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BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260312T090000
DTEND;TZID=America/Detroit:20260312T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891476@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260312T090000
DTEND;TZID=America/Detroit:20260312T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891389@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260313T090000
DTEND;TZID=America/Detroit:20260313T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891477@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260313T090000
DTEND;TZID=America/Detroit:20260313T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891390@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T110338
DTSTART;TZID=America/Detroit:20260313T110000
DTEND;TZID=America/Detroit:20260313T130000
SUMMARY:Presentation:STEM Launchpad: Opening Paths for the Next Generation of STEM Leaders
DESCRIPTION:Faculty Forum on Outreach & Engagement Series \nWhen: March 13\, 11:00 am -1:00 pm (Lunch available)\nWhere: Michigan Union\, Kuenzel Room\n\nResearch laboratories are not only the engines of scientific discovery but also the training grounds for the next generation of STEM leaders. Learn how the Aspirnaut Summer Internship\, D-RISE and BioMed Focus programs use innovative approaches to provide a foundation for future success in science\, and how you can get involved. \nLunch will be offered starting at 11:00 a.m.\; opening remarks will begin at 11:30.\n\nFeaturing Roger Cone\, Ph.D.\, Mary Sue Coleman Director of the Life Sciences Institute\; Angela Dillard\, Ph.D.\, Interim Vice Provost for Access and Opportunity and Vice Provost for Undergraduate Education\; Nicolai Lehnert\, Ph.D.\, Professor of Chemistry and Biophysics and coordinator of D-RISE\; and Yatrik Shah\, Ph.D.\, Horace W. Davenport Collegiate Professor of Physiology\, Professor of Molecular & Integrative Physiology\, and faculty advisor for BioMed Focus.
UID:145869-21897972@events.umich.edu
URL:https://events.umich.edu/event/145869
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:Michigan Union - Kuenzel Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260316T090000
DTEND;TZID=America/Detroit:20260316T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891480@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260316T090000
DTEND;TZID=America/Detroit:20260316T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891393@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260317T090000
DTEND;TZID=America/Detroit:20260317T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891481@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260317T090000
DTEND;TZID=America/Detroit:20260317T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891394@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260318T090000
DTEND;TZID=America/Detroit:20260318T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891482@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260318T090000
DTEND;TZID=America/Detroit:20260318T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891395@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260319T090000
DTEND;TZID=America/Detroit:20260319T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891483@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260319T090000
DTEND;TZID=America/Detroit:20260319T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891396@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260320T090000
DTEND;TZID=America/Detroit:20260320T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891484@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260320T090000
DTEND;TZID=America/Detroit:20260320T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891397@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260323T090000
DTEND;TZID=America/Detroit:20260323T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891487@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260323T090000
DTEND;TZID=America/Detroit:20260323T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891400@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260324T090000
DTEND;TZID=America/Detroit:20260324T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891488@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260324T090000
DTEND;TZID=America/Detroit:20260324T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891401@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260317T090035
DTSTART;TZID=America/Detroit:20260324T170000
DTEND;TZID=America/Detroit:20260324T183000
SUMMARY:Lecture / Discussion:How Ford Transformed Religion in America
DESCRIPTION:What does a motor company and its founder have to do with religion in America? A lot\, it turns out. Henry Ford did not just mass produce cars. As a member of the Episcopal Church\, reader of New Thought texts\, believer in the “gospel of reincarnation\,” mass marketer of antisemitic material\, and employer who institutionalized a social gospel\, Henry Ford’s contributions to American models of business were informed by and produced for an America he understood to be broadly Christian. Though Ford’s efforts at the head of the Ford Motor Company have commonly been understood as secular\, the Motor King was explicit that his work in engineering and auto production was prophetic and meant to remake the world. This talk offers a religious history of Henry Ford and the Ford Motor Company\, repositioning them within critical studies of religion and examining how Ford transformed American religion in the twentieth century.\n\nKati Curts is a historian of religion\, specializing in the history and culture of nineteenth- and twentieth-century America. She teaches courses and researches at the intersections of religion\, capitalism\, and popular culture. Dr. Curts studied economics and marketing as an undergraduate before earning M.A. and M.Phil. degrees in Religious Studies at New York University and Yale University. She completed her Ph.D. in American Religious History at Yale in 2016.\n\nHer recent publications have considered religious assemblage at world’s fairs\; and the relational worlds of secular icons as produced in composite photography and devotional performance. She is currently working on her first book – a religious history of Henry Ford and the Ford Motor Company – tentatively titled “Fording Religion in the Automobile Age.” This book project contributes to and reflects broader interests in genealogical relations of religion and the technologies\, chronologies\, aesthetics\, economies\, and entertainments that are otherwise assumed to be secular.\n\nIn addition to the book project\, Dr. Curts’ ongoing research centers on theories of religion\, history\, modernity\, and sociality as formed through silver mining operations in the Gilded Age\, scrapbooks and vernacular collecting practices\, Hollywood filmmaking\, Cold War operatics\, cigarette advertisements\, contemporary art mash-ups\, mobile technology platforms\, and corporate-sponsored reading clubs.
