monumental and formally daring film follows the pressing struggle to rebury Indigenous human remains that have been held in sterile storage, laying bare the history of Indigenous collections and the battle to recognize and enforce the laws intended to facilitate their repatriation to the communities they were originally stolen from. Using an essayistic approach alongside v\u00e9rit\u00e9 portraits, the film celebrates the courageous individuals who carry out this hard and emotionally draining labor of return. \n\n\u2014Sundance Film Festival\n\nAanikoobijigan [ancestor\/great-grandparent\/great-grandchild] directors Adam and Zack Khalil are members of the Sault Ste. Marie Tribe of Chippewa Indians. They are co-directors and co-editors of the feature documentary INAATE\/SE\/ [it shines a certain way. to a certain place.\/ it flies. falls.\/] (2016) which premiered as the closing night film of the Museum of Modern Art\u2019s Doc Fortnight Film Festival, and the experimental documentary short The Violence of a Civilization without Secrets (2017) which premiered at Sundance. The Khalils are core contributors to New Red Order, a public-secret society which calls attraction toward indigeneity into question, yet promotes this desire, and enjoins potential non-Indigenous accomplices to participate in the co-examination and expansion of Indigenous agency. \n\nAdam Khalil is an artist whose practice attempts to subvert traditional forms of image-making through humor, relation, and transgression. A co-founder of COUSINS Collective, Khalil\u2019s work has been exhibited or screened at the Museum of Modern Art, Sundance Film Festival, New York Film Festival, Tate Modern, HKW, Walker Arts Center, Lincoln Center, Palais de Tokyo, Kunsthal Charlottenborg, Creative Time, Toronto Biennial 2019, Whitney Biennial 2019, Sharjah Biennial 15, Counterpublic Triennial 2023, among other institutions. Khalil is the recipient of various fellowships and grants, including a 2021 Creative Capital Award, a 2020 Herb Alpert Award, a Jerome Artist Fellowship, the Gates Millennium Scholarship, and honors from Sundance Art of Nonfiction and Cinereach.\n\nZack Khalil is a filmmaker and artist whose work centers Indigenous narratives in the present\u2014and looks towards the future\u2014through the use of innovative nonfiction forms. Khalil also works professionally as a video editor, most recently co-editing Alison O\u2019Daniels feature film The Tuba Thieves (2023), which premiered at Sundance. Khalil\u2019s own work has been shown at the Museum of Modern Art, Sundance Film Festival, New York Film Festival, CPH: DOX, HKW, Walker Arts Center, Kunsthal Charlottenborg, Creative Time, Toronto Biennial 2019, Whitney Biennial 2019, 59th Venice Biennale, Sharjah Biennial 15, and Counterpublic Triennial 2023, among other institutions and festivals. Khalil is the recipient of various fellowships and grants, including a Jerome Hill Artist Fellowship, a Sundance Art of Nonfiction grant, and the Gates Millennium Scholarship.\n\nFollowing the Penny Stamps Speaker Series screening of Aanikoobijigan at the Michigan Theater on October 12, a reception and Q&A will take place from 6:30-8:30 p.m. at Stamps Gallery (201 S. Division St.). Filmmakers Zack and Adam Khalil, with special guests, will speak in reflection on their film and process.\n\nIn partnership with the U-M Native American Graves Protection and Repatriation Act (NAGPRA) Office; U-M Museum of Anthropological Archeology; U-M Matthaei Botanical Gardens & Nichols Arboretum; U-M Department of Film, Television, and Media; U-M Department of Native American Studies; the U-M Department of American Culture; the U-M Inclusive History Project; the U-M Department of Anthropology; U-M Museum Studies Program; and the U-M Stamps Gallery.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.",
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        "datetime_modified":"20260821T181529",
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        "event_title":"Public Reception and Film Talkback: Aanikoobijigan",
        "occurrence_title":"",
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        "description":"\n\nFollowing the screening of Aanikoobijigan at Michigan Theater, a reception and Q&A will take place at Stamps Gallery where filmmakers Zack and Adam Khalil will speak in reflection on their film and process. Filmmakers and special guests will be in attendance. Light refreshments will be served.\n\nAbout the Film\nIn the sterile storage of museums and archives our ancestor\u2019s remains struggle to find their way home. Aanikoobijigan follows eleven indigenous repatriation specialists that make up MACPRA (Michigan Anishinaabek Cultural Preservation & Repatriation Alliance) fighting to rebury and return ancestors from settler-colonial libraries, archives, and museums. Through an essayistic approach the film lays bare the history of indigenous collections, the laws passed to ensure return of human remains and funerary objects, and v\u00e9rit\u00e9 portraits of the righteous and courageous individuals doing the hard and emotionally draining work of bringing our ancestors back home.\n\nPresented in partnership with the U-M Native American Graves Protection and Repatriation Act (NAGPRA) Office; U-M Museum of Anthropological Archeology; U-M Matthaei Botanical Gardens & Nichols Arboretum; U-M Department of Film, Television, and Media; the U-M Department of American Culture; the U-M Inclusive History Project; the U-M Department of Anthropology; U-M Museum Studies Program; and the U-M Stamps Gallery.\n",
