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BEGIN:VEVENT
DTSTAMP:20160406T085901
DTSTART;TZID=America/Detroit:20160407T083000
DTEND;TZID=America/Detroit:20160407T180000
SUMMARY:Conference / Symposium:Weinberg Symposium
DESCRIPTION:The Marshall M. Weinberg Symposium is an annual interdisciplinary event that focuses on cognitive science. The symposium emphasizes interdisciplinary activities and aims to foster fruitful and lasting interactions among philosophers\, psychologists\, linguists\, and other cognitive scientists. \n\n TALKS BY\n David Amodio\, New York University\n Patricia Devine\, University of Wisconsin-Madison\n Anne Jaap Jacobson\, University of Houston\n Denise Sekaquaptewa\, University of Michigan\n\n Reception to follow\n\n Questions? Please contact cogsciprog@umich.edu.
UID:29879-3255110@events.umich.edu
URL:https://events.umich.edu/event/29879
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Graduate,Philosophy,Undergraduate
LOCATION:Michigan League
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160309T163823
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T170000
SUMMARY:Exhibition:A Wall in Process
DESCRIPTION:This wall-in-process represents a snapshot into the year long collaborative project Humanize the Numbers at the University of Michigan. Led by Virginia artist and prison reform activist Mark Strandquist\, this campus-wide endeavor aims to link together community partners—prison reformers and advocates\, faculty\, staff\, students\, artists\, the incarcerated\, and their families—in various artistic outputs to foster knowledge and to reveal the human face of the Michigan prison system. \n\nWhat will emerge on this wall over the course of its eight week duration is the product of partnerships between the Institute for the Humanities and artists and prison reform activists. We have collected material from the Prison Creative Arts Program (PCAP)\, the Citizens’ Alliance on Prisons and Public Spending (CAPPS)\, Ana Fernandez’s undergraduate printmaking course in the Residential College\, Natalie Holbrook from the American Friends Service Committee (AFSC)\, the AFSC’s Good Neighbor Letter Writing Project as facilitated by Ron Simpson-Bey\, and a quilting workshop in a Michigan girls’ treatment unit facilitated by Theadra Fleming and Heather Martin. \n\nThis wall is not static\, fixed\, or ever meant to be complete. Its appearance will change week by week\, both in an additive and reductive sense. The room will also serve as a meeting place for lectures and workshops by Humanize the Numbers partners throughout the exhibit’s duration. Displaying both the seemingly mundane and the extraordinary\, the wall aims to engage viewers and garner interest in the pursuit of knowledge on Michigan’s prison system\, acting as a humanistic lens into the lives affected by our prison system on a personal\, institutional\, statewide\, and nationwide scope.
UID:28555-2757581@events.umich.edu
URL:https://events.umich.edu/event/28555
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Public Policy,Social Justice
LOCATION:202 S. Thayer - Osterman Common Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160316T171311
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T170000
SUMMARY:Exhibition:Accent Elimination
DESCRIPTION:About Accent Elimination\n\nNina Katchadourian’s work Accent Elimination\, the last installation in the Institute’s Year of Conversions\, meanders and parses through our notions of identity. Katchadourian considers the ongoing quandary of where we really come from\, who we are\, trying to isolate our sense of ourselves in counterpoint with the way people define or judge us based upon their assumptions. It is\, of course\, the unique combination of things that offers our most comprehensive and authentic self-reflection\, not one thing or another\, and this amalgamation is to some degree indecipherable.\n\n\nAlthough they have lived in the United States for over 45 years\, Katchadourian’s foreign-born parents both have distinctive but hard-to-place accents that the artist has never been able to imitate correctly. Inspired by posters around New York advertising courses in “accent elimination\,” Katchadourian decided to hire a professional who could teach her to speak in each of her parents’ accents and teach them to speak with a so-called “standard American accent.” Katchadourian and her parents took intensive lessons with accent coach Sam Chwat at his office every other day for several weeks\, and also practiced in the artist’s studio between lessons. They worked with two scripts: one written by her mother and the other by her father\, both modeled on the typical conversation that each of them has when talking with a stranger who notices an accent and is curious about its origins.\n\nKatchadourian plays the part of the stranger. The dialogues are first performed in everyone’s natural accents\, then at the end of the piece\, after much practice and struggle\, they attempt to perform the\nsame scripts—in the best version they can muster—of their new accents.\n\nIn light of recent and all-too-familiar seismic political shifts consumed with “otherness\,” and building walls rather than bringing them down\, Accent Elimination feels especially prescient. It reminds us there\nare so many layers that comprise our cultural identities\, stacked up like markers\, artifacts of our points of origin as well as our extraordinary journeys. It is an ongoing and painstaking process as to what we save and what we lose along the way by choice\, necessity\, or circumstance. And in all of this\, perhaps we discover ourselves on common ground.\n\nAccent Elimination was included at the 2015 Venice Biennale in the Armenian pavilion\, which won the Golden Lion for Best National Participation. Nina Katchadourian is represented by Catharine Clark Gallery.\n\nNina Katchadourian’s University of Michigan visit is the result of a collaboration between the Institute for the Humanities and the Armenian Studies Program.
