BEGIN:VCALENDAR VERSION:2.0 PRODID:-//UM//UM*Events//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:America/Detroit TZURL:http://tzurl.org/zoneinfo/America/Detroit X-LIC-LOCATION:America/Detroit BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20070311T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20071104T020000 RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20260911T120057 DTSTART;TZID=America/Detroit:20260917T130000 DTEND;TZID=America/Detroit:20260917T160000 SUMMARY:Conference / Symposium:For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy DESCRIPTION:Description:\nPresented as part of the University of Michigan’s Democracy Week\, this symposium explores the enduring legacy of the May 18\, 1980 Gwangju Democratization Movement and the role of visual media in shaping South Korea’s democratic consciousness. Organized in conjunction with an exhibition of 90 curated images from the Gwangju 5·18 Archives on campus\, the event bridges historical analysis with living memory. Survivors and eyewitnesses will share their reflections alongside scholars to examine how images and personal testimony break through censorship and serve as vital tools for historical justice—connecting Gwangju’s struggle to global conversations on human rights.\n\nThis event is organized by Nam Center for Korean Studies and co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, the Donia Human Rights Center\, and Asia Library.\n\nOfficial event poster: https://myumi.ch/G7Ge1\n\nParking information: https://myumi.ch/WDpNd \n\nProgram\n1:00 - 1:05 / Opening Remarks \nJuhn Ahn / University of Michigan \n\n1:05 - 1:15 / May 18 Gwangju: Brief Historical Overview \nJi Yeon Hong / University of Michigan \n\n1:15 - 2:15 / Witnessing and Documenting Gwangju \nDavid Dolinger / Former Peace Corps Volunteer \n“Called by Another Name – Gwangju’s Impact on a Life”\n\nNa Kyung-taek / Former Jeonnam Daily Photojournalist \n“A Reporter's Eyewitness Account of the Command to Open Fire” \n\nQ & A\n\n2:30 - 3:10 / O-IL-PAL: South Korean Democracy as Performance and Event\nHayana Kim / Ohio State University \n\"The Gwangju Uprising and the Performativity of South Korean Democracy\" \n\nSohl Lee / Stony Brook University \n\"The Photographs of Gwangju in 1980: Uneven Disseminations and Reactivated Events\" \n\n3:10 - 3:25 / Gwangju in the World \nThierry Bonzon / Université Gustave Eiffel \n\n3:25 - 4:00 / Q & A\n\n\nSpeakers: \nJuhn Ahn / University of Michigan\nDirector of the Nam Center for Korean Studies and associate professor of Buddhist and Korean studies\, Juhn Y. Ahn earned his B.A. in Asian studies and religion from the University of Michigan\, Ann Arbor\, and his Ph.D. in Buddhist Studies from UC Berkeley. He taught East Asian religions at the University of Toronto from 2006 to 2011. After a year researching religion and Koryŏ history at the Institute for Advanced Study in Princeton\, NJ\, he joined U-M's Department of Asian Languages and Cultures in 2011. His research covers East Asian religions\, Buddhism\, Chan and Zen\, traditional medicine\, and premodern Korean cultural and economic histories. He has published widely on Japanese Zen\, Zen master Hakuin Ekaku\, traditional medicine in Japan\, Korean Buddhism and Sŏn monasticism\, and Korean film. Major publications include *Buddhas and Ancestors: Religion and Wealth in Fourteenth-Century Korea* (2018)\, *Transgression in Korea* (2018)\, and translations like *The Orthodox Path of Seon* (2023) and *Gongan Collections I* (2012). He is currently co-editing a volume on Koryŏ and contributing to the Cambridge Histories Series\, and is the recipient of awards including the Puri Award\, Andrew W. Mellon Fellowship\, and Kyujanggak Fellowship.\n\nJi Yeon Hong / University of Michigan\nJi Yeon Hong is an associate professor of political science and the Korea Foundation Chair Professor of Korean Politics at the University of Michigan. Her research focuses on authoritarian politics\, democratization\, political violence\, and elite behavior under dictatorship in East Asia. Her scholarship has been widely published in leading field publications\, including *the American Journal of Political Science*\, *British Journal of Political Science*\, and *Journal of Politics*. \n\nHer academic path is deeply rooted in the historic political movements she witnessed firsthand. Raised in Seoul\, South Korea\, her experience observing the country's democratization during the 1980s and 1990s inspired her to pursue political science. After earning her Bachelor’s and Master’s degrees from Seoul National University and her Ph.D. from New York University\, she served on the faculty at the Hong Kong University of Science and Technology (HKUST) from 2014 to 2022\, where she observed another defining wave of pro-democracy activism before joining U-M.