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DTSTAMP:20230224T172101
DTSTART;TZID=America/Detroit:20230414T153000
DTEND;TZID=America/Detroit:20230414T163000
SUMMARY:Lecture / Discussion:Van der Voo Lecture - Dr. Bernard Housen\, Western Washington University
DESCRIPTION:Recognizing the role and extent of large scale deformation\, including rotations of continental margins (such as rotation of Iberia- Van der Voo\, 1969) and the displacement and accretion of tectonostratigraphic terranes (van der Pluijm et al.\, 1993) have been among the most important applications of paleomagnetism to tectonics problems. An example of these processes are models for the growth and accretion of the North America Cordillera\, and causes of regional orogenic events.  The western margin of North America has been an accretionary margin for the past ~250 million years\, with a complex history of terrane accretion\, subsequent translation\, and orogenic and magmatic processes during that time. An important\, and to some controversial\, element of the tectonic history of the Cordilleran margin has been the paleolatitude and timing of terrane accretion and interaction between these terranes and the margin- including the role and nature of subducting oceanic plates. Beginning with work published over the past 50 years\, paleomagnetic results pointed to the accretion of large terranes at latitudes far to the south of their present locations along the NA margin. These models are commonly referred to as the Baja-BC hypothesis (Irving\, 1985\; Umhoefer\, 1987)\, and remains an issue of active study (Housen\, 2018\; Mahoney et al.\, 2021\; Tikoff et al.\, 2023). Evaluation of models for far-travelled terranes requires understanding the paleogeography of North America to be used as a comparison for data from Cordilleran terranes. Data for Late Jurassic to Eocene time will be presented\, and questions- for example conflicting view of Late Jurassic paleopoles- will be highlighted. Paleomagnetic results from Cretaceous rocks of stable North America (Housen\, 2021\; Tikoff et al.\, 2023) indicate that the data is robust and define two age-grouped paleopoles. The NA pole from 145 to 85 Ma is 71.8 N\, 192.7 E\, A95=2.4\, N=27\, placing NA at high latitude. The 84-65 Ma pole for North America is 82.6 N\, 184.1 E\, A95 = 3.5\, N=3\, which indicates a southward shift of NA after 80 Ma. The N-S orientation and well-defined set of paleopoles provide an ideal reference for definition of displacements of terranes along the Cordilleran margin.\n\n      The paleomagnetic data from the Intermontane and Insular Superterranes indicate that the Intermontane Superterrane had post-100 Ma displacements of ~700 to 1400 km\; and the Insular Superterrane had post-100 Ma displacements that are larger (2000-3000 km).  This forms the basis for an updated collisional model for Late Cretaceous-Eocene orogenic events.  The collisional phase (100-85 Ma) resulted in a nearly simultaneous collision from central Mexico to central Idaho\, and the coastal magmatic arcs in this segment experience a rapid and intense episode of dextral tranpression/contractional deformation.  This event also resulted in major contraction in the Sevier fold-thrust belt\, foreland block uplifts in the northern Rocky Mountains\, and significant foreland sedimentation in adjacent North America.  A 85-55 Ma “run” phase resulted in continued contraction throughout North America in addition to dextral strike-slip faulting of coastal blocks\, and is supported by paleomagnetic data from Paleocene rocks of the Chugach terrane. The contractional deformation in Wyoming and Montana is hypothesized to occur because of the clockwise rotation of a large lithospheric block (Blue Mountains terranes and adjacent Laurentia).  This block rotation was accommodated by sinistral motion along the Lewis and Clark deformation zone\, and resulted in significant shortening in SW Montana.
