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        "event_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
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        "combined_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
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        "description":"As people working in the humanities and the arts, we know our work matters\u2013to our fields, to our disciplines, and to society. We have seen how the arts and humanities transform perception, provide expertise, and help people grapple with the biggest questions about what it means to be human and to live in an increasingly interconnected, yet often divided world. And, in both the arts and humanities, we know UM faculty are contributing to their disciplines in deeply meaningful ways. \n\nYet, for all we know about these positive effects, arts and humanities research is often imagined to be at odds with the metric-driven language of \u201cimpact\u201d--a term often seen as imposed from fields outside the arts and humanities. At the same time, \u201cimpact\u201d has become the dominant framework for measuring the value of academic research. As a result, arts and humanities faculty are often called upon to describe our \u201cimpact\u201d in ways that are legible to University leadership and funding imperatives, even as we feel uneasy about how to answer such calls in ways that are authentic to our work. How do we avoid finding ourselves outside terms that are increasingly important in the fight for the continued growth and resilience of higher education in the U.S?\n\n\u201cWhat\u2019s Our Impact?: Understanding how the Arts & Humanities Matter\u201d is a series of events slated for October 29 & 30 on UM\u2019s Ann Arbor campus. A joint initiative of the UM Arts Initiative, Office of Vice President of Research (OVPR), and the Institute for Humanities, the gathering will serve arts and humanities faculty seeking more ways to discuss their work in terms that are legible within the ascendant impact paradigm, while also ensuring that those terms are authentic to our disciplines, methods, and creative practice. Through a public conversation, facilitated workshop, keynote from UM leadership, and a panel with funders, the 1.5 day long event will bring together experts\u2013those engaging \u201cimpact\u201d in their research, those in leadership, and those community partners with whom we work\u2013and put them in conversation with arts and humanities leadership and researchers at the University of Michigan. In addition to allowing our communities to come together to elaborate what \u201cimpact\u201d means on our terms, this event is also designed to help humanities and arts faculty recognize how they could become more competitive in University grant opportunities, including the Strategic Initiative Fund, the Arts Research: Incubation and Acceleration (ARIA) program, Humanities Institute Fellowship, and a range of other internal and external funding initiatives.\n\nThursday, October 29, 4:30-6:30\nWhat Works Now: arts and humanities advocacy in the impact paradigm \nPendleton Room, Michigan Union (2nd floor) \na public discussion about making the best case for the arts and humanities with leading voices, including \nProfessor Jill Dolan, Annan Professor Emeritus of English, Princeton University\nArtist, Curator, and Organizer Ryan Myers-Johnson, Executive Director and Founder of Sidewalk Detroit\nProfessor Shelome Gooden, Assistant Vice Chancellor for Research in the Humanities, Arts, Social Sciences and Related Fields, University of Pittsburgh\nJennifer Rupp, President & CEO, Michigan Humanities\n\nFriday, October 30\nMichigan Room, Michigan League (2nd floor)\n\n9-11:30\n\u201cImpact\u201d in Our Own Words: a workshop for arts and humanities faculty\nArts and humanities faculty bring current project ideas and experiment with ways of discussing \u201cimpact\u201d \n\n11:30: Lunch served\n\n12-12:45: Keynote lunch talk with Sara Blair, Vice Provost for Academic and Faculty Affairs, and Arts and Humanities and Patricia S. Yaeger Collegiate Professor of English Language & Literature\nMichigan Room, Michigan League (2nd floor)\n\n1-2:30\nMaking the Case: Funders on Arts and Humanities Impact\nMichigan Room, Michigan League (2nd floor)\nHear from internal and external funders on how \u201cimpact\u201d plays a role in their granting process",
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        "event_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
        "occurrence_title":"",
        "combined_title":"What\u2019s Our Impact?: Understanding how the Arts & Humanities Matter",
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        "event_type":"Workshop \/ Seminar",