UID:28557-2757627@events.umich.edu
URL:https://events.umich.edu/event/28557
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Film,History,Language,Visual Arts
LOCATION:202 S. Thayer - Institute for the Humanities Gallery
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160319T130732
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T190000
SUMMARY:Exhibition:Fellow Fellows
DESCRIPTION:The University of Michigan's Taubman College of Architecture and Urban Planning presents...\"Fellow Fellows\"\, the Architecture Fellows Presentation and Exhibition Opening. \n\nThe exhibition of projects of the 2015-2016 Architecture Fellows opens on Wednesday\, March 23 and runs through the end of the Winter term (May 2). The Fellows will present their projects to the college at 6:00 p.m. in the Auditorium. The projects present their ongoing research during their yearlong fellowship. A reception will follow the presentations\, with exhibition on view in the college gallery.\n\n\nCyrus Peñarroyo - William Muschenheim Fellow\n\nBLDG_DRWG\nBLDG_DRWG recoups handwrought drawing effects and rearranges drawing conventions at the building scale in order to reorient the ways in which architecture is produced and consumed. Oscillating between analog methods (ink\, paint\, tape) and digital processes (scanning\, photoshop filtering\, milling)\, this project intensifies attributes of drawing otherwise lost in translation. A series of 1:1 investigations harnesses the potency of these effects and uses them to emphasize\, deemphasize\, or reconstitute existing architectural conditions. The results of these studies are reassembled in the gallery as a room––one fragment of an unfinished building––that speaks to the instability of its own representation.\n\nTeam members: Andrew Barkhouse\, Peter Watkins\nWith assistance from: Chris Campbell\, Samantha Eng\, Matt Culver\, Asa Peller\, Tafhim Rahman\n\n\nAshley Bigham - Walter B. Sanders Fellow\n\nSafety Not Guaranteed\nArchitecture is inseparable from defense. From its most primitive and revered “origins\,” architecture was rehearsed in environments of conflict. As an alternative to the term defense architecture\, a category which typically refers to forms and types (fortresses\, citadels\, bastions\, urban walls)\, this project proposes the idea of an architecture of defense. An architecture of defense sees all of architecture as a reaction to some measure of paranoia and studies the built environment to recognize measures and methods used to subdue these fears. Safety Not Guaranteed explores the architecture of paranoia through a series of design manipulations and exaggerations. Its setting is the network of suburbia and everyday domestic scenes—spaces most commonly associated with privacy\, safety\, and security and where fortification occurs on the scale of the front door\, the home\, the cul-de-sac\, and the neighborhood.\n\nTeam Members: Connor Brindza\, James Howe\, Neall Oliver\, Sasha Pfeiffer\, Mark Boynton\, Kamsy Anyachebelu\n\n\nDavid Eskenazi - Willard A. Oberdick Fellow\n\nFor the Trees\nAt first I noticed how naked the papers were\, since they didn’t seem to be acting like something else. I guess they were supposed to be models\, it was an architecture exhibit after all\, but they were missing all those things that point elsewhere: no doors\, no windows\, nothing that particularly looks like anything but itself. They were formed\, sure\, but that’s not really enough to point outwards. Or is it? Before you answer\, there was one more thing: some of the papers were near an enlarged duplicate. Actually\, maybe they were shrunken copies. It was a lot like that moment at the top of Runyon Canyon when you turn around and realize there’s an entire other\, slightly smaller Los Angeles behind you. Were you just looking at the original\, or the copy? I think the most interesting part is right afterwards when your focus shifts around you to the ground\, the dirt\, the trees.. all that stuff that frames what you’re looking at\, like the base of a model or scale figures or model trees. Come to think of it\, the papers did look like trees. But the resemblance is fleeting\, and now I’m certain the papers were in fact models pointing around at each other. Or were they in the background\, acting like a frame for something else\, something that wasn’t there?\n\n\nAbout University of Michigan Taubman College of Architecture and Urban Planning:\n\nThe Taubman College of Architecture and Urban Planning at the University of Michigan is a leader in interdisciplinary education and research with a focus on creating a more beautiful\, inclusive and better built environment. The college and its alumni are committed to pushing the boundaries of architectural practice\, advancing global engagement\, and significantly enhancing diversity in the profession. The college offers the following degrees: Bachelor of Science in Architecture\, Master of Architecture (currently ranked #6 nationally\; ranked #1 in 2010 by Design Intelligence Report)\, Master of Science in Architecture\, Master of Urban Planning\, Master of Urban Design\, and PhD programs.