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        "event_title":"2026 Second Year Studio Exhibition",
        "occurrence_title":"",
        "combined_title":"2026 Second Year Studio Exhibition",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "datetime_modified":"20260820T181520",
        "datetime_start":"20261015T110000",
        "datetime_end":"20261015T170000",
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        "date_start":"2026-10-15",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260824T181519",
        "datetime_start":"20261015T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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    {
        "datetime_modified":"20260821T153754",
        "datetime_start":"20261015T173000",
        "datetime_end":"20261015T190000",
        "has_end_time":1,
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        "event_title":"Penny Stamps Speaker Series - Shane Ward",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Shane Ward: Fearless by Design",
        "event_subtitle":"Fearless by Design",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nRaised on Detroit\u2019s west side as one of seven children, Shane Ward\u2019s path to global design leadership was anything but conventional. A full academic scholarship to the University of Michigan opened doors that introduced him to the transformative power of imagination, creativity, and design. What began as a passion for drawing, storytelling, and community evolved into a career spanning more than three decades in the footwear industry, ultimately leading to design leadership roles with some of the world\u2019s most influential brands.\n\nAfter graduating from the University of Michigan, Ward began his career with Adidas in Portland, Oregon, where he also developed a lifelong appreciation for the outdoors. Over the years, he has designed footwear for brands including Puma, Converse, Keen\/Fila, Rockport, and G.H. Bass.\n\nTogether with his identical twin brother, Ward co-founded DETNY by Shane & Shawn, serving as creative director for the men\u2019s and women\u2019s footwear line. The collection was carried by Nordstrom and Macy\u2019s and featured in its own boutique in New York City\u2019s Nolita neighborhood. Beyond footwear, Ward has expanded his creative practice through large-scale paintings that reflect his love of sneaker culture and the natural world. His ongoing Metamorphosis series explores the intersection of fashion, identity, and impermanence through iconic sneaker silhouettes layered with cherry blossoms and butterflies. The paintings contrast the fleeting nature of sneaker trends with the enduring cultural legacy of classic designs, using these instantly recognizable forms to examine themes of time, memory, social status, and our shared perceptions of style and performance. Like the blossoms and butterflies that drift beyond our control, the works suggest that while fashion and life are transient, a rare few ideas and objects leave an indelible mark across generations.\n\nToday, Ward serves as design director of footwear at Adidas, where he leads the design team for Originals Running. His journey continues to shape his belief that design is fundamentally about optimism, possibility, and expanding what individuals believe is achievable for themselves and their communities.\n\nWith support from Design Core Detroit and Detroit Unesco City of Design. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "tags":["Art","Design","Entrepreneurship","Fashion","Product Design","Shoes"],
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Opening Reception: Stamps Student-led Exhibition Committee Fall Exhibition",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" Each student takes their own path, encountering questions that can shape the direction of their creative practice. At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review and receive direct feedback from a panel of Stamps faculty members. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. \n\nThe works in this year\u2019s exhibition engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\n\u2013Sally Clegg, Lecturer & Student Exhibitions Coordinator & Pedram Baldari, Assistant Professor\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"National Portfolio Day - Grand Rapids, MI",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"Stamps Student-led Exhibition Committee Fall Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"Stamps Student-led Exhibition Committee Fall Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Penny Stamps Speaker Series - Holly Herndon",
