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BEGIN:VEVENT
DTSTAMP:20260911T104038
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:CCPS Photo Exhibition. This is the Place
DESCRIPTION:There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine\, Poland has also welcomed forcibly displaced people from Central Asia\, Latin America\, Africa\, and the Middle East. While refugees may be different\, they all search for a place that reminds them of home.\nIn *This Is The Place*\, a project supported by the UN Refugee Agency (UNHCR)\, Anna Liminowicz asked refugees to show what\, in Poland\, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw\, Poland. A frequent contributor to the *The New York Times*\, *The Guardian*\, *The Wall Street Journal*\, *The Washington Post*\, *El Pais*\, *Der Spiegel* and UNHCR\, Liminowicz divides her time  between assignments and long-term personal projects\, mainly focusing on social issues like identity and loss\, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion\, and received the 2022 Grand Press Photo Award for her project “Too Precious to Leave Behind”.\n\nIf there is anything we can do to make this event accessible to you\, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149978-21907734@events.umich.edu
URL:https://events.umich.edu/event/149978
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:russia,Ukraine
LOCATION:Weiser Hall - Room 547
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260826T132935
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T230000
SUMMARY:Exhibition:Comics Beyond Sight
DESCRIPTION:This exhibit covers a variety of creative approaches to comics visual accessibility\, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing\, haptics\, and screen-based mobile touch interfaces). It demonstrates that comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for those who are blind or have low vision\, assembled by the Accessible Comics Collective at San Francisco State University (SFSU) with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!)\, and prior to that\, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU)\, the lead creative organizer of the exhibit\, is a Detroit native and was the first person to draw his dissertation in comics format\, subsequently published as the graphic novel Unflattening.\n\nView the exhibit anytime the Hatcher Library is open\, and join us for an opening presentation on Friday\, October 2nd\, 1:00pm - 4:00pm.
UID:150276-21908512@events.umich.edu
URL:https://events.umich.edu/event/150276
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Accessibility,Comics,Disability,Free,Library
LOCATION:Hatcher Graduate Library - Gallery, 1st Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260814T155307
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T230000
SUMMARY:Exhibition:Down in Ann Arbor Town: Pictorial Maps\, Campus Traditions\, and the Women Who Made Them
DESCRIPTION:Celebrate the centennial of the iconic 1926 “Down in Ann Arbor Town” map by exploring the colorful history\, campus traditions\, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women\, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections\, journey from the campus history that led to the map’s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit\, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize\, while supplies last.\n\nJoin the curators — Ava Pustulka (’28) and Anna Rohl\, map curator at Clark Library — for a presentation on September 24 (https://myumi.ch/X8y3r)\, where they will share the research that went into creating the exhibit.
UID:150290-21908815@events.umich.edu
URL:https://events.umich.edu/event/150290
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Maps
LOCATION:Hatcher Graduate Library - Clark Library, 2nd Floor
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260818T114238
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:Lila Kadaj Exhibition
DESCRIPTION:Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions\, including the Detroit Institute of Arts\, the Cranbrook Art Museum\, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: “When looking at a beautiful flower.  It’s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It’s not about I am a woman....it’s not about I am a first generation Arab American.....it’s not about being a child of trauma....it’s not about a member of my family being gunned down on the street....it’s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It’s the painting\, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it’s in fashion.”
