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BEGIN:VEVENT
DTSTAMP:20170830T121528
DTSTART;TZID=America/Detroit:20170909T100000
DTEND;TZID=America/Detroit:20170909T113000
SUMMARY:Performance:Guest Master Class: David Cooper\, French horn
DESCRIPTION:David Cooper is a third generation French horn player having both his uncle and grandmother as professional horn players in the Lansing Symphony. He began playing with Michigan State University ensembles when only 15 and was in the top MSU ensemble at age 16. While studying at the prestigious Curtis Institute of Music\, Cooper was awarded a Tanglewood Fellowship\, and since 2011 he has spent three consecutive summers at Marlboro Music festival in Vermont. He won the position of solo horn with the Berlin Philharmonic and will join the orchestra for the 2017-18 season. Cooper is an active chamber musician and is music director of the Avant Chamber Ballet in Dallas\, TX.
UID:43293-9751015@events.umich.edu
URL:https://events.umich.edu/event/43293
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Music,North campus
LOCATION:Off Campus Location - Hankinson Rehearsal Hall
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170410T215244
DTSTART;TZID=America/Detroit:20170909T110000
DTEND;TZID=America/Detroit:20170909T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University of Michigan’s Bicentennial in 2017\, artist and distinguished U​–M art professor Jim Cogswell has been invited to create a series of public window installations in response to the holdings of the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project\, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative\, based on reassembled fragments from a diverse range of artworks in both museums’ permanent collections. The juxtaposed images will address our shared histories and experiences while connecting the viewer to the origins and meaning of objects and their power to shape knowledge\, memory\, and identity. By leveraging the buildings’ unique architecture\, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community.\nCosmogonic Tattoos is on view at UMMA April 22 through December 3\, 2017 and at the Kelsey Museum of Archaeology from June 2 through December 17\, 2017.\nLead support for Cosmogonic Tattoos is provided by the University of Michigan Office of the Provost.
UID:40469-8571756@events.umich.edu
URL:https://events.umich.edu/event/40469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170724T201257
DTSTART;TZID=America/Detroit:20170909T110000
DTEND;TZID=America/Detroit:20170909T170000
SUMMARY:Exhibition:Gloss: Modeling Beauty
DESCRIPTION:Focusing on the prominent role of women as the subject of photography\, GLOSS: Modeling Beauty explores the shifting ideals of female beauty that pervade European and American visual culture from the 1920s to today. The exhibition features images of sleek and poised female models and celebrities destined for the glossy pages of fashion magazines and catalogs by leading photographers such as Edward Steichen\, Philippe Halsman\, Helmut Newton\, Andy Warhol\, and Guy Bourdin. Outside of commercial advertising practice\, documentary photographers Elliott Erwitt\, Joel Meyerowitz\, and Ralph Gibson portray candid images of fashionable women on city streets and mannequins in shop windows\, resulting in intriguing juxtapositions of haute couture and everyday life. And\nartists James Van Der Zee\, Eduardo Paolozzi\, and Nikki S. Lee employ the visual strategies of traditional fashion photography\, while offering alternative narratives to mainstream notions of female beauty.\n\nLead support for Gloss: Modeling Beauty is provided by Bank of America and Merrill Lynch. Additional generous support is provided by the University of Michigan Institute for Research on Women and Gender.
UID:41652-9417850@events.umich.edu
URL:https://events.umich.edu/event/41652
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170929T081248
DTSTART;TZID=America/Detroit:20170909T110000
DTEND;TZID=America/Detroit:20170909T113000
SUMMARY:Presentation:Hands-On Demo: Fantastic Fluids
DESCRIPTION:Explore the fascinating world of fluid dynamics!  Together we will discuss what is a “fluid\,” and through experimentation\, we will learn how fluids move and interact. Learn how wind creates waves\, and test the surface tension of different liquids.  How do different fluids mix? Can you ever unmix them?  Learn about how and why U-M researchers are studying fluid dynamics. This demo is filled to the brim with hands-on experiments.  Funded by the National Science Foundation.\n\nHands-on demonstrations are 20-30 minute interactive programs on the 2nd floor of the Museum.​ ​They include both brief presentations highlighting University research and engaging hands-on activities\, and are suitable for adults and children ages 5 and up.