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        "description":"\n\nBerlin-based artist Holly Herndon is known for her pioneering work in music, machine learning, and protocol development. Her practice creates precedent-setting projects where technical systems are artworks unto themselves.\n\nHerndon co-runs a studio in Berlin with her partner Mathew Dryhurst. Their major exhibitions include The Call at Serpentine Gallery in London, Starmirror at Kunstwerke Berlin and K21 in Duesseldorf, xhairymutantx in the 2024 Whitney Biennial, and Strange Rules at Palazzo Diedo in Venice. They released the book All Media is Training Data in 2024 through Buchhandlung Walther K\u00f6nig. In 2022, Herndon co-founded Spawning, an organization building an open consent-and-compliance protocol for AI data, creating tools for artists such as haveibeentrained.com and the Do Not Train protocol covering 2 billion+ works.\n\nHerndon\u2019s critically acclaimed musical works include Platform (RVNG-4AD\/2015) and PROTO (4AD\/2019). Awards include the 2022 Ars Electronica STARTS prize, Austria\u2019s first Digital Human Rights Award (2024), the Kairos Prize (2025), and the Deutschen KI Prize (2025). \n\nHerndon holds a doctorate in Computer Music from Stanford University.\n\nWith support from Mary Ellen Coe and Elizabeth Laraki.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "datetime_start":"20261023T110000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Stamps Student-led Exhibition Committee Fall Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"Stamps Student-led Exhibition Committee Fall Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"Stamps Student-led Exhibition Committee Fall Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Penny Stamps Speaker Series - James Baxter",
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        "combined_title":"Penny Stamps Speaker Series - James Baxter: Animation, It\u2019s Alive!",
        "event_subtitle":"Animation, It\u2019s Alive!",
        "event_type":"Lecture \/ Discussion",
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        "description":"\n\nJames Baxter is an award-winning character animator whose work has shaped some of the most beloved animated films and television series of the past four decades. Renowned for his expressive draftsmanship and mastery of performance through movement, Baxter has animated some of animation\u2019s most iconic characters, including Belle in Beauty and the Beast, Rafiki in The Lion King, Quasimodo in The Hunchback of Notre Dame, and the title character in Spirit: Stallion of the Cimarron. His work has also appeared in films including The Prince of Egypt, Kung Fu Panda, How to Train Your Dragon, and Enchanted, among many others.\n\nThroughout his career, Baxter has held creative and leadership roles at Walt Disney Feature Animation, DreamWorks Animation, and Netflix Animation, where he currently serves as vice president of animation. Working across both hand-drawn and computer animation, he has helped shape performances in some of the medium\u2019s most recognizable films while also teaching and mentoring artists throughout the industry. His contributions to animation can also be seen in Adventure Time, where the recurring character James Baxter the Horse was created as a tribute to the animator.\n\nBaxter will share stories from his four decades in animation and discuss the craft of character performance, offering a behind-the-scenes look at how movement, emotion, and storytelling come together to create memorable animated characters.\n\nWith support from the Ann Arbor District Library.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "datetime_start":"20261030T110000",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Stamps Student-led Exhibition Committee Fall Exhibition",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. 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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. 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    {
        "datetime_modified":"20260821T154423",
        "datetime_start":"20261105T173000",
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        "has_end_time":1,
        "date_start":"2026-11-05",
        "date_end":"2026-11-05",
        "time_start":"17:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Penny Stamps Speaker Series - Danielle Brathwaite-Shirley",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Danielle Brathwaite-Shirley",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"\n\nDanielle Brathwaite-Shirley is a London- and Berlin-based artist and game designer whose practice prioritizes active engagement. Working predominantly in animation, sound, performance, and video game development, the artist\u2019s practice focuses on intertwining lived experience with fiction to imaginatively retell and archive the stories of Black Trans people, creating participatory spaces to envision more inclusive futures.