BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//UM//UM*Events//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/Detroit
TZURL:http://tzurl.org/zoneinfo/America/Detroit
X-LIC-LOCATION:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20070311T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20071104T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTAMP:20170411T110307
DTSTART;TZID=America/Detroit:20170425T084500
DTEND;TZID=America/Detroit:20170425T164500
SUMMARY:Exhibition:Banner Moments: The National Anthem in American Life
DESCRIPTION:The new Ford Presidential Library lobby exhibit\, curated by University of Michigan musicologist Mark Clague\, illustrates through interpretive panels\, historical documents and photographs\, the cultural 200-year history of “The Star-Spangled Banner” (1814–2014). The tale that emerges demonstrates the power of music and poetry to spark the social imagination and thus create a sense of shared community.\n\nInspired by the successful defense of Baltimore\, Maryland from British attack in September 1814\, lawyer and amateur poet Francis Scott Key penned his now famous lyric. Rather than extraordinary\, Key’s creative impulse was typical of early America’s broadside ballad tradition in which new words were written to fit well known tunes. The result\, however\, was far from everyday—Key could not have predicted that his song would survive the moment\, yet become his nation’s singular anthem.\n\nFollow the “The Star-Spangled Banner” from the moments leading up to September 14\, 1814 through the present day and explore the social history of our national song.\nMarch 2017 to September 2017 \n\nMonday - Friday. 8:45 am - 4:45 pm\nClosed all Federal holidays.
UID:40477-8576010@events.umich.edu
URL:https://events.umich.edu/event/40477
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Music History,Star Spangled Banner
LOCATION:Gerald Ford Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170123T142246
DTSTART;TZID=America/Detroit:20170425T090000
DTEND;TZID=America/Detroit:20170425T140000
SUMMARY:Conference / Symposium:CBSSM Research Colloquium & Bishop Lecture featuring Norman Daniels\, PhD (April 25th)
DESCRIPTION:The Center for Bioethics and Social Sciences in Medicine (CBSSM) Research Colloquium will be held Tuesday\, April 25\, 2017 at the Great Lakes Room\, Palmer Commons\, 100 Washtenaw Ave\, Ann Arbor\, MI. \n\nThe CBSSM Research Colloquium will feature the Bishop Lecture in Bioethics as the keynote address. Norman Daniels\, PhD will present the Bishop Lecture with a talk entitled: “Universal Access vs. Universal Coverage: Two models of what we should aim for.\" \n\nDr. Daniels is Mary B. Saltonstall Professor of Population Ethics and Professor of Ethics and Population Health in the Department of Global Health and Population at the Harvard School of Public Health.\n\nThe CBSSM Research Colloquium brings together presenters highlighting research related to bioethics\, health communication\, and medical decision making. A call for Colloquium presentation abstracts will be sent out in early February. Abstract submissions are welcome from all disciplines both within UM\, as well as other institutions.\n\nThis event is co-sponsored by the Center for Bioethics and Social Sciences in Medicine & the Bishop Lecture in Bioethics Fund.\n\nA Call for Abstracts will be sent out in early February 2017.
UID:38165-6967945@events.umich.edu
URL:https://events.umich.edu/event/38165
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Ethics,Health & Wellness,Medicine
LOCATION:Palmer Commons - Great Lakes Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170510T144424
DTSTART;TZID=America/Detroit:20170425T090000
DTEND;TZID=America/Detroit:20170425T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University’s Bicentennial in 2017\, artist and professor Jim Cogswell has been invited by the Kelsey Museum of Archaeology and the University of Michigan Museum of Art to create a set of public window installations in response to the objects in their collections.  Titled Cosmogonic Tattoos\, his project will use adhesive vinyl images applied in saturated colors to windows in the two buildings\, highlighting the role of these museums in the life of our campus community. Through close examination of objects separated from us by deep chronological and cultural divides\, imaginatively transformed within our campus context\, this project celebrates the power of architecture\, ornament\, and material objects to shape knowledge\, historical memory\, and cultural identity. \n\nLook for displays in the UMMA from April 22-Dec. 3\, the exterior of the Kelsey Museum from June 2-Dec. 17\, and in the interior special exhibition space of the Kelsey Museum from June 2-Sept. 10.\n\nFor information on-the-go about this event and all other Bicentennial happenings\, download our free mobile app: http://guidebook.com/g/umich200.
UID:40187-8516424@events.umich.edu
URL:https://events.umich.edu/event/40187
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Art,Bicentennial,Culture,Exhibition,History,Interdisciplinary,Museum,umich200,UMMA
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170403T121709
DTSTART;TZID=America/Detroit:20170425T090000
DTEND;TZID=America/Detroit:20170425T170000
SUMMARY:Exhibition:Exhibition-on-View\, \"Persistent Pasts: The Bicentennial Campus as Archive\"
DESCRIPTION:Combining historical research and analysis from the students in Sarah Rovang’s “The Curated Campus” graduate seminar and the design output of Steven Mankouche’s “What If” Options Studio\, Persistent Pasts reflects on the University of Michigan’s campus as a repository of memory. As UM celebrates its Bicentennial year\, this exhibition asks how past traditions\, tensions\, and technologies have left material or cultural traces on campus space today. By laying bare rarely examined aspects of the historical university alongside radical designs for an unrealized present\, Persistent Pasts asks us to question entrenched conceptions of what UM should and could be\, architecturally and institutionally. This exhibition is supported in part by a Bicentennial Activity Grant\, co-authored by Claire Zimmerman and Sarah Rovang. \n\nThis exhibition will be on view in the Taubman College Gallery through May 19. The college gallery is open Monday - Friday\, 9am - 5pm. \n\nThere will be an presentation and panel on Friday\, April 7 at 6:00pm in the Art & Architecture Auditorium\, followed by a reception in the college gallery.