UID:41379-9487161@events.umich.edu
URL:https://events.umich.edu/event/41379
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Children,Free,Museum
LOCATION:Ruthven Museums Building
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20171116T104242
DTSTART;TZID=America/Detroit:20170909T110000
DTEND;TZID=America/Detroit:20170909T170000
SUMMARY:Exhibition:Moving Image: Portraiture
DESCRIPTION:Moving Image: Portraiture presents a contemporary spin on traditional notions of portraiture. In the video Towards An Architect\, Hannu Karjalainen portrays a fictional architect who is experiencing the response of people living in the structures he designed. Daniel Rozin’s Mirror No. 10 is driven by software\, written by the artist\, that generates a real-time reflection of the environment the screen is displayed in—specifically a live sketch of the viewer approaching the frame. Mesocosm (Northumberland\, UK) is an algorithmic work by Marina Zurkow that depicts the passage of time on the moors of Northeast England.\n\nMoving Image: Portraiture is the third of three exhibitions drawn from the collection of the Borusan Contemporary\, Istanbul\, which since 2011 has been focused on media arts. The works in this series address both formal concerns and conceptual topics\; many represent traditional categories such as portraiture and landscape that find new resonance when explored through the strategies of dynamic technology.\n\nLead support for Moving Image: Portraiture is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and Penny W. Stamps School of Art and Design.
UID:41372-9194735@events.umich.edu
URL:https://events.umich.edu/event/41372
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Multicultural,Storytelling,Theater,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170724T195814
DTSTART;TZID=America/Detroit:20170909T110000
DTEND;TZID=America/Detroit:20170909T170000
SUMMARY:Exhibition:Power Contained: The Art of Authority in Central and West Africa
DESCRIPTION:Before colonization\, complex hierarchical societies flourished in Central and West Africa. At their summits were a select few—kings and chiefs whose authority was derived from their direct connection to powerful ancestors and predecessors. These rulers were wrapped in expensive textiles or costly furs\, and covered in beads and precious metals\, materials that not only signaled their extraordinary status\, but were also intended to safely contain the great power they wielded. The famous minkisi (meaning “power figure”) sculptures of Central Africa were similarly activated through the addition of charged materials. Textiles\, animal skin\, metal\, and beads allowed the lifeless wooden carvings to be activated by local spiritual leaders in order to communicate with the realm of the ancestors and spirits. This exhibition explores the parallels between the adornment of the king’s physical body and minkisi. Drawing on works from UMMA’s collection and several loans\, the exhibition demonstrates how authority was expressed and power contained across a range of historical cultures in Nigeria\, Ghana\, the Democratic Republic of the Congo and Cameroon.\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center.
UID:41651-9417721@events.umich.edu
URL:https://events.umich.edu/event/41651
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Africa,Art,Concert,Exhibition,Storytelling
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170626T235144
DTSTART;TZID=America/Detroit:20170909T110000
DTEND;TZID=America/Detroit:20170909T170000
SUMMARY:Exhibition:Victors for Art: Michigan's Alumni Collectors—Part II: Abstraction
DESCRIPTION:Commemorating the University of Michigan’s 2017 Bicentennial\, Victors for Art: Michigan’s Alumni Collectors celebrates the deep impact of Michigan alumni in the global art world. \n\nThis two-part exhibition presents works collected by a diverse group of alumni that represent the breadth of the University and over seventy years of graduating classes. Part II: Abstraction\, on view in the A. Alfred Taubman Gallery July 1 through October 29\, showcases modern and contemporary art by Pablo Picasso\, Alberto Giacometti\,\nLouise Nevelson\, Christo\, Lorna Simpson\, José Parlá\, and Do Ho Su\, among others. It also features a fifth-century Korean roof end tile and an Amish quilt\, as well as a work by an Inuit master—thus inviting visitors to explore the pleasures of abstraction across a wide range of media\, eras\, and genres. UMMA extends Part II: Abstraction into the Irving Stenn\, Jr. Family Gallery from August 19 through November 26\, 2017\, with the site-specific installation of Random International’s LED-light and motion-sensing dynamic sculpture\, Swarm Study / II. Victors for Art offers an unprecedented opportunity to view art that may have never been publicly displayed otherwise—and most certainly\, not all together. For visitors\, and especially for future Michigan alumni\, Victors for Art illuminates the shared passion for art fostered by the Michigan experience.\n\nThis exhibition was organized by Joseph Rosa\, Guest Curator\, in collaboration with Laura De Becker\, Helmut & Candis Stern Associate Curator of African Art\, Jennifer Friess\, Assistant Curator of Photography\, Lehti Mairike Keelman\, Assistant Curator of Western Art\, and Natsu Oyobe\, Curator of Asian Art.\n\nLead support for Victors for Art: Michigan's Alumni Collectors is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the University of Michigan Office of the President\, the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts\, and the University of Michigan Bicentennial Office.
