BEGIN:VCALENDAR VERSION:2.0 PRODID:-//UM//UM*Events//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:America/Detroit TZURL:http://tzurl.org/zoneinfo/America/Detroit X-LIC-LOCATION:America/Detroit BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20070311T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20071104T020000 RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260414T090000 DTEND;TZID=America/Detroit:20260414T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891422@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260302T171502 DTSTART;TZID=America/Detroit:20260414T100000 DTEND;TZID=America/Detroit:20260414T160000 SUMMARY:Other:Artwork Pickup: 30th Annual Exhibition DESCRIPTION:Join us at the Duderstadt Gallery or the PCAP Studio to collect your artwork from the 30th Annual Exhibition. Please bring your receipt or notification letter. \n\nMarch 31 and April 1 artwork pickup is at the Duderstadt Center Gallery. \n\nApril 14\, 16\, and 17 artwork pickup is at the PCAP Studio.\n\nThe PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr)\, located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance.\n\n● GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance.\n● Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\"\n● Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk.\n● The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.\n\nSponsors\nThe 30th Annual Exhibition is presented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work. UID:145433-21897348@events.umich.edu URL:https://events.umich.edu/event/145433 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Campus Safety Services Building - 1400 CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260415T090000 DTEND;TZID=America/Detroit:20260415T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891632@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260415T090000 DTEND;TZID=America/Detroit:20260415T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891510@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260415T090000 DTEND;TZID=America/Detroit:20260415T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891423@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260123T131417 DTSTART;TZID=America/Detroit:20260415T120000 DTEND;TZID=America/Detroit:20260415T132000 SUMMARY:Lecture / Discussion:CREES Noon Lecture. The Last Soviet Artist DESCRIPTION:The Last Soviet Artist (n+1\, 2025)\, finished by Victoria Lomasko three weeks before Russia’s invasion of Ukraine\, is a collection of graphic reportages created during trips across the former Soviet republics. The first part describes society in Kyrgyzstan\, Armenia\, Georgia\, and the North Caucasus\, covering gender rights\, grassroots initiatives\, remnants of the Soviet heritage\, and emerging trends. The book's second part focuses on the Belarusian Revolution of 2022 and the last major protests in Russia on the eve of the invasion of Ukraine: what happens to the lives of ordinary people in times of historical change. The third part of the book was written in exile. All three parts are united by the main subject: generational conflict in the post-Soviet space. The book won the 2022 Free Voice award from PEN Catalan and Prix Couilles au Cul pour le Courage Artistique\, Festival de BD d’Angoulême.\n \n Victoria Lomasko’s practice of graphic reportage synthesizes image and text\, taking the form of novels\, journalism\, comics\, paintings\, and monumental murals. A renowned dissident voice in the highly censored environment of contemporary Russia\, Lomasko’s seminal graphic novels\, including Other Russias and Forbidden Art\, have an honest style exposing the country’s inequalities and injustices whilst amplifying and defending the plight of Russia’s many voiceless and unseen communities.\n \nIf there is anything we can do to make this event accessible to you\, please contact us. at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. UID:142423-21890939@events.umich.edu URL:https://events.umich.edu/event/142423 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:visual arts LOCATION:Weiser Hall - Room 555 CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260416T090000 DTEND;TZID=America/Detroit:20260416T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891633@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260416T090000 DTEND;TZID=America/Detroit:20260416T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891511@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260416T090000 DTEND;TZID=America/Detroit:20260416T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891424@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260302T171502 DTSTART;TZID=America/Detroit:20260416T120000 DTEND;TZID=America/Detroit:20260416T180000 SUMMARY:Other:Artwork Pickup: 30th Annual Exhibition DESCRIPTION:Join us at the Duderstadt Gallery or the PCAP Studio to collect your artwork from the 30th Annual Exhibition. Please bring your receipt or notification letter. \n\nMarch 31 and April 1 artwork pickup is at the Duderstadt Center Gallery. \n\nApril 14\, 16\, and 17 artwork pickup is at the PCAP Studio.\n\nThe PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr)\, located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance.\n\n● GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance.\n● Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\"\n● Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk.\n● The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.\n\nSponsors\nThe 30th Annual Exhibition is presented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work. UID:145433-21897349@events.umich.edu URL:https://events.umich.edu/event/145433 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Campus Safety Services Building - 1400 CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260417T090000 DTEND;TZID=America/Detroit:20260417T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891634@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260417T090000 DTEND;TZID=America/Detroit:20260417T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891512@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260417T090000 DTEND;TZID=America/Detroit:20260417T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891425@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260302T171502 DTSTART;TZID=America/Detroit:20260417T100000 DTEND;TZID=America/Detroit:20260417T140000 SUMMARY:Other:Artwork Pickup: 30th Annual Exhibition DESCRIPTION:Join us at the Duderstadt Gallery or the PCAP Studio to collect your artwork from the 30th Annual Exhibition. Please bring your receipt or notification letter. \n\nMarch 31 and April 1 artwork pickup is at the Duderstadt Center Gallery. \n\nApril 14\, 16\, and 17 artwork pickup is at the PCAP Studio.\n\nThe PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr)\, located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance.\n\n● GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance.\n● Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\"\n● Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk.\n● The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.\n\nSponsors\nThe 30th Annual Exhibition is presented with support from Michigan Arts and Culture Council\, Bank of Ann Arbor\, Eckhart Tolle Foundation\, Arts Initiative\, The Carceral State Project\, Center for World Performance Studies\, Department of Afroamerican and African Studies\, Department of Sociology\, Institute for the Humanities\, Residential College\, School of Social Work. UID:145433-21897350@events.umich.edu URL:https://events.umich.edu/event/145433 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Campus Safety Services Building - 1400 CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260218T094424 DTSTART;TZID=America/Detroit:20260419T100000 DTEND;TZID=America/Detroit:20260419T180000 SUMMARY:Conference / Symposium:Symposium on Judaism and Film DESCRIPTION:This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field\, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long\, the field has circled around a narrow set of places and stories\, about immigration\, assimilation\, antisemitism\, and the Holocaust. This Handbook proposes a broader\, more capacious understanding of Jewish film—one that moves past the assumption that Jewishness on screen must be mimetic\, historical\, or tied to the US\, Europe\, and Israel. Highlighting new research on Jews on and off screen in India\, Ethiopia\, Turkey\, Mexico\, the Arab world\, and beyond\, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking\, cultural practices\, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger\, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations\, we will have three kinds of sessions: Salons\, Classrooms\, and Screenings.\n\nSUNDAY\, APRIL 19\nMichigan League\, Koessler Room (3rd Floor)\n10:00 - 10:30 AM Welcome\n10:30-11:15 AM Session 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM Session 2: Jews in Indian Cinemas\n12:30 - 2:15 PM Lunch Break\n2:15 - 3:00 PM Session 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM Session 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM Session 5: Pedagogy\, Judaism\, and Film\n\n\nMONDAY\, APRIL 20\nMichigan League\, Room D (3rd Floor)\n10:00 - 10:45 AM Session 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM Session 7: Judaism on Screen: from “Off the Derech” to Haredi \n12:15 - 2:00 PM Lunch Break \n2:00 - 2:45 PM Session 8: Erwin Leiser’s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM Session 9: Jewish Film Festivals\n4:15 - 5:00 PM Session 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School\, Amphitheater (4th Floor)\n6:30 - 8:30 PM Film Screening: \"Sabbath Queen\" (2024\, dir. Sandi Simcha DuBowski\, USA\, 105 min)\n8:30 - 9:00 PM Session 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel\, a queer bio-dad and the founder of Lab/Shul\, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual\, challenges patriarchy and supremacy\, champions interfaith love\, and stands up for peace and an end to the Occupation in Israel/Palestine.\nTrailer\n\n\nTUESDAY\, APRIL 21\nMichigan League\, Koessler Room (3rd Floor)\n10:00 - 10:45 AM Session 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM Session 13: Jews in Arab Cinemas\n12:15 - 2:00 PM Lunch Break\n2:00 - 2:45 PM Session 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM Session 15: Jewish British Cinema\n \nRackham Graduate School\, Amphitheater (4th Floor)\n6:30 - 8:30 PM Film Screening: \"My One and Only\" (2025\, dir. David Tauber\, Israel\, 104 min.)