UID:29842-3230265@events.umich.edu
URL:https://events.umich.edu/event/29842
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Education,Graduate,Graduate School,Lecture
LOCATION:Art and Architecture Building - Auditorium (Rm 2104)
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160516T143933
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T160000
SUMMARY:Exhibition:Leisure and Luxury in the Age of Nero:  The Villas of Oplontis near Pompeii - February 19-May 15\, 2016
DESCRIPTION:Organized in cooperation with the Archaeological Superintendency of Pompeii and the Oplontis Project at the University of Texas\, this international traveling exhibition explores the lavish lifestyle and economic interests of some of ancient Rome’s wealthiest and most powerful citizens\, who vacationed along the Bay of Naples. Julius Caesar\, Cicero\, Augustus\, and Nero all owned villas in this region. With more than 200 objects on loan from Italy\, the exhibition focuses on two structures at Oplontis that were buried when Mount Vesuvius erupted in AD 79. One is an enormous luxury villa that may once have belonged to the family of Nero’s second wife Poppaea. The other is a nearby commercial-residential complex—a center for the trade in wine and other produce of villa lands. Together these two establishments speak eloquently of the ways in which the Roman elite built\, maintained\, and displayed their vast wealth\, political power\, and social prestige. In presenting a selection of impressive works of art along with ordinary utilitarian objects\, the exhibition also calls attention to Roman disparities of wealth\, social class\, and consumption. Such disparities were as problematic for Roman society as they are for ours today.\n\nThis exhibition in Ann Arbor will remain open to the public until May 15\, 2016. It will also be shown at the Museum of the Rockies at the Montana State University\, Bozeman (June 17-December 31\, 2016) and the Smith College Museum of Art in Northampton\, Massachusetts (February 3-August 13\, 2017).\n\nOplontis inv. 73412a: Image of gold and emerald necklace courtesy of Pio Foglia\, Fotographica Foglia s.a.s.
UID:27780-2561808@events.umich.edu
URL:https://events.umich.edu/event/27780
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Museum
LOCATION:Kelsey Museum of Archaeology - Meader Gallery, Second Floor of Upjohn Exhibit Wing
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160317T152041
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T143000
SUMMARY:Meeting:Michigan Geophysical Union
DESCRIPTION:The EARTH department will be hosting the 13th annual Michigan Geophysical Union student research symposium this year\, an event co-sponsored by Climate and Space Sciences and Engineering (CLaSP). MGU is a friendly forum designed to showcase and reward outstanding student research in various aspects of Earth\, oceanic\, atmospheric\, and space sciences\, as well as foster interdepartmental dialogue and camaraderie. All faculty\, staff\, graduate\, and undergraduate students are encouraged to attend to learn about the exciting research that is taking place in the UM scientific community. We have 50 poster submissions this year in a broad array of subjects ~ so come check it out!