UID:142476-21891005@events.umich.edu
URL:https://events.umich.edu/event/142476
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:202 S. Thayer - 2022
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260325T090000
DTEND;TZID=America/Detroit:20260325T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891489@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260325T090000
DTEND;TZID=America/Detroit:20260325T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891402@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260326T090000
DTEND;TZID=America/Detroit:20260326T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891490@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260326T090000
DTEND;TZID=America/Detroit:20260326T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891403@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260327T090000
DTEND;TZID=America/Detroit:20260327T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891491@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260327T090000
DTEND;TZID=America/Detroit:20260327T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891404@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260330T090000
DTEND;TZID=America/Detroit:20260330T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891494@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260330T090000
DTEND;TZID=America/Detroit:20260330T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891407@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260331T090000
DTEND;TZID=America/Detroit:20260331T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891495@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260331T090000
DTEND;TZID=America/Detroit:20260331T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891408@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260401T090000
DTEND;TZID=America/Detroit:20260401T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891496@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260401T090000
DTEND;TZID=America/Detroit:20260401T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891409@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260402T090000
DTEND;TZID=America/Detroit:20260402T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891497@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260402T090000
DTEND;TZID=America/Detroit:20260402T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891410@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260406T090000
DTEND;TZID=America/Detroit:20260406T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891501@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260406T090000
DTEND;TZID=America/Detroit:20260406T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891414@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260407T090000
DTEND;TZID=America/Detroit:20260407T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891502@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260407T090000
DTEND;TZID=America/Detroit:20260407T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891415@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260408T090000
DTEND;TZID=America/Detroit:20260408T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891503@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260408T090000
DTEND;TZID=America/Detroit:20260408T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891416@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260409T090000
DTEND;TZID=America/Detroit:20260409T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891504@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260409T090000
DTEND;TZID=America/Detroit:20260409T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891417@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260410T090000
DTEND;TZID=America/Detroit:20260410T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891505@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260410T090000
DTEND;TZID=America/Detroit:20260410T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891418@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260222T111850
DTSTART;TZID=America/Detroit:20260411T093000
DTEND;TZID=America/Detroit:20260411T123000
SUMMARY:Exercise / Fitness:Wolverines Walk for Reproductive Justice
DESCRIPTION:Lunar Doula Support Network (LDSN) has been working to hold a 5k fun run/walk fundraiser to support a local organization\, Birth Detroit\, that works towards reproductive justice. Birth Detroit is a community birth center that works towards safe\, equitable\, and culturally relevant healthcare for all. LDSN is looking for volunteers\, student organizations\, and participants for fun run/walk. Volunteers will help guide runners along the route and help with various other tasks. Student organizations will hold a table in the Grove to host an activity centered around your club’s values and reproductive justice. Participants can complete these activities throughout the event and also participate in runs. Please email lunardoulasupportnetwork@umich.edu with any questions.