\n8:30 - 9:00 PM Session 16: Post-screening Discussion\n\nWeeks after giving birth to her first child\, a young ultra-Orthodox woman arrives at her rabbi's wife's home\, claiming her husband has been replaced. He looks identical\, but she insists he's a double. Does she need psychiatric care\, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film\, Television\, and Media\nAnn Arbor Jewish Film Festival UID:143267-21892604@events.umich.edu URL:https://events.umich.edu/event/143267 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Michigan League - Koessler Room CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260420T090000 DTEND;TZID=America/Detroit:20260420T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891637@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260420T090000 DTEND;TZID=America/Detroit:20260420T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891515@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260420T090000 DTEND;TZID=America/Detroit:20260420T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891428@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260218T094424 DTSTART;TZID=America/Detroit:20260420T100000 DTEND;TZID=America/Detroit:20260420T180000 SUMMARY:Conference / Symposium:Symposium on Judaism and Film DESCRIPTION:This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field\, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long\, the field has circled around a narrow set of places and stories\, about immigration\, assimilation\, antisemitism\, and the Holocaust. This Handbook proposes a broader\, more capacious understanding of Jewish film—one that moves past the assumption that Jewishness on screen must be mimetic\, historical\, or tied to the US\, Europe\, and Israel. Highlighting new research on Jews on and off screen in India\, Ethiopia\, Turkey\, Mexico\, the Arab world\, and beyond\, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking\, cultural practices\, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger\, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations\, we will have three kinds of sessions: Salons\, Classrooms\, and Screenings.\n\nSUNDAY\, APRIL 19\nMichigan League\, Koessler Room (3rd Floor)\n10:00 - 10:30 AM Welcome\n10:30-11:15 AM Session 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM Session 2: Jews in Indian Cinemas\n12:30 - 2:15 PM Lunch Break\n2:15 - 3:00 PM Session 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM Session 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM Session 5: Pedagogy\, Judaism\, and Film\n\n\nMONDAY\, APRIL 20\nMichigan League\, Room D (3rd Floor)\n10:00 - 10:45 AM Session 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM Session 7: Judaism on Screen: from “Off the Derech” to Haredi \n12:15 - 2:00 PM Lunch Break \n2:00 - 2:45 PM Session 8: Erwin Leiser’s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM Session 9: Jewish Film Festivals\n4:15 - 5:00 PM Session 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School\, Amphitheater (4th Floor)\n6:30 - 8:30 PM Film Screening: \"Sabbath Queen\" (2024\, dir. Sandi Simcha DuBowski\, USA\, 105 min)\n8:30 - 9:00 PM Session 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel\, a queer bio-dad and the founder of Lab/Shul\, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual\, challenges patriarchy and supremacy\, champions interfaith love\, and stands up for peace and an end to the Occupation in Israel/Palestine.\nTrailer\n\n\nTUESDAY\, APRIL 21\nMichigan League\, Koessler Room (3rd Floor)\n10:00 - 10:45 AM Session 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM Session 13: Jews in Arab Cinemas\n12:15 - 2:00 PM Lunch Break\n2:00 - 2:45 PM Session 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM Session 15: Jewish British Cinema\n \nRackham Graduate School\, Amphitheater (4th Floor)\n6:30 - 8:30 PM Film Screening: \"My One and Only\" (2025\, dir. David Tauber\, Israel\, 104 min.)\n8:30 - 9:00 PM Session 16: Post-screening Discussion\n\nWeeks after giving birth to her first child\, a young ultra-Orthodox woman arrives at her rabbi's wife's home\, claiming her husband has been replaced. He looks identical\, but she insists he's a double. Does she need psychiatric care\, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film\, Television\, and Media\nAnn Arbor Jewish Film Festival UID:143267-21892605@events.umich.edu URL:https://events.umich.edu/event/143267 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Michigan League - Room D CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260218T094507 DTSTART;TZID=America/Detroit:20260420T183000 DTEND;TZID=America/Detroit:20260420T200000 SUMMARY:Film Screening:\"Sabbath Queen\" (2024) Film Screening DESCRIPTION:This feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel\, a queer bio-dad and the founder of Lab/Shul\, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual\, challenges patriarchy and supremacy\, champions interfaith love\, and stands up for peace and an end to the Occupation in Israel/Palestine. UID:145530-21897475@events.umich.edu URL:https://events.umich.edu/event/145530 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Rackham Graduate School (Horace H.) - Amphitheater CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260421T090000 DTEND;TZID=America/Detroit:20260421T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891638@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260421T090000 