UID:102060-21803405@events.umich.edu
URL:https://events.umich.edu/event/102060
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Natural Sciences
LOCATION:1100 North University Building - 1528
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230403T151142
DTSTART;TZID=America/Detroit:20230414T160000
DTEND;TZID=America/Detroit:20230414T170000
SUMMARY:Lecture / Discussion:Let’s Save the Poems: Manuscripts in Albanian Communist Prison
DESCRIPTION:At the end of the 1970s\, the Albanian poet Visar Zhiti sent a book of poems to the press expecting to publish his first book. But Zhiti ‘s poems had to go under strict control before being given permission to get printed. Not only did his poems not ‘pass’ the state propaganda hand\, but according to the state\, his poems contained ‘grave errors’\; they were considered hermetic and against the format of socialist realism under the Albanian communist regime. For this reason\, he was arrested in 1979 and sentenced to ten years in prison and served eight years. As the poet states\, he continued to write even within the prison to keep his sanity under the regime’s dire circumstances.\n\nIf there is anything we can do to make this event accessible to you\, please contact us at slavic@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:107064-21815250@events.umich.edu
URL:https://events.umich.edu/event/107064
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Albania,eastern europe,Poetry,Slavic,Slavic Studies
LOCATION:Modern Languages Building - 1220
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230330T195723
DTSTART;TZID=America/Detroit:20230414T160000
DTEND;TZID=America/Detroit:20230414T170000
SUMMARY:Workshop / Seminar:NERS Winter 2023 Colloquia Series
DESCRIPTION:For more details\, follow the \"NERS Colloquia\" link to the right. **\n\nFriday\, January 6\, 2023\nCANCELED \n\nFriday\, January 13\, 2023\nElectron Accelerators\nSpeaker: Bruce Carlsten\, Los Alamos National Laboratory\n\nFriday\, January 20\, 2023\nFacility for Rare Isotope Beams and Applications of Nuclear Engineering\nSpeaker: Takuji Kanemura\, Michigan State University\n\nFriday\, January 27\, 2023\nTopic TBA\nSpeaker: Ling Jian Meng\, University of Illinois Urbana-Champaign\n\nFriday\, February 3\, 2023\nWhy and How Lightbridge is Developing Advanced Nuclear Fuel\nSpeaker: Seth Grae\, Lightbridge Corporation\n\nFriday\, February 10\, 2023\nModern Multiscale Kinetic Algorithms for High-Fidelity ICF Capsule and Hohlraum Simulations\nSpeaker: Luis Chacon\, Los Alamos National Laboratory\n\nFriday\, February 17\, 2023\nHigh-temperature Gas-cooled Reactor Status and Challenges\nSpeaker: Gerhard Strydom\, Idaho National Laboratory\n\nFriday\, March 10\, 2023\n2022 COP Conference Panel\nSpeaker: Anil Bansal\, University of Michigan\nPanel Discussion—The November 2022 COP (UN Climate Change) Conference\n\nFriday\, March 17\, 2023\nSpeaker: Peter Hotvedt\, UM\, NERS\nPanel Discussion—Student Social Media Presence at the 2022 IAEA Nuclear Power Ministerial Panel\n\nFriday\, March 24\, 2023\nFuel Design and Developments from a Vendor’s Perspective\nSpeaker: Jacki Stevens\, Framatome\n\nFriday\, March 31\, 2023\nDevelopment of Understandable Artificial Intelligence (UAI) Methods in Physical Sciences\nSpeaker: Professor Y Z\, NERS\, U-M\n\nFriday\, April 7\, 2023\nRichard K. Osborn Lecture\nSpeaker: Kathryn Huff\, US Assistant Secretary for Nuclear Energy\n\nFriday\, April 14\, 2023\nEthical Applications of AI in International Safeguards\nSpeaker: Chantell Murphy\, Y-12 National Security Complex
