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BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250828T100000
DTEND;TZID=America/Detroit:20250828T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877470@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250828T120000
DTEND;TZID=America/Detroit:20250828T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875637@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250828T120000
DTEND;TZID=America/Detroit:20250828T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877555@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250828T120000
DTEND;TZID=America/Detroit:20250828T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877653@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250829T100000
DTEND;TZID=America/Detroit:20250829T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877471@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250829T120000
DTEND;TZID=America/Detroit:20250829T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875638@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250829T120000
DTEND;TZID=America/Detroit:20250829T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877572@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250829T120000
DTEND;TZID=America/Detroit:20250829T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877661@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250830T100000
DTEND;TZID=America/Detroit:20250830T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877472@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250831T100000
DTEND;TZID=America/Detroit:20250831T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877473@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250901T100000
DTEND;TZID=America/Detroit:20250901T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877474@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250901T120000
DTEND;TZID=America/Detroit:20250901T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875641@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250902T100000
DTEND;TZID=America/Detroit:20250902T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877475@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250902T120000
DTEND;TZID=America/Detroit:20250902T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875642@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250903T100000
DTEND;TZID=America/Detroit:20250903T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877476@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250903T120000
DTEND;TZID=America/Detroit:20250903T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875643@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250904T100000
DTEND;TZID=America/Detroit:20250904T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877477@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250904T120000
DTEND;TZID=America/Detroit:20250904T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875644@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250904T120000
DTEND;TZID=America/Detroit:20250904T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877556@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250905T100000
DTEND;TZID=America/Detroit:20250905T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877478@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250905T120000
DTEND;TZID=America/Detroit:20250905T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875645@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250905T120000
DTEND;TZID=America/Detroit:20250905T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877573@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250906T100000
DTEND;TZID=America/Detroit:20250906T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877479@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250907T100000
DTEND;TZID=America/Detroit:20250907T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877480@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250908T100000
DTEND;TZID=America/Detroit:20250908T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877481@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250908T120000
DTEND;TZID=America/Detroit:20250908T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875648@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250909T100000
DTEND;TZID=America/Detroit:20250909T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877482@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250909T120000
DTEND;TZID=America/Detroit:20250909T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875649@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250910T100000
DTEND;TZID=America/Detroit:20250910T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877483@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250910T120000
DTEND;TZID=America/Detroit:20250910T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875650@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250911T090000
DTEND;TZID=America/Detroit:20250911T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878941@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250911T100000
DTEND;TZID=America/Detroit:20250911T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877484@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250911T120000
DTEND;TZID=America/Detroit:20250911T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875651@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250911T120000
DTEND;TZID=America/Detroit:20250911T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877557@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250912T090000
DTEND;TZID=America/Detroit:20250912T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878942@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250603T154915
DTSTART;TZID=America/Detroit:20250912T090000
DTEND;TZID=America/Detroit:20250912T100000
SUMMARY:Tours:Guided Tour of the Clements Library
DESCRIPTION:Join us to learn more about the history of the Clements Library\, its programs\, and collections. Highlights include Benjamin West's iconic painting \"Death of General Wolfe\,\" a Revolutionary War-era trunk that once housed General Thomas Gage's papers\, and the current exhibit\, Bloody Work: 1775.
UID:135984-21877614@events.umich.edu
URL:https://events.umich.edu/event/135984
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250912T090000
DTEND;TZID=America/Detroit:20250912T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884714@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250912T100000
DTEND;TZID=America/Detroit:20250912T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877485@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250603T160836
DTSTART;TZID=America/Detroit:20250912T110000
DTEND;TZID=America/Detroit:20250912T120000
SUMMARY:Tours:Guided Tour of the Clements Library
DESCRIPTION:Join us to learn more about the history of the Clements Library\, its programs\, and collections. Highlights include Benjamin West's iconic painting \"Death of General Wolfe\,\" a Revolutionary War-era trunk that once housed General Thomas Gage's papers\, and the current exhibit.\n\nArrive at our North Entrance to check-in for your tour. This entrance is accessible and an elevator is available to move between floors.
