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DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260315T080000
DTEND;TZID=America/Detroit:20260315T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893023@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260315T080000
DTEND;TZID=America/Detroit:20260315T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893080@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260316T080000
DTEND;TZID=America/Detroit:20260316T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893024@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260316T080000
DTEND;TZID=America/Detroit:20260316T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893081@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260316T090000
DTEND;TZID=America/Detroit:20260316T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891480@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260316T090000
DTEND;TZID=America/Detroit:20260316T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891393@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260316T120000
DTEND;TZID=America/Detroit:20260316T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894451@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260317T080000
DTEND;TZID=America/Detroit:20260317T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893025@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260317T080000
DTEND;TZID=America/Detroit:20260317T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893082@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260317T090000
DTEND;TZID=America/Detroit:20260317T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891481@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260317T090000
DTEND;TZID=America/Detroit:20260317T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891394@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260317T120000
DTEND;TZID=America/Detroit:20260317T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894452@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260317T180000
DTEND;TZID=America/Detroit:20260317T210000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897261@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260317T170334
DTSTART;TZID=America/Detroit:20260317T180000
DTEND;TZID=America/Detroit:20260317T210000
SUMMARY:Presentation:30th Annual Exhibition Opening Reception and Celebration
DESCRIPTION:Join us for opening night of the 30th Annual Exhibition of Artists in Michigan Prisons!\n\n6:00 PM: Exhibit opens and artwork sales begin in Duderstadt Gallery. Enjoy light refreshments in the Chesebrough Lobby.\n7:00 PM: Celebration program in Chesebrough Auditorium.\n8:30 PM: Line closes for artwork sales.\n9:00 PM: Gallery closes.\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145412-21897286@events.umich.edu
URL:https://events.umich.edu/event/145412
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260318T080000
DTEND;TZID=America/Detroit:20260318T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893026@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260318T080000
DTEND;TZID=America/Detroit:20260318T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893083@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260318T090000
DTEND;TZID=America/Detroit:20260318T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891482@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260318T090000
DTEND;TZID=America/Detroit:20260318T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891395@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260318T100000
DTEND;TZID=America/Detroit:20260318T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897272@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260318T120000
DTEND;TZID=America/Detroit:20260318T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894453@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260319T080000
DTEND;TZID=America/Detroit:20260319T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893027@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260319T080000
DTEND;TZID=America/Detroit:20260319T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893084@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260319T090000
DTEND;TZID=America/Detroit:20260319T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891605@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260319T090000
DTEND;TZID=America/Detroit:20260319T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891483@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260319T090000
DTEND;TZID=America/Detroit:20260319T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891396@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260319T100000
DTEND;TZID=America/Detroit:20260319T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897273@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260319T120000
DTEND;TZID=America/Detroit:20260319T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894454@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260319T120000
DTEND;TZID=America/Detroit:20260319T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884307@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260302T171321
DTSTART;TZID=America/Detroit:20260319T183000
DTEND;TZID=America/Detroit:20260319T193000
SUMMARY:Tours:New Art//New Music: Gallery Tour
DESCRIPTION:Enjoy a tour of the 30th Annual Exhibition of Artists in Michigan Prisons and a concert featuring music created by University of Michigan School of Music\, Theatre\, and Dance student composers. These pieces will be performed by the contemporary music collective FLYDLPHN and the chamber ensemble Myriad Project and will be inspired by artwork featured at the exhibition. \n\nPublic tour of the 30th Annual Exhibition \n6:30 pm Duderstadt Gallery\n\nConcert\n8pm Stamps Auditorium\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145749-21897776@events.umich.edu
URL:https://events.umich.edu/event/145749
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260320T080000
DTEND;TZID=America/Detroit:20260320T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893028@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260320T080000
DTEND;TZID=America/Detroit:20260320T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893085@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260320T090000
DTEND;TZID=America/Detroit:20260320T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891606@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260320T090000
DTEND;TZID=America/Detroit:20260320T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891484@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260320T090000