UID:100707-21800275@events.umich.edu
URL:https://events.umich.edu/event/100707
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Electrical Engineering and Computer Science,Energy,Engineering,Environment,Mechanical Engineering,Michigan Engineering,Nuclear,Nuclear Engineering and Radiological Sciences,Science,Sustainability
LOCATION:Cooley Building - White Auditorium
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230123T114714
DTSTART;TZID=America/Detroit:20230414T160000
DTEND;TZID=America/Detroit:20230414T173000
SUMMARY:Workshop / Seminar:Preprint Algebraic Geometry Seminar: Klt varieties of conjecturally minimal volume\, after Totaro
DESCRIPTION:N/A
UID:103430-21807168@events.umich.edu
URL:https://events.umich.edu/event/103430
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Mathematics
LOCATION:East Hall - 4096
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230410T182542
DTSTART;TZID=America/Detroit:20230414T163000
DTEND;TZID=America/Detroit:20230414T173000
SUMMARY:Social / Informal Gathering:Michigan Meetups: Lofi & Study
DESCRIPTION:Come study with us before the weekend! We will be chillaxing to lofi beats. Bring a study buddy if you want!\n\n\n*Snacks will be provided*
UID:107454-21816055@events.umich.edu
URL:https://events.umich.edu/event/107454
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,In Person,Inclusion
LOCATION:West Quadrangle - The Connector
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230324T130748
DTSTART;TZID=America/Detroit:20230414T170000
DTEND;TZID=America/Detroit:20230414T183000
SUMMARY:Ceremony / Service:MIDAS GDSC Program 2023 Graduation
DESCRIPTION:Join us for the 2023 graduation ceremony of the MIDAS Graduate Data Science Certificate Program!\n\nAll GDSC Program Students are invited to participate.\n2023 Graduating GDSC students (MS/PhD) are strongly encouraged to participate.\nMIDAS Faculty are also invited.\n\nFor details about the MIDAS GDSC Program 2023 Graduation\, or to RSVP\, please visit the event page at https://wiki.socr.umich.edu/index.php/MIDAS_GDSC_Program_2023_Graduation
UID:106676-21814687@events.umich.edu
URL:https://events.umich.edu/event/106676
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Data Science,Graduation
LOCATION:Weiser Hall - MIDAS office suite, 6th floor
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230314T153026
DTSTART;TZID=America/Detroit:20230414T170000
DTEND;TZID=America/Detroit:20230414T190000
SUMMARY:Other:RC Creative Writing Program Honors Thesis Reading
DESCRIPTION:Please join the RC Creative Writing Program for an evening of readings celebrating this year’s honors thesis writers. Light refreshments served.\n\nPresenters: \nBailey Burke\nGabriella Dias\nOlivia Evans\nAnna Fifelski\nThomas Griffith\nFranklin Lassen\nJasmin Lee\nChelsea Padilla\nAndrea Wong
UID:106200-21813918@events.umich.edu
URL:https://events.umich.edu/event/106200
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Creative Writing,Free
LOCATION:East Quadrangle - Benzinger Library
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230407T121638
DTSTART;TZID=America/Detroit:20230414T173000
DTEND;TZID=America/Detroit:20230414T183000
SUMMARY:Other:Emma Osterrieder\, cello
DESCRIPTION:Undergraduate student Emma Osterrieder performs.