DTEND;TZID=America/Detroit:20260421T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891516@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260421T090000 DTEND;TZID=America/Detroit:20260421T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891429@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260218T094424 DTSTART;TZID=America/Detroit:20260421T100000 DTEND;TZID=America/Detroit:20260421T180000 SUMMARY:Conference / Symposium:Symposium on Judaism and Film DESCRIPTION:This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field\, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long\, the field has circled around a narrow set of places and stories\, about immigration\, assimilation\, antisemitism\, and the Holocaust. This Handbook proposes a broader\, more capacious understanding of Jewish film—one that moves past the assumption that Jewishness on screen must be mimetic\, historical\, or tied to the US\, Europe\, and Israel. Highlighting new research on Jews on and off screen in India\, Ethiopia\, Turkey\, Mexico\, the Arab world\, and beyond\, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking\, cultural practices\, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger\, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations\, we will have three kinds of sessions: Salons\, Classrooms\, and Screenings.\n\nSUNDAY\, APRIL 19\nMichigan League\, Koessler Room (3rd Floor)\n10:00 - 10:30 AM Welcome\n10:30-11:15 AM Session 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM Session 2: Jews in Indian Cinemas\n12:30 - 2:15 PM Lunch Break\n2:15 - 3:00 PM Session 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM Session 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM Session 5: Pedagogy\, Judaism\, and Film\n\n\nMONDAY\, APRIL 20\nMichigan League\, Room D (3rd Floor)\n10:00 - 10:45 AM Session 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM Session 7: Judaism on Screen: from “Off the Derech” to Haredi \n12:15 - 2:00 PM Lunch Break \n2:00 - 2:45 PM Session 8: Erwin Leiser’s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM Session 9: Jewish Film Festivals\n4:15 - 5:00 PM Session 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School\, Amphitheater (4th Floor)\n6:30 - 8:30 PM Film Screening: \"Sabbath Queen\" (2024\, dir. Sandi Simcha DuBowski\, USA\, 105 min)\n8:30 - 9:00 PM Session 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel\, a queer bio-dad and the founder of Lab/Shul\, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual\, challenges patriarchy and supremacy\, champions interfaith love\, and stands up for peace and an end to the Occupation in Israel/Palestine.\nTrailer\n\n\nTUESDAY\, APRIL 21\nMichigan League\, Koessler Room (3rd Floor)\n10:00 - 10:45 AM Session 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM Session 13: Jews in Arab Cinemas\n12:15 - 2:00 PM Lunch Break\n2:00 - 2:45 PM Session 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM Session 15: Jewish British Cinema\n \nRackham Graduate School\, Amphitheater (4th Floor)\n6:30 - 8:30 PM Film Screening: \"My One and Only\" (2025\, dir. David Tauber\, Israel\, 104 min.)\n8:30 - 9:00 PM Session 16: Post-screening Discussion\n\nWeeks after giving birth to her first child\, a young ultra-Orthodox woman arrives at her rabbi's wife's home\, claiming her husband has been replaced. He looks identical\, but she insists he's a double. Does she need psychiatric care\, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film\, Television\, and Media\nAnn Arbor Jewish Film Festival UID:143267-21892606@events.umich.edu URL:https://events.umich.edu/event/143267 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Michigan League - Koessler Room CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260422T090000 DTEND;TZID=America/Detroit:20260422T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891639@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260422T090000 DTEND;TZID=America/Detroit:20260422T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891517@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260422T090000 DTEND;TZID=America/Detroit:20260422T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891781@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260422T090000 DTEND;TZID=America/Detroit:20260422T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891430@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114754 DTSTART;TZID=America/Detroit:20260422T160000 DTEND;TZID=America/Detroit:20260422T173000 SUMMARY:Lecture / Discussion:Momentary Landscape Artist Talk & Opening Reception DESCRIPTION:Please join us for the opening reception of Diane Lavoie’s debut Michigan exhibition *Momentary Landscapes*. Lavoie will be in conversation with curator Amanda Krugliak about her art practice. Following the talk\, there will a be a guided walk with the artist to view the installation.\n\nAbout the installation:\nDiane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation.\n\nAbout the artist:\nDiane Lavoie is a North American visual artist based in Berlin\, Germany. Her art represents a dialogue between the natural and artificial world\, and explores the boundaries between reality and perception. In her practice\, Lavoie creates large-scale\, textile representations of natural environments in contrast and connection with the actual environs surrounding them. Lavoie holds an MFA in painting from California State University Long Beach and a BFA in illustration from Massachusetts College of Art. Her work has been exhibited internationally and is held in private and public collections in the US and Europe. UID:142905-21891795@events.umich.edu URL:https://events.umich.edu/event/142905 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Osterman Common Room CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260423T090000 DTEND;TZID=America/Detroit:20260423T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891640@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260423T090000 DTEND;TZID=America/Detroit:20260423T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891518@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260423T090000 DTEND;TZID=America/Detroit:20260423T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891782@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260423T090000 DTEND;TZID=America/Detroit:20260423T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891431@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260424T090000 DTEND;TZID=America/Detroit:20260424T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891641@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T165341 DTSTART;TZID=America/Detroit:20260424T090000 DTEND;TZID=America/Detroit:20260424T170000 SUMMARY:Exhibition:Lynn Galbreath Exhibition DESCRIPTION:Lynn Galbreath\, a Detroit based artist who grew up in Argentina\, is a former recipient of the Creative Artists’ Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath’s work has been showcased locally\, nationally and internationally in over 20 solo/two person and over 100 group exhibitions.\n\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art\, Art History\, & Design\, Wayne State University\, Detroit\, MI\; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art\, Western MI University\, Kalamazoo\, MI. Galbreath has chaperoned eleven intensive\, immersive art experiences to Italy\, Spain\, France\, Belgium\, England\, Germany\, the Netherlands\, Austria\, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University\, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies\, University of Detroit Mercy — School of Architecture\, Macomb Community College\, Wayne State University\, and Bloomfield University School. Her work can be seen in the collections of Oakland University\, Wayne State University\, Detroit Receiving Hospital\, Children’s Hospital of Michigan\, Pontiac Osteopathic Hospital and numerous private collections.\n\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph\, Storyboard\, and Working Hard for a Living. Each series represents a unique exploration of themes\, techniques\, and social commentaries that reflect Galbreath’s artistic journey and concerns for the world.\n\nTelegraph explores the aesthetic visual weights and balances between harmony and content\, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities\, as well as its narrative possibilities. The careful interplay of shapes\, colors\, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms\, Galbreath encourages an engagement that goes beyond mere observation\, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\n\nOn the other hand\, Storyboard is a series of image-driven installation paintings that vary greatly in size\, showcasing Galbreath’s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements\, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception\, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\n\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources\, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products\, including Farm Market Managers\, Fishmongers\, and Beach Vendors. By portraying these self-employed individuals\, often operating within informal economies\, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low\, inconsistent incomes\, long hours\, and sometimes exploitative conditions\, fostering a sense of solidarity with those who labor under such circumstances.\n\nFurthermore\, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations\, Galbreath establishes a multifaceted narrative that intertwines art with activism\, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition. UID:142773-21891519@events.umich.edu URL:https://events.umich.edu/event/142773 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260424T090000 DTEND;TZID=America/Detroit:20260424T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891783@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251215T163232 DTSTART;TZID=America/Detroit:20260424T090000 DTEND;TZID=America/Detroit:20260424T170000 SUMMARY:Exhibition:Terence Swafford Exhibition DESCRIPTION:This exhibition showcases a decade of artist Terry Swafford’s work in Detroit\, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit’s transformation\, capturing humanity’s impact on the environment alongside nature’s persistent efforts to reclaim these spaces. As the city continues to change\, many of these depicted scenes are vanishing\, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia\; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration\, prompting a deeper understanding of how cities evolve while retaining traces of their history.