\n\nTheir projects often take the form of immersive video games, where players navigate choices that confront their assumptions and biases, fostering deeper conversations about identity, privilege, and systemic oppression. Through their innovative use of digital media, the artist not only preserves histories but also envisions inclusive futures where the voices of those that are often ignored or erased become central. Their work is both \u201carchive and insurgency,\u201d a catalyst for dialogue, inviting audiences to reflect on their roles within broader societal structures\n\nDanielle Brathwaite-Shirley has presented solo exhibitions at Serpentine North, London (2025); LAS Foundation, Halle am Berghain, Berlin (2024); Fundaci\u00f3 Joan Mir\u00f3, Barcelona (2024); Studio Voltaire, London (2024); Centre d\u2019Art Contemporain Gen\u00e8ve (2024); SCAD Museum of Art, Savannah (2023); Villa Arson, Nice (2023); HAU Hebbel am Ufer, Berlin (2023); FACT, Liverpool (2022); Project Arts Centre, Dublin (2022); Sk\u00e4nes konstf\u00f6rening, Malm\u00f6 (2022); Arebyte Gallery, London (2021); QUAD, Derby (2021); and Focal Point Gallery, Southend-on-Sea (2020). Their work has been included in group exhibitions at institutions such as Art Museum at the University of Toronto (2024); National Museum of Modern and Contemporary Art Seoul (2023); Leslie-Lohman Museum of Art, New York (2023); Das Centre Pompidou, Metz (2023); Julia Stoschek Foundation, Berlin (2022); Albright-Knox Art Gallery, Buffalo (2021); Les Urbaines, Lausanne (2019); and Barbican, London (2018). Their work has been the subject of screenings and performances at institutions including Tate Modern, London (2024, 2020); MoMA, New York (2023); DePaul Art Museum, Chicago (2023); Serpentine, London (2022); Spike Island, Bristol (2022); and South London Gallery (2022). Permanent collections include the Arts Council Collection (UK) and Victoria and Albert Museum (London).\n\nWith support from Design Core Detroit and Detroit Unesco City of Design.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "location_name":"Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104",
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        "tags":["Art","Design","Detroit Art","Installation"],
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        "datetime_modified":"20260820T181520",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "datetime_modified":"20260824T181519",
        "datetime_start":"20261106T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "datetime_modified":"20260817T121518",
        "datetime_start":"20261106T180000",
        "datetime_end":"20261106T200000",
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        "event_title":"Queer Art Showcase",
        "occurrence_title":"",
        "combined_title":"Queer Art Showcase",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"\n\nCalling all U-M student artists: submit your artwork in celebration of queer and trans experiences! Selected work will be featured in the Queer Art Showcase on Friday, November 6, from 6-8 p.m. at Stamps Gallery.\n\n\nStudents of all genders and sexualities are welcome to submit. Submissions close on Wednesday, September 23, 2026 at 11:59 p.m. Click here for more information and to submit your artwork.\n\nQueer Art Showcase and Panel Discussion\n\nFriday, November 6, 6-8 p.m. at Stamps Gallery\n\nJoin Spectrum Center Programming Board and Stamps Gallery for an incredible showcase of queer and trans art from U-M students of all genders and sexualities. Enjoy a variety of mediums showcasing queer joy while engaging in a panel discussion with the artists. Light refreshments will be provided.\n\nThis event is open to all members of the U-M community. Presented in partnership with the U-M Spectrum Center.\n",
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        "datetime_modified":"20260820T181528",
        "datetime_start":"20261107T100000",
        "datetime_end":"20261107T140000",
        "has_end_time":1,
        "date_start":"2026-11-07",
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        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"National Portfolio Day - Online",
        "occurrence_title":"",
        "combined_title":"National Portfolio Day - Online",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"\n\nExplore the nation\u2019s best col\u00adleges of art and design and meet with Stamps Admissions rep\u00adre\u00adsen\u00adta\u00adtives, who can pro\u00advide informal port\u00adfo\u00adlio reviews, dis\u00adcuss our unique cur\u00adricu\u00adlum, and answer ques\u00adtions about pro\u00adfes\u00adsional careers in art. Show\u00ading your work early can help you acquire impor\u00adtant infor\u00adma\u00adtion about orga\u00adniz\u00ading and pre\u00adsent\u00ading your port\u00adfo\u00adlio for future admis\u00adsion con\u00adsid\u00ader\u00ada\u00adtion. High school stu\u00addents, par\u00adents, teach\u00aders, guid\u00adance coun\u00adselors, and col\u00adlege trans\u00adfer stu\u00addents are encour\u00adaged to attend. All National Portfolio Day events are free and open to the public.\n\nAll in-person event times are listed according to the event\u2019s local time and all virtual events are listed in Eastern Time. Please be sure to check the equivalent time in your local time zone, and register through the official National Portfolio Day website.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Be Curious: Making Art with Stamps MFAs",