UID:28907-2893059@events.umich.edu
URL:https://events.umich.edu/event/28907
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Research
LOCATION:Palmer Commons - Great Lakes Room
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160311T101809
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T170000
SUMMARY:Other:Service Cords for Graduating Students
DESCRIPTION:Our goal is to recognize students at graduation that have -- through voluntary service\, activism and advocacy\, or other forms of civic engagement -- helped address or make positive change around a specific social issue in partnership with economically or socially marginalized communities beyond campus.\n\nLearn more and apply here: ginsberg.umich.edu/servicecords
UID:29629-3155162@events.umich.edu
URL:https://events.umich.edu/event/29629
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Commencement,Community Service,Social Impact,Social Justice,Volunteer
LOCATION:Ginsberg Center for Community Service and Learning
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160311T162249
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T170000
SUMMARY:Exhibition:Special Exhibit:On the Trail of Wonder: Selections from the Collection of Rolf Sapoli
DESCRIPTION:What makes an object wonderful? Is it an objective quality that can be measured and studied? Or is it an instinctive reaction\, welling up within the observer\, prompting us to ask: where did this come from? What does it mean? Is it real?\nNoted natural philosopher Rolf Sapoli has generously lent prized pieces from his world-renowned collection to the U-M Museum of Natural History for a short-term imposition. Objects rarely seen in a museum will be on display\, including a native Michigan koala\, Henry Ford’s pet dodo\, and a miniature manatee.  The items will be integrated with the permanent collections and interspersed throughout the galleries\, creating a trail of wonderful objects.  How many will you find?  The exhibit opens March 26 and runs through April 10\, though Mr. Sapoli tells us the best viewing will be on Friday\, April 1\, at 4:01 pm.
UID:29579-3138788@events.umich.edu
URL:https://events.umich.edu/event/29579
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,Museum
LOCATION:Ruthven Museums Building
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160229T122857
DTSTART;TZID=America/Detroit:20160407T090000
DTEND;TZID=America/Detroit:20160407T120000
SUMMARY:Workshop / Seminar:Understanding Data
DESCRIPTION:Getting data is hard. Getting good data is even harder. Preparing your data before you begin is essential to getting usable and reliable results. During this session\, you will explore how to make sure your data is ready for analysis and visualization.\n\nYou will learn to:\n\nIdentify the different types of data and understand how they can be used\nApply techniques that make your data consistent\nUse methods that will help reduce the possibility of errors in your data\nIdentify when you have “missing” data and how you manage it\nDescribe qualitative data and apply methods for handling it\nShow how each type of data relates to options for analysis and visualization\n\nYou will benefit by:\n\nMaking your data easier to analyze and/or visualize\nKnowing how to get your data ready for others to use\n\nAudience:\n\nAnyone who works with data for analysis\, visualization\, or presentation
UID:29279-3058430@events.umich.edu
URL:https://events.umich.edu/event/29279
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Career,Networking,Professional Development,Workshop
LOCATION:Administrative Services Building
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160303T141620
DTSTART;TZID=America/Detroit:20160407T100000
DTEND;TZID=America/Detroit:20160407T111500
SUMMARY:Workshop / Seminar:Blue Jeans and Videoconferencing
DESCRIPTION:This class provides a quick-start introduction to Blue Jeans and other options available to you for live two-way connections. Bring guest speakers into your classroom. Teach your class remotely when you are on the road. Connect your students with students at other universities\, or with places and experiences they cannot otherwise access. Arrange meetings\, classes\, and special events without regard to the locations of the participants. Join us and explore the possibilities available with today’s technology.
UID:29380-3085032@events.umich.edu
URL:https://events.umich.edu/event/29380
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Education,Information and Technology,International,Media,Workshop
LOCATION:Modern Languages Building - 2001B
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160229T085728
DTSTART;TZID=America/Detroit:20160407T100000
DTEND;TZID=America/Detroit:20160407T163000
SUMMARY:Exhibition:Exhibit: A Cloth of Earth and Sky
DESCRIPTION:Every culture has found ways to restore body\, mind\, and spirit in nature. In this exhibit\, African-American quilters from the Great Lakes region interpret how plants\, gardens\, and nature are embedded in cultural awareness and expressions of health. The exhibit includes contemporary works that express cultural legacy based in the art of quilting related to individual and shared healing. Students from Flint's Eagle's Nest Academy also contributed works for display in the exhibit. Sponsored by the Great Lakes African American Quilters Network & Matthaei-Nichols
UID:27086-3056191@events.umich.edu
URL:https://events.umich.edu/event/27086
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:African American,Culture,Environment,Multicultural,Visual Arts
LOCATION:Matthaei Botanical Gardens
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160323T081336
DTSTART;TZID=America/Detroit:20160407T100000
DTEND;TZID=America/Detroit:20160407T163000
SUMMARY:Exhibition:Exhibit: Hidden Worlds: The Universe of Pollen Revealed in Large-scale Ceramic Sculptures
DESCRIPTION:Inspired by the beautiful forms that pollen takes\, the amazing power of these tiny grains of life\, and the challenges that honeybees and pollinators face\, U-M Stamps School of Art & Design professor Susan Crowell fashioned large-scale ceramic sculptures of pollen. The sculptures will be displayed in the conservatory at Matthaei Botanical Gardens. As part of the exhibit Crowell has also created three sculptures of  pollen collected from the 80-year-old agave that bloomed at Matthaei in 2014. The agave pollen sculptures are based on scanning electron microscope images of the pollen taken by the U-M Hospitals imaging lab.
