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DTSTART:20070311T020000
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BEGIN:VEVENT
DTSTAMP:20170105T143903
DTSTART;TZID=America/Detroit:20170916T080000
DTEND;TZID=America/Detroit:20170916T200000
SUMMARY:Exhibition:The Grandmother Tree Walk
DESCRIPTION:Matthaei Botanical Gardens & Nichols Arboretum celebrates the University of Michigan bicentennial with a tour of 12 historic trees in the Arboretum. The bicentennial story is told from the perspective of the trees\, and key moments of U-M's people and history that occurred during the trees' long lives are revealed. Visitors may pick up a map at the Arb visitor center to take this easy\, self-guided tour.
UID:37328-6502300@events.umich.edu
URL:https://events.umich.edu/event/37328
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Bicentennial,Environment,Free,Outdoors,umich200
LOCATION:Nichols Arboretum
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170815T140715
DTSTART;TZID=America/Detroit:20170916T083000
DTEND;TZID=America/Detroit:20170916T180000
SUMMARY:Exhibition:Reforming the Word: Martin Luther in Context
DESCRIPTION:Highlighting manuscripts and early printed books from the Special Collections Library\, the exhibit commemorates the 500th anniversary of a pivotal transformation in world history. In 1517\, Martin Luther\, a professor of theology and a monk\, published his scathing critique of indulgences\, a church practice that allowed Christians to buy off time from suffering for one’s sins in the afterlife.\n\nIssued in the provincial town of Wittenberg\, Luther's call for academic debate and reform unleashed a series of events that led to the break-up of Latin Christianity. The Reformations that followed forever altered the lives of those in early modern Europe and beyond.\n\nThe late medieval German lands teemed with innovation. Novel forms of piety emerged\, the demand for practical learning grew\, more universities competed for students\, and wealth from both trade and mining transformed social relations. The dissemination of texts and ideas on an industrial scale via the printing press reshaped communication\, knowledge\, and belief. In this context\, reform—the renewal of a lost standard of the past in the present—became a battle-cry for religious\, economic\, and political change.\n\nAudubon Room hours: Monday-Friday 8:30am-6:00pm\, Saturday 10:00am-6:00pm\, Sunday 1:00-6:00pm
UID:42280-9593324@events.umich.edu
URL:https://events.umich.edu/event/42280
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Library,Literature
LOCATION:Hatcher Graduate Library - Audubon Room
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170510T144424
DTSTART;TZID=America/Detroit:20170916T090000
DTEND;TZID=America/Detroit:20170916T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University’s Bicentennial in 2017\, artist and professor Jim Cogswell has been invited by the Kelsey Museum of Archaeology and the University of Michigan Museum of Art to create a set of public window installations in response to the objects in their collections.  Titled Cosmogonic Tattoos\, his project will use adhesive vinyl images applied in saturated colors to windows in the two buildings\, highlighting the role of these museums in the life of our campus community. Through close examination of objects separated from us by deep chronological and cultural divides\, imaginatively transformed within our campus context\, this project celebrates the power of architecture\, ornament\, and material objects to shape knowledge\, historical memory\, and cultural identity. \n\nLook for displays in the UMMA from April 22-Dec. 3\, the exterior of the Kelsey Museum from June 2-Dec. 17\, and in the interior special exhibition space of the Kelsey Museum from June 2-Sept. 10.\n\nFor information on-the-go about this event and all other Bicentennial happenings\, download our free mobile app: http://guidebook.com/g/umich200.