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        "event_type":"Workshop \/ Seminar",
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        "description":"\n\nJoin Master of Fine Arts (MFA) candidates from the Penny W. Stamps School of Art & Design at the University of Michigan as they lead creative workshops exploring voice, process, and practice. In partnership with the U-M Arts Initiative, this series is an opportunity for second-year Stamps MFA students to engage the community in their creative and iterative processes through hands-on art making activities. \n\n\nPrior experience not required, all supplies provided. Individual themes to be announced. Each program is presented individually; participation in all of the programs is not required. Limited space available, reservations are required.\n",
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        "event_title":"Graduate Portfolio Day - New York, NY",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Penny Stamps Speaker Series - Voices of Dissent: Celebrating 250 Years of a People\u2019s History of the United States",
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        "description":"\n\nDirected by Anthony Arnove, Voices of Dissent combines dramatic readings with live musical performances to bring the words of ordinary people throughout U.S. history to life. The performance features acclaimed actor David Strathairn, an Academy Award nominee for his portrayal of Edward R. Murrow in Good Night, and Good Luck. and an Emmy Award winner for Temple Grandin; acclaimed singer-songwriter Allison Moorer, an Oscar and Grammy-nominated artist known for her Americana songwriting and powerful storytelling; and Thornetta Davis, the award-winning Detroit vocalist known as the \"Queen of Detroit Blues.\" Drawing from letters, diaries, speeches, and songs, Voices of Dissent includes accounts from Ann Arbor, the University of Michigan, and across the state. Through a collaboration with the University of Michigan\u2019s Inclusive History Project, the production incorporates archival materials and local histories from the University\u2019s archives at Bentley Historical Library and the Labadie Collection that illuminate the experiences of people who have fought for justice, equality, and freedom. \n\nInspired by the work of historian Howard Zinn (1922-2010), the production is based on A People\u2019s History of the United States, which has sold more than five million copies, and Voices of a People\u2019s History of the United States, co-edited by Zinn and Arnove. By connecting these powerful historical voices to the present day, Voices of Dissent reminds audiences that the struggle for justice is ongoing and that democracy depends on the participation of everyday people.\n\nAnthony Arnove is the editor of several books, including Voices of a People\u2019s History of the United States, which he co-edited with Howard Zinn, and Voices of a People\u2019s History of the United States in the 21st Century, which he co-edited with Haley Pessin. He also wrote the introduction to the 35th anniversary edition of Zinn\u2019s classic book A People\u2019s History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People\u2019s History of the United States; co-wrote, co-directed, and co-produced the documentary The People Speak; and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various arts groups, including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He also produced the Academy Award\u2013nominated documentary Dirty Wars.\n\nIn partnership with the Inclusive History Project, with and support from the U-M Ford School of Public Policy, U.S. at 250 and the U-M Initiative for Democracy & Civic Empowerment. \n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Penny Stamps Speaker Series - Jorge Perez",
        "occurrence_title":"",
        "combined_title":"Penny Stamps Speaker Series - Jorge Perez: A Conversation",
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        "description":"\n\nJorge M. P\u00e9rez is a collector, philanthropist, and the founder of El Espacio 23, a contemporary art space in Miami that presents exhibitions, residencies, and special projects drawn from the P\u00e9rez Collection. Housed in a repurposed 28,000-square-foot warehouse in the city\u2019s Allapattah neighborhood, El Espacio 23 reflects P\u00e9rez\u2019s commitment to supporting artists, fostering curatorial practice, and expanding public access to contemporary art.\n\nAs the Founding Executive Chairman of Related Group, P\u00e9rez has helped shape South Florida\u2019s urban landscape for more than four decades. A lifelong advocate for the arts, he has championed the integration of museum-quality contemporary art into the built environment while building one of the country\u2019s leading private collections. His philanthropic support includes a landmark gift that led to the naming of P\u00e9rez Art Museum Miami (PAMM), where he has continued to contribute both funding and works from his collection.