UID:107307-21815856@events.umich.edu
URL:https://events.umich.edu/event/107307
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230414T181526
DTSTART;TZID=America/Detroit:20230414T173000
DTEND;TZID=America/Detroit:20230414T184500
SUMMARY:Lecture / Discussion:Forging a New Path: Women in Japanese Ceramics
DESCRIPTION:Click here to register: https://www.youtube.com/watch?v=PpbFQVRfjJA.\n \nCeramics artists Yoshiko Takahashi and Georgette Zirbes discuss the influence of the Shigaraki tradition on their work and the intergenerational global exchange among American and Japanese artists that helped to pave the way for women ceramics artists.\n \nThis program\, presented in partnership with the Penny Stamps Speaker Series\, is connected to the UMMA exhibition Clay As Soft Power: Shigaraki Ware In Postwar America and Japan (on view through May 7\, 2023).  Known for its earthy tones\, rough clay surfaces\, and natural ash glazes\, Shigaraki ware is celebrated as one of the “Six Ancient Kilns” of Japan\, ancient sites of pottery production and cultural heritage in which wares have been produced from the middle ages to today. \n \nUntil the mid-twentieth century\, women in Japan played supporting roles in ceramic production. After World War II\, the number of women ceramic artists in Japan gradually increased as access to education and professional development expanded. A robust exchange with American women ceramic artists contributed to this shift as well. U-M Professor Emerita Georgette Zirbes was one of these American artists.  By the 1960s\, a notable number of women had founded their own ceramics studios\, carried out every step of production from modeling to firing by themselves\, and produced ceramics not only to earn a living but as a means of self-expression. The current generation of women artists such as Yoshiko Takahashi has  inherited the legacy of the remarkable independence of Zirbes and others in her cohort.\n \nJoin these two artists along with exhibition curator Natsu Oyobe for a deep dive into their work and the influences that continue to connect them today.\n \nThe program will be followed by UMMA Feel Good Friday. Stick around for an evening of programming inspired by the Clay as Soft Power exhibition.\n \nYoshiko Takahashi was born into the family of Takahashi Rakusai\, a lineage of makers of Shigaraki ware that started in the nineteenth century. She will be the first woman artist to succeed to the Rakusai name. Takahashi studied ceramics at the Kyoto Prefectural Ceramicists' Technical Institute and the Shigaraki Ceramic Research Institute. After graduating\, she became a studio technician for the artist-in-residence program at the Shigaraki Ceramic Cultural Park\, working in the stimulating environment of international and national artist exchanges. Now an independent artist in Shigaraki\, she regularly exhibits her works in museums and galleries throughout Japan and the United States.\n \nGeorgette Zirbes’s artistic practice has been informed by her experience and research in Japan and Eastern Europe. After receiving an MA in ceramic art from The Ohio State University in 1964\, Zirbes was awarded a Fulbright Scholarship to Japan and studied with two masters of the woodfired\, unglazed ceramic tradition: Fujiwara Kei (1924–1977) in Bizen and Takahashi Rakusai III (1898–1976) in Shigaraki\, where she learned about asymmetric forms and interventions into clay surfaces. In 1987\, another Fulbright grant allowed her to spend six months studying ceramic traditions in the former Czechoslovakia. While retaining her studio practice\, she was a devoted educator and in 1970 she established the studio art program at the Residential College at the University of Michigan\; she later became a faculty member at the University’s School of Art and Design\, where she taught for thirty-five years. In 2006\, she was named an Arthur F. Thurnau Professor by the University of Michigan in recognition of her dedication to teaching. A retrospective exhibition was held at her undergraduate alma mater\, DePauw University\, in 2017.\n\nEstablished through the generosity of Dr. Herbert Sloan\, the annual Doris Sloan Memorial Program honors one of the Museum’s most ardent friends and supporters\, Doris Sloan\, a long-time UMMA docent.\n\nTonight’s program is presented in partnership with the Penny Stamps Speaker Series and sponsored by the Japan Business Society of Detroit Foundation and Takahashi Omitsu. \n\n \n\n\nLead support for this exhibition is provided by the U-M Office of the Provost\, the Japan World Exposition 1970 Commemorative Fund\, the E. Rhodes and Leona B. Carpenter Foundation\, the National Endowment for the Arts\, the Michigan Arts and Culture Council\, and the U-M Center for Japanese Studies. Additional generous support is provided by the Japan Foundation\, James M. Trapp\, Nancy and Joe Keithley\, and the William C. Weese\, M.D. Endowment for Ceramic Arts.  
UID:102733-21805063@events.umich.edu
URL:https://events.umich.edu/event/102733
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Education,Environment,Exhibition,Faculty,Family,International,Museum,Professional Development,Research,UMMA,Undergraduate
LOCATION:Museum of Art - University of Michigan Museum of Art 
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230407T121638
DTSTART;TZID=America/Detroit:20230414T173000
DTEND;TZID=America/Detroit:20230414T183000
SUMMARY:Other:Hillary Santoso\, piano
DESCRIPTION:Graduate student Hillary Santoso performs.