UID:41371-9194642@events.umich.edu
URL:https://events.umich.edu/event/41371
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Multicultural,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170802T081852
DTSTART;TZID=America/Detroit:20170909T113000
DTEND;TZID=America/Detroit:20170909T123000
SUMMARY:Presentation:The Sky Tonight: Live Star Talk
DESCRIPTION:Bright stars\, constellations\, and planets are discussed in this live star talk\, which includes a trip into space to look at far away objects.
UID:41843-9487186@events.umich.edu
URL:https://events.umich.edu/event/41843
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Children,Family,Museum,Science
LOCATION:Ruthven Museums Building
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170403T125717
DTSTART;TZID=America/Detroit:20170909T120000
DTEND;TZID=America/Detroit:20170909T130000
SUMMARY:Other:9/22--Fall 2017 Application Deadline
DESCRIPTION:The application deadline for Winter 2018 and early-admission Fall 2018. Please apply through M-Compass.
UID:40173-8509044@events.umich.edu
URL:https://events.umich.edu/event/40173
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Deadlines,Interdisciplinary,Internship,Leadership,Majors,Networking,Public Policy,Research,Scholarships,Social,Social Impact,Social Justice,Student Org,Study Abroad,Transfer Students,Undergraduate
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170629T121702
DTSTART;TZID=America/Detroit:20170909T120000
SUMMARY:Sporting Event:Michigan Football vs. Cincinnati
DESCRIPTION:Michigan Football vs. Cincinnati
UID:40789-8756193@events.umich.edu
URL:https://events.umich.edu/event/40789
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Athletics,Athletics - Football
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170428T132944
DTSTART;TZID=America/Detroit:20170909T120000
DTEND;TZID=America/Detroit:20170909T160000
SUMMARY:Exhibition:The Journey in a Day: 200 Years of Student Life at the University of Michigan
DESCRIPTION:U-M students have teamed up to create this sweeping exhibition\, surveying 200 years of daily rituals\, social life\, challenges\, victories\, and the roles U-M students have played in historic events. \"The Journey in a Day\" exhibition includes nearly 50 historic objects and dozens of photos. The exhibition includes a recreation of a Martha Cook Residence Hall room\, circa 1917\, amongst the first on campus to house women. A poster kiosk occupies the middle of one room in the Museum\, plastered with fliers and posters from across time. A reproduction of student scrapbooks brings visitors in direct contact with individuals at various times throughout history. From the morning ritual of reading the Michigan Daily\, to student reaction and involvement in U.S. wars\, from the mandates and tweets of student organizations\, to a survey of infamous late night Ann Arbor hot spots\, this is a wide ranging exhibition with many interesting\, entertaining and illuminating stories to tell.\n\nDesigned by U-M students participating in MUSEUMS 498\, in the History of Art Department\, in collaboration with the U-M Bicentennial Office\, and the Washtenaw County Historical Society.\n\nFor information on-the-go about this event and all other Bicentennial happenings\, download our mobile app: http://guidebook.com/g/umich200.