\n\nP\u00e9rez and Related Group have partnered with world-class architects and designers like Arquitect\u00f3nica, Robert Stern, Rem Koolhaas, Philippe Starck, David Rockwell Yabu Pushelberg to produce neighborhood-defining projects, establishing Related\u2019s developments as integral components of Miami\u2019s evolving cityscape. P\u00e9rez infuses each development with carefully curated collections, featuring pieces from master artists such as Frank Stella, Joan Mitchell, Willem de Kooning, Jim Dine and many others. \n\nThrough the Related Philanthropic Foundation and The Jorge M. P\u00e9rez Family Foundation, P\u00e9rez has contributed more than $300 million to initiatives supporting education, economic development, health and well-being, the environment, and arts and culture. A signatory of The Giving Pledge, he remains committed to using philanthropy to build more equitable, vibrant communities.\n\nTo lead the conversation, P\u00e9rez will be joined by Jos\u00e9 Carlos Diaz, a specialist in modern and contemporary art with extensive experience in exhibition making, programming, and public art projects. He is the Senior Director of Curatorial Affairs & Chief Curator at the P\u00e9rez Art Museum Miami. \n\nWith support from the U-M Museum of Art.\n\nSeries presenting partners: Detroit PBS, ALL ARTS, and PBS Books. Media partner: Michigan Public.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "event_subtitle":"",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. 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In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. 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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"2026 BA Senior Studio Exhibition",
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        "combined_title":"2026 BA Senior Studio Exhibition",
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        "description":"\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree, and focus on creating and exhibiting a culminating, self-directed project. Students work independently or collaboratively to define a project plan with goals, benchmarks, and a timeline. \n\nIn the BA Senior Studio Exhibition, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work, as well as the skills and practices associated with producing professional exhibitions.\n",
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        "datetime_modified":"20260824T181519",
        "datetime_start":"20261202T120000",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "time_start":"18:00:00",
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        "event_title":"Panel Discussion: Artist-Run Spaces",
        "occurrence_title":"",
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        "event_type":"Lecture \/ Discussion",
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        "description":"\n\nNathan Byrne, Sally Clegg, and Abhishek Narula join fellow founding directors of local DIY galleries for a panel discussion and Q&A on the importance of community-led project spaces. Attendees will come away with knowledge of contemporary art and design venues across southeast Michigan, and practical guidance for launching their own initiatives to create opportunities for themselves and others.\n\nLearn more about the project spaces run by Byrne, Clegg, and Narula in this article: Creative Ecosystems, Reimagined.\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
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        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Opening Reception: 2026 BA Senior Studio Exhibition",
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        "description":"\n\nOn Friday, December 4, join us in celebration of a new exhibition featuring work by students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree, and focus on creating and exhibiting a culminating, self-directed project. Students work independently or collaboratively to define a project plan with goals, benchmarks, and a timeline.\n\nIn the BA Senior Studio Exhibition, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work, as well as the skills and practices associated with producing professional exhibitions.\n\n",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. Through spatial and archive responsive projects, he reimagines, and explores within frameworks such as language, the passage of time, and contemplation. Intrigued by the potential of conveying phenomenal, transformative, and emotive states through materiality, process, and placement, he negotiates the pliability of the viewer\u2019s encounters with objects and environments. Byrne holds an MFA in Art from the University of Michigan Stamps School of Art & Design and a BA in Studio Art and Art History from San Francisco State University. He has been a Lecturer at Stamps School of Art & Design since the Fall of 2022. His work is exhibited widely nationally and he is a recipient of the VSC Fellowship at Vermont Studio Center. He has been awarded numerous artist residencies including Anderson Ranch Arts Center, I-Park, KHN Center for the Arts, Prairie Ronde, Recology San Francisco A.I.R. Program, and Rockland Woods. Website \/ Instagram",