UID:107306-21815855@events.umich.edu
URL:https://events.umich.edu/event/107306
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230412T121048
DTSTART;TZID=America/Detroit:20230414T173000
DTEND;TZID=America/Detroit:20230414T183000
SUMMARY:Workshop / Seminar:Pad Thai and Pronouns
DESCRIPTION:Join the Oxford Multicultural Council for an interactive Professional Pronouns workshop on how to incorporate gender-inclusive language and pronoun-use in a workplace setting. Enjoy some Pad Thai while we engage in meaningful discussions about creating a more welcoming and tolerant environment!
UID:107514-21816130@events.umich.edu
URL:https://events.umich.edu/event/107514
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Diversity Equity and Inclusion,Education,housing,Lgbt
LOCATION:Oxford Housing - Ghandi Lounge
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230412T181505
DTSTART;TZID=America/Detroit:20230414T173000
DTEND;TZID=America/Detroit:20230414T190000
SUMMARY:Lecture / Discussion:Yoshiko Takahashi and Georgette Zirbes
DESCRIPTION:Ceramics artists Yoshiko Takahashi and Georgette Zirbes discuss the influence of the Shigaraki tradition on their work and the intergenerational global exchange among American and Japanese artists that helped to pave the way for women ceramics artists.\nThis program is presented in connection with the UMMA exhibition Clay As Soft Power: Shigaraki Ware In Postwar America and Japan\, on view through May 7\, 2023. Known for its earthy tones\, rough clay surfaces\, and natural ash glazes\, Shigaraki ware is celebrated as one of the “Six Ancient Kilns” of Japan\, ancient sites of pottery production and cultural heritage in which wares have been produced from the middle ages to today . \nUntil the mid-twentieth century\, women in Japan played supporting roles in ceramic production. After World War II\, the number of women ceramic artists in Japan gradually increased as access to education and professional development expanded. A robust exchange with American women ceramic artists contributed to this shift as well. U-M Professor Emerita Georgette Zirbes was one of these American artists. By the 1960s\, a notable number of women had founded their own ceramics studios\, carried out every step of production from modeling to firing by themselves\, and produced ceramics not only to earn a living but as a means of self-expression. The current generation of women artists such as Yoshiko Takahashi has inherited the legacy of the remarkable independence of Zirbes and others in her cohort.\nJoin these two artists along with exhibition curator Natsu Oyobe for a deep dive into their work and the influences that continue to connect them today.\nThe program will be followed by UMMA Feel Good Friday. Stick around for an evening of programming inspired by the Clay as Soft Power exhibition.\nYoshiko Takahashi was born into the family of Takahashi Rakusai\, a lineage of makers of Shigaraki ware that started in the nineteenth century. She will be the first woman artist to succeed to the Rakusai name. Takahashi studied ceramics at the Kyoto Prefectural Ceramicists&#039\; Technical Institute and the Shigaraki Ceramic Research Institute. After graduating\, she became a studio technician for the artist-in-residence program at the Shigaraki Ceramic Cultural Park\, working in the stimulating environment of international and national artist exchanges. Now an independent artist in Shigaraki\, she regularly exhibits her works in museums and galleries throughout Japan and the United States.\nGeorgette Zirbes’s artistic practice has been informed by her experience and research in Japan and Eastern Europe. After receiving an MA in ceramic art from The Ohio State University in 1964\, Zirbes was awarded a Fulbright Scholarship to Japan and studied with two masters of the woodfired\, unglazed ceramic tradition: Fujiwara Kei (1924–1977) in Bizen and Takahashi Rakusai III (1898–1976) in Shigaraki\, where she learned about asymmetric forms and interventions into clay surfaces. In 1987\, another Fulbright grant allowed her to spend six months studying ceramic traditions in the former Czechoslovakia. While retaining her studio practice\, she was a devoted educator and in 1970 she established the studio art program at the Residential College at the University of Michigan\; she later became a faculty member at the University’s School of Art and Design\, where she taught for thirty-five years. In 2006\, she was named an Arthur F. Thurnau Professor by the University of Michigan in recognition of her dedication to teaching. A retrospective exhibition was held at her undergraduate alma mater\, DePauw University\, in 2017.