UID:40187-8516568@events.umich.edu
URL:https://events.umich.edu/event/40187
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Art,Bicentennial,Culture,Exhibition,History,Interdisciplinary,Museum,umich200,UMMA
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170831T152911
DTSTART;TZID=America/Detroit:20170916T090000
DTEND;TZID=America/Detroit:20170916T170000
SUMMARY:Exhibition:Exhibition on view: A Place in the Shade: Selected Projects by Charles Correa
DESCRIPTION:Exhibition on view September 7 - 22\nCharles Correa (1930-2015) is arguably the most influential architect to have worked in modern India. Born in India and educated in the U.S.\, Correa earned a B. Arch. at the University of Michigan in 1953 and went on to receive his M.Arch. at MIT.\nOver a prolific career spanning six decades\, Charles Correa’s architecture\, urban design\, planning\, and writings inspired generations\, adapting the international language of modernism to the Indian context.. This exhibition\, organized by Nondita Correa Mehrotra\, the director of the Charles Correa Foundation\, explores the breadth of his built work\, through highlighting thirteen selected projects. Professor Craig Borum designed the exhibition. The exhibition accompanies the inaugural Charles Correa International Lecture\, an annual lecture by an emerging architect engaged with global architecture and activism. The lecture will promote cultural understanding through design practice and discourse.\n\nRelated Events: Monday\, September 18\nFilm Screening\, Volume Zero: The Work of Charles Correa\n12:00pm\, Art + Architecture Building Auditorium \n\nExhibition Reception \n5:00pm\, Taubman College Gallery\n\nCharles Correa International Lecture: Tatiana Bilbao\n6:00pm\, Walgreen Drama Center STAMPS Auditorium
UID:43445-9762918@events.umich.edu
URL:https://events.umich.edu/event/43445
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Exhibition
LOCATION:Art and Architecture Building - Taubman College Gallery
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170821T104650
DTSTART;TZID=America/Detroit:20170916T100000
DTEND;TZID=America/Detroit:20170916T180000
SUMMARY:Exhibition:Forever Unfinished: Making and Remaking a Public University
DESCRIPTION:The University of Michigan was founded in 1817 as a public institution\, a concept for which there were few models. What makes a university public? What should it look like? Whom should it serve? Who should have access to its resources\, and where should those resources come from?\n\nThis exhibit explores how students\, faculty\, staff\, politicians\, and citizens have attempted to answer these questions. These stories invite us to imagine U-M's future as a public university based on what we know about its past.\n\nExhibit team: Jonathan Farr\, Nora Krinitsky\, Michelle McClellan\, Gregory Parker\, Emily Price\, Kate Silbert\n\nThis LSA Bicentennial Theme Semester exhibit is presented with support from the College of Literature\, Science\, and the Arts and the University of Michigan Bicentennial Office. Additional support provided by the Department of History and the Eisenberg Institute for Historical Studies.
UID:41774-9470866@events.umich.edu
URL:https://events.umich.edu/event/41774
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Bicentennial,Exhibition,History,LSA200,umich200
LOCATION:Hatcher Graduate Library - Gallery (Room 100)
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170808T084017
DTSTART;TZID=America/Detroit:20170916T110000
DTEND;TZID=America/Detroit:20170916T120000
SUMMARY:Performance:10 Blocks on the Camino Real
DESCRIPTION:\"A big-hearted Williams one-act about love and heroism\, staged with West African flair in a performance full of vibrant song and dance\, perfectly suited to the outdoor marketplace.\"\n\nThe University of Michigan Center for World Performance Studies (CWPS) hosts the National Theatre of Ghana in residence from September 12-17\, featuring a series of open air performances of 10 Blocks on the Camino Real\, written by Tennessee Williams. In this one-act play\, song\, dialogue and dance are used to tell the story of how the American hero Kilroy enters the pantheon of heroes by losing his innocence. The plaza of Ten Blocks on the Camino Real is a crossroads of world theater\, drawing on Williams’ experiences in Mexico\, and inspired by German theater\, Chinese opera and commedia del’arte. Ghana is the source and setting for this new production\, directed by David Kaplan\, curator of the Provincetown Tennessee Williams Theater Festival. While the spoken English text is performed as written by Williams\, Spanish songs and Spanish words have been translated to Ghanaian songs and Ghanaian languages. Don Quixote has become Okomfo Okokye\, the founder of the Ashanti line of kings\, who finds his sidekick\, Osei-tutu. Other Spanish details are exchanged for Ghanaian specifics: pesos for pesewas\, fiesta for jubilee. The presiding musician plays two blue djembe drums\, rather than a blue guitar.