\n\nDavid Dolinger / Former Peace Corps Volunteer\nDavid L. Dolinger is a scientist and global health professional currently working in India. He has played key roles in the development and commercialization of diagnostic solutions with a focus on their practical implementation and use in low- and middle-income countries. His work sits at the intersection of laboratory science\, regulatory rigor\, and a long-standing commitment to social justice and patient-centered care. Over the years he has also taken on advisory and collaborative roles with diagnostic manufacturers and global health partners focused on expanding access to high-quality testing in low- and middle-income countries. \n\nHowever\, this passion and drive would not have fermented to the level if it had not been for his life-forming experiences as a Peace corps volunteer in the Republic of Korea. At the young age of 22\, he travelled for the first time outside of the United States\, landing in south Jeolla province in the small county of Yeongam. He worked in the local health center focusing on tuberculosis control. It was there that he started to understand how diagnostic tests are the foundation of good health care. It was his experiences in and participation in the May 18 Democratization Movement\, in Gwangju that grounded him and has driven him through his life to utilize his talents and understanding of diagnostics to focus on those that are marginalized and ignored.\n\nNa Kyung-taek / Former Photojournalist\nNa Kyung-taek\, former head of the Yonhap News Bureau for Gwangju and Jeonnam\, began his career in journalism in 1967. As a pioneering photojournalist\, he captured the frontlines of the May 18 Democratization Movement\, exposing the truth to the world through his lens. His unwavering journalistic integrity earned him both the Courageous Journalist Award and the Korea Journalist Award.\n\nFollowing his retirement\, Mr. Na continued to serve the public through university lectures and welfare foundation work. He has remained dedicated to sharing the historical significance of May 18 globally\, authoring books such as *When That Day in May Comes Again and We Saw*\, and hosting photo exhibitions across South Korea and internationally\, including in Germany and the United States.\n\nSohl Lee / Stony Brook University\nSohl Lee is associate professor of art history at Stony Brook University (SUNY)\, specializing in modern and contemporary Asian art\, decolonial visual culture\, socially engaged art\, and ecological art history\, with a particular interest in oceanic and transpacific frameworks. Her first book\, *The Minjung Art Movement: Decolonization and Democracy in South Korea* (Duke University Press\, 2026)\, historicizes an influential movement of activist art from the 1970s and 1980s. Her current book project\, *Seaweed as Method: Art History with Oceans\, Multispecies Life\, and Empire* examines the global visual cultures of seaweeds through the intertwined lenses of ecology\, decolonization\, food sovereignty\, and Indigenous onto-epistemologies. She is a recipient of the SUNY Chancellor’s Award for Excellence in Teaching (2020) and has received grants and fellowships from the Social Sciences Research Council (SSRC)\, the Korea Foundation\, the Korean Ministry of Culture\, the Academy of Korean Studies\, the Getty Research Institute\, and the Andy Warhol Foundation\, among others.\n\nHayana Kim / Ohio State University\nHayana Kim is an assistant professor in the Department of East Asian Languages and Literatures at the Ohio State University. As an interdisciplinary performance and media historian of twentieth- and twenty-first-century South Korea\, her research centers on cultures of democracy in contemporary South Korea. Her teaching is at the intersections of Korean studies\, Asian diasporic studies\, and theatre\, performance\, and media studies. Kim is currently working on her book manuscript entitled *Making P’an for a New World: The Kwangju Uprising\, Women\, and the Performativity of South Korean Democracy*. This project\, based on extensive archival and ethnographic research\, investigates the role of the body and affect in advancing democracy in South Korea by illuminating various forms of performances that women in Kwangju and in broader Chŏlla Province created to bring out insurgent cultural spaces where deaths disavowed by the state and concealed from the public eye emerge into communal memories. Her work has appeared or is forthcoming in *Journal of Asian Studies*\, *Asian Theatre Journal*\, and in edited collections published by Cambridge University Press\, Chonnam National University\, among others. She received her Ph.D. from the Interdisciplinary Ph.D. Program in Theatre and Drama at Northwestern University.