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        "event_title":"2026 BA Senior Studio Exhibition",
        "occurrence_title":"",
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        "description":"\n\nCelebrate the students of the Bachelor of Arts (BA) Senior Studio in their final year of study. \n\nAt Stamps, BA Senior Studio (ARTDES 401) is offered for BA students in their final year of study. The BA Senior Studio Exhibition offers these students the opportunity to build on the particular characteristics of the BA degree, and focus on creating and exhibiting a culminating, self-directed project. Students work independently or collaboratively to define a project plan with goals, benchmarks, and a timeline. \n\nIn the BA Senior Studio Exhibition, students and instructors work collaboratively to produce a fully self-directed show from start to finish. This new Stamps tradition emphasizes studio work, as well as the skills and practices associated with producing professional exhibitions.\n",
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        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "event_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
        "occurrence_title":"",
        "combined_title":"Fore-Site (Phase 3): The Stamps Gallery Pillar Project",
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        "description":"\n\nFrom September 2025 through December 2026, Stamps Gallery is partnering in a curatorial collaboration with two Southeast Michigan-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they\u2019ve curated six artists to create new work for the pillars over three cycles:\n\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA \u201923) and Erin McKenna (MFA \u201920)\nPhase 2 (January 12 - August 12) artists: Sally Clegg (MFA \u201920) and Kim Karlsrud (MFA \u201920)\nPhase 3 (September 11 - December 11) artists: Abhishek Narula (MFA \u201920) and Nathan Byrne (MFA \u201921)\nPhase 3 \n\nCurated by Sometimes Space: Abhishek Narula (entry pillar)\nCurated by CYNK Studios: Nathan Byrne (courtyard pillar)\n\nArtist Statements\/Bios\n\nAbhishek Narula, Compressions \nCompressions is an installation comprised of 416 industrial-grade zip ties, cinched around the entry pillar of the Stamps Gallery. The pillar measures roughly 110 inches in circumference, requiring two ties per row to wrap around it, resulting in 208 rows. The humble zip tie, typically used to hang and bind other material, is relegated to its functional properties rendering it unprepossessing and easily dismissed. The zip tie in this installation, instead serves as an object of aesthetic possibility, pulling it out of its usual background role to become the work itself. The resulting composition is a proposal to dwell, to slow down, and to simply see the pillar.\n\nAbhishek Narula is an artist, designer, and educator who works across sculpture, installation, sound, and video. His practice takes the form of interventions, working with what is already present. He reorients and disrupts objects and sites in order to open up formal possibilities and poetic experiences within the familiar. He is influenced by physical and digital infrastructural systems that sustain modern life and culture. His work treats this ambience itself as raw material for aesthetic inquiry, exploring themes of labor, precarity, temporality and the sublime. Narula earned his MFA in Studio Art from the University of Michigan Stamps School of Art & Design and his MS\/BS in Electrical Engineering from the Georgia Institute of Technology. His work has been exhibited at national and international venues such as the Ammerman Center for Arts and Technology, Science Gallery Detroit, Speculum Artium Media Festival in Slovenia, New Media Caucus (NMC), WaveFarm, The Boulder Public Library, The Hyde Park Art Center, Sector 2337 Art Gallery & Printing Press, Tangible Embedded Interaction (TEI), International Symposium of Electronic Arts (ISEA), among others. He is a Robotics Systems Designer and Lecturer in the Robotics Department at the University of Michigan. Website \/ Instagram\n\nNathan Byrne, Equally To Be Loved\nEqually To Be Loved is an image \/ object scaled to and installed upon the courtyard pillar of Stamps Gallery. The image is of a spontaneous sculpture made in 2017 during the first day of an artist residency at the Recology San Francisco A.I.R. Program. The sculpture was constructed in a storage container studio using 14 discrete objects that were in his studio upon entry. For Byrne, this work embodies the energy and spirit of a studio at the start of a particularly fecund period of making. This work speaks to the artist\u2019s interest in embodied experience of space, archival and site responsiveness, as well as his ongoing engagement with found materials. Byrne considers this project to be a far-flung sequel to his MFA thesis exhibition Equally Empty, which was shown at Stamps Gallery in 2021. Equally To Be Loved is the second line of the Buddhist mantra from which both titles are derived.\n\nNathan Byrne is an artist \/ educator \/ curator currently based in Detroit, MI. 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