UID:39350-7970543@events.umich.edu
URL:https://events.umich.edu/event/39350
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Bicentennial,Culture,Exhibition,Free,History,Interdisciplinary,Museum,Sociology,Theme Semester
LOCATION:Off Campus Location - 500 N. Main St., Ann Arbor, MI 48104
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20170731T181516
DTSTART;TZID=America/Detroit:20170909T120000
DTEND;TZID=America/Detroit:20170909T190000
SUMMARY:Exhibition:The Unfinished Conversation: Encoding/Decoding
DESCRIPTION:On view from September 8-October 14\, 2017 in the Stamps Gallery (201 S. Division St.\, Ann Arbor)\, The Unfinished Conversation: Encoding/Decoding is a group exhibition including image and video work by Terry Adkins\, John Akomfrah\, Shelagh Keeley\, and Zineb Sedira. There will be an exhibition reception on Friday\, September 8 from 6-8 pm. The exhibition and reception are free and open to the public.\n\nCo-curated by Gaëtane Verna\, Director of The Power Plant\, and Mark Sealy\, The Unfinished Conversation is grounded in the work of cultural theorist Stuart Hall (1932-2014)\, who devoted his life to studying the interweaving threads of culture\, power\, politics\, and history. \n\nTaking Hall’s essay Encoding and Decoding in the Television Discourse as a point of departure\, viewers will be invited to think about how meaning is constructed\; how it is systematically distorted by audience reception\; and how it can be detached and drained of its original intent to produce specific or slanted narratives. Hall’s interdisciplinary approach drew on literary theory\, linguistics\, and cultural anthropology in order to analyse and articulate the relationship between history\, culture\, popular media\, cold war politics\, gender\, and ethnicity.\n\nBy presenting the work of artists who bring into play time\, memory\, and archives so as to construct new readings of the past\, the exhibition will lay emphasis on the idea that the “visual” is an assimilatory process continuously at work in the construction of cultural\, political\, personal\, and national identities.\n\nCo-curators Gaëtane Verna and Mark Sealy state that it is their curatorial intention to build a multiple moving/still/audio archive\, an image map\, a visual vehicle that will ferry the audience across the choppy waters of memory\, images\, and politics to an undeterminable\, obscure\, and un-chartable destination\, where people often meet with a fatal end. The exhibition aims to take viewers on a journey in time\, to bring them to encounter images\, which act as both objects of art and ideas in flux\, circulating in and out of the archive through the corridors of cultural re-construction.\n\nThis image map will be drawn by the work of Terry Adkins\, John Akomfrah\, Shelagh Keeley and Zineb Sedira\, four artists whose practice is devoted primarily to commenting on recent socio-political events and situations and relating them to the not so distant past in order to help us understand the world we live in.\n\nBy stimulating our personal and collective memory\, these works will show us how history agitates and causes anxiety in our personal lives and in the political realm as they will reveal the fact that national identity is not an essence or a state of being\, but a “becoming\,” a process whereby subjectivities are formed in the interstices between such binary oppositions as us/them\, black/white\, or native/foreigner\, and that it is in those in-between spaces that marginalized people are the agents and subjects of many possible futures\, imagined or real.\n\nThe thread that connects all these art works is the artist’s involvement with the significant social issues confronting humanity today and their profound desire to push formal boundaries in order to tackle them.\n\nThe Unfinished Conversation: Encoding/Decoding is organized and circulated by The Power Plant Contemporary Art Gallery\, Toronto in partnership with Autograph ABP\, London. The exhibition is co-curated by Gaëtane Verna\, Director\, The Power Plant and Mark Sealy\, Director\, Autograph ABP.\n\nPhoto by Toni Hafkenscheid.
UID:41797-9474947@events.umich.edu
URL:https://events.umich.edu/event/41797
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Film
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170907T121539
DTSTART;TZID=America/Detroit:20170909T120000
DTEND;TZID=America/Detroit:20170909T190000
SUMMARY:Exhibition:Vital Signs for a New America
DESCRIPTION:On view from September 8-October 14\, 2017 in the Stamps Gallery (201 S. Division St.\, Ann Arbor)\, Vital Signs for a New America is a group exhibition including work by Dylan Miner\, Sheryl Oring\, and the performance collective The Hinterlands. There will be an exhibition reception on Friday\, September 8 from 6-8 pm. The exhibition and reception are free and open to the public.\n\nCurated by Srimoyee Mitra\, Vital Signs for a New America uses a range of meaningful and compelling of community-engaged approaches to invite the public to join Miner\, Oring\, and The Hinterlands in speaking out and sharing stories\; listening and re-learning\; and remembering the past to imagine new possibilities for the future.