UID:145798-21897830@events.umich.edu
URL:https://events.umich.edu/event/145798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:The Grove
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260413T090000
DTEND;TZID=America/Detroit:20260413T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891508@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260413T090000
DTEND;TZID=America/Detroit:20260413T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891421@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260414T090000
DTEND;TZID=America/Detroit:20260414T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891509@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260414T090000
DTEND;TZID=America/Detroit:20260414T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891422@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260415T090000
DTEND;TZID=America/Detroit:20260415T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891510@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260415T090000
DTEND;TZID=America/Detroit:20260415T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891423@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260416T090000
DTEND;TZID=America/Detroit:20260416T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891511@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260416T090000
DTEND;TZID=America/Detroit:20260416T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891424@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260319T155748
DTSTART;TZID=America/Detroit:20260416T180000
DTEND;TZID=America/Detroit:20260416T193000
SUMMARY:Lecture / Discussion:AI and Detroit’s Census Challenge
DESCRIPTION:Abstract:\nThis talk explores how artificial intelligence (AI) and geospatial data can support cities to better understand housing conditions and improve population estimates. In collaboration with the City of Detroit\, researchers at the University of Michigan are developing new tools that combine street-level imagery\, remote sensing data\, and AI models capable of interpreting visual information about buildings and neighborhoods. These tools can identify indicators such as roof damage\, structural decay\, or vegetation encroachment—signals that may suggest vacancy\, or blight.\n\nImportantly\, the goal is not simply to automate housing assessments. Instead\, the project adopts an approach in which municipal staff and communities guide\, interpret\, and validate AI-generated insights. By integrating technical innovation with existing city workflows\, the collaboration aims to support Detroit’s efforts to maintain accurate address records for the U.S. Census and improve housing data used for planning and investment decisions.\n\nThis work supports city efforts to improve housing and population data\, while also helping strengthen communities. When residents are undercounted\, cities risk losing tax revenue\, federal funding\, and even political representation. At the same time\, urban blight and rapidly changing housing conditions make it difficult to maintain accurate records of which homes are occupied. In cities with large numbers of vacant\, abandoned\, or deteriorating structures\, some inhabited homes may be mistakenly classified as vacant\, leading to inaccurate population estimates and challenges for housing policy and neighborhood revitalization efforts. More broadly\, this work highlights how partnerships between universities and local governments can support cities adopting AI tools responsibly while strengthening data-driven decision-making\n\nBiography:\nDr. Van Berkel is an assistant professor at The University of Michigan\, School for Environment and Sustainability. His research focuses on understanding land change at diverse scales\; the physical and psychological benefit of exposure to natural environments\; and how digital visualization of data can add new place-based knowledge in science and community decision-making. He has expertise in spatial statistics\, data science\, big data\, and machine learning. Van Berkel is currently a Co-PI on an NSF grant examining how online webtools can enable the public to co-create landscape designs for novel solutions to climate-change adaptation and mitigation in urban areas. He is also part of the NOAA funded GLISA project developing land change models to support knowledge discovery in municipalities throughout the Great Lake States. His work in AI focuses on deciphering complex sentiment from multimodal content\, such as understanding image content and analyzing captions and tags posted by users\, at scale. This research aims to provide objective measures of behavior and attitude for modeling diverse values and benefits of nature globally.\n\nJeffrey D. Morenoff is a professor of sociology\, a research professor at the Institute for Social Research (ISR)\, and a professor of public policy at the Ford School. He is also director of the ISR Population Studies Center. Professor Morenoff’s research interests include neighborhood environments\, inequality\, crime and criminal justice\, the social determinants of health\, racial/ethnic/immigrant disparities in health and antisocial behavior\, and methods for analyzing multilevel and spatial data.