UID:40171-8508856@events.umich.edu
URL:https://events.umich.edu/event/40171
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Bicentennial,History
LOCATION:Art and Architecture Building - Taubman College Gallery (Room 2106)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170110T150309
DTSTART;TZID=America/Detroit:20170425T090000
DTEND;TZID=America/Detroit:20170425T160000
SUMMARY:Exhibition:Exhibition: The Art and Science of Healing from Antiquity to the Renaissance
DESCRIPTION:This exhibition\, hosted by the Kelsey Museum of Archaeology and the University of Michigan Library\, explores the early history of Western medicine as illustrated by a broad selection of archaeological artifacts\, papyri\, medieval manuscripts\, and early printed books.\n\nMore information: https://lsa.umich.edu/kelsey/exhibitions/special-exhibitions/upcoming/art-and-science-of-healing.html
UID:37527-7487169@events.umich.edu
URL:https://events.umich.edu/event/37527
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:AEM Featured,Archaeology,Classical Studies,Exhibition,Islamic,Library,Magic,Manuscripts,Medicine,Medieval,Museum,Religion,Renaissance
LOCATION:Kelsey Museum of Archaeology
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170315T142610
DTSTART;TZID=America/Detroit:20170425T090000
DTEND;TZID=America/Detroit:20170425T170000
SUMMARY:Exhibition:Here and There
DESCRIPTION:\"Here and There\"  looks at the problems of extreme poverty\, and includes artist Tracey Snelling's signature piece \"One Thousand Shacks.\" New works--created on campus during her three-week residency--will examine these issues in the US\, how they relate to location and\, at times\, the disenfranchisement of large groups of people for the sake of big business\, political clout\, and power. \n\nCurator's Statement:\n\nTo meet artist Tracey Snelling evokes the sensation of a strong willed breeze determined to open a backyard door. \n\nAs an artist and person\, she is down to earth\, direct\, contemporary\, and moving through it all with volition. \n\nSnelling’s artistic practice originally focused on photography as a medium\, but soon evolved to include her construction of sculptures based upon cities and towns\, strip malls and urban housing. \n\nShe refers to her three dimensional work as sculptural rather than diorama or model making because she isn’t particularly interested in the exact rendering of location\, or the contextualization of place. Instead\, she taps into the energy of community and its humanness—restless\, frenetic\, din\, a choir\, extending beyond the confines of walls. \n\nSnelling’s representations are neither judgmental nor opportunistic. They unaffectedly and objectively offer a multidimensional sketch of a place in time\, how we occupy space. \n\nHer signature piece \"One Thousand Shacks\" (included in this exhibition along with new work created during her her residency here) pushes up against the challenges of economic inequalities\, racial biases\, and imposed class divisions that often limit the options available to so many people. Concurrently\, the installation embraces our everyday existence expressed through Snelling’s exuberant palette\, bold graphics\, video and neon. \n\nConceptually\, Snelling’s stacking method first creates an exalted “big picture” with a myriad of colors\, image\, text\, sound and light. The counterpoint in scale soon immerses the viewer into each small world. With this shift\, the onlooker becomes the active participant\, the occupant in situ\, adding the trappings of their own experiences to each tableau. It is this shift that forces the viewer into a new way of seeing from varying perspectives.\n\nOn the one hand\, the artist’s sculptures allude to our desire for refuge\, a private domain that allows us to be ourselves. On the other\, the overall composition reaffirms it is imperative that we co-exist with one another respectfully\, forge relationships\, understanding our marked differences. It is diversity—the unique and often disparate combination of things\, the cacophony of it all\, that activates communities and public space.\n\nSnelling’s constructions literally build a way out\, one on top of another\, charged with the undercurrent of the way we live. They emphasize our universal longing to find a place called home\, and be accepted\, built on the foundation of one and of many. \n–Amanda Krugliak\, Arts Curator\, Institute for the Humanities\n\nAbout Tracey Snelling:\nThrough the use of sculpture\, photography\, video\, and large-scale installation\, Tracey Snelling gives her impression of a place\, its people and their experience. Often\, the cinematic image stands in for real life as it plays out behind windows in the buildings\, sometimes creating a sense of mystery\, other times stressing the mundane. Snelling’s work derives from voyeurism\, film noir\, and geographical and architectural location. Within this idea of location\, themes develop that transport observation into the realm of storytelling\, with reality and sociological study being the focus. Snelling had exhibited in international galleries\, museums and institutions\, including the The Royal Museum of Fine Arts\, Belgium\; Palazzo Reale\, Milan\; Museum of Arts and Design\, New York\; Kunstmuseen Krefeld Germany\; El Museo de Arte de Banco de la Republica\, Bogota\; the Stenersen Museet\, Oslo\, and the Sundance Film Festival. Her short films have screened at the San Francisco International Film Festival\, the Thessaloniki International Film Festival\, Circuito Off in Venice\, Italy\, and the Arquiteturas Film Festival Lisboa in Portugal. She also received a 2015 Joan Mitchell Painters and Sculptors Grant. Snelling lives and works in Oakland\, California and Berlin\, Germany.
