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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20170411T110307
DTSTART;TZID=America/Detroit:20170721T084500
DTEND;TZID=America/Detroit:20170721T164500
SUMMARY:Exhibition:Banner Moments: The National Anthem in American Life
DESCRIPTION:The new Ford Presidential Library lobby exhibit\, curated by University of Michigan musicologist Mark Clague\, illustrates through interpretive panels\, historical documents and photographs\, the cultural 200-year history of “The Star-Spangled Banner” (1814–2014). The tale that emerges demonstrates the power of music and poetry to spark the social imagination and thus create a sense of shared community.\n\nInspired by the successful defense of Baltimore\, Maryland from British attack in September 1814\, lawyer and amateur poet Francis Scott Key penned his now famous lyric. Rather than extraordinary\, Key’s creative impulse was typical of early America’s broadside ballad tradition in which new words were written to fit well known tunes. The result\, however\, was far from everyday—Key could not have predicted that his song would survive the moment\, yet become his nation’s singular anthem.\n\nFollow the “The Star-Spangled Banner” from the moments leading up to September 14\, 1814 through the present day and explore the social history of our national song.\nMarch 2017 to September 2017 \n\nMonday - Friday. 8:45 am - 4:45 pm\nClosed all Federal holidays.
UID:40477-8576097@events.umich.edu
URL:https://events.umich.edu/event/40477
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Music History,Star Spangled Banner
LOCATION:Gerald Ford Library
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170510T144424
DTSTART;TZID=America/Detroit:20170721T090000
DTEND;TZID=America/Detroit:20170721T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University’s Bicentennial in 2017\, artist and professor Jim Cogswell has been invited by the Kelsey Museum of Archaeology and the University of Michigan Museum of Art to create a set of public window installations in response to the objects in their collections.  Titled Cosmogonic Tattoos\, his project will use adhesive vinyl images applied in saturated colors to windows in the two buildings\, highlighting the role of these museums in the life of our campus community. Through close examination of objects separated from us by deep chronological and cultural divides\, imaginatively transformed within our campus context\, this project celebrates the power of architecture\, ornament\, and material objects to shape knowledge\, historical memory\, and cultural identity. \n\nLook for displays in the UMMA from April 22-Dec. 3\, the exterior of the Kelsey Museum from June 2-Dec. 17\, and in the interior special exhibition space of the Kelsey Museum from June 2-Sept. 10.\n\nFor information on-the-go about this event and all other Bicentennial happenings\, download our free mobile app: http://guidebook.com/g/umich200.
UID:40187-8516511@events.umich.edu
URL:https://events.umich.edu/event/40187
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Art,Bicentennial,Culture,Exhibition,History,Interdisciplinary,Museum,umich200,UMMA
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170602T155527
DTSTART;TZID=America/Detroit:20170721T090000
DTEND;TZID=America/Detroit:20170721T160000
SUMMARY:Exhibition:Exhibition and Window Installation | Cosmogonic Tattoos
DESCRIPTION:In celebration of the University’s Bicentennial in 2017\, artist and professor Jim Cogswell has been invited by the Kelsey Museum of Archaeology and the University of Michigan Museum of Art to create a set of public window installations in response to the objects in their collections.  Titled \"Cosmogonic Tattoos\,\" his project uses adhesive vinyl images applied in saturated colors to windows in the two buildings\, highlighting the role of these museums in the life of our campus community. Through close examination of objects separated from us by deep chronological and cultural divides\, imaginatively transformed within our campus context\, this project celebrates the power of architecture\, ornament\, and material objects to shape knowledge\, historical memory\, and cultural identity.