UID:104074-21808367@events.umich.edu
URL:https://events.umich.edu/event/104074
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230331T001509
DTSTART;TZID=America/Detroit:20230414T180000
DTEND;TZID=America/Detroit:20230414T210000
SUMMARY:Exhibition:Caroline Sinders: Intertwined Intimacy
DESCRIPTION:Intertwined Intimacy is a series of architectural sculptures ruminating on privacy and intimacy\, and how the infrastructure of visible and invisible spaces influences communities\, communications\, and safety. \nThis work stems from artist Caroline Sinders&#039\; previous work combining research driven art and human rights analysis that responds to current technology systems by focusing on how the design of &#039\;infrastructural&#039\; and &#039\;architectural&#039\; spaces\, both online and offline\, impacts safety. By focusing on prototypian futures\, Intertwined Intimacy observes impacts through public infrastructure\, and open\, digital commons inspired by mutual aid and open source technology. To generate this research\, Sinders analyzed how structures\, metaphors and engagements of privacy and security within technology impact mental models The sculptures create a labyrinth\, allowing for a space of reflection and consideration for the audience\, as the sculptures slowly become more and more opaque\, offering areas of hidden solitude and refuge.\nCaroline Sinders is the 2023 Roman J. Witt Artist in Residence. This annual international competition awards one residency per academic year to a visiting artist/designer who proposes to develop a new work in collaboration with members of the Penny W. Stamps School of Art &amp\; Design and the University of Michigan community. Learn more about Sinders&#039\; residency and practice in this Q&amp\;A.\nSinders is an award winning critical designer\, researcher\, and artist. She is the founder of human rights and design lab\, Convocation Research + Design. For the past few years\, she has been examining the intersections of artificial intelligence\, intersectional justice\, systems design\, harm\, and politics in digital conversational spaces and technology platforms. She has worked with the Tate Exchange at the Tate Modern\, the United Nations\,the European Commission\, Ars Electronica\, the Harvard Kennedy School and others. Sinders is currently based between London\, UK and New Orleans\, USA.
UID:107057-21815226@events.umich.edu
URL:https://events.umich.edu/event/107057
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230416T180010
DTSTART;TZID=America/Detroit:20230414T180000
DTEND;TZID=America/Detroit:20230414T235959
SUMMARY:Other:OSU Invite
DESCRIPTION:OSU April 14-16 
UID:107055-21815214@events.umich.edu
URL:https://events.umich.edu/event/107055
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Columbus, Ohio
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20230414T121644
DTSTART;TZID=America/Detroit:20230414T190000
DTEND;TZID=America/Detroit:20230414T210000
SUMMARY:Performance:Computer Music Showcase
DESCRIPTION:Featuring Works By:\nCicada Bhatia-Guerin\nJoshua Cheng\nEva Choi\nAlden Crago\nEli FaberOz Feldman\nTom Frost\nColtrane Gilman\nCole Helsel\nEvan Magill\nG. Medrano\nWes Millhouse\nLukas Nepomuceno\nJulian Sarkissian\nAdithya Sastry\nJazzy Sen\nRenata Schmult\nShantelle Subkhanberdina\nLucas Tittle\nHelga Tong\nNaomi Wolfe\nAlex Zhang\nSarina Zhang
UID:107338-21815887@events.umich.edu
URL:https://events.umich.edu/event/107338
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
END:VCALENDAR