\n\nSwafford’s paintings are created on location and in one session. The natural conditions\, including light\, shadow\, and atmosphere\, change dramatically from hour to hour and day to day\, forcing the artist to respond quickly and decisively. This approach\, born of a direct engagement with the subject and the fleeting nature of the scene\, along with his wet-on-wet technique\, keeps the work fresh and immediate. By immersing himself in the environment\, Swafford captures the diverse textures and vibrant colors that characterize Detroit’s landscape\, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance\, as he strives to encapsulate the spirit of a place that is both loved and contested.\n\nIn addition to these works\, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language\, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice—an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city\, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function—creating art for exhibition and conceptualizing designs for projects—demonstrates Swafford’s versatility and adaptability as an artist.\n\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design\, and while at RISD\, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago\, Kansas City\, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences\, offering them an opportunity to explore the complex narratives woven into each landscape. UID:142768-21891432@events.umich.edu URL:https://events.umich.edu/event/142768 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:North Campus Research Complex Building 18 - Connections Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260425T090000 DTEND;TZID=America/Detroit:20260425T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891784@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260426T090000 DTEND;TZID=America/Detroit:20260426T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891785@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260427T090000 DTEND;TZID=America/Detroit:20260427T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891644@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260427T090000 DTEND;TZID=America/Detroit:20260427T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891786@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260428T090000 DTEND;TZID=America/Detroit:20260428T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891645@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260428T090000 DTEND;TZID=America/Detroit:20260428T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891787@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260429T090000 DTEND;TZID=America/Detroit:20260429T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891646@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260429T090000 DTEND;TZID=America/Detroit:20260429T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891788@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260430T090000 DTEND;TZID=America/Detroit:20260430T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891647@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260430T090000 DTEND;TZID=America/Detroit:20260430T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891789@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20260210T131912 DTSTART;TZID=America/Detroit:20260501T090000 DTEND;TZID=America/Detroit:20260501T170000 SUMMARY:Exhibition:Flyways DESCRIPTION:Iranian-American artist Sheida Soleimani explores themes of migration\, political exile\, queerness\, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus—which often include live animals\, props\, even her parents—are then photographed\, documenting the artist’s process. Each photograph becomes a part of Soleimani’s rich visual storytelling. \n\n*Flyways *presents a series of new photographs that include images evocative of her family’s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani’s work as a wildlife rehabilitator. (In 2018\, Soleimani founded Congress of Birds\, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https://lsa.umich.edu/humanities/gallery/current-exhibitions/sheida-soleimani.html. UID:142798-21891648@events.umich.edu URL:https://events.umich.edu/event/142798 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:202 S. Thayer - Institute for the Humanities Gallery CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260501T090000 DTEND;TZID=America/Detroit:20260501T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891790@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260502T090000 DTEND;TZID=America/Detroit:20260502T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891791@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260503T090000 DTEND;TZID=America/Detroit:20260503T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891792@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT BEGIN:VEVENT DTSTAMP:20251218T114133 DTSTART;TZID=America/Detroit:20260504T090000 DTEND;TZID=America/Detroit:20260504T120000 SUMMARY:Exhibition:Momentary Landscape DESCRIPTION:Diane Lavoie’s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials\, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan\, Lavoie’s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation. UID:142904-21891793@events.umich.edu URL:https://events.umich.edu/event/142904 CLASS:PUBLIC STATUS:CONFIRMED CATEGORIES:Visual Arts LOCATION:Dana Natural Resources Building - Outdoors between the Dana Building and the 1100 North University Building CONTACT: END:VEVENT END:VCALENDAR