UID:40743-8719661@events.umich.edu
URL:https://events.umich.edu/event/40743
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:AEM Featured,Archaeology,Art,Exhibition,Museum
LOCATION:Kelsey Museum of Archaeology
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170718T140619
DTSTART;TZID=America/Detroit:20170721T093000
DTEND;TZID=America/Detroit:20170721T113000
SUMMARY:Presentation:PhD Defense: Michael Rose
DESCRIPTION:Title: Multiphysics Simulation of Fission Gas Production and Release in Light Water Reactor Fuel\nChair: Professor Thomas Downar
UID:41584-9367009@events.umich.edu
URL:https://events.umich.edu/event/41584
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Dissertation
LOCATION:Cooley Building - 2906 Baer Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170721T180006
DTSTART;TZID=America/Detroit:20170721T100000
DTEND;TZID=America/Detroit:20170721T210000
SUMMARY:Fair / Festival:AID @ Ann Arbor Art Fair
DESCRIPTION:Look out for our stall at Ann Arbor Art Fair for beautiful Henna tattos which have always been a hit among people. We will also have clothing made by \"Hunar Revolution\"\, a self-help group of underpriviled women in Jaipur\, a place known for its vivid\, block-printed textiles.\nRaised funds go towards support to various social development projects in India.
UID:41542-9332559@events.umich.edu
URL:https://events.umich.edu/event/41542
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Booth #33 
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170712T161452
DTSTART;TZID=America/Detroit:20170721T100000
DTEND;TZID=America/Detroit:20170721T210000
SUMMARY:Fair / Festival:BioArtography Booth at the Ann Arbor Art Fair
DESCRIPTION:BioArtography will be in Booth #102 on East University (near intersection of E. University/Willard) at Ann Arbor’s South University Art Fair! \n \nEvery day at the University of Michigan\, scientists from many fields work together to study organism development\, function and disease. While the goal of these studies is to design new and effective ways to treat disease and provide better understanding of ourselves as well as the world around us\, many are also taking the time to share the beauty of their work with others through a program called BioArtography. In the course of research\, scientists use special stains to add color to the otherwise transparent tissues. Microscopes then allow detailed observation of the tiny\, colorful biological structures from inside our bodies revealed in these images. This results in a fascinating combination of art and science that U-M researchers are capturing in pictures taken through microscopes and turning into artworks that would look beautiful on any wall.\n\nFounded in 2005 by Deborah Gumucio\, Ph.D.\, and Sue O’Shea\, Ph.D.\, professors in the Department of Cell and Developmental Biology\, BioArtography has developed into a thriving program. Gumucio\, who leads the project\, says the effort to turn science into art helps bring the microscopic world to life for the general public — and shows that researchers aren’t just about data and facts.\n\nPast BioArtography sales have raised enough money to send more than 80 graduate students and postdoctoral fellows to scientific conferences\, where they can present their work to other scientists and make connections that can help them launch their careers in research and industry.\n\nThroughout the year BioArtography images (a collection of over 200) and note cards can be viewed and ordered online at www.bioartography.com. Proceeds from the sale of this work help support the training of our next generation of researchers.
UID:41520-9318406@events.umich.edu
URL:https://events.umich.edu/event/41520
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Biology,Bioninterfaces,Culture,Engineering,Exhibition,Faculty,Family,Festival,Free,Graduate School,Graduate Students,Interdisciplinary,Medicine,Michigan Engineering,Multidisciplinary Design,Nursing,Outdoors,Pre Med,Prospective Graduate Students,Prospective Undergraduate Students,Rackham,Research,Science,Undergraduate Students,Visual Arts
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170410T215244
DTSTART;TZID=America/Detroit:20170721T110000
DTEND;TZID=America/Detroit:20170721T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University of Michigan’s Bicentennial in 2017\, artist and distinguished U​–M art professor Jim Cogswell has been invited to create a series of public window installations in response to the holdings of the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project\, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative\, based on reassembled fragments from a diverse range of artworks in both museums’ permanent collections. The juxtaposed images will address our shared histories and experiences while connecting the viewer to the origins and meaning of objects and their power to shape knowledge\, memory\, and identity. By leveraging the buildings’ unique architecture\, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community.\nCosmogonic Tattoos is on view at UMMA April 22 through December 3\, 2017 and at the Kelsey Museum of Archaeology from June 2 through December 17\, 2017.\nLead support for Cosmogonic Tattoos is provided by the University of Michigan Office of the Provost.