DTEND;TZID=America/Detroit:20260320T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891397@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260320T100000
DTEND;TZID=America/Detroit:20260320T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897274@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260320T120000
DTEND;TZID=America/Detroit:20260320T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894455@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260320T120000
DTEND;TZID=America/Detroit:20260320T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884340@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260312T123102
DTSTART;TZID=America/Detroit:20260320T235900
DTEND;TZID=America/Detroit:20260320T235900
SUMMARY:Exhibition:Indonesian Cultural Festival 2026
DESCRIPTION:INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm\, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year’s theme\, “Islands of Rhythm\, Oceans of Stories: Experience Indonesia\,” highlights the diversity of Indonesia’s cultural heritage\, traditions\, and artistic expressions. Through a series of engaging programs\, ICF invites participants to explore the stories\, creativity\, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture\, art\, music\, and celebration! \n\n📸 Photography Contest\nSubmission due: March 20\, 2026 - 11:59pm\n\n🎬 Movie Screening\nMarch 27\, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n🎵 Angklung Musical Workshop\nMarch 28\, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor / IHAA (921 Church St)\n\n🎨 Batik Coloring Workshop\nApril 2\, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n🎉 Festival Night\nApril 3\, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students\, faculty\, staff\, alumni\, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia
UID:146309-21898860@events.umich.edu
URL:https://events.umich.edu/event/146309
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260321T080000
DTEND;TZID=America/Detroit:20260321T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893029@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260321T080000
DTEND;TZID=America/Detroit:20260321T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893086@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260321T100000
DTEND;TZID=America/Detroit:20260321T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897275@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260322T080000
DTEND;TZID=America/Detroit:20260322T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893030@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260322T080000
DTEND;TZID=America/Detroit:20260322T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893087@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260322T120000
DTEND;TZID=America/Detroit:20260322T180000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897276@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260323T080000
DTEND;TZID=America/Detroit:20260323T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893031@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260323T080000
DTEND;TZID=America/Detroit:20260323T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893088@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260323T090000
DTEND;TZID=America/Detroit:20260323T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891609@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260323T090000
DTEND;TZID=America/Detroit:20260323T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891487@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260323T090000
DTEND;TZID=America/Detroit:20260323T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891400@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260323T120000
DTEND;TZID=America/Detroit:20260323T180000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897277@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260323T120000
DTEND;TZID=America/Detroit:20260323T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894458@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260324T080000
DTEND;TZID=America/Detroit:20260324T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893032@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260324T080000
DTEND;TZID=America/Detroit:20260324T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893089@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260324T090000
DTEND;TZID=America/Detroit:20260324T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891610@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260324T090000
DTEND;TZID=America/Detroit:20260324T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891488@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260324T090000
DTEND;TZID=America/Detroit:20260324T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891401@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260324T100000
DTEND;TZID=America/Detroit:20260324T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897278@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260324T120000
DTEND;TZID=America/Detroit:20260324T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894459@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260325T080000
DTEND;TZID=America/Detroit:20260325T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893033@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260325T080000
DTEND;TZID=America/Detroit:20260325T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893090@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260325T090000
DTEND;TZID=America/Detroit:20260325T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891611@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260325T090000
DTEND;TZID=America/Detroit:20260325T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891489@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260325T090000
DTEND;TZID=America/Detroit:20260325T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891402@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260325T100000
DTEND;TZID=America/Detroit:20260325T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897279@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260325T120000
DTEND;TZID=America/Detroit:20260325T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894460@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260326T080000
DTEND;TZID=America/Detroit:20260326T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893034@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260326T080000
DTEND;TZID=America/Detroit:20260326T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893091@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260326T090000
DTEND;TZID=America/Detroit:20260326T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891612@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260326T090000