UID:39732-8265784@events.umich.edu
URL:https://events.umich.edu/event/39732
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Social Justice,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170328T134426
DTSTART;TZID=America/Detroit:20170425T100000
DTEND;TZID=America/Detroit:20170425T180000
SUMMARY:Exhibition:RC Senior Invitational Art Show
DESCRIPTION:Art by RC Seniors
UID:40035-8457468@events.umich.edu
URL:https://events.umich.edu/event/40035
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Free
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20161208T125848
DTSTART;TZID=America/Detroit:20170425T110000
DTEND;TZID=America/Detroit:20170425T170000
SUMMARY:Exhibition:Constructing Gender
DESCRIPTION:Ask U-M students\, alumni\, or fans what symbolizes the University of Michigan\, and you’ll likely hear the Big House\, the Diag\, along with the Michigan Union and the Michigan League. Since they officially opened in 1919 and 1929\, respectively\, the Union and League have been destinations for generations of Wolverines yet few know the rich history of the buildings’ origins or about the architects who brought them both to life: brothers and U-M alums Irving K. and Allen Pond.\n\nThe exhibition\, organized in celebration of the University of Michigan’s bicentennial in 2017\, illuminates the architecture and bustling student life of these iconic buildings using original drawings\, renderings\, photographs\, color studies\, and even dance cards from the Bentley Historical Library\, which serves as the University of Michigan archives. These fascinating documents reveal how the buildings were conceived\, constructed\, and first occupied by students and alumni. Guest curated by Nancy Bartlett of the Bentley Historical Library\, the exhibition reveals how the Ponds meticulously conceived and constructed the two clubs—one for men\, one for women—by weaving ideas about gender and society into the very fabric of the buildings themselves.\n\nLead support for this exhibition is provided by the Herbert W. and Susan L. Johe Endowment.
UID:36710-5794215@events.umich.edu
URL:https://events.umich.edu/event/36710
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Bicentennial,Culture,Exhibition,Museum,Storytelling,UMMA
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170410T215244
DTSTART;TZID=America/Detroit:20170425T110000
DTEND;TZID=America/Detroit:20170425T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University of Michigan’s Bicentennial in 2017\, artist and distinguished U​–M art professor Jim Cogswell has been invited to create a series of public window installations in response to the holdings of the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project\, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative\, based on reassembled fragments from a diverse range of artworks in both museums’ permanent collections. The juxtaposed images will address our shared histories and experiences while connecting the viewer to the origins and meaning of objects and their power to shape knowledge\, memory\, and identity. By leveraging the buildings’ unique architecture\, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community.\nCosmogonic Tattoos is on view at UMMA April 22 through December 3\, 2017 and at the Kelsey Museum of Archaeology from June 2 through December 17\, 2017.\nLead support for Cosmogonic Tattoos is provided by the University of Michigan Office of the Provost.
UID:40469-8571619@events.umich.edu
URL:https://events.umich.edu/event/40469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170309T142003
DTSTART;TZID=America/Detroit:20170425T110000
DTEND;TZID=America/Detroit:20170425T170000
SUMMARY:Exhibition:Ernestine Ruben at Willow Run
DESCRIPTION:In 2013\, artist Ernestine Ruben (BSDEs ’53) photographed the once-famed industrial complex Willow Run in Washtenaw County\, Michigan. Designed by her grandfather\, Detroit architect Albert Kahn\, for the Ford Motor Company\, Willow Run was an exemplar of American defense manufacturing because of its efficient mass-production of B-24 Liberators during World War II.\n\nFor this exhibition\, Ruben overlaid interior views of the now-dormant factory with imagined glimpses into her body’s interior landscape. The resulting compositions seem to breathe energy and light into the stagnant and cavernous spaces of Willow Run and suggest a longing for a productive existence undeterred by mortality for both Willow Run and the artist. Her grandfather’s role in the history of the site underscores Ruben’s personal connection.\n\nThe exhibition presents Ruben’s photographs of Willow Run in UMMA’s Photography Gallery and an original film—co-created by Ruben and video artist Seth Bernstein and featuring an original score by award-winning composer Stephen Hartke—in the Museum’s Forum.\n\nLead support for Ernestine Ruben at Willow Run: Mobilizing Memory is provided by the University of Michigan Office of the Provost and the Herbert W. and Susan L. Johe Endowment.
UID:39107-7692706@events.umich.edu
URL:https://events.umich.edu/event/39107
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Bicentennial,Culture,Film,Free,Museum,Theater,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
END:VCALENDAR