UID:145245-21896923@events.umich.edu
URL:https://events.umich.edu/event/145245
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:Dana Building - 1040
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260417T090000
DTEND;TZID=America/Detroit:20260417T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891512@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260417T090000
DTEND;TZID=America/Detroit:20260417T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891425@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260420T090000
DTEND;TZID=America/Detroit:20260420T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891515@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260420T090000
DTEND;TZID=America/Detroit:20260420T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891428@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260421T090000
DTEND;TZID=America/Detroit:20260421T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891516@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260421T090000
DTEND;TZID=America/Detroit:20260421T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891429@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260422T090000
DTEND;TZID=America/Detroit:20260422T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891517@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260422T090000
DTEND;TZID=America/Detroit:20260422T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891430@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891518@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260423T090000
DTEND;TZID=America/Detroit:20260423T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891431@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891519@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260424T090000
DTEND;TZID=America/Detroit:20260424T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891432@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T082821
DTSTART;TZID=America/Detroit:20260501T170000
DTEND;TZID=America/Detroit:20260501T190000
SUMMARY:Reception / Open House:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres.She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147880-21902107@events.umich.edu
URL:https://events.umich.edu/event/147880
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260504T090000
DTEND;TZID=America/Detroit:20260504T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902109@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260505T090000
DTEND;TZID=America/Detroit:20260505T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902110@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260506T090000
DTEND;TZID=America/Detroit:20260506T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902111@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260507T090000
DTEND;TZID=America/Detroit:20260507T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902112@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260508T090000
DTEND;TZID=America/Detroit:20260508T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902113@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260511T090000
DTEND;TZID=America/Detroit:20260511T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902116@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260512T090000
DTEND;TZID=America/Detroit:20260512T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902117@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260513T090000
DTEND;TZID=America/Detroit:20260513T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902118@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260514T090000
DTEND;TZID=America/Detroit:20260514T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902119@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260515T090000
DTEND;TZID=America/Detroit:20260515T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902120@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260518T090000
DTEND;TZID=America/Detroit:20260518T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902123@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260519T090000
DTEND;TZID=America/Detroit:20260519T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902124@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260520T090000
DTEND;TZID=America/Detroit:20260520T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902125@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260521T090000
DTEND;TZID=America/Detroit:20260521T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902126@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260522T090000
DTEND;TZID=America/Detroit:20260522T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902127@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260525T090000
DTEND;TZID=America/Detroit:20260525T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902130@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260526T090000
DTEND;TZID=America/Detroit:20260526T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902131@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260527T090000
DTEND;TZID=America/Detroit:20260527T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902132@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260528T090000
DTEND;TZID=America/Detroit:20260528T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902133@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260529T090000
DTEND;TZID=America/Detroit:20260529T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902134@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260601T090000
DTEND;TZID=America/Detroit:20260601T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902137@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260602T090000
DTEND;TZID=America/Detroit:20260602T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902138@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260603T090000
DTEND;TZID=America/Detroit:20260603T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902139@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260604T090000
DTEND;TZID=America/Detroit:20260604T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902140@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260605T090000
DTEND;TZID=America/Detroit:20260605T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902141@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260608T090000
DTEND;TZID=America/Detroit:20260608T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902144@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260609T090000
DTEND;TZID=America/Detroit:20260609T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902145@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260610T090000
DTEND;TZID=America/Detroit:20260610T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902146@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260611T090000
DTEND;TZID=America/Detroit:20260611T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902147@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260612T090000
DTEND;TZID=America/Detroit:20260612T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902148@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260615T090000
DTEND;TZID=America/Detroit:20260615T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902151@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260616T090000
DTEND;TZID=America/Detroit:20260616T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902152@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260617T090000
DTEND;TZID=America/Detroit:20260617T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902153@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260618T090000
DTEND;TZID=America/Detroit:20260618T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902154@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260619T090000