\n\nEstablished in 1983 at the University of Ghana at Legon\, the professional theater company once known as “Abibigromma” became the resident troupe of the National Theatre of Ghana in 1991. The focus of the company is to develop a rich blend of music\, dance\, mime\, movement\, and dialogue with a strong social\, spiritual and folkloric base. In addition to performances and class visits throughout the week\, they will give a workshop for the public at the Residential College on Wednesday\, September 13 at 4pm in the East Quad Keene Theater\, and will also work with students at Ann Arbor’s Community High School\, and Mosaic Youth Theater in Detroit.\nCWPS aims to recreate the atmosphere of the Ghanaian outdoor productions here in Michigan\, staging performances in four outdoor venues through the week. These include:\n\n\nAnn Arbor Farmer’s Market \n315 Detroit Street\, Ann Arbor MI\nWednesday\, September 13 at 12pm\n\nThe Diag\nUniversity of Michigan\nFriday\, September 15 at 12pm\n\nYpsilanti Farmers Market Depot Town\n100 Rice Street\, Ypsilanti MI\nSaturday\, September 16 at 11am\n\nCMAP Detroit\n2221 Carpenter\, Detroit MI\nSunday\, September 17 at 2pm\n\n All performances are free and open to the public.
UID:42049-9529957@events.umich.edu
URL:https://events.umich.edu/event/42049
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Africa,African American,Culture,Dance,Detroit,Diversity Equity and Inclusion,Free,International,Multicultural,Music,Storytelling,Theater
LOCATION:Off Campus Location - 100 Rice Street
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170410T215244
DTSTART;TZID=America/Detroit:20170916T110000
DTEND;TZID=America/Detroit:20170916T170000
SUMMARY:Exhibition:Cosmogonic Tattoos
DESCRIPTION:In celebration of the University of Michigan’s Bicentennial in 2017\, artist and distinguished U​–M art professor Jim Cogswell has been invited to create a series of public window installations in response to the holdings of the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project\, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative\, based on reassembled fragments from a diverse range of artworks in both museums’ permanent collections. The juxtaposed images will address our shared histories and experiences while connecting the viewer to the origins and meaning of objects and their power to shape knowledge\, memory\, and identity. By leveraging the buildings’ unique architecture\, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community.\nCosmogonic Tattoos is on view at UMMA April 22 through December 3\, 2017 and at the Kelsey Museum of Archaeology from June 2 through December 17\, 2017.\nLead support for Cosmogonic Tattoos is provided by the University of Michigan Office of the Provost.
UID:40469-8571763@events.umich.edu
URL:https://events.umich.edu/event/40469
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170724T201257
DTSTART;TZID=America/Detroit:20170916T110000
DTEND;TZID=America/Detroit:20170916T170000
SUMMARY:Exhibition:Gloss: Modeling Beauty
DESCRIPTION:Focusing on the prominent role of women as the subject of photography\, GLOSS: Modeling Beauty explores the shifting ideals of female beauty that pervade European and American visual culture from the 1920s to today. The exhibition features images of sleek and poised female models and celebrities destined for the glossy pages of fashion magazines and catalogs by leading photographers such as Edward Steichen\, Philippe Halsman\, Helmut Newton\, Andy Warhol\, and Guy Bourdin. Outside of commercial advertising practice\, documentary photographers Elliott Erwitt\, Joel Meyerowitz\, and Ralph Gibson portray candid images of fashionable women on city streets and mannequins in shop windows\, resulting in intriguing juxtapositions of haute couture and everyday life. And\nartists James Van Der Zee\, Eduardo Paolozzi\, and Nikki S. Lee employ the visual strategies of traditional fashion photography\, while offering alternative narratives to mainstream notions of female beauty.\n\nLead support for Gloss: Modeling Beauty is provided by Bank of America and Merrill Lynch. Additional generous support is provided by the University of Michigan Institute for Research on Women and Gender.