\n\nActive public engagement is at the heart of Vital Signs for a New America. Each work on view in this group exhibition offers opportunities to interact directly with the artists and their art. As part of the exhibition programming\, the gallery will become a common space for storytelling and tea drinking with Dylan Miner\; a bustling executive assistant’s office with Sheryl Oring\; and a tactile\, expansive personal archive with the performance collective The Hinterlands. Vital Signs invites the public to speak out\, listen\, and imagine new models for inclusive futures.\n\nDylan Miner: Elders Say We Don’t Visit Anymore\nSaturdays\, September 9-October 14\, 1-3 pm\n\nDylan Miner\, Director of American Indian and Indigenous Studies at Michigan State University\, is an artist\, activist\, and scholar. Miner identifies as a Wiisaakodewinini (Métis)\, the Ojibwe designation for a Native male of mixed ancestry. While conducting an oral history project with retired Anishinaabe autoworkers\, elders shared the idea that “we don’t visit as much as we used to” due to the limitations of urbanizations\, wage labor\, and settler colonialism to name a few. In response\, Miner was inspired to explore the methodology of visiting with an art gallery or museum context. Elders Say We Don’t Visit Anymore is a creative action where the public is invited to share tea and conversation with the artist\, creating new friendships and maintaining social relationships within a specific time and place.\n\nSheryl Oring: I Wish to Say \nFriday\, September 8\, 5-6.30 pm and 7-8 pm (two engagements)\nFridays\, September 15-October 13\, 5-7 pm\n\nNationally renowned artist Sheryl Oring’s belief in the value of free expression guaranteed by the American constitution propelled her to initiate I Wish to Say (2004-ongoing)\, a public platform that invites people to voice their concerns about the state-of-affairs in the country to the President of America. For this project\, Oring sets up a portable public office — complete with a manual typewriter — and invites viewers to dictate postcards to the President of the United States\, prompting with a simple phrase: “Do you have a message for the president?” Over the last decade\, Oring has toured this project across the country and more than 3\,000 postcards have been mailed to the White House. Taking place for the first time in Michigan\, Oring will be working with students and volunteers at the Stamps Gallery and in the city of Ann Arbor to spark dialogues not just among artists and academics but also among the diverse public of Ann Arbor on their notes to the President.\n\nThe Hinterlands: The Radicalization Process Papers \nTuesday\, October 3\, 6-7.30pm: History is a Living Weapon (performance)\n\nThe Hinterlands delve into the past to remember and re-learn the cultural memories and collective histories of Detroit and Ann Arbor. A collection of boxes is discovered in the basement of a house on the border of Detroit and Hamtramck. In them\, a rich personal archive of publication clippings\, which appear to chronicle radical U.S. histories of the 60s and 70s. Using the archive as a performative platform\, the artists invite audiences to engage with the materials contained in the boxes that blur the boundaries between fact and fiction\, real and imagined. The ephemera and memorabilia in the The Radicalization Process Papers takes audiences on a journey that navigates layers of historical accounts\, art\, politics\, and cultural artifacts and asks audiences to examine the assumptions of freedom and democracy in popular American culture. Created and compiled by The Hinterlands in collaboration with historian and poet Casey Rocheteau and designer Ben Gaydos.
UID:41894-9489305@events.umich.edu
URL:https://events.umich.edu/event/41894
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Social
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170802T082043
DTSTART;TZID=America/Detroit:20170909T123000
DTEND;TZID=America/Detroit:20170909T133000
SUMMARY:Presentation:Sunstruck
DESCRIPTION:Our Sun produces the energy that makes life on Earth possible. How does it do this? What is the Sun comprised of and how does it affect the Earth in other ways? Solar storms are a threat to our very existence\, and the eventual death of the Sun will mean the end of our planet. How is this similar to the lives and deaths of stars throughout our galaxy?
UID:41846-9487212@events.umich.edu
URL:https://events.umich.edu/event/41846
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Children,Family,Museum,Science
LOCATION:Ruthven Museums Building
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20161228T114811
DTSTART;TZID=America/Detroit:20170909T124500
DTEND;TZID=America/Detroit:20170909T144500
SUMMARY:Meeting:Citizens' Climate Lobby Monthly Meeting
DESCRIPTION:Worried about climate change? Wondering how you can make a real difference? Come to the monthly meeting of the Ann Arbor chapter of Citizens' Climate Lobby (CCL). CCL is a national\, grassroots organization working to enact federal legislation to put a price on CO2. Our meetings consist of dialing in to a national conference call (featuring different guest speakers each month)\, followed by local discussion of actions.
UID:37173-6299579@events.umich.edu
URL:https://events.umich.edu/event/37173
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Climate Change,Environment,Politics,Sustainability,Volunteer
LOCATION:Off Campus Location - Freespace (3rd Floor)
CONTACT:
END:VEVENT
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