DTEND;TZID=America/Detroit:20260619T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902155@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260622T090000
DTEND;TZID=America/Detroit:20260622T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902158@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260623T090000
DTEND;TZID=America/Detroit:20260623T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902159@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260624T090000
DTEND;TZID=America/Detroit:20260624T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902160@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260625T090000
DTEND;TZID=America/Detroit:20260625T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902161@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260626T090000
DTEND;TZID=America/Detroit:20260626T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902162@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260629T090000
DTEND;TZID=America/Detroit:20260629T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902165@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260630T090000
DTEND;TZID=America/Detroit:20260630T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902166@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260701T090000
DTEND;TZID=America/Detroit:20260701T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902167@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260702T090000
DTEND;TZID=America/Detroit:20260702T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902168@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260703T090000
DTEND;TZID=America/Detroit:20260703T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902169@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260706T090000
DTEND;TZID=America/Detroit:20260706T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902172@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260707T090000
DTEND;TZID=America/Detroit:20260707T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902173@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260708T090000
DTEND;TZID=America/Detroit:20260708T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902174@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260709T090000
DTEND;TZID=America/Detroit:20260709T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902175@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260710T090000
DTEND;TZID=America/Detroit:20260710T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902176@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260713T090000
DTEND;TZID=America/Detroit:20260713T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902179@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260714T090000
DTEND;TZID=America/Detroit:20260714T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902180@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260715T090000
DTEND;TZID=America/Detroit:20260715T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902181@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260716T090000
DTEND;TZID=America/Detroit:20260716T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902182@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260717T090000
DTEND;TZID=America/Detroit:20260717T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902183@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260721T090000
DTEND;TZID=America/Detroit:20260721T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902187@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260722T090000
DTEND;TZID=America/Detroit:20260722T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902188@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260723T090000
DTEND;TZID=America/Detroit:20260723T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902189@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260724T090000
DTEND;TZID=America/Detroit:20260724T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902190@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260727T090000
DTEND;TZID=America/Detroit:20260727T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902193@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260728T090000
DTEND;TZID=America/Detroit:20260728T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902194@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260729T090000
DTEND;TZID=America/Detroit:20260729T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902195@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260730T090000
DTEND;TZID=America/Detroit:20260730T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902196@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260731T090000
DTEND;TZID=America/Detroit:20260731T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902197@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260803T090000
DTEND;TZID=America/Detroit:20260803T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902200@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260804T090000
DTEND;TZID=America/Detroit:20260804T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902201@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260805T090000
DTEND;TZID=America/Detroit:20260805T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902202@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260806T090000
DTEND;TZID=America/Detroit:20260806T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902203@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260421T083850
DTSTART;TZID=America/Detroit:20260807T090000
DTEND;TZID=America/Detroit:20260807T170000
SUMMARY:Exhibition:Melissa Jones Exhibition
DESCRIPTION:Melissa Jones works across multiple mediums\, consistently centering the human figure\, texture\, and elements of the natural world—such as weathered surfaces\, bones\, and rust. These recurring interests create a unifying thread throughout her work\, regardless of medium.\nShe creates in both two and three dimensions\, including sculpture\, painting\, and assemblage. Oil painting is her preferred medium\, allowing her to work slowly in layered processes and achieve a wide range of nuanced effects.\n\nJones’ work is primarily figurative\, often narrative and autobiographical—though not strictly self-portraiture. Her figures are intended to evoke emotional responses that are less commonly found in landscape or other painting genres. She draws inspiration from the visual poetry of the human form\, finding beauty in subtle details: the turn of a wrist\, the curve of a spine\, or the shadow along a collarbone. She is captivated by how light illuminates the skin and how shadow defines form\, embracing the challenge of capturing this complexity in paint. Beyond physical representation\, her work also explores psychological dimensions\, aiming to convey mood and emotional depth.\n\nHer technique\, in both painting and sculpture\, is highly detailed\, realistic\, and developed gradually over time through layered processes. At times\, her work enters the realm of magical realism. While deeply personal\, her narratives remain intentionally ambiguous\, inviting viewers to interpret the imagery through their own perspectives and experiences.\n\nBorn and raised in Detroit\, Jones studied at Wayne State University\, earning a Bachelor’s degree in Art Education and a Master’s degree in Art Therapy. She previously worked as an art educator in the West Bloomfield School District and has exhibited professionally throughout the Detroit area since 2006\, receiving numerous awards. In addition\, she serves as a board member and exhibition committee member for the Detroit Artists Market.
UID:147882-21902204@events.umich.edu
URL:https://events.umich.edu/event/147882
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
END:VCALENDAR