\n\nThierry Bonzon / Université Gustave Eiffel\nThierry Bonzon\, associate professor (Maître de conférences) in contemporary history at Université Gustave Eiffel\, conducts research at the intersection of First World War history and the historical analysis of photography as a primary source. His first line of inquiry examines the local dynamics of wartime sacrifice\, social policy\, and pacifist movements—notably explored through the \"La France pétitionne\" project and the co-organization of the international conference Les défenseurs de la paix\, 1899–1917\, which integrated Peace Studies into French historiography. His second field explores photojournalism and image-based history through two distinct geographical and temporal contexts: a collective project analyzing over 2\,000 photographer-correspondents for l'Humanité documenting social and urban changes in the Paris region (1950s–1990s)\, and a current investigation into the photographic archives of the May 1980 Gwangju Uprising in South Korea. Together\, these projects bridge archival discovery\, public history\, and the study of visual media as a fundamental tool for constructing historical memory.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*\n\n*Part of the International Institute Theme Year: Sovereignty*\nhttps://myumi.ch/ii-theme UID:150847-21910304@events.umich.edu URL:https://events.umich.edu/event/150847 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asian Languages And Cultures,Democracy,International,Korea,Korean Studies,Politics,Theme Year LOCATION:Hatcher Graduate Library - Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260918T120000 DTEND;TZID=America/Detroit:20260918T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910123@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260920T120000 DTEND;TZID=America/Detroit:20260920T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910125@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260922T120000 DTEND;TZID=America/Detroit:20260922T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910127@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260923T120000 DTEND;TZID=America/Detroit:20260923T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910128@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260924T120000 DTEND;TZID=America/Detroit:20260924T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910129@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260804T091616 DTSTART;TZID=America/Detroit:20260924T130000 DTEND;TZID=America/Detroit:20260924T170000 SUMMARY:Workshop / Seminar:Donia Human Rights Center and Artificial Intelligence Laboratory Workshop | AI & Human Rights Workshop DESCRIPTION:Co-sponsored by the Artificial Intelligence Laboratory: https://ai.engin.umich.edu/\n\nLocation: Registration required. Please message ailabadmin@umich.edu with your name\, e-mail\, faculty or student status\, and a brief indication of how your work relates to AI & Human Rights.\n \n Presenters/facilitators:\n \nRada Mihalcea (Janice M. Jenkins Collegiate Professor of Computer Science and Engineering\, Professor and Director\, Artificial Intelligence Lab)\n\nPeter Railton (Emeritus Gregory S. Kavka Distinguished University Professor\; John Stephenson Perrin Professor\; Arthur F. Thurnau Professor\, UM LSA Philosophy)\n\nZhijing Jin (Assistant Professor at the University of Toronto\, and a Research Scientist at the Max Planck Institute)\n \n Human rights are under pressure worldwide\, and AI is increasingly part of both the problem and the solution. AI systems can help uncover abuses\, expand access to services\, support crisis response\, and detect harmful patterns at scale. But they can also amplify surveillance\, bias\, disinformation\, and exclusion. To develop solutions that are genuinely helpful and safe\, we need collaboration among AI researchers\, human rights practitioners\, domain experts\, and impacted communities.\n \n In this workshop\, we’ll explore the points of interaction between AI and human rights challenges\, and discuss how existing obstacles in human right solutions can inform new research directions in artificial intelligence. U(M) researchers will briefly present on current topics in AI and in human rights\, followed by table discussions with domain experts in both human right related issues and AI. You are encouraged to bring your own topics\, problems\, and innovations to share with the group.\n \n Discussion topics brought up in this workshop will be used as the basis for a whitepaper on the intersection of AI & Human Rights.