UID:135985-21877617@events.umich.edu
URL:https://events.umich.edu/event/135985
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250912T120000
DTEND;TZID=America/Detroit:20250912T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875652@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250908T080307
DTSTART;TZID=America/Detroit:20250912T120000
DTEND;TZID=America/Detroit:20250912T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit\, which will debut in fall 2025. We invite you to check out what they've done so far.\n\nPresented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours: \nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:135958-21877574@events.umich.edu
URL:https://events.umich.edu/event/135958
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250603T161055
DTSTART;TZID=America/Detroit:20250912T140000
DTEND;TZID=America/Detroit:20250912T150000
SUMMARY:Tours:Guided Tour of the Clements Library
DESCRIPTION:Join us to learn more about the history of the Clements Library\, its programs\, and collections. Highlights include Benjamin West's iconic painting \"Death of General Wolfe\,\" a Revolutionary War-era trunk that once housed General Thomas Gage's papers\, and the current exhibit.\n\nArrive at our North Entrance to check-in for your tour. This entrance is accessible and an elevator is available to move between floors.
UID:135986-21877618@events.umich.edu
URL:https://events.umich.edu/event/135986
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250913T100000
DTEND;TZID=America/Detroit:20250913T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877486@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250529T110505
DTSTART;TZID=America/Detroit:20250914T100000
DTEND;TZID=America/Detroit:20250914T170000
SUMMARY:Exhibition:Beyond Survival
DESCRIPTION:Join us for Beyond Survival\, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \n\nThe pieces span nearly 30 years\, many of them having been featured in our Annual Exhibition.\n\n\"Through drawings\, paintings\, and sculptures made with simple materials\, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family\, joy and beauty\, connections to nature\, flights of the imagination\, and journeys toward freedom—acts of creation made despite and in direct response to carceral conditions.\"
UID:135894-21877487@events.umich.edu
URL:https://events.umich.edu/event/135894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location - Graphics Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250915T090000
DTEND;TZID=America/Detroit:20250915T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878945@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250915T090000
DTEND;TZID=America/Detroit:20250915T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884717@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250915T120000
DTEND;TZID=America/Detroit:20250915T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875655@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250916T090000
DTEND;TZID=America/Detroit:20250916T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878946@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250916T090000
DTEND;TZID=America/Detroit:20250916T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884718@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250916T120000
DTEND;TZID=America/Detroit:20250916T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875656@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250917T090000
DTEND;TZID=America/Detroit:20250917T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878947@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250917T090000
DTEND;TZID=America/Detroit:20250917T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884719@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250917T120000
DTEND;TZID=America/Detroit:20250917T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875657@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250905T164714
DTSTART;TZID=America/Detroit:20250917T120000
DTEND;TZID=America/Detroit:20250917T133000
SUMMARY:Fair / Festival:U-M EHS Campus Fire Safety Month - Know 2 Ways Out
DESCRIPTION:The U-M Environment\, Health & Safety (EHS) Annual Campus Fire Safety Month event will take place on Wednesday\, September 17th in East University Plaza\, near the West Hall arch from 12 - 1:30 pm. \n\nCan you find 2 ways out to escape the smoke trailer??? Join an interactive demonstration of how to safely exit a smoke-filled building\, learn how to properly use a Fire Extinguisher to put out a live fire\, find out how to stay safe and enjoy free ice cream!\n\nThis year's \"Know 2 Ways Out\" campaign emphasizes the importance of identifying two escape routes whenever you enter an enclosed space. EHS\, the Division of Public Safety & Security\, campus units\, local fire departments and other safety organizations will provide an engaging\, informative experience for all participants.\n\nLearn more: https://tinyurl.com/umcfsm
UID:138920-21884243@events.umich.edu
URL:https://events.umich.edu/event/138920
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250918T090000
DTEND;TZID=America/Detroit:20250918T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878948@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250918T090000
DTEND;TZID=America/Detroit:20250918T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884720@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250918T120000
DTEND;TZID=America/Detroit:20250918T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875658@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250822T092128
DTSTART;TZID=America/Detroit:20250918T120000
DTEND;TZID=America/Detroit:20250918T124500
SUMMARY:Tours:Sustainability tour of “Inhabited World: Living with Nature” Exhibit
DESCRIPTION:Join the Planet Blue Ambassador program and Kelsey Museum for “Inhabited World: Living with Nature”\, the fourth installment in the Object Spotlights series. This sustainability-focused tour explores how communities across the Middle East and North Africa lived with\, adapted to\, and reimagined their environments from 400 to 1800 CE. Through a focused display of objects\, the installation examines how people engaged with nature by augmenting\, capturing\, and consuming their surroundings—practices that shaped artistic expression\, domestic life\, and spiritual experience.\n\nDeveloped by graduate student curators Heidi Hilliker (MES)\, Sam Ross (IPAMAA)\, Bailey Franzoi (IPAMAA)\, and Kara Larson (UMMAA)\, with support from visiting curator Katherine Burge\, the exhibition highlights the deep and enduring relationship between people and the natural world\, offering insight into historical models of sustainable living.\n\nThe event is free and open to the public\, but registration is required. Space is limited\, so you will receive a confirmation email after registration confirming your spot.
