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BEGIN:VEVENT
DTSTAMP:20170526T093030
DTSTART;TZID=America/Detroit:20170519T090000
DTEND;TZID=America/Detroit:20170519T171500
SUMMARY:Conference / Symposium:Cognition\, Rationality\, and Culture: Celebrating Dick Nisbett’s Career
DESCRIPTION:9-10:15        	Decision Making and Wisdom\nSession chair: Richard Gonzalez\nRick Larrick - Debiasing: A Current Look\nStephanie Chen - Wisdom of the Crowd: Cognitive and Social Diversity\nIgor Grossmann - Reason\, Wisdom\, and Rationality\nIncheol Choi - Asian Wisdom: A Cyclic View of Change in Close Relationship\n \n10:30-1:00 	Dick Nisbett and his Career\nSession chair: 	David Dunning\nHazel Rose Markus - Richard Nisbett: Virtues of Independence\nEugene Borgida - Separate Spheres Ideology\, Populism\, and the 2016 Presidential \nElection\nTimothy D. Wilson - Just Think: The Challenges of Enjoying One's Own Thoughts\nStephen Stich - Dick Nisbett's (starring) Role in Philosophy's Experimental Turn\nLee Ross - My Research Journey from the FAE to Naive Realism\nDenise Park  - Aging\, Cognitive Neuroscience\, and Culture: The Wisdom of \nDick Nisbett\n\n1:00-2:30 Break for lunch \n\n2:30-3:45     	Culture and Cognition: 20 Years Later\nSession chair: Julie Boland\nTakahiko Masuda - Culture\, Attention\, and Neural Responses\nCristina Salvador - Tightening of the mind: the role of subliminal affiliation priming in norm violation detection\nJinkyung Na - How Facebook is Perceived and Used by People across\nCultures\nM. E. W. Varnum -Why do Cultures Change? Changes in Ecology Drive Cultural \nChanges\n \n4:00-5:15     	Religion\, Meaning in Life\, and Health\nSession chair: Fiona Lee\nYuri Miyamoto - Dialectical versus Hedonic Systems of Emotion\nLi-Jun Ji - Living a Meaningful and Happy Life\nAra Norenzayan - Theodiversity\nDov Cohen - Religion and Mechanisms of Defense
UID:39114-7705679@events.umich.edu
URL:https://events.umich.edu/event/39114
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Talk,symposium,Retirement,Psychology
LOCATION:East Hall - 1324 McKeachie Auditorium
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170510T144424
DTSTART;TZID=America/Detroit:20170519T090000
DTEND;TZID=America/Detroit:20170519T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University’s Bicentennial in 2017\, artist and professor Jim Cogswell has been invited by the Kelsey Museum of Archaeology and the University of Michigan Museum of Art to create a set of public window installations in response to the objects in their collections.  Titled Cosmogonic Tattoos\, his project will use adhesive vinyl images applied in saturated colors to windows in the two buildings\, highlighting the role of these museums in the life of our campus community. Through close examination of objects separated from us by deep chronological and cultural divides\, imaginatively transformed within our campus context\, this project celebrates the power of architecture\, ornament\, and material objects to shape knowledge\, historical memory\, and cultural identity. \n\nLook for displays in the UMMA from April 22-Dec. 3\, the exterior of the Kelsey Museum from June 2-Dec. 17\, and in the interior special exhibition space of the Kelsey Museum from June 2-Sept. 10.\n\nFor information on-the-go about this event and all other Bicentennial happenings\, download our free mobile app: http://guidebook.com/g/umich200.
UID:40187-8516448@events.umich.edu
URL:https://events.umich.edu/event/40187
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:UMMA,Architecture,Art,Bicentennial,Culture,umich200,Museum,Interdisciplinary,History,Exhibition
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170403T121709
DTSTART;TZID=America/Detroit:20170519T090000
DTEND;TZID=America/Detroit:20170519T170000
SUMMARY:Exhibition:Exhibition-on-View\, \"Persistent Pasts: The Bicentennial Campus as Archive\"
DESCRIPTION:Combining historical research and analysis from the students in Sarah Rovang’s “The Curated Campus” graduate seminar and the design output of Steven Mankouche’s “What If” Options Studio\, Persistent Pasts reflects on the University of Michigan’s campus as a repository of memory. As UM celebrates its Bicentennial year\, this exhibition asks how past traditions\, tensions\, and technologies have left material or cultural traces on campus space today. By laying bare rarely examined aspects of the historical university alongside radical designs for an unrealized present\, Persistent Pasts asks us to question entrenched conceptions of what UM should and could be\, architecturally and institutionally. This exhibition is supported in part by a Bicentennial Activity Grant\, co-authored by Claire Zimmerman and Sarah Rovang. \n\nThis exhibition will be on view in the Taubman College Gallery through May 19. The college gallery is open Monday - Friday\, 9am - 5pm. \n\nThere will be an presentation and panel on Friday\, April 7 at 6:00pm in the Art & Architecture Auditorium\, followed by a reception in the college gallery.