DTEND;TZID=America/Detroit:20260326T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891490@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260326T090000
DTEND;TZID=America/Detroit:20260326T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891403@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260326T100000
DTEND;TZID=America/Detroit:20260326T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897280@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260326T120000
DTEND;TZID=America/Detroit:20260326T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894461@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260326T120000
DTEND;TZID=America/Detroit:20260326T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884308@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260327T080000
DTEND;TZID=America/Detroit:20260327T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893035@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260327T080000
DTEND;TZID=America/Detroit:20260327T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893092@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260327T090000
DTEND;TZID=America/Detroit:20260327T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891613@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260327T090000
DTEND;TZID=America/Detroit:20260327T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891491@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260327T090000
DTEND;TZID=America/Detroit:20260327T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891404@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260317T120314
DTSTART;TZID=America/Detroit:20260327T093000
DTEND;TZID=America/Detroit:20260327T180000
SUMMARY:Conference / Symposium:Inclusive History Project Summit 2026
DESCRIPTION:Registration: http://myumi.ch/QwEbz\n\nJoin us for the Inclusive History Project Summit on Friday\, March 27\, 2026\, which will bring together students\, faculty\, staff\, alumni\, and the public to explore histories of inclusion and exclusion at the University of Michigan.\n\nAt the Summit\, engage in dialogue about the work of inclusive history\; learn about research\, engagement\, and teaching taking place across the three campuses\; and see student-led projects in a variety of forms. There will also be opportunities for you to share your stories about the University of Michigan.\n\nThe Inclusive History Project Summit is an annual event that is hosted on a different campus each year. Join us for the summit at UM-Flint in 2026!\n\nThe IHP Summit is free and open to all. Registration is encouraged but not required. We will send out reminder emails and event updates when you register. Check back for speakers.\n\nFor more information or questions\, please contact inclusivehistory@umich.edu.\n\n--\nSessions\n\nSession 1: Whose History\, Whose University? Power\, Memory\, and Narrative Panel Discussion \n9:30am – 10:45am\n\nPanelists: Camron Michael Amin\, Jay Cook\, and Lisa M. Lapeyrouse.\nModerated by Earl Lewis.\n\nThis panel explores how the Inclusive History Project moves beyond traditional origin stories and what some of its Origins and Trajectories project sites have revealed through the research process. Emphasizing the importance of multiple voices\, perspectives\, oral traditions\, and diverse ways of knowing\, the conversation aims to highlight inclusive history as both a practice and a responsibility\, with each project being discussed illustrating how it does those things. The panel will conclude with a public Q&A.\n\n--\nSession 2: Geographies of Justice and the Changing City Roundtable Discussion\n11:00am – 12/noon\n\nPanelists: Callum Carr-Marquis\, Rodney Brown\, and Benjamin Gaydos.\nTalk and moderation by Shana M. griffin.\n\nThis roundtable discussion will explore the history and impact of urban renewal in Flint\, examining the role of UM-Flint\, patterns of displacement\, and the experiences and voices of affected communities. Participants will also reflect on the power of archives in documenting these histories and discuss the collaborative process behind organizing the Blueprints of Power exhibition. The conversation will conclude by considering future directions for research\, community engagement\, and public storytelling on these issues. The roundtable will conclude with a public Q&A.\n\n--\nSession 3: Make\, Meet\, Learn: Free LUNCH + Drop-in Workshop\, Reflection Activities\, and Community Tabling Fair\n12/noon – 2:00pm\n\nJoin us for a free\, catered lunch and a unique opportunity to build connections\, strengthen networks\, and inspire collective action within the Inclusive History Project community and beyond. Visit the Community Tabling Fair featuring tri-campus university departments\, local Flint community organizations\, and Inclusive History Project initiatives. Participate in hands-on workshops and activities\, including button-making with Flint artists\, tactile community brainstorming sessions\, and opportunities to share your stories\, ideas\, and reflections. Attendees can also contribute to interactive installations created by U-M undergraduate and graduate students\, such as the Belonging Interactive Photo Mural led by the IHP Student Advisory Committee. Guided tours and a postering session for the Origins of the UM-Flint’s Student Support Services Center Project will be available throughout the event\, offering additional insight into ongoing work and future directions.\n\nFeatured Events:\n\nFrom Protest to Pride: Button-Making as Storytelling\nMake a button at this drop-in button-making workshop led by Flint-based artist and educator My Proulx. Materials\, supplies\, and onsite instruction will be provided.\n\nBelonging Interactive Photo Mural\nJoin us to make your mark and help ensure that our collective history reflects all of us by participating in the Belonging Interactive Photo Mural led by the IHP Student Advisory Committee.\n\nGuided History Tour of UM-Flint’s Student Support Services Centers\nEmbark on a guided history tour of the Student Support Services Centers located throughout the Harding Mott University Center\, the architectural and social heart of UM-Flint’s campus. This tour offers participants the opportunity to move through the building\, explore its design\, and reflect on how student advocacy\, institutional change\, and campus space intersect.\n\nCommunity Tabling Fair\nParticipants include: Arab American Heritage Council (AAHC)\, Emma Davis- Cultivating Communities of Belonging class table\, Flint Alliance for Immigrant Rights (FAIR)\, Great Lakes Stewardship Initiative (GLSI)\, IHP Student Advisory Committee\, International Center of Greater Flint (ICGF)\, Mott Warsh Gallery\, Riverbank Arts\, Ruth Mott Foundation\, Sloan Museum of Discovery and Longway Planetarium\, and UM-Flint Student Government. The fair is designed as an open\, drop-in space to learn about community initiatives\, meet organizers and students\, and discover opportunities for engagement and collaboration.