UID:41652-9417857@events.umich.edu
URL:https://events.umich.edu/event/41652
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170818T121532
DTSTART;TZID=America/Detroit:20170916T110000
SUMMARY:Lecture / Discussion:Guest Master Class: Davóne Tines\, bass-baritone
DESCRIPTION:SMTD voice students will have a chance to work one-on-one with this prominent young American bass-baritone.
UID:42619-9614652@events.umich.edu
URL:https://events.umich.edu/event/42619
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Free,Music,North campus
LOCATION:Off Campus Location - McIntosh Theatre
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170929T081248
DTSTART;TZID=America/Detroit:20170916T110000
DTEND;TZID=America/Detroit:20170916T113000
SUMMARY:Presentation:Hands-On Demo: Fantastic Fluids
DESCRIPTION:Explore the fascinating world of fluid dynamics!  Together we will discuss what is a “fluid\,” and through experimentation\, we will learn how fluids move and interact. Learn how wind creates waves\, and test the surface tension of different liquids.  How do different fluids mix? Can you ever unmix them?  Learn about how and why U-M researchers are studying fluid dynamics. This demo is filled to the brim with hands-on experiments.  Funded by the National Science Foundation.\n\nHands-on demonstrations are 20-30 minute interactive programs on the 2nd floor of the Museum.​ ​They include both brief presentations highlighting University research and engaging hands-on activities\, and are suitable for adults and children ages 5 and up.
UID:41379-9487162@events.umich.edu
URL:https://events.umich.edu/event/41379
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Children,Free,Museum
LOCATION:Ruthven Museums Building
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20171116T104242
DTSTART;TZID=America/Detroit:20170916T110000
DTEND;TZID=America/Detroit:20170916T170000
SUMMARY:Exhibition:Moving Image: Portraiture
DESCRIPTION:Moving Image: Portraiture presents a contemporary spin on traditional notions of portraiture. In the video Towards An Architect\, Hannu Karjalainen portrays a fictional architect who is experiencing the response of people living in the structures he designed. Daniel Rozin’s Mirror No. 10 is driven by software\, written by the artist\, that generates a real-time reflection of the environment the screen is displayed in—specifically a live sketch of the viewer approaching the frame. Mesocosm (Northumberland\, UK) is an algorithmic work by Marina Zurkow that depicts the passage of time on the moors of Northeast England.\n\nMoving Image: Portraiture is the third of three exhibitions drawn from the collection of the Borusan Contemporary\, Istanbul\, which since 2011 has been focused on media arts. The works in this series address both formal concerns and conceptual topics\; many represent traditional categories such as portraiture and landscape that find new resonance when explored through the strategies of dynamic technology.\n\nLead support for Moving Image: Portraiture is provided by the Herbert W. and Susan L. Johe Endowment and the University of Michigan Institute for the Humanities and Penny W. Stamps School of Art and Design.
UID:41372-9194742@events.umich.edu
URL:https://events.umich.edu/event/41372
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Multicultural,Storytelling,Theater,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170724T195814
DTSTART;TZID=America/Detroit:20170916T110000
DTEND;TZID=America/Detroit:20170916T170000
SUMMARY:Exhibition:Power Contained: The Art of Authority in Central and West Africa
DESCRIPTION:Before colonization\, complex hierarchical societies flourished in Central and West Africa. At their summits were a select few—kings and chiefs whose authority was derived from their direct connection to powerful ancestors and predecessors. These rulers were wrapped in expensive textiles or costly furs\, and covered in beads and precious metals\, materials that not only signaled their extraordinary status\, but were also intended to safely contain the great power they wielded. The famous minkisi (meaning “power figure”) sculptures of Central Africa were similarly activated through the addition of charged materials. Textiles\, animal skin\, metal\, and beads allowed the lifeless wooden carvings to be activated by local spiritual leaders in order to communicate with the realm of the ancestors and spirits. This exhibition explores the parallels between the adornment of the king’s physical body and minkisi. Drawing on works from UMMA’s collection and several loans\, the exhibition demonstrates how authority was expressed and power contained across a range of historical cultures in Nigeria\, Ghana\, the Democratic Republic of the Congo and Cameroon.\n\nLead support for Power Contained: The Art of Authority in Central and West Africa is provided by the University of Michigan Office of the Provost and the African Studies Center.