UID:40171-8508880@events.umich.edu
URL:https://events.umich.edu/event/40171
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Bicentennial,History,Architecture
LOCATION:Art and Architecture Building - Taubman College Gallery (Room 2106)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170314T084823
DTSTART;TZID=America/Detroit:20170519T090000
DTEND;TZID=America/Detroit:20170519T120000
SUMMARY:Workshop / Seminar:The Organized Assistant
DESCRIPTION:Administrative assistants face unique situations in their job every day\, sometimes multiple times a day. In this session\, participants will receive tips on how to manage time and handle pressures created by multiple supervisors\, coworkers\, competing deadlines\, and overwhelming workloads.\n\nYou will learn to:\n\nDetermine the time management system that works best for you\nIdentify ways to stay motivated even when the workload is overwhelming\nRecognize when it is appropriate to have a conversation with your supervisor when you are faced with conflicting priorities\n\nYou will benefit by:\n\nLearning how to handle interruptions better\nNavigating multiple projects and managers more effectively\n\nAudience:\n\nAnyone in an administrative assistant\, clerk\, or other support position that would like to have more control of their work outcomes
UID:39671-8235029@events.umich.edu
URL:https://events.umich.edu/event/39671
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Career,Networking,Professional Development,Workshop
LOCATION:Administrative Services Building - LPD
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170320T082616
DTSTART;TZID=America/Detroit:20170519T100000
DTEND;TZID=America/Detroit:20170519T160000
SUMMARY:Exhibition:Award Winners Exhibit
DESCRIPTION:The Award Winning pieces from the 22nd Annual Exhibition of Art by Michigan Prisoners will be exhibited at the University of Michigan Detroit Center Gallery from Friday\, May 5\, 2017 to Saturday\, May 27\, 2017. This event is free and open to the public.
UID:33113-4691117@events.umich.edu
URL:https://events.umich.edu/event/33113
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Detroit,Social Justice,Visual Arts,Art,Diversity,Exhibition,Free
LOCATION:Detroit Center - Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170420T092137
DTSTART;TZID=America/Detroit:20170519T100000
DTEND;TZID=America/Detroit:20170519T160000
SUMMARY:Exhibition:Mapping in the Enlightenment: Science\, Innovation\, and the Public Sphere
DESCRIPTION:This exhibit uses examples from the Clements Library collection to tell the story of creating\, distributing\, and using maps during the long 18th century. Enlightenment thinking stimulated the effort to make more accurate maps\, encouraged the growth of map collecting and map use by men and women in all social classes\, and expanded the role of maps in administration and decision-making throughout Europe and her overseas colonies.
UID:40535-8592784@events.umich.edu
URL:https://events.umich.edu/event/40535
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Storytelling,History,Art,Visual Arts,Museum,Philosophy,Physics,Politics,Public Policy,Scholarship,Science
LOCATION:William Clements Library - Avenir Foundation Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170410T215244
DTSTART;TZID=America/Detroit:20170519T110000
DTEND;TZID=America/Detroit:20170519T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University of Michigan’s Bicentennial in 2017\, artist and distinguished U​–M art professor Jim Cogswell has been invited to create a series of public window installations in response to the holdings of the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project\, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative\, based on reassembled fragments from a diverse range of artworks in both museums’ permanent collections. The juxtaposed images will address our shared histories and experiences while connecting the viewer to the origins and meaning of objects and their power to shape knowledge\, memory\, and identity. By leveraging the buildings’ unique architecture\, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community.\nCosmogonic Tattoos is on view at UMMA April 22 through December 3\, 2017 and at the Kelsey Museum of Archaeology from June 2 through December 17\, 2017.\nLead support for Cosmogonic Tattoos is provided by the University of Michigan Office of the Provost.