\n\n--\nSessions 4\, 5\, and 6: Making Our Stories Heard: Talk\, Question\, and Engage Lightning Talks and Q&A’s by and with IHP practitioners\n1:45pm – 4:30pm (Multiple Sessions):\n\nSession 4〡1:45pm – 2:45pm\n\nSpeakers: Christina Blitchok (The 1956 Project\, UM-Flint)\; Rose Wellman and Amny Shuraydi (Centering Arab American Studies and Students: Past and Present Place-making\, Identity\, and Inclusion at the UM-Dearborn)\; Jodi Mae and David Mori (Towards Community-based Shared Stewardship)\, Wallace Bowie III\, Karen Burton\, Saundra Little\, and Craig Wilkins (Architects of Change: Documenting the Legacy of White & Griffin (Michigan’s First Black Architects)).\n\nModerated by Melvin Barnes.\n\nSession 5〡3:00pm – 4:00pm\n\nSpeakers: Ivy Forsythe-Brown and Terri Laws (The African and African American Studies Oral History Project)\; Mark Clague\, Cayenne Harris\, and Emily Lyon (Hill Auditorium)\; Yodit Mesfin Johnson and Matthew Countryman (Liberated Land Use)\; Emma Davis (Cultivating Communities of Belonging).\n\nModerated by Leyla Sanker.\n\nSession 6 〡4:00pm – 4:30pm\n\nWrap-up and Reflection\n\nSpeakers: Lisa M. Lapeyrouse and Earl Lewis.\n\n--\nSession 7: Spoken Word by Poet\, Activist\, and Flint Native Shea Phire Cobb\n4:30pm – 5:00pm\n\nJoin us for a spoken word performance by poet\, activist\, mother\, musician\, and Flint native Shea Phire Cobb.\n\n--\nSession 8: Blueprints of Power Exhibition Celebration and Inclusive History Project Summit Afterparty\n5:00pm – 6:00pm\n\nGet up close and personal with the Blueprints of Power exhibition and enjoy light fare and music as we wrap up and celebrate the day.\n\n--\nEngage throughout the day:\nBlueprints of Power: The University and Urban Renewal in Flint Exhibition\n8:00am – 6:00pm\n\nThe Shape of Repair: An Interactive Installation\n9:30am – 5:30pm\n\nA participatory engagement to spark critical thinking\, imagination\, reflection\, and the exchange of ideas about the outcomes the Inclusive History Project (IHP) is working toward.\n\nWolverine Stories Video Booth by the Inclusive Storytelling Hub\n11:00am – 3:00pm\n\nStep into a video recording booth to tell YOUR story about the University of Michigan.
UID:146213-21898663@events.umich.edu
URL:https://events.umich.edu/event/146213
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260327T100000
DTEND;TZID=America/Detroit:20260327T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897281@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260327T120000
DTEND;TZID=America/Detroit:20260327T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894462@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260327T120000
DTEND;TZID=America/Detroit:20260327T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884341@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260312T123102
DTSTART;TZID=America/Detroit:20260327T170000
DTEND;TZID=America/Detroit:20260327T190000
SUMMARY:Exhibition:Indonesian Cultural Festival 2026
DESCRIPTION:INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm\, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year’s theme\, “Islands of Rhythm\, Oceans of Stories: Experience Indonesia\,” highlights the diversity of Indonesia’s cultural heritage\, traditions\, and artistic expressions. Through a series of engaging programs\, ICF invites participants to explore the stories\, creativity\, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture\, art\, music\, and celebration! \n\n📸 Photography Contest\nSubmission due: March 20\, 2026 - 11:59pm\n\n🎬 Movie Screening\nMarch 27\, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n🎵 Angklung Musical Workshop\nMarch 28\, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor / IHAA (921 Church St)\n\n🎨 Batik Coloring Workshop\nApril 2\, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n🎉 Festival Night\nApril 3\, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students\, faculty\, staff\, alumni\, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia
UID:146309-21898861@events.umich.edu
URL:https://events.umich.edu/event/146309
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - 110
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260328T080000
DTEND;TZID=America/Detroit:20260328T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893036@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260328T080000
DTEND;TZID=America/Detroit:20260328T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893093@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260328T100000
DTEND;TZID=America/Detroit:20260328T190000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897282@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260312T123102
DTSTART;TZID=America/Detroit:20260328T140000
DTEND;TZID=America/Detroit:20260328T150000
SUMMARY:Exhibition:Indonesian Cultural Festival 2026
DESCRIPTION:INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm\, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year’s theme\, “Islands of Rhythm\, Oceans of Stories: Experience Indonesia\,” highlights the diversity of Indonesia’s cultural heritage\, traditions\, and artistic expressions. Through a series of engaging programs\, ICF invites participants to explore the stories\, creativity\, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture\, art\, music\, and celebration! \n\n📸 Photography Contest\nSubmission due: March 20\, 2026 - 11:59pm\n\n🎬 Movie Screening\nMarch 27\, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n🎵 Angklung Musical Workshop\nMarch 28\, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor / IHAA (921 Church St)\n\n🎨 Batik Coloring Workshop\nApril 2\, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n🎉 Festival Night\nApril 3\, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students\, faculty\, staff\, alumni\, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia
UID:146309-21898862@events.umich.edu
URL:https://events.umich.edu/event/146309
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T115218
DTSTART;TZID=America/Detroit:20260328T154500
DTEND;TZID=America/Detroit:20260328T173000
SUMMARY:Performance:University of Michigan Figure Skating Team Spring Show: Back to Y2K
DESCRIPTION:Join the University of Michigan Figure Skating Team for their 2026 Spring Show: Back to Y2K!\n\nEvent Details:\n- Saturday\, March 28th from 3:45-5:30pm at Yost Ice Arena\n- Free admission to UofM student ($5 fee for non-students)\n- Guest Performance by Ann Arbor Ice Cube's Unified Hockettes\n- Free pink lemonade and flower sale!