UID:137647-21880489@events.umich.edu
URL:https://events.umich.edu/event/137647
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Kelsey Museum of Archaeology
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20250918T120000
DTEND;TZID=America/Detroit:20250918T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884281@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250919T090000
DTEND;TZID=America/Detroit:20250919T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878949@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250919T090000
DTEND;TZID=America/Detroit:20250919T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884721@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250421T113230
DTSTART;TZID=America/Detroit:20250919T120000
DTEND;TZID=America/Detroit:20250919T160000
SUMMARY:Exhibition:Bloody Work: Lexington and Concord 1775
DESCRIPTION:The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental\, political\, economic\, and social tensions that amplified in the decade leading up to 1775. In this exhibit\, visitors will have the opportunity to see original historical manuscript letters\, documents\, newspapers\, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\n\nAmong the items on display will be Commander in Chief of the British Army\, General Thomas Gage's draft orders for the Concord Expedition\, April 18\, 1775\; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church\, which he secretly turned over to British Army intelligence\; letters by Silas Deane\, John Hancock\, and Rachel Revere\; and much more.\n\nOpen weekdays from 12-4 pm.
UID:134875-21875659@events.umich.edu
URL:https://events.umich.edu/event/134875
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:William Clements Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20250919T120000
DTEND;TZID=America/Detroit:20250919T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884314@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104033
DTSTART;TZID=America/Detroit:20250919T170000
DTEND;TZID=America/Detroit:20250919T190000
SUMMARY:Reception / Open House:Cathy Barry Exhibition
DESCRIPTION:Friday\, September 19\, 5-7 pm.  Parking free.\n\nCathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138078-21881738@events.umich.edu
URL:https://events.umich.edu/event/138078
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery - Lower Level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104143
DTSTART;TZID=America/Detroit:20250919T170000
DTEND;TZID=America/Detroit:20250919T190000
SUMMARY:Reception / Open House:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138081-21881824@events.umich.edu
URL:https://events.umich.edu/event/138081
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20250922T080000
DTEND;TZID=America/Detroit:20250922T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881825@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20250922T090000
DTEND;TZID=America/Detroit:20250922T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881742@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250922T090000
DTEND;TZID=America/Detroit:20250922T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878952@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250922T090000
DTEND;TZID=America/Detroit:20250922T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884724@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20250923T080000
DTEND;TZID=America/Detroit:20250923T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881826@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20250923T090000
DTEND;TZID=America/Detroit:20250923T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881743@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250923T090000
DTEND;TZID=America/Detroit:20250923T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878953@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250923T090000
DTEND;TZID=America/Detroit:20250923T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884725@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20250924T080000
DTEND;TZID=America/Detroit:20250924T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881827@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20250924T090000
DTEND;TZID=America/Detroit:20250924T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881744@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250924T090000
DTEND;TZID=America/Detroit:20250924T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878954@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250924T090000
DTEND;TZID=America/Detroit:20250924T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884726@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20250925T080000
DTEND;TZID=America/Detroit:20250925T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881828@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20250925T090000