UID:40469-8571643@events.umich.edu
URL:https://events.umich.edu/event/40469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,UMMA,Museum,Art,Culture,Exhibition
LOCATION:Museum of Art
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170309T142003
DTSTART;TZID=America/Detroit:20170519T110000
DTEND;TZID=America/Detroit:20170519T170000
SUMMARY:Exhibition:Ernestine Ruben at Willow Run
DESCRIPTION:In 2013\, artist Ernestine Ruben (BSDEs ’53) photographed the once-famed industrial complex Willow Run in Washtenaw County\, Michigan. Designed by her grandfather\, Detroit architect Albert Kahn\, for the Ford Motor Company\, Willow Run was an exemplar of American defense manufacturing because of its efficient mass-production of B-24 Liberators during World War II.\n\nFor this exhibition\, Ruben overlaid interior views of the now-dormant factory with imagined glimpses into her body’s interior landscape. The resulting compositions seem to breathe energy and light into the stagnant and cavernous spaces of Willow Run and suggest a longing for a productive existence undeterred by mortality for both Willow Run and the artist. Her grandfather’s role in the history of the site underscores Ruben’s personal connection.\n\nThe exhibition presents Ruben’s photographs of Willow Run in UMMA’s Photography Gallery and an original film—co-created by Ruben and video artist Seth Bernstein and featuring an original score by award-winning composer Stephen Hartke—in the Museum’s Forum.\n\nLead support for Ernestine Ruben at Willow Run: Mobilizing Memory is provided by the University of Michigan Office of the Provost and the Herbert W. and Susan L. Johe Endowment.
UID:39107-7692730@events.umich.edu
URL:https://events.umich.edu/event/39107
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Art,Bicentennial,Culture,Film,Free,Museum,Theater,UMMA
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170507T180053
DTSTART;TZID=America/Detroit:20170519T110000
DTEND;TZID=America/Detroit:20170519T170000
SUMMARY:Exhibition:Picturing Buildings
DESCRIPTION:Featuring a selection of nineteenth- and twentieth-century photographs from the Museum’s collection\, Picturing Buildings illuminates the enduring appeal of photographing architecture\, from historic Turkish mosques and New York City skyscrapers\, to industrial factories and intimate domestic interiors. Each of these visually and spatially complex sites provides photographers with representational challenges and endless opportunities to innovate. This exhibition explores how photographers working in a range of contexts—from travel photography and photojournalism to historical documentation and modern art—use architecture to develop pictorial strategies in their own medium. Through selective framing\, dramatic perspectival distortion\, and heightened contrasts between light and dark\, photographers reinterpret their architectural subjects by focusing on the creative act of constructing a photograph. The resulting images reveal our surrounding built environment in new ways and highlight the intriguing transformation that takes place when the camera converts three dimensions into two.\n\nLead support for Picturing Buildings: Photographers and Architecture\, 1855-1985 is provided by the University of Michigan Office of the Provost and the Herbert W. and Susan L. Johe Endowment.
UID:40823-8790940@events.umich.edu
URL:https://events.umich.edu/event/40823
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Environment,Storytelling,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170410T214735
DTSTART;TZID=America/Detroit:20170519T110000
DTEND;TZID=America/Detroit:20170519T170000
SUMMARY:Exhibition:Rafael Lozano-Hemmer
DESCRIPTION:Wavefunction\, Subsculpture 9\, by Mexican-Canadian artist Rafael Lozano-Hemmer\, is a kinetic sculpture and interactive installation that plays on the work of mid-century American designers Charles and Ray Eames.\n\nThe installation consists of 42 molded plastic chairs (designed by the Eameses in 1948) arranged in a grid and attached to electromechanical pistons. When visitors approach the chairs\, a surveillance system detects their presence and the closest chairs lift gently off the ground. The adjacent chairs follow\, and a wave movement spreads across the array. The software controlling the pistons is based on fluid dynamics\, so as more visitors approach the grid\, the chairs—whose iconic curving contours were also generated mathematically— mimic the complex interaction of multiple waves in water.\n\nThis performative installation complements the concurrent exhibition Moving Image: Performance\, which together constitute the second of three presentations at UMMA drawn from the collection of Borusan Contemporary\, Istanbul. The works in this year-long trio of exhibitions represent traditional categories such as portraiture\, landscape\, and performance that find new resonance when explored through the strategies of dynamic technology.\n\nLead support for Rafael Lozano-Hemmer: Wavefunction\, Subsculpture 9 is provided by the Herbert W. and Susan L. Johe Endowment and Michigan Engineering. Additional generous support is provided by the University of Michigan Latina/o Studies.
UID:40468-8571542@events.umich.edu
URL:https://events.umich.edu/event/40468
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,UMMA,Museum,Exhibition,Culture,Art
LOCATION:Museum of Art
CONTACT:
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