UID:145693-21897703@events.umich.edu
URL:https://events.umich.edu/event/145693
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Yost Ice Arena
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260329T080000
DTEND;TZID=America/Detroit:20260329T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893037@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260329T080000
DTEND;TZID=America/Detroit:20260329T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893094@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260329T100000
DTEND;TZID=America/Detroit:20260329T180000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897283@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260330T080000
DTEND;TZID=America/Detroit:20260330T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893038@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260330T080000
DTEND;TZID=America/Detroit:20260330T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893095@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260330T090000
DTEND;TZID=America/Detroit:20260330T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891616@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260330T090000
DTEND;TZID=America/Detroit:20260330T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891494@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260330T090000
DTEND;TZID=America/Detroit:20260330T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891407@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260330T100000
DTEND;TZID=America/Detroit:20260330T180000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897284@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260330T120000
DTEND;TZID=America/Detroit:20260330T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894465@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260331T080000
DTEND;TZID=America/Detroit:20260331T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893039@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260306T115746
DTSTART;TZID=America/Detroit:20260331T080000
DTEND;TZID=America/Detroit:20260331T170000
SUMMARY:Exhibition:CAS Exhibit. Հմայարան / Hmayaran by Levon Kafafian (Detroit-based Artist)
DESCRIPTION:Exhibit Opening: March 12\, 2026\nExhibit Dates: March 12-30\, 2026\, International Institute Gallery\, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan—a place of magic and spirits beyond a digital collapse\, Հմայարան / Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone\, clay and wood to imbue meaning\, memory and magic into their lived environments\, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary\, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving\, dyeing\, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations\, objects\, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant\, evolving futurity.\n\nCosponsor: Institute for the Humanities
UID:143403-21893096@events.umich.edu
URL:https://events.umich.edu/event/143403
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall - International Institute Gallery, Room 547
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260331T090000
DTEND;TZID=America/Detroit:20260331T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891617@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260331T090000
DTEND;TZID=America/Detroit:20260331T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891495@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260331T090000
DTEND;TZID=America/Detroit:20260331T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891408@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260322T094645
DTSTART;TZID=America/Detroit:20260331T100000
DTEND;TZID=America/Detroit:20260331T170000
SUMMARY:Exhibition:30th Annual Exhibition of Artists in Michigan Prisons
DESCRIPTION:Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary\, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances – incarceration\, isolation\, and unimaginable loss. It is an important reminder of the connections that sustain us all\, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17\, 2026\, 6-9pm\n\nGallery Hours following Opening Night:\nSun–Mon: 12pm–6pm\nTues–Sat: 10am–7pm\n\nGallery Closes: 5pm\, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor\, MI 48109\n\nPresented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work.