DTEND;TZID=America/Detroit:20250925T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881745@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250925T090000
DTEND;TZID=America/Detroit:20250925T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878955@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250925T090000
DTEND;TZID=America/Detroit:20250925T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884727@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20250925T120000
DTEND;TZID=America/Detroit:20250925T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884282@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20250926T080000
DTEND;TZID=America/Detroit:20250926T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881829@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20250926T090000
DTEND;TZID=America/Detroit:20250926T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881746@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250926T090000
DTEND;TZID=America/Detroit:20250926T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878956@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250926T090000
DTEND;TZID=America/Detroit:20250926T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884728@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20250926T120000
DTEND;TZID=America/Detroit:20250926T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884315@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250924T103142
DTSTART;TZID=America/Detroit:20250926T160000
DTEND;TZID=America/Detroit:20250926T173000
SUMMARY:Reception / Open House:21st Century Natural-Industrial Landscapes
DESCRIPTION:Across Ann Arbor\, Dearborn\, Detroit\, and Flint\, artists explore the layered entanglements between the natural and industrial worlds—interrogating ecology and economy\, decay and renewal\, resistance and control. Through artworks\, public programs\, and academic dialogue\, this exhibition invites you to witness (and challenge) the delicate dance of nature and industry.\n\nOpening Reception\nUniversity of Michigan Detroit Center\n3663 Woodward Avenue\, Suite 150 | Detroit\, MI 48201\nFriday\, September 26 | 4:00–5:30 PM\numarts.info/Natural-industrial \n\nFeatured Locations & Artists:\n\nAnn Arbor – Ruthven Building (Arts Initiative)\nDominique Chastenet de Gery\, Rob Carter\, Marta Carvajal\, Kelly Hoffer\, Shanna Merola\, Elise Marie Martin\, Samuel Turner\, Bettina Senga\, Nalani Duarte\n\nDearborn – Mardigian Library\nKas Brajkovic\, Paul Draus\, Alainna Fry\, William Hohe\, Cynthia Ellis\, Lisa Du Russel\, Alex Wand\, Bridget Quinn\, MaKenna Hatherill\, Roxy\n\nDetroit – UM Detroit Center\nAndy Arts\, Zoë Corley\, Catie Cunningham\, Laura Quattrocchi\, Scott Crandall\, Sarah Nesbitt\, L. Napier\, Megan Pellegini\, Manessa Riser\, Roberto Santaguida\, Adam Sekuler\, Elise Marie Martin\, Samuel Turner\n\nFlint – UM-Flint Fine & Performing Arts + UCEN Gallery\nGrace Carbeck\, Joe Cialdella\, Sophia Brueckner\, Lisa Du Russel\, Avery Lawrence\, Colleen O’Rourke\, Yael Sela & Amanda Smith\n\nVideo Artists (Flint & Detroit)\nMarta Frank\, Mary Jo Kietzman Gifford\, Fiona Hoffer\, Jack Liu\, Zhongxing Liu\, Cole Greenberg\, Alex Wand\, L. Napier\n\nGallery Hours:\n\nUM-Flint UCEN Gallery: Mon–Thu 8 AM–5 PM\n\nUM-Flint Fine & Performing Arts: 2nd Floor | Mon–Thu 7 AM–6 PM\n\nUM Detroit Center: Mon–Thu 8 AM–7 PM | Fri–Sat 8 AM–5 PM\n\nAnn Arbor – Ruthven Building: Mon–Fri 9 AM–5 PM\n\nDearborn – Mardigian Library: Sun Noon–10 PM | Mon–Thu 9 AM–10 PM | Fri 9 AM–6 PM\n\nPresented by the Arts Initiative in partnership with the University of Michigan Detroit Center.
UID:139753-21886008@events.umich.edu
URL:https://events.umich.edu/event/139753
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250925T091755
DTSTART;TZID=America/Detroit:20250927T120000
DTEND;TZID=America/Detroit:20250927T143000
SUMMARY:Social / Informal Gathering:Art Meetup: Stamps Gallery
DESCRIPTION:Join us Saturday\, September 27 for a student Art Meetup to visit the Stamps Gallery\, which will include the opening of Stacey L. Kirby’s The Bureau of Personal Belonging! Come experience this series of interactive performances set within immersive installations featuring students\, faculty\, and staff from the Stamps School and across U‑M. We will meet directly outside the Sweetwaters in the Michigan Union at 12 PM and walk together for 10 minutes to the Stamps Gallery.\n\nSpace is limited and registration is required.\n\nArt Meetups are student-led excursions to explore the arts on campus and in Ann Arbor - all while giving you a chance to meet other students who share similar interests! From local artist markets to performances to hands on artmaking\, Art Meetups have something for all interests.