\n \n Program\n 1:00-1:30 pm\n Introduction (goals and directions) and Keynote Talk\n \n 1:30-1:50 pm\n Human Rights Talk\n \n 1:50-1:55 pm\n Q & A\n \n 1:55-2:15 pm\n AI Talk\n \n 2:15-2:20 pm\n Q & A\n \n 2:20-2:25 pm\n TBA\n \n 2:25-2:40 pm\n Break\n \n 2:40-2:55 pm\n Introduction to the Roundtable discussion format\n \n 2:55-4:50 pm\n Roundtables with 1 lead and 1 note-taker (7 tables)\n \n 2:55-3:10 pm: (15 min) Brief introductions (“I am X\, from Dept Y\, I’m interested in the aspects of Z on Climate and/or AI”)\n 3:10-3:15 pm: (5 min) Individual thinking and notes on stickies for (i) Challenges that (could) intersect with AI\n 3:15-3:40 pm: (25 min) Group discussions\n 3:40-4:00 pm: (20 min) Report back\n 4:00-4:05 pm: (5 min) (ii) Potential Solutions\, e.g.\, conversation and user interviews to set up the -solution\, new task formulation for research\, dataset building\, and study design\n 4:05-4:30 pm: (25 min) Group discussions\n 4:30-4:50 pm: (20 min) Report back\n With this roundtable conversations\, we aim to:\n \n (1) identify list of challenges and potential paths to solutions\n \n (2) facilitate new collaborations\n \n (3) work together on a white paper identifying a roadmap for this space (pending interest)\n \n 4:50-5:00 pm\n Wrap-up\n\nIf there is anything we can do to make this event accessible to you\, please contact us at umichhumanrights@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. UID:149629-21906822@events.umich.edu URL:https://events.umich.edu/event/149629 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:human rights,Technology LOCATION:Off Campus Location CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260925T120000 DTEND;TZID=America/Detroit:20260925T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910130@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260927T120000 DTEND;TZID=America/Detroit:20260927T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910132@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260929T120000 DTEND;TZID=America/Detroit:20260929T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910134@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260910T154112 DTSTART;TZID=America/Detroit:20260929T163000 DTEND;TZID=America/Detroit:20260929T181500 SUMMARY:Lecture / Discussion:Guerline Jozef | 2026 Wallenberg Medal and Lecture DESCRIPTION:Guerline Jozef\, the co-founder and executive director of the Haitian Bridge Alliance\, will receive the 2026 Wallenberg Medal on Tuesday\, September 29th at 4:30PM in Rackham Auditorium. In keeping with the tradition of the Wallenberg Lecture\, Jozef will draw on her personal experience to share with the audience her understanding of how one person can make a difference.\n\nGuerline M. Jozef\, a servant leader rooted in faith\, is a globally recognized human rights advocate\, thought leader\, and strategist who has worked to transform the conversation on migration\, race\, and justice. Jozef is the executive director of the Haitian Bridge Alliance (HBA)\, a Haitian-American-women-led organization serving immigrants\, with a particular focus on Black immigrants at the US-Mexico border and beyond. With the HBA\, she has built a movement that centers people of African descent in migration while amplifying the voices of the most marginalized. She is the creator of “Tales from the Borderlands and Beyond\,” and co-founder of both the Black Immigrants Bail Fund (BIBF) and the Cameroon Advocacy Network.\n\nHer influence has been recognized nationally and internationally. She was named one of the Washingtonian’s 500 Most Influential People of 2025\, one of Politico’s 40 Most Influential People on Race\, Politics\, and Policy of 2021\, and one of the BBC’s Top 100 Women of 2024. She was honored with the Afro-Caribbean Diaspora IMPACT Award from the Caribbean Philanthropic Alliance (CariPhil)\, the 2021 Robert F. Kennedy Human Rights Award\, the AFL-CIO’s 2024 GMLK Human Rights Award\, the 2024 Haitian Impact Awards\, and the 2023 Midwin Charles Legacy Award from the 1804 Haitian Roundtable. She has been recognized by the Women’s Refugee Commission (Voices of Courage Award\, 2024)\, The Haitian Times (Newsmaker of the Year\, 2022)\, the National Haitian-American Elected Officials Network\, and the American Immigration Lawyers Association’s Arthur C. Helton Human Rights Award among others.\n\nMs. Jozef has been featured in Forbes\, The New York Times\, The Washington Post\, Time Magazine\, The Miami Herald\, The Haitian Times\, Politico\, and DemocracyNow. She has testified before the United Nations\, the United States Congress\, and the Inter-American Commission on Human Rights (IACHR)\, and recently brought her advocacy to the international stage during the IV International Forum of Parlamentarians in Barranquilla\, Colombia. Guerline went to the border for Haitians—but she stayed for everyone seeking safety and protection. \n\n“Guerline Jozef is a powerful advocate for the dignity and rights of migrants who has linked the experience of migration at the US-Mexico border to global human rights movements. She works tirelessly to give voice to the marginalized and to shape a more just future for all\,” said Sioban Harlow\, chair of the Wallenberg Medal Executive Committee and Professor Emerita of Epidemiology\, Obstetrics and Gynecology\, and Global Public Health.\n\nFree and open to the public. Wheelchair and ADA accessible. ASL and CART provided. UID:145865-21897966@events.umich.edu URL:https://events.umich.edu/event/145865 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:human rights,Wallenberg Lecture LOCATION:Rackham Graduate School (Horace H.) - Auditorium CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20260930T120000 DTEND;TZID=America/Detroit:20260930T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910135@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20261001T120000 DTEND;TZID=America/Detroit:20261001T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910136@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260902T142727 DTSTART;TZID=America/Detroit:20261001T163000 DTEND;TZID=America/Detroit:20261001T180000 SUMMARY:Lecture / Discussion:The Last Free Women: A Daring Escape from Afghanistan & Coming of Age in America DESCRIPTION:When the Taliban took control of Afghanistan in 2021\, Rebecca Blumenstein\, then a top editor at The New York Times\, was deeply involved in the company’s effort to evacuate more than 200 Afghan colleagues and family members\, eventually resettling 124 people in the United States. Among them were four young Afghan women who had been on the path to careers as doctors and lawyers.\n\nJoin co-authors Rebecca Blumenstein and Diana Kapp in conversation with Mursal Rahim\, one of the women profiled in The Last Free Women: A Daring Escape from Afghanistan and Coming of Age in America\, and journalist and novelist Anna Quindlen. Together they will discuss the extraordinary evacuation and the journey of Mursal\, Marwa\, Maryam and Samira as they build new lives in America. UID:150726-21910013@events.umich.edu URL:https://events.umich.edu/event/150726 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Afghanistan,Diaspora,focus on women,human rights,immigration,International Law,international policy,Journalism,Muslim LOCATION:Rackham Graduate School (Horace H.) - Amphitheatre, Fourth Floor CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20261002T120000 DTEND;TZID=America/Detroit:20261002T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910137@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20261004T120000 DTEND;TZID=America/Detroit:20261004T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910139@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20261006T120000 DTEND;TZID=America/Detroit:20261006T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910141@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260903T094529 DTSTART;TZID=America/Detroit:20261007T120000 DTEND;TZID=America/Detroit:20261007T180000 SUMMARY:Exhibition:Democracy Week | Beacon of Democratic Resilience: Visual Truths and the Legacy of Korea's 5·18 Democratization Movement - A Photographic Archive of the May 1980 People’s Uprising in Korea DESCRIPTION:Link to the official event poster: \nhttps://myumi.ch/kVdVV\n\n*Exhibition Description*\nThis photo exhibition features 90 curated images from the UNESCO-inscribed May 18 Archives. Documenting the May 18–27\, 1980 democratization uprising in Gwangju\, South Korea\, the collection captures the shift from peaceful student protests to military violence and unified citizen resistance\, carried out under a complete blackout as civilians and photojournalists risked their lives to photograph atrocities and smuggle film past cordons. Beyond serving as historical artifacts\, these preserved visual truths offer a living blueprint for popular resilience against authoritarianism\, transforming local trauma into a universal defense of human rights. Displaying these records at Michigan bridges 1980 Gwangju with our present moment\, inviting viewers to engage past resistance in the ongoing effort to defend democracy today.\n\n*Exhibition Composition*\nThe exhibit will be composed of a visual narrative comprised of six chronological sections and two additional special sections:\n\n1. Protest (May 5–16\, 1980): \nFollowing the collapse of Park Chung-hee’s military dictatorship in October\, 1979\, Gwangju students and citizens held peaceful rallies for campus autonomy and the end of martial law. Photos from this era show orderly marches and hopeful faces\, capturing a society on the brink of change before the structural contradictions shifted toward state-led violence. \n\n2. Suppression (May 18–19\, 1980): \nA new junta government led by Chun Doo-hwan extended martial law to the entire country on May 17. Students at Chonnam National University protested against the new junta government’s decision. State violence escalated as paratroopers\, who were deployed to Gwangju\, engaged student protesters. Streets became scenes of brutal beatings and kidnappings. Beyond documenting victims\, the images on display in this section serve as primary historical evidence and legal proof of the military's methods and the sudden transformation of citizens into targets of control. \n\n3. Uprising (May 20–21\, 1980): \nThe movement shifted into a popular struggle. Vehicles lined up in Gwangju’s main thoroughfare\, Geumnam-ro. This massive vehicle parade symbolized the people becoming active subjects of resistance. The military was given the order to use live ammunition against civilians. In reaction\, the city became a space of voluntary mobilization and citizens emerged as historical political actors. \n\n4. Resistance (May 22–26\, 1980): \nWhile isolated and cut off from communications\, Gwangju established an autonomous system of self-governance. Photos in this section testify to the efforts made to establish a sense of order based on solidarity—sharing food and donating blood—rather than chaos. The formation of this \"Daedong (Great Unity) Community\" and the visual documentation thereof serve as foundations of democracy in South Korea. \n\n5. Massacre (May 27\, 1980): \nThe uprising was crushed by a dawn military operation. While the armed resistance ended\, the resulting photographs of the aftermath reveal the stark reality of the massacre. These images became the catalyst for future truth-seeking movements and the pursuit of historical justice in South Korea. \n\n6. Mourning: \nScenes of coffins\, portraits\, and silent vigils represent a collective ethical gaze. During this period\, mourning was more than a display of grief\; it was a communal act used to redefine the city’s identity and establish new moral standards for justice.\n\n7. Special Section A: The Photographers\nThis special section highlights the domestic and international photographers who documented the uprising. This includes Korean journalists alongside US journalists Robin Moyer and Norman Thorpe\, French correspondents Patrick Chauvel and François Lochon\, and German cinematographer Jürgen Hinzpeter. Their images transcend simple reporting\, reflecting a moral commitment to record and a historical duty to ensure remembrance. Rather than viewing these photos solely as evidence\, the exhibition reinterprets them through a lens of photographic history—examining their context\, distribution\, and how they transformed raw records into social truth and collective memory.\n\n8. Special Section B: The Peace Corps: Americans Who Helped Gwangju\nWhen Gwangju was isolated under martial law in May 1980\, four American Peace Corps volunteers—Tim Warnberg\, David Lee Dolinger\, Judi Chamberlin\, and Paul Courtright—refused to leave\, choosing instead to assist the wounded\, aid foreign journalists\, and ultimately expose the truth to the world. Those pivotal ten days reshaped their lives into lifelong commitments to human rights\, inspiring decades of memoirs\, academic writings\, and testimonies. Through photographs\, video footage\, and personal records\, this section traces their journey from eyewitnesses to active defenders of human dignity\, inviting us to reflect on what it truly means to take a stand in the face of another’s suffering. \n\nTwo additional events programmed in conjunction with this photo exhibition\n1. Symposium: \n“For Thee and All the World to See: May 18 Gwangju and the Visual Tenacities of South Korean Democracy”\nhttps://myumi.ch/mVdVJ \n\n2. Third Thursday at the Library: \nDemocracy in Motion: The Advancement of Democracy in Korea and the Students at the Frontline\nhttps://myumi.ch/rwdwn \n\nContent Warning: This exhibition contains historical photographs documenting the 1980 Gwangju Democratization Movement\, including graphic depictions of violence\, state military suppression\, injuries\, and grief. Viewer discretion is advised.\n\nThis exhibit is co-sponsored by the May 18 Archives\, Center for Democracy & Civic Empowerment\, Department of Political Science\, Center for Emerging Democracies\, Donia Human Rights Center\, Asia Library\, and Duderstadt Center.\n\n*If there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.* UID:150763-21910142@events.umich.edu URL:https://events.umich.edu/event/150763 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Activism,Art,Asia,Asian Languages And Cultures,Exhibition,History,Korea,Korean Studies LOCATION:Duderstadt Center CONTACT: END:VEVENT END:VCALENDAR