UID:145409-21897285@events.umich.edu
URL:https://events.umich.edu/event/145409
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260331T120000
DTEND;TZID=America/Detroit:20260331T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894466@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260401T080000
DTEND;TZID=America/Detroit:20260401T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893040@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260401T090000
DTEND;TZID=America/Detroit:20260401T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891618@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260401T090000
DTEND;TZID=America/Detroit:20260401T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891496@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260401T090000
DTEND;TZID=America/Detroit:20260401T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891409@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260401T120000
DTEND;TZID=America/Detroit:20260401T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894467@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260402T080000
DTEND;TZID=America/Detroit:20260402T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893041@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260402T090000
DTEND;TZID=America/Detroit:20260402T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891619@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260402T090000
DTEND;TZID=America/Detroit:20260402T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891497@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260402T090000
DTEND;TZID=America/Detroit:20260402T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891410@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260402T120000
DTEND;TZID=America/Detroit:20260402T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894468@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260402T120000
DTEND;TZID=America/Detroit:20260402T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884309@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260312T123102
DTSTART;TZID=America/Detroit:20260402T150000
DTEND;TZID=America/Detroit:20260402T170000
SUMMARY:Exhibition:Indonesian Cultural Festival 2026
DESCRIPTION:INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm\, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year’s theme\, “Islands of Rhythm\, Oceans of Stories: Experience Indonesia\,” highlights the diversity of Indonesia’s cultural heritage\, traditions\, and artistic expressions. Through a series of engaging programs\, ICF invites participants to explore the stories\, creativity\, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture\, art\, music\, and celebration! \n\n📸 Photography Contest\nSubmission due: March 20\, 2026 - 11:59pm\n\n🎬 Movie Screening\nMarch 27\, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n🎵 Angklung Musical Workshop\nMarch 28\, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor / IHAA (921 Church St)\n\n🎨 Batik Coloring Workshop\nApril 2\, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n🎉 Festival Night\nApril 3\, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students\, faculty\, staff\, alumni\, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia
UID:146309-21898863@events.umich.edu
URL:https://events.umich.edu/event/146309
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Weiser Hall Level 1
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260403T080000
DTEND;TZID=America/Detroit:20260403T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893042@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260403T090000
DTEND;TZID=America/Detroit:20260403T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891620@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260403T120000
DTEND;TZID=America/Detroit:20260403T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894469@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260403T120000
DTEND;TZID=America/Detroit:20260403T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884342@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260312T123102
DTSTART;TZID=America/Detroit:20260403T170000
DTEND;TZID=America/Detroit:20260403T200000
SUMMARY:Exhibition:Indonesian Cultural Festival 2026
DESCRIPTION:INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm\, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year’s theme\, “Islands of Rhythm\, Oceans of Stories: Experience Indonesia\,” highlights the diversity of Indonesia’s cultural heritage\, traditions\, and artistic expressions. Through a series of engaging programs\, ICF invites participants to explore the stories\, creativity\, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture\, art\, music\, and celebration! \n\n📸 Photography Contest\nSubmission due: March 20\, 2026 - 11:59pm\n\n🎬 Movie Screening\nMarch 27\, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n🎵 Angklung Musical Workshop\nMarch 28\, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor / IHAA (921 Church St)\n\n🎨 Batik Coloring Workshop\nApril 2\, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n🎉 Festival Night\nApril 3\, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students\, faculty\, staff\, alumni\, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia
UID:146309-21898864@events.umich.edu
URL:https://events.umich.edu/event/146309
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Michigan League Ballroom
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260404T080000
DTEND;TZID=America/Detroit:20260404T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893043@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260405T080000
DTEND;TZID=America/Detroit:20260405T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893044@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260406T080000
DTEND;TZID=America/Detroit:20260406T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893045@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260406T090000
DTEND;TZID=America/Detroit:20260406T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891623@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260406T090000
DTEND;TZID=America/Detroit:20260406T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891501@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260406T090000
DTEND;TZID=America/Detroit:20260406T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891414@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260406T120000
DTEND;TZID=America/Detroit:20260406T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894472@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260407T080000
DTEND;TZID=America/Detroit:20260407T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893046@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260407T090000
DTEND;TZID=America/Detroit:20260407T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891624@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260407T090000
DTEND;TZID=America/Detroit:20260407T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891502@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260407T090000
DTEND;TZID=America/Detroit:20260407T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891415@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260407T120000
DTEND;TZID=America/Detroit:20260407T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894473@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260408T080000
DTEND;TZID=America/Detroit:20260408T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893047@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260408T090000
DTEND;TZID=America/Detroit:20260408T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891625@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260408T090000
DTEND;TZID=America/Detroit:20260408T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891503@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260408T090000
DTEND;TZID=America/Detroit:20260408T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891416@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260408T120000
DTEND;TZID=America/Detroit:20260408T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894474@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260409T080000
DTEND;TZID=America/Detroit:20260409T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893048@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260409T090000
DTEND;TZID=America/Detroit:20260409T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891626@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260409T090000
DTEND;TZID=America/Detroit:20260409T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891504@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260409T090000
DTEND;TZID=America/Detroit:20260409T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891417@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260409T120000
DTEND;TZID=America/Detroit:20260409T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894475@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260409T120000
DTEND;TZID=America/Detroit:20260409T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884310@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260410T080000
DTEND;TZID=America/Detroit:20260410T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893049@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260410T090000
DTEND;TZID=America/Detroit:20260410T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891627@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260410T090000
DTEND;TZID=America/Detroit:20260410T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891505@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260410T090000
DTEND;TZID=America/Detroit:20260410T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891418@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260410T120000
DTEND;TZID=America/Detroit:20260410T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894476@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260410T120000