UID:139393-21885390@events.umich.edu
URL:https://events.umich.edu/event/139393
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20250929T080000
DTEND;TZID=America/Detroit:20250929T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881832@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20250929T090000
DTEND;TZID=America/Detroit:20250929T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881749@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250929T090000
DTEND;TZID=America/Detroit:20250929T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878959@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250929T090000
DTEND;TZID=America/Detroit:20250929T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884731@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20250930T080000
DTEND;TZID=America/Detroit:20250930T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881833@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20250930T090000
DTEND;TZID=America/Detroit:20250930T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881750@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20250930T090000
DTEND;TZID=America/Detroit:20250930T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878960@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20250930T090000
DTEND;TZID=America/Detroit:20250930T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884732@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251001T080000
DTEND;TZID=America/Detroit:20251001T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881834@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251001T090000
DTEND;TZID=America/Detroit:20251001T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881751@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251001T090000
DTEND;TZID=America/Detroit:20251001T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878961@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251001T090000
DTEND;TZID=America/Detroit:20251001T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884733@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250924T112352
DTSTART;TZID=America/Detroit:20251001T193000
DTEND;TZID=America/Detroit:20251001T203000
SUMMARY:Exhibition:Project Project
DESCRIPTION:Project Project is a one-night only outdoor exhibition featuring the projection mapping experiments of Intro to Digital Media (Art 126) students at the University of Michigan Flint. Led by Assistant Professor of Art and Design\, Ash Arder\, students explore technical and conceptual frameworks for creating artistic interventions in the built environment. This project builds on a projection mapping workshop and demo with Detroit-based interdisciplinary artist\, Venusloc\, who visited University of Michigan Flint in Fall 2024.
UID:139771-21886025@events.umich.edu
URL:https://events.umich.edu/event/139771
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251002T080000
DTEND;TZID=America/Detroit:20251002T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881835@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251002T090000
DTEND;TZID=America/Detroit:20251002T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881752@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251002T090000
DTEND;TZID=America/Detroit:20251002T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878962@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251002T090000
DTEND;TZID=America/Detroit:20251002T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884734@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20251002T120000
DTEND;TZID=America/Detroit:20251002T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884283@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251003T080000
DTEND;TZID=America/Detroit:20251003T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881836@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251003T090000
DTEND;TZID=America/Detroit:20251003T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881753@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251003T090000
DTEND;TZID=America/Detroit:20251003T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878963@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251003T090000
DTEND;TZID=America/Detroit:20251003T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884735@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20251003T120000
DTEND;TZID=America/Detroit:20251003T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884316@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251006T080000
DTEND;TZID=America/Detroit:20251006T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881839@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251006T090000
DTEND;TZID=America/Detroit:20251006T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881756@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251006T090000
DTEND;TZID=America/Detroit:20251006T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878966@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251006T090000
DTEND;TZID=America/Detroit:20251006T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884738@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251007T080000
DTEND;TZID=America/Detroit:20251007T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881840@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251007T090000
DTEND;TZID=America/Detroit:20251007T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881757@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251007T090000
DTEND;TZID=America/Detroit:20251007T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878967@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251007T090000
DTEND;TZID=America/Detroit:20251007T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884739@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251008T080000
DTEND;TZID=America/Detroit:20251008T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881841@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251008T090000
DTEND;TZID=America/Detroit:20251008T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881758@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251008T090000
DTEND;TZID=America/Detroit:20251008T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878968@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251008T090000
DTEND;TZID=America/Detroit:20251008T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887078@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251008T090000
DTEND;TZID=America/Detroit:20251008T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884740@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251009T080000
DTEND;TZID=America/Detroit:20251009T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881842@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251009T090000
DTEND;TZID=America/Detroit:20251009T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881759@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251009T090000
DTEND;TZID=America/Detroit:20251009T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878969@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251009T090000
DTEND;TZID=America/Detroit:20251009T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887127@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251009T090000
DTEND;TZID=America/Detroit:20251009T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884741@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251009T120000
DTEND;TZID=America/Detroit:20251009T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886758@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20251009T120000
DTEND;TZID=America/Detroit:20251009T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884284@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251010T080000
DTEND;TZID=America/Detroit:20251010T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881843@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251010T090000
DTEND;TZID=America/Detroit:20251010T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881760@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251010T090000
DTEND;TZID=America/Detroit:20251010T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878970@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251010T090000
DTEND;TZID=America/Detroit:20251010T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887128@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251010T090000
DTEND;TZID=America/Detroit:20251010T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884742@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251010T120000
DTEND;TZID=America/Detroit:20251010T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886759@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20251010T120000
DTEND;TZID=America/Detroit:20251010T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884317@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251011T090000
DTEND;TZID=America/Detroit:20251011T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887129@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250930T125646
DTSTART;TZID=America/Detroit:20251011T100000
DTEND;TZID=America/Detroit:20251011T160000
SUMMARY:Tours:Saturday Open House
DESCRIPTION:Make the Observatory part of your weekend! Tour the historic building\, view our exhibits\, participate in astronomy activities\, and view the sun with our solar telescope (weather dependent). Families welcome\, admission is always free. Registration not required.