UID:150406-21909196@events.umich.edu
URL:https://events.umich.edu/event/150406
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Arab Heritage Month,Art,ArtsRx,Culture,Detroit,Diversity,Exhibition,Free,Middle East Studies,North Campus,Visual Arts,Women's Studies
LOCATION:North Campus Research Complex Building 18 - Connections Gallery Concourse Level
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260806T162236
DTSTART;TZID=America/Detroit:20261007T080000
DTEND;TZID=America/Detroit:20261007T170000
SUMMARY:Exhibition:WCEE Exhibition. The Art of Memory\, Paintings by Felix Lembersky
DESCRIPTION:Felix Lembersky (1913-1970) was a painter\, theater stage designer\, teacher\, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar\, a Holocaust massacre site in Kyiv. For political reasons\, these paintings\, along with his later nonconformist work\, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars\, the 1917 revolution\, and political terror\, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable\, neglected\, and marginalized people: children\, the elderly\, ethnic minorities\, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances\, Lembersky  portrayed his subjects with empathy\, dignity\, and admiration.  \n\n“For my father\, honesty and integrity meant more than anything else. Art was an expression of freedom\, individuality\, and personalized creativity\, without which it ceased to be art.”\n— Galina Lembersky\, daughter\n\nExhibit curated by Yelena Lembersky\, granddaughter of Felix Lembersky\, and Geneviève Zubrzycki\, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:149975-21907498@events.umich.edu
URL:https://events.umich.edu/event/149975
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,russia,ukraine
LOCATION:Weiser Hall - Room 1010
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260806T113013
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T193000
SUMMARY:Conference / Symposium:7th Annual Creating Community Conference
DESCRIPTION:*Note: The Institute for the Humanities will cover the registration fee for any faculty\, staff or graduate students interested in attending a single day or all three days of the conference. Please contact the Institute staff at humin@umich.edu to coordinate the registration process.*\n\nHeld October 5-8\, 2026\, the Creating Community Conference brings together artists and professionals from progressive art studios* across the United States and beyond\, along with professionals active in disability arts\, rights\, and theory\, to discuss best practices\, advocacy\, and the evolving landscape of art and disability. This annual event\, a Creative Growth initiative launched in Oakland\, CA in 2019\, aims to foster dialogue and collaboration around the importance of inclusive creative spaces for artists with developmental disabilities and mental health differences.\n\nThis year's conference will be hosted in Detroit and Ann Arbor Michigan\, and is locally organized and led by the Progressive Art Studio Collective (PASC)\, with support from the University of Michigan Institute for the Humanities\, and Library Street Collective. National administration and strategic support is being provided by Creative Growth\, in collaboration with the Progressive Art Studio Alliance (PASA).\n\nCCC7 invites both internal (studio staff and artists) and external (general public) audiences to engage with the art and practice of progressive art studios. The conference covers a range of topics from hands-on studio practice\, exhibiting\, collecting and representing artists with disabilities\, self-taught art\, outsider art\, disability studies\, mental-health\, radical pedagogy and more\, expanding the conversation on platforming the creative production of marginalized communities\, opening up the art world to disabled artists\, and the transformative power of art.\n\nWednesday\, October 7\, 2026\nLocation: The Shepherd\, 1265 Parkview St\, Detroit\, MI 48214\n\n+9:00-9:10AM:+ Opening Remarks \n+9:10-10:00AM:+ Atelier Herenplaats  - A European PAS Model\n+10:00-11:00AM:+ Alternate (Economic) Studio Models\n+11:00-11:15AM:+ Break\n+11:15-12:30:+ Death and Mourning in the Studio \n+12:30-12:45:+ Walk or bus to the Lantern Building\n+12:45-2:30:+ Lunch and Visit PASC \n+2:30-6:30PM:+ Break - suggested tours around Detroit (List will be provided)\n+6:00-7:30PM:+ Charlotte Hollinshead: ActionSpace\, Nnena Kalu and The Turner Prize (Free External Lecture as part of the conference open to the general public.)\n\nView the full schedule and register at https://myumi.ch/qwVRX.
UID:149750-21907054@events.umich.edu
URL:https://events.umich.edu/event/149750
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Disability Studies,Humanities,Michigan Arts Festival,Visual Arts
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260915T161734
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T163000
SUMMARY:Exhibition:Art Exhibit: Hands on Fire
DESCRIPTION:Jim Cogswell: Hands on Fire\n\n**August 31 to October 9\, 2026**\n**Public Reception: Friday\, September 18\, 4:30 to 6:30 pm**\n\nJim Cogswell’s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis’ cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962)\, The Trojan Women (1971)\, and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022)\, Cogswell’s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens\, Greece\, which also responded to the cinematic trilogy. By following Cacoyannis’ adaptations\, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war\, imperial overreach\, and abuse of power\; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames\, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself\, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives\, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason\, to count and to indicate. They give us agency\, as creators but also as destroyers. They give form to our willingness to act in the world\, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies\, College of Literature\, Science\, and the Arts at the University of Michigan\, for their ongoing support for my research and the dissemination of this project.