DTEND;TZID=America/Detroit:20260410T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884343@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260411T080000
DTEND;TZID=America/Detroit:20260411T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893050@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260325T154805
DTSTART;TZID=America/Detroit:20260411T100000
DTEND;TZID=America/Detroit:20260411T113000
SUMMARY:Other:Gallery Tour & Bird Walk at Nichols Arboretum
DESCRIPTION:Join the Institute for the Humanities and LSA Sustainability for a curator-led (Amanda Krugliak) Gallery tour of Sheida Soleimani’s exhibition *Flyways *(10 AM - 10:30 AM)\, followed by a quick bus ride over to Nichols Arboretum for a bird walk (10:45 AM -  11:30 AM). Event attendees will have the opportunity to explore Soleimani’s photography in the Institute for the Humanities Gallery and/or to go on a bird-watching tour at the Arb. For either portion of the event\, please meet at the Institute for the Humanities at 202 South Thayer.\n\nSheida Soleimani is an artist\, educator\, and licensed wildlife rehabilitator whose work examines power\, environmental crisis\, queerness\, migration\, and care. The daughter of political refugees who escaped Iran in the early 1980s\, Soleimani draws on archival materials\, props\, and sculptural elements to create visually lush\, politically incisive tableaux. She works across various mediums\, investigating themes such as oil politics and human rights abuses\, confronting the systems of violence linking the SWANA region and the United States\, unraveling their implications in American culture. Though her images are dreamlike\, they are grounded in lived experience: her parents frequently appear as subjects\, in compositions made from elements of their (sometimes harrowing) tales. Increasingly\, wildlife enters the frame – injured and orphaned birds\, with their own quiet stories of migration and survival. Before the lens\, these animals encapsulate Soleimani's multifaceted practice: care as art\, storytelling as resistance.\n\nThe bird walk will be led by members of the Michigan Bird Club. This will serve as training for volunteers interested in helping collect data for an ongoing migratory bird safety project and as well as an opportunity to get familiar with local campus birds.\n\nDonuts\, hot chocolate\, and hot tea will be available while supplies last.\n\nIf you cannot make this event but are interested in viewing Soleimani’s exhibition\, you can visit the Gallery anytime Monday through Friday from 9AM to 5PM\, March 19th - May 1st\, 2026.
UID:147059-21900332@events.umich.edu
URL:https://events.umich.edu/event/147059
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260412T080000
DTEND;TZID=America/Detroit:20260412T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893051@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260413T080000
DTEND;TZID=America/Detroit:20260413T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893052@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260413T090000
DTEND;TZID=America/Detroit:20260413T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891630@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260413T090000
DTEND;TZID=America/Detroit:20260413T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891508@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260413T090000
DTEND;TZID=America/Detroit:20260413T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891421@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260413T120000
DTEND;TZID=America/Detroit:20260413T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894479@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260414T080000
DTEND;TZID=America/Detroit:20260414T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893053@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260414T090000
DTEND;TZID=America/Detroit:20260414T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891631@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260414T090000
DTEND;TZID=America/Detroit:20260414T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891509@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260414T090000
DTEND;TZID=America/Detroit:20260414T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891422@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260414T120000
DTEND;TZID=America/Detroit:20260414T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894480@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260415T080000
DTEND;TZID=America/Detroit:20260415T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893054@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260415T090000
DTEND;TZID=America/Detroit:20260415T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891632@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260415T090000
DTEND;TZID=America/Detroit:20260415T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891510@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260415T090000
DTEND;TZID=America/Detroit:20260415T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891423@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260415T120000
DTEND;TZID=America/Detroit:20260415T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894481@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260416T080000
DTEND;TZID=America/Detroit:20260416T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893055@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260416T090000
DTEND;TZID=America/Detroit:20260416T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891633@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260416T090000
DTEND;TZID=America/Detroit:20260416T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891511@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260416T090000
DTEND;TZID=America/Detroit:20260416T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891424@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260416T120000
DTEND;TZID=America/Detroit:20260416T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894482@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260416T120000
DTEND;TZID=America/Detroit:20260416T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884311@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260417T080000
DTEND;TZID=America/Detroit:20260417T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893056@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260417T090000
DTEND;TZID=America/Detroit:20260417T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891634@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260417T090000
DTEND;TZID=America/Detroit:20260417T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891512@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260417T090000
DTEND;TZID=America/Detroit:20260417T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891425@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260417T120000
DTEND;TZID=America/Detroit:20260417T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894483@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20260417T120000
DTEND;TZID=America/Detroit:20260417T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884344@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260418T080000
DTEND;TZID=America/Detroit:20260418T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893057@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260419T080000
DTEND;TZID=America/Detroit:20260419T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893058@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260420T080000
DTEND;TZID=America/Detroit:20260420T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893059@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260420T090000
DTEND;TZID=America/Detroit:20260420T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891637@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260420T090000
DTEND;TZID=America/Detroit:20260420T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891515@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260420T090000
DTEND;TZID=America/Detroit:20260420T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891428@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260420T120000
DTEND;TZID=America/Detroit:20260420T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894486@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260421T080000
DTEND;TZID=America/Detroit:20260421T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893060@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260421T090000
DTEND;TZID=America/Detroit:20260421T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891638@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260421T090000
DTEND;TZID=America/Detroit:20260421T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891516@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260421T090000
DTEND;TZID=America/Detroit:20260421T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891429@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260421T120000
DTEND;TZID=America/Detroit:20260421T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894487@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260120T163718
DTSTART;TZID=America/Detroit:20260422T080000
DTEND;TZID=America/Detroit:20260422T160000
SUMMARY:Exhibition:CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive/Archive Alive Project
DESCRIPTION:Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century\, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save\, these photographs capture different valences of American life\, as experienced\, performed\, and imagined by Armenian immigrants. From naturalization classes to festivals of nations\, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas\, this range of photographs offers a glimpse of a community in the making\, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.