UID:27101-3065113@events.umich.edu
URL:https://events.umich.edu/event/27101
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Environment,Visual Arts
LOCATION:Matthaei Botanical Gardens
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20151118T144634
DTSTART;TZID=America/Detroit:20160407T100000
DTEND;TZID=America/Detroit:20160407T170000
SUMMARY:Exhibition:From Christianity to Islam: Egypt between Late Antiquity and the Early Middle Ages
DESCRIPTION:Selected papyri from the University of Michigan's Papyrology Collection illustrate the government\, society\, and religious culture of Egypt during its transition from Byzantine Christian to Arab Islamic rule (4th to 8th centuries AD). Texts Greek\, Coptic Egyptian\, and Arabic\, many never before on public display\, further highlight the richness and diversity of the U-M Collection.\n\nOn display Monday through Friday\, 10am to 5pm.
UID:26651-2127458@events.umich.edu
URL:https://events.umich.edu/event/26651
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Exhibition,Free,History,Library
LOCATION:Hatcher Graduate Library - 7th Floor Exhibit Space
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20160314T214241
DTSTART;TZID=America/Detroit:20160407T100000
DTEND;TZID=America/Detroit:20160407T113000
SUMMARY:Lecture / Discussion:HOW DO WE TALK TO PEOPLE WHO ARE DIFFERENT?
DESCRIPTION:The central and abiding value of the study of the humanities is to facilitate communication across cultural and economic divisions. It is through the \nexploration of expression – the core purpose of humanistic study – that we are able to better understand each other and to draw upon the shared experience of past and present diverse cultures to help us do so.   \n\nDavid Potter received his A.B. from Harvard and his Doctor of Philosophy from Oxford University. After two years as a visiting Assistant Professor at Bryn Mawr College\, he joined UM’s Department of Classical Studies in 1986. He has authored numerous books.\n\nThis is the first in a six-lecture series. The subject is \"The Power of the Liberal Arts.\" The next lecture will be April 14\, entitled “'DON’T JUST DO SOMETHING\, STAND THERE':  ON TEACHING STUDENTS HOW TO BE HUMAN AND DIVINE\"
UID:29298-3058450@events.umich.edu
URL:https://events.umich.edu/event/29298
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Education,Lifelong Learning,Retirement
LOCATION:Off Campus Location
CONTACT:
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20160404T105502
DTSTART;TZID=America/Detroit:20160407T110000
DTEND;TZID=America/Detroit:20160407T170000
SUMMARY:Exhibition:Albert Kahn: Under Construction
DESCRIPTION:In the past two decades there has been a tremendous swell of interest in Detroit architect Albert Kahn (1869–1942)\, arguably the most important architect of American industrialization. Albert Kahn: Under Construction focuses on the remarkable archive of photographs assembled by Albert Kahn Associates while building the powerhouses of American industry\, from the Highland Park Ford Plant to the Willow Run Bomber Plant. Shot by an array of professional photographers based mainly in Detroit\, these often striking documentary images were a novel strategy for conveying information about the daily progress of construction to busy managers at the main office. The exhibition foregrounds the photographic series as a way of illustrating change over time—showing buildings as they grew on site—and Kahn’s innovative solutions to the architectural challenges of his day.\n\n**Special hours Sundays: 12–5pm\, CLOSED Mondays
UID:29456-3120392@events.umich.edu
URL:https://events.umich.edu/event/29456
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Architecture,Art,Exhibition,Museum,UMMA
LOCATION:Museum of Art
CONTACT:
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