UID:140070-21886578@events.umich.edu
URL:https://events.umich.edu/event/140070
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20251011T100000
DTEND;TZID=America/Detroit:20251011T160000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21886552@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251012T090000
DTEND;TZID=America/Detroit:20251012T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887130@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251012T120000
DTEND;TZID=America/Detroit:20251012T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886761@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251013T080000
DTEND;TZID=America/Detroit:20251013T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881846@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251013T090000
DTEND;TZID=America/Detroit:20251013T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881763@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251013T090000
DTEND;TZID=America/Detroit:20251013T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878973@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251013T090000
DTEND;TZID=America/Detroit:20251013T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887131@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251014T080000
DTEND;TZID=America/Detroit:20251014T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881847@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251014T090000
DTEND;TZID=America/Detroit:20251014T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881764@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251014T090000
DTEND;TZID=America/Detroit:20251014T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878974@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251014T090000
DTEND;TZID=America/Detroit:20251014T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887132@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251014T120000
DTEND;TZID=America/Detroit:20251014T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886763@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251015T080000
DTEND;TZID=America/Detroit:20251015T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881848@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251015T090000
DTEND;TZID=America/Detroit:20251015T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881765@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251015T090000
DTEND;TZID=America/Detroit:20251015T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878975@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251015T090000
DTEND;TZID=America/Detroit:20251015T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887133@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251015T090000
DTEND;TZID=America/Detroit:20251015T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884747@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251015T120000
DTEND;TZID=America/Detroit:20251015T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886764@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251016T080000
DTEND;TZID=America/Detroit:20251016T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881849@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251016T090000
DTEND;TZID=America/Detroit:20251016T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881766@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251016T090000
DTEND;TZID=America/Detroit:20251016T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878976@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251016T090000
DTEND;TZID=America/Detroit:20251016T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887134@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251016T090000
DTEND;TZID=America/Detroit:20251016T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884748@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886765@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884285@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251017T080000
DTEND;TZID=America/Detroit:20251017T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881850@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251017T090000
DTEND;TZID=America/Detroit:20251017T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881767@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251017T090000
DTEND;TZID=America/Detroit:20251017T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878977@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251017T090000
DTEND;TZID=America/Detroit:20251017T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887135@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251017T090000
DTEND;TZID=America/Detroit:20251017T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884749@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251017T120000
DTEND;TZID=America/Detroit:20251017T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886766@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260401T160240
DTSTART;TZID=America/Detroit:20251017T120000
DTEND;TZID=America/Detroit:20251017T170000
SUMMARY:Exhibition:Watcher of the Sky: Making and Remaking the Detroit Observatory
DESCRIPTION:The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later\, it was an abandoned building with an uncertain future. From cornerstone to keystone\, from the first director to the people who saved it from destruction\, explore the life of a historic observatory 170 years in the making.\n\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory\, part of the Bentley Historical Library.\n\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street\, Ann Arbor\, 48109). View the exhibit during the Observatory's open hours:\nThursdays\, 12-5 pm\nFridays\, 12-5 pm
UID:138950-21884318@events.umich.edu
URL:https://events.umich.edu/event/138950
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Detroit Observatory
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251018T090000
DTEND;TZID=America/Detroit:20251018T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887136@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251019T090000
DTEND;TZID=America/Detroit:20251019T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887137@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251019T120000
DTEND;TZID=America/Detroit:20251019T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886768@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251019T181518
DTSTART;TZID=America/Detroit:20251019T140000
DTEND;TZID=America/Detroit:20251019T150000
SUMMARY:Other:Exhibition Tour | Both Sides of the Line: Carmen Herrera & Leon Polk Smith