UID:152223-21913395@events.umich.edu
URL:https://events.umich.edu/event/152223
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:art,art and design,Art History,artists,artists and curators,arts,arts at michigan,Arts Initiative,Classical Studies,Exhibition,free,History,Visual Arts
LOCATION:East Quadrangle - RC Art Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20260915T123553
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T163000
SUMMARY:Exhibition:Breakfast\, Luncheon\, and Dinner: Dining Out in the 1910s\, 1920s\, and 1930s
DESCRIPTION:Enjoy a buffet selection of early twentieth century menus from the Janice Bluestein Longone Culinary Archive. Visit the Special Collections Research Center on the 6th floor of the Hatcher Library\, Monday-Friday\, 9:00am-4:30pm.
UID:152203-21913254@events.umich.edu
URL:https://events.umich.edu/event/152203
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Special Collections, 6th floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260925T202145
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261008T130000
SUMMARY:Workshop / Seminar:Faculty Engaged Mentoring Workshop
DESCRIPTION:The \"Engaged Mentoring\" series is for faculty mentors of research trainees at any stage of training. This program is an evidence-based\, interactive approach designed to elevate mentoring skills for engaging in productive\, culturally responsive research mentoring relationships. The program aims to accelerate the process of becoming an effective research mentor by providing mentors with an intellectual framework\, an opportunity to experiment with various methods\, and a forum in which to solve mentoring dilemmas with the help of their peers. By the end of the program\, mentors will have articulated their style and philosophy of mentoring and have a toolbox of strategies for approaching difficult mentoring situations. These skills will support the success of both mentors and mentees\, and it is responsive to the NIGMS guidelines regarding the preparation of mentors involved in training grants.\n\nThe OGPS Engaged Mentoring Series\, focuses on the five themes below. To learn more about the five themes\, visit our Canvas Site:\n1. Establishing Effective Mentoring/Mentee Relationships\n2. Aligning Expectations Using Mentoring Plans\n3. Managing Mental Health in the Mentoring Relationship\n4. Approaching Difficult Conversations \n5. Managing Tension and Conflict \nThe 5 themes are presented in two different formats:Option A: Two half-day Workshop series. Each session is 4hrs\, and you must attend both sessions in order to receive a certificate of completion from OGPS.Option B: 1-day Retreat. The session is 8hrs\, and you must attend the entire session to receive a certificate of completion from OGPS. \nWe will continue to populate this site with more program offering dates throughout the year.
UID:111271-21911118@events.umich.edu
URL:https://events.umich.edu/event/111271
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Sessions
LOCATION:THSL 2994
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260820T165408
DTSTART;TZID=America/Detroit:20261007T090000
DTEND;TZID=America/Detroit:20261007T200000
SUMMARY:Exhibition:Faster and More Fun: American Home Cooking in the 1920s
DESCRIPTION:Visit the Hatcher Gallery Exhibit Room to see historical materials that illustrate women’s changing relationship with food\, cooking\, and technology during the heady decade of the 1920s\, sandwiched between WWI and the Great Depression. This exhibit features materials from the Janice Bluestein Longone Culinary Archive\, as well as select items from the Art\, Architecture\, and Engineering Special Collections and the Transportation History Collection.\n\nAs America rang in a new decade in the 1920s\, cookbook authors and appliance manufacturers stood ready to offer the newly emancipated and forward-thinking American woman a vision for her future\, a vision that would be scientifically  grounded\, speedy enough to make time for leisure as well as housework\, and guaranteed to bring fun to that most humdrum of chores: planning and preparing meals for a family three times a day\, 365 days a year.
UID:150658-21909787@events.umich.edu
URL:https://events.umich.edu/event/150658
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Culinary History,Free,Library
LOCATION:Hatcher Graduate Library - Hatcher Gallery Exhibit Room, 1st Floor
CONTACT:
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