UID:41651-9417728@events.umich.edu
URL:https://events.umich.edu/event/41651
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Africa,Art,Concert,Exhibition,Storytelling
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170626T235144
DTSTART;TZID=America/Detroit:20170916T110000
DTEND;TZID=America/Detroit:20170916T170000
SUMMARY:Exhibition:Victors for Art: Michigan's Alumni Collectors—Part II: Abstraction
DESCRIPTION:Commemorating the University of Michigan’s 2017 Bicentennial\, Victors for Art: Michigan’s Alumni Collectors celebrates the deep impact of Michigan alumni in the global art world. \n\nThis two-part exhibition presents works collected by a diverse group of alumni that represent the breadth of the University and over seventy years of graduating classes. Part II: Abstraction\, on view in the A. Alfred Taubman Gallery July 1 through October 29\, showcases modern and contemporary art by Pablo Picasso\, Alberto Giacometti\,\nLouise Nevelson\, Christo\, Lorna Simpson\, José Parlá\, and Do Ho Su\, among others. It also features a fifth-century Korean roof end tile and an Amish quilt\, as well as a work by an Inuit master—thus inviting visitors to explore the pleasures of abstraction across a wide range of media\, eras\, and genres. UMMA extends Part II: Abstraction into the Irving Stenn\, Jr. Family Gallery from August 19 through November 26\, 2017\, with the site-specific installation of Random International’s LED-light and motion-sensing dynamic sculpture\, Swarm Study / II. Victors for Art offers an unprecedented opportunity to view art that may have never been publicly displayed otherwise—and most certainly\, not all together. For visitors\, and especially for future Michigan alumni\, Victors for Art illuminates the shared passion for art fostered by the Michigan experience.\n\nThis exhibition was organized by Joseph Rosa\, Guest Curator\, in collaboration with Laura De Becker\, Helmut & Candis Stern Associate Curator of African Art\, Jennifer Friess\, Assistant Curator of Photography\, Lehti Mairike Keelman\, Assistant Curator of Western Art\, and Natsu Oyobe\, Curator of Asian Art.\n\nLead support for Victors for Art: Michigan's Alumni Collectors is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the University of Michigan Office of the President\, the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts\, and the University of Michigan Bicentennial Office.
UID:41371-9194649@events.umich.edu
URL:https://events.umich.edu/event/41371
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Exhibition,Multicultural,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170802T081852
DTSTART;TZID=America/Detroit:20170916T113000
DTEND;TZID=America/Detroit:20170916T123000
SUMMARY:Presentation:The Sky Tonight: Live Star Talk
DESCRIPTION:Bright stars\, constellations\, and planets are discussed in this live star talk\, which includes a trip into space to look at far away objects.
UID:41843-9487187@events.umich.edu
URL:https://events.umich.edu/event/41843
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Children,Family,Museum,Science
LOCATION:Ruthven Museums Building
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20170403T125717
DTSTART;TZID=America/Detroit:20170916T120000
DTEND;TZID=America/Detroit:20170916T130000
SUMMARY:Other:9/22--Fall 2017 Application Deadline
DESCRIPTION:The application deadline for Winter 2018 and early-admission Fall 2018. Please apply through M-Compass.
UID:40173-8509051@events.umich.edu
URL:https://events.umich.edu/event/40173
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Deadlines,Interdisciplinary,Internship,Leadership,Majors,Networking,Public Policy,Research,Scholarships,Social,Social Impact,Social Justice,Student Org,Study Abroad,Transfer Students,Undergraduate
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
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