DESCRIPTION:Join us for an engaging tour of the UMMA exhibition Both Sides of the Line: Carmen Herrera & Leon Polk Smith. Featuring more than 45 artworks\, this exhibition brings together the groundbreaking work of Carmen Herrera and Leon Polk Smith and explores how these two artists redefined the visual language of modern art. Despite forging a creative dialogue that spanned decades\, their work has never been presented side-by-side at this scale\, until now. Their perspectives intersect\, diverge\, and resonate\, offering new ways to understand their work\, abstraction\, and the power of friendship. Tour is led by UMMA’s Gallery Educators. \n \nFree and open to the public\, registration required.\n 
UID:138436-21883057@events.umich.edu
URL:https://events.umich.edu/event/138436
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Museum of Art - A. Alfred Taubman Gallery I
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251020T080000
DTEND;TZID=America/Detroit:20251020T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881853@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251020T090000
DTEND;TZID=America/Detroit:20251020T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881770@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251020T090000
DTEND;TZID=America/Detroit:20251020T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878980@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251020T090000
DTEND;TZID=America/Detroit:20251020T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887138@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251020T090000
DTEND;TZID=America/Detroit:20251020T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884752@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251021T080000
DTEND;TZID=America/Detroit:20251021T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881854@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251021T090000
DTEND;TZID=America/Detroit:20251021T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881771@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251021T090000
DTEND;TZID=America/Detroit:20251021T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878981@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251021T090000
DTEND;TZID=America/Detroit:20251021T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887139@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251021T090000
DTEND;TZID=America/Detroit:20251021T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884753@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251021T120000
DTEND;TZID=America/Detroit:20251021T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886770@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251022T080000
DTEND;TZID=America/Detroit:20251022T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881855@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251022T090000
DTEND;TZID=America/Detroit:20251022T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881772@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251022T090000
DTEND;TZID=America/Detroit:20251022T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878982@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251022T090000
DTEND;TZID=America/Detroit:20251022T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887140@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251022T090000
DTEND;TZID=America/Detroit:20251022T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884754@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251022T120000
DTEND;TZID=America/Detroit:20251022T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886771@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20250904T104107
DTSTART;TZID=America/Detroit:20251023T080000
DTEND;TZID=America/Detroit:20251023T170000
SUMMARY:Exhibition:Consequence - Group Art Exhibition - Art as Environmental Activism
DESCRIPTION:This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance\, these works each possess striking beauty. However\, a closer inspection reveals a profound and often unsettling depth that challenges one’s perceptions. \n\nThe artworks are imbued with many layers of meaning\, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques\, these works prompt us to confront uncomfortable truths about climate change\, habitat loss\, and the disappearing biodiversity around us. \n\nCampbell’s captivating “Heatscape” series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands”\, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\n\n“Heatscape” invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world\, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment\, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\n\nSnider’s work powerfully illustrates the remnants of industrialization\, capturing the unsettling essence of its aftermath. In his art\, we encounter an urban landscape that is strikingly devoid of human presence\, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone\, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately\, Snider’s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity\, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\n\nSandra Osip’s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures\, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact\, while Osip’s imaginative flowers evoke a sense of nostalgia and loss\, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms\, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\n\nCassells’ work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art\, she investigates the intricate relationships between different environmental systems\, emphasizing how they are all interconnected. \n\nBy delving into these themes\, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so\, she advocates for greater awareness and action to address these issues\, ultimately promoting a more sustainable and equitable future for all. \n\nShanna Merola’s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching\, wandering\, photographing\, and creating together while interrogating the interconnectedness of environmental degradation\, and global corporatism\, and community response.\n\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as “wilderness-based\, science-inspired”\, serves as a bridge\, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so\, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work\, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment\, compelling us to reflect on our role in addressing these urgent issues.\n\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives\, including cultural\, social\, and scientific viewpoints.  \nFurthermore\, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.
UID:138082-21881856@events.umich.edu
URL:https://events.umich.edu/event/138082
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Rotunda Gallery
CONTACT:
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DTSTAMP:20250904T103904
DTSTART;TZID=America/Detroit:20251023T090000
DTEND;TZID=America/Detroit:20251023T170000
SUMMARY:Exhibition:Cathy Barry Art Exhibition
DESCRIPTION:Cathy Barry has a profound connection to the natural world\, which has shaped her artistic journey. She focuses on expressing gratitude\, compassion\, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil\, acrylic\, and watercolor\, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants\, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette\, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\n\nIn her collages\, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes\, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts\, challenging our perceptions of the universe and our place within it.\n\nRecently\, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting\, drying\, and weaving leaves\, she has developed an exciting rhythm in her process. Through simple weaving\, twining\, and basketry techniques\, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally\, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\n\nCathy Barry is an artist and instructor living and working in Ann Arbor\, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design\, the UM Program in the Environment and the UM Biological Station.
UID:138080-21881773@events.umich.edu
URL:https://events.umich.edu/event/138080
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:North Campus Research Complex Building 18 - Connection Gallery lower level
CONTACT:
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DTSTAMP:20250820T083627
DTSTART;TZID=America/Detroit:20251023T090000
DTEND;TZID=America/Detroit:20251023T170000
SUMMARY:Exhibition:Conifer Trees\, Bark Beetles\, and Fire
DESCRIPTION:Catherine Chalmers’s debut Michigan exhibition* Conifer Trees\, Bark Beetles\, and Fire* delves into the dramas unfolding in America’s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains\, she reveals the fragile interplay among trees\, insects\, and wildfire. Chalmers’s visual language is both beautiful and unsettling – a meditation on the forces reshaping alpine ecosystems. More details and related events at https://lsa.umich.edu/humanities/gallery/current-exhibitions/catherine-chalmers.html.\n\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *
UID:136654-21878983@events.umich.edu
URL:https://events.umich.edu/event/136654
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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DTSTAMP:20251008T103440
DTSTART;TZID=America/Detroit:20251023T090000
DTEND;TZID=America/Detroit:20251023T220000
SUMMARY:Exhibition:Home-themed Photo Competition
DESCRIPTION:We've selected 20 finalists for the student Home-themed Photo Competition and they are on display across all three U-M campuses! Vote online or visit the Photo Competition displays at any of the following locations to fill out a ballot:\n\nAnn Arbor\n- Basement of the Michigan Union\n- Outside of the Fireside Café\, Pierpont Commons\n\nDearborn\n- University Center\n\nFlint\n- French Hall\n\nStop by and cast your vote in person\, or online! Winners will receive cash prizes!
UID:140432-21887141@events.umich.edu
URL:https://events.umich.edu/event/140432
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251118T140117
DTSTART;TZID=America/Detroit:20251023T090000
DTEND;TZID=America/Detroit:20251023T170000
SUMMARY:Exhibition:ICE in the Heartland: Community Impacts of Worksite Immigration Raids
DESCRIPTION:ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media\, classroom\, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan\, led by Professor William Lopez\, and the University of Iowa\, led by Professor Nicole Novak\, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa\, Nebraska\, Ohio\, Tennessee\, and Texas. The researchers visited these sites\, spoke to advocates\, detainees\, their families\, and other community members. In conversation with the seventy-seven interviews\, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies\, analysis on the public health detriments to immigration worksite raids and deportation\, insights to the artists’ methods\, and the curricular materials used in public outreach programs. \n\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women’s and Gender Studies\, U-M.
UID:139065-21884755@events.umich.edu
URL:https://events.umich.edu/event/139065
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Lane Hall - Lane Hall Exhibit Space--First Floor
CONTACT:
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DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251023T120000
DTEND;TZID=America/Detroit:20251023T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886772@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
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