UID:40469-8571706@events.umich.edu
URL:https://events.umich.edu/event/40469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170309T142003
DTSTART;TZID=America/Detroit:20170721T110000
DTEND;TZID=America/Detroit:20170721T170000
SUMMARY:Exhibition:Ernestine Ruben at Willow Run
DESCRIPTION:In 2013\, artist Ernestine Ruben (BSDEs ’53) photographed the once-famed industrial complex Willow Run in Washtenaw County\, Michigan. Designed by her grandfather\, Detroit architect Albert Kahn\, for the Ford Motor Company\, Willow Run was an exemplar of American defense manufacturing because of its efficient mass-production of B-24 Liberators during World War II.\n\nFor this exhibition\, Ruben overlaid interior views of the now-dormant factory with imagined glimpses into her body’s interior landscape. The resulting compositions seem to breathe energy and light into the stagnant and cavernous spaces of Willow Run and suggest a longing for a productive existence undeterred by mortality for both Willow Run and the artist. Her grandfather’s role in the history of the site underscores Ruben’s personal connection.\n\nThe exhibition presents Ruben’s photographs of Willow Run in UMMA’s Photography Gallery and an original film—co-created by Ruben and video artist Seth Bernstein and featuring an original score by award-winning composer Stephen Hartke—in the Museum’s Forum.\n\nLead support for Ernestine Ruben at Willow Run: Mobilizing Memory is provided by the University of Michigan Office of the Provost and the Herbert W. and Susan L. Johe Endowment.
UID:39107-7692793@events.umich.edu
URL:https://events.umich.edu/event/39107
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Bicentennial,Culture,Film,Free,Museum,Theater,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170507T180053
DTSTART;TZID=America/Detroit:20170721T110000
DTEND;TZID=America/Detroit:20170721T170000
SUMMARY:Exhibition:Picturing Buildings
DESCRIPTION:Featuring a selection of nineteenth- and twentieth-century photographs from the Museum’s collection\, Picturing Buildings illuminates the enduring appeal of photographing architecture\, from historic Turkish mosques and New York City skyscrapers\, to industrial factories and intimate domestic interiors. Each of these visually and spatially complex sites provides photographers with representational challenges and endless opportunities to innovate. This exhibition explores how photographers working in a range of contexts—from travel photography and photojournalism to historical documentation and modern art—use architecture to develop pictorial strategies in their own medium. Through selective framing\, dramatic perspectival distortion\, and heightened contrasts between light and dark\, photographers reinterpret their architectural subjects by focusing on the creative act of constructing a photograph. The resulting images reveal our surrounding built environment in new ways and highlight the intriguing transformation that takes place when the camera converts three dimensions into two.\n\nLead support for Picturing Buildings: Photographers and Architecture\, 1855-1985 is provided by the University of Michigan Office of the Provost and the Herbert W. and Susan L. Johe Endowment.
UID:40823-8791003@events.umich.edu
URL:https://events.umich.edu/event/40823
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Environment,Storytelling,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170410T214735
DTSTART;TZID=America/Detroit:20170721T110000
DTEND;TZID=America/Detroit:20170721T170000
SUMMARY:Exhibition:Rafael Lozano-Hemmer
DESCRIPTION:Wavefunction\, Subsculpture 9\, by Mexican-Canadian artist Rafael Lozano-Hemmer\, is a kinetic sculpture and interactive installation that plays on the work of mid-century American designers Charles and Ray Eames.\n\nThe installation consists of 42 molded plastic chairs (designed by the Eameses in 1948) arranged in a grid and attached to electromechanical pistons. When visitors approach the chairs\, a surveillance system detects their presence and the closest chairs lift gently off the ground. The adjacent chairs follow\, and a wave movement spreads across the array. The software controlling the pistons is based on fluid dynamics\, so as more visitors approach the grid\, the chairs—whose iconic curving contours were also generated mathematically— mimic the complex interaction of multiple waves in water.\n\nThis performative installation complements the concurrent exhibition Moving Image: Performance\, which together constitute the second of three presentations at UMMA drawn from the collection of Borusan Contemporary\, Istanbul. The works in this year-long trio of exhibitions represent traditional categories such as portraiture\, landscape\, and performance that find new resonance when explored through the strategies of dynamic technology.\n\nLead support for Rafael Lozano-Hemmer: Wavefunction\, Subsculpture 9 is provided by the Herbert W. and Susan L. Johe Endowment and Michigan Engineering. Additional generous support is provided by the University of Michigan Latina/o Studies.
UID:40468-8571605@events.umich.edu
URL:https://events.umich.edu/event/40468
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
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