UID:143388-21893061@events.umich.edu
URL:https://events.umich.edu/event/143388
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260210T131912
DTSTART;TZID=America/Detroit:20260422T090000
DTEND;TZID=America/Detroit:20260422T170000
SUMMARY:Exhibition:Flyways
DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html.
UID:142798-21891639@events.umich.edu
URL:https://events.umich.edu/event/142798
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T165341
DTSTART;TZID=America/Detroit:20260422T090000
DTEND;TZID=America/Detroit:20260422T170000
SUMMARY:Exhibition:Lynn Galbreath Exhibition
DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.
UID:142773-21891517@events.umich.edu
URL:https://events.umich.edu/event/142773
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260414T092049
DTSTART;TZID=America/Detroit:20260422T090000
DTEND;TZID=America/Detroit:20260422T170000
SUMMARY:Exhibition:Momentary Landscape
DESCRIPTION:About the exhibition\nDiane Lavoie’s large-scale textile artworks are made entirely from up-cycled materials and are often placed in direct visual conversation with the natural landscape. Through the artist's choice of materials and visual subject matter\, the springtime installation *Momentary Landscape* is intended to emphasize important work surrounding sustainability\, climate change\, and environmental issues through the arts. The project is scheduled to unfold in the lobby of the South Thayer Building during exam week\, offering students and visitors a restorative\, reflective\, and joyful experience through public art installation.\n\nAbout the artist\nDiane Lavoie is a North American visual artist based in Berlin\, Germany. Her art represents a dialogue between the natural and artificial world\, and explores the boundaries between reality and perception. In her practice\, Lavoie creates large-scale\, textile representations of natural environments in contrast and connection with the actual environs surrounding them. Lavoie holds an MFA in painting from California State University Long Beach and a BFA in illustration from Massachusetts College of Art. Her work has been exhibited internationally and is held in private and public collections in the US and Europe.
UID:142904-21901575@events.umich.edu
URL:https://events.umich.edu/event/142904
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Atrium
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251215T163232
DTSTART;TZID=America/Detroit:20260422T090000
DTEND;TZID=America/Detroit:20260422T170000
SUMMARY:Exhibition:Terence Swafford Exhibition
DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape.
UID:142768-21891430@events.umich.edu
URL:https://events.umich.edu/event/142768
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connections Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260224T101438
DTSTART;TZID=America/Detroit:20260422T120000
DTEND;TZID=America/Detroit:20260422T160000
SUMMARY:Exhibition:Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense
DESCRIPTION:Thomas Paine’s “Common Sense” was one of the most influential works of the American Revolution. The first edition was published on January 10\, 1776\, with an initial print run of just 1\,000 copies\; but within weeks demand soared. The students of Andy Murphy’s POLISCI 495 course co-curated the exhibition “Revolutionary Paine” to document the whirlwind caused by its publication. On view at the Clements January 16-May 8\, weekdays from 12-4 pm.
UID:143999-21894488@events.umich.edu
URL:https://events.umich.edu/event/143999
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260319T121320
DTSTART;TZID=America/Detroit:20260422T170000
DTEND;TZID=America/Detroit:20260422T210000
SUMMARY:Well-being:After Hours Study Session
DESCRIPTION:Switch up your study plans and lock in for finals at the Clements Library! The beautiful Avenir Foundation Reading Room is the perfect place to get lost in your notes and books. Take a break from cramming to view our student-curated exhibit “Revolutionary Paine\,” have a snack\, and relax with therapy dogs. Therapy dog schedule to be announced\, check our website for more details.
UID:146801-21899635@events.umich.edu
URL:https://events.umich.edu/event/146801
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library - Avenir Foundation Reading Room
CONTACT:
END:VEVENT
END:VCALENDAR