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        "description":"As people working in the humanities and the arts, we know our work matters\u2013to our fields, to our disciplines, and to society. We have seen how the arts and humanities transform perception, provide expertise, and help people grapple with the biggest questions about what it means to be human and to live in an increasingly interconnected, yet often divided world. And, in both the arts and humanities, we know UM faculty are contributing to their disciplines in deeply meaningful ways. \n\nYet, for all we know about these positive effects, arts and humanities research is often imagined to be at odds with the metric-driven language of \u201cimpact\u201d--a term often seen as imposed from fields outside the arts and humanities. At the same time, \u201cimpact\u201d has become the dominant framework for measuring the value of academic research. As a result, arts and humanities faculty are often called upon to describe our \u201cimpact\u201d in ways that are legible to University leadership and funding imperatives, even as we feel uneasy about how to answer such calls in ways that are authentic to our work. How do we avoid finding ourselves outside terms that are increasingly important in the fight for the continued growth and resilience of higher education in the U.S?\n\n\u201cWhat\u2019s Our Impact?: Understanding how the Arts & Humanities Matter\u201d is a series of events slated for October 29 & 30 on UM\u2019s Ann Arbor campus. A joint initiative of the UM Arts Initiative, Office of Vice President of Research (OVPR), and the Institute for Humanities, the gathering will serve arts and humanities faculty seeking more ways to discuss their work in terms that are legible within the ascendant impact paradigm, while also ensuring that those terms are authentic to our disciplines, methods, and creative practice. Through a public conversation, facilitated workshop, keynote from UM leadership, and a panel with funders, the 1.5 day long event will bring together experts\u2013those engaging \u201cimpact\u201d in their research, those in leadership, and those community partners with whom we work\u2013and put them in conversation with arts and humanities leadership and researchers at the University of Michigan. In addition to allowing our communities to come together to elaborate what \u201cimpact\u201d means on our terms, this event is also designed to help humanities and arts faculty recognize how they could become more competitive in University grant opportunities, including the Strategic Initiative Fund, the Arts Research: Incubation and Acceleration (ARIA) program, Humanities Institute Fellowship, and a range of other internal and external funding initiatives.\n\nThursday, October 29, 4:30-6:30\nWhat Works Now: arts and humanities advocacy in the impact paradigm \nPendleton Room, Michigan Union (2nd floor) \na public discussion about making the best case for the arts and humanities with leading voices, including \nProfessor Jill Dolan, Annan Professor Emeritus of English, Princeton University\nArtist, Curator, and Organizer Ryan Myers-Johnson, Executive Director and Founder of Sidewalk Detroit\nProfessor Shelome Gooden, Assistant Vice Chancellor for Research in the Humanities, Arts, Social Sciences and Related Fields, University of Pittsburgh\nJennifer Rupp, President & CEO, Michigan Humanities\n\nFriday, October 30\nMichigan Room, Michigan League (2nd floor)\n\n9-11:30\n\u201cImpact\u201d in Our Own Words: a workshop for arts and humanities faculty\nArts and humanities faculty bring current project ideas and experiment with ways of discussing \u201cimpact\u201d \n\n11:30: Lunch served\n\n12-12:45: Keynote lunch talk with Sara Blair, Vice Provost for Academic and Faculty Affairs, and Arts and Humanities and Patricia S. Yaeger Collegiate Professor of English Language & Literature\nMichigan Room, Michigan League (2nd floor)\n\n1-2:30\nMaking the Case: Funders on Arts and Humanities Impact\nMichigan Room, Michigan League (2nd floor)\nHear from internal and external funders on how \u201cimpact\u201d plays a role in their granting process",
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        "datetime_modified":"20261022T092328",
        "datetime_start":"20261113T150000",
        "datetime_end":"20261113T163000",
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        "date_start":"2026-11-13",
        "date_end":"2026-11-13",
        "time_start":"15:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Fireside Chat with NIH Director Bhattacharya and Provost McCauley",
        "occurrence_title":"",
        "combined_title":"Fireside Chat with NIH Director Bhattacharya and Provost McCauley",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please join Provost and Executive Vice President for Academic Affairs Laurie McCauley for a fireside chat with National Institutes of Health Director Jay Bhattacharya at 3:00 PM on Friday, November 13. This conversation will provide the U-M community with an opportunity to hear directly from Dr. Bhattacharya and engage in a meaningful dialogue about how we can strengthen our partnership with the NIH.\n\nThe fireside chat will include a brief discussion between Provost McCauley and Director Bhattacharya, before transitioning to questions submitted by the audience.\n\nNote: Registration is required. Registration closes Wednesday, November 11. If you would like to submit a question, you can do so via the registration form.",
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        "building_name":"Taubman Biomedical Science Research Building",
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        "location_name":"Taubman Biomedical Science Research Building",
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        "tags":["Funding","Research"],
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    {
        "datetime_modified":"20261019T121721",
        "datetime_start":"20261117T200000",
        "datetime_end":"20261117T220000",
        "has_end_time":1,
        "date_start":"2026-11-17",
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        "time_zone":"America\/Detroit",
        "event_title":"\"Don't Let The Sun\": Chamber Choir & University Choir",
        "occurrence_title":"",
        "combined_title":"\"Don't Let The Sun\": Chamber Choir & University Choir: A new oratorio inspired by *Sundown Towns* by James Loewen",
        "event_subtitle":"A new oratorio inspired by *Sundown Towns* by James Loewen",
        "event_type":"Performance",
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        "description":"WORLD PREMIERE\n\nComposer Theodore Wiprud and librettist Richard Wesley have created an oratorio examining a widespread expression of racism in America, documented in the landmark book *Sundown Towns* by the late sociologist and historian James Loewen.\n\nConducted by Director of University Choirs Eugene Rogers, *Don\u2019t Let the Sun*, for chorus, vocal soloists, and orchestra, will run approximately 90 minutes (plus intermission). It tells the story of \u201csundown towns\u201d where residents drove out or actively excluded specific groups from residing there (from being in a town after sunset) through ordinances, signs, and acts of violence. Sundown towns excluded Black people, and in some cases, Chinese Americans, Jewish people, Native Americans, Latinas\/os and other racialized groups. Since the 19th century these towns have been prevalent throughout the U.S. and especially in the Midwest, West, and East.\n\nThese policies did not completely disappear over time. The attitudes that drove them morphed into housing \u201ccovenants,\u201d redlining, discrimination within the post-war FHA and discrimination in the granting of bank loans. The results of these decisions and policies haunt our country to this very day. *Don\u2019t Let the Sun* will shine a light on this difficult chapter in America\u2019s ever-expanding history, and help audiences engage productively with \u201chard\u201d histories.\n\nMr. Loewen\u2019s *Sundown Towns: A Hidden Dimension of American Racism* is the definitive history of these phenomena. Another source is the \u201cHistory and Social Justice\u201d website launched by Dr. Loewen, which has had nearly one million visitors over the last three years, and continues to amass cases and first-hand accounts. Librettist Richard Wesley\u2019s text is inspired by the voices of individuals impacted by sundown towns and more recent policies, examining the harm experienced by both the excluded and the excluders; and recent efforts by many sundown towns to reckon with their past and shape a better future.\n\n*\"Don't Let the Sun\" was commissioned with support from an Arts Initiative Project Support (AIPS) grant, an Arts Research: Incubation and Acceleration (ARIA) grant, the U-M Brehm Choral Commissioning Fund and generous support from the Department of History, the Department of American Culture, and the School of Music, Theatre & Dance.*\n\n\u2013\u2013\u2013\n*Parking \/ Traffic alert for attendees:*\nhttps:\/\/smtd.umich.edu\/2026-construction\n\nABOUT THE GUEST ARTISTS\n\nTHEODORE WIPRUD is a composer, an educator, and a researcher on the musical community\u2019s work toward equity and inclusion. Many of his works address social issues, including vocal works like *American Journal* (Robert Hayden) and *A Georgia Song* (Maya Angelou); and orchestral works like his Violin Concerto *\u201cKatrina\u201d; Wind of Many Voices*, responding to the troubled history of South Dakota; and a second Violin Concerto *\u201con the brink\u201d* exploring climate grief and climate action.  \n\nRICHARD WESLEY is a playwright and screenwriter whose many plays deal with social-historical moments. He wrote the libretto for Anthony Davis\u2019 Pulitzer Prize-winning opera *Central Park Five*. Mr. Wesley has received numerous awards including the NAACP Image Award for Best Picture (for *Uptown Saturday Night*) and the National Black Theater Festival\u2019s August